Tag Archives: Dolly Parton

Daily Top Five: Back to Work

Sawyer Brown Cafe on the CornerSo with the site up and running again, we’re back to work.   What better way to kick things off than with a Daily Top Five of your favorite songs about work?

Here’s my list:

  1. Sawyer Brown, “Cafe on the Corner”
  2. Alabama, “40 Hour Week (For a Livin’)”
  3. Dolly Parton, “He’s a Go Getter”
  4. Martina McBride, “Goin’ to Work”
  5. Aaron Tippin, “I Got it Honest”

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Daily Top Five: Not Better With Time

Brad Paisley OnlineJust as songs can grow on us over time, songs can lose their shine just as easily. These are the songs that I once enjoyed and even loved in some cases, but have lost their appeal either due to over exposure or changing tastes.

What songs did you once enjoy, but now no longer appreciate?

Here’s my list:

  1. Tim McGraw, “Don’t Take the Girl”
  2. Garth Brooks, “The Dance”
  3. Garth Brooks, “The River”
  4. Brad Paisley, “Online”
  5. Dolly Parton, “Think About Love” (Though I’d like this one again with updated production)

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Say What? – Vince Gill

Vince Gill 2In a long, fascinating interview with the Houston Press, Vince Gill was asked about the recent controversy involving female artists and country radio.

Here’s what he had to say:

“That’s one of the greatest tragedies in this stretch of life for me,” Gill says. “Because I’ve been inspired as much or more by women artists, equally, than I have as men. So if there’s only a couple that are getting the opportunity to really knock it out of the park at radio, then you just go, “What about Patsy Cline/Kitty Wells/Tammy Wynette/Loretta Lynn?’

“I could go on and on and on and on and name you about 50 great female artists,” Gill continues. “And I don’t know why that is. To me, they’re making much more…interesting records. They’re saying more things I’d prefer to hear, lyrically and song-wise, and that’s compelling. This Ashley Monroe kid, she writes songs like she’s 80 years old. It’s remarkable, and it’s not dumbing it down. It’s not going for the lowest common denominator. It’s so refreshing, you know?”

We know, Vince.  We definitely know!

Bonus quote on his duet partners Dolly Parton, Alison Krauss, and Patty Loveless:

Dolly would be a great one; getting to do “I Will Always Love You” with her. Anything I’ve ever done with Alison Krauss has been pretty magical. To me one of the most seamless-sounding partners has been Patty Loveless. I think we only maybe did one “real” duet together over all these years, but we both sang on each other’s first hit records.

I’ve been singing with her since, gosh, the mid-’80s, when she made her first record and we sang together. There’s something magical about our voices together that I was always drawn to. She sang on “When I Call Your Name,” “Pocket Full of Gold,” and I sang on a bunch of her hits — “If My Heart Had Windows” and then backgrounds on probably 15 or 20 of her records over the years.

I remember an ill-informed journalist reviewing a Patty Loveless album in the mid-nineties and suggesting Loveless get Gill to sing on some of her songs as payback for the harmony she did on his, completely oblivious to the fact that it was Loveless returning the favor for Gill’s work on her eighties hits.

That guy’s probably a radio consultant now.

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Daily Top Five: Least Essential Albums

Dolly Parton RainbowWe’ve all got ’em.

What are the five albums from artist you love that you try to pretend didn’t happen? (Or at least just don’t copy over to your iPod)

Here’s my list:

  1. Sugarland, The Incredible Machine
  2. Tim McGraw, Emotional Traffic
  3. Trisha Yearwood, Where Your Road Leads
  4. Dolly Parton, Rainbow
  5. Randy Travis, Full Circle

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Daily Double Top Five: Best Duets and Harmony Vocals

Porter Dolly Just Between You and MeOnce again, technical difficulties derailed yesterday’s Daily Top Five.  So we’re doubling down today.

Ever notice how the Vocal Event categories at country award shows honor harmony vocals as much as they do real, full-fledged duets?  The spiritual godfather of all of this is “You and I”, the not quite duet by Eddie Rabbitt and Crystal Gayle, “You and I.”  But the modern trend goes back to the award-sweeping “It’s Your Love”, the not quite duet by Tim McGraw and Faith Hill.

So for today’s Daily Double Top Fives, we’re asking you to make the distinction that the award shows don’t.  What are your favorite five duets, which feature two artists actually trading off lines, and what are your favorite five “all-star” harmony vocals?

Here are mine:

Top Five Duets

  1. Porter Wagoner & Dolly Parton, “The Last Thing on My Mind”
  2. Loretta Lynn & Conway Twitty, “After the Fire is Gone”
  3. Kenny Rogers & Dolly Parton, “You Can’t Make Old Friends”
  4. Suzy Bogguss & Billy Dean, “Something Up My Sleeve”
  5. Brad Paisley & Alison Krauss, “Whiskey Lullaby”

Top Five Harmony Vocals

  1. Linda Ronstadt with Emmylou Harris, “I Can’t Help it (If I’m Still in Love with You)”
  2. Tim McGraw with Faith Hill, “Meanwhile Back at Mama’s”
  3. Patty Loveless with George Jones, “You Don’t Seem to Miss Me”
  4. Vince Gill with Patty Loveless, “When I Call Your Name”
  5. Trisha Yearwood with Emmylou Harris, “Woman Walk the Line”

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Six Pack: Classic Country Songs for International Women’s Day

International Women's DayToday is International Women’s Day.   Historically speaking, country music has never enjoyed a reputation for being socially progressive.

For the general public, the definitive statement the genre made was “Stand By Your Man.”  That Tammy Wynette classic is often cited as country music’s counterpoint to the women’s liberation movement, although Wynette wrote the thing in fifteen minutes without any agenda in mind. She just needed a song to sing.

I generally consider the classic country era to have ended with the seventies,  preceding the Urban Cowboy and New Traditionalist movements. What follows are some of the best deliberate statements made by country artists during those years in support for women’s rights.  Some were big hits.  Some were not.  But they were all ahead of their time and are still interesting to listen to today.

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Album Review: Rhiannon Giddens, Tomorrow is My Turn

Rhiannon Giddens Tomorrow is My Turn

Rhiannon Giddens
Tomorrow is My Turn

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Although Rhiannon Giddens has been a fixture on the Americana circuit as the frontwoman for the terrific Carolina Chocolate Drops, it’s on her solo debut, Tomorrow Is My Turn, that Giddens truly announces herself as an artist. On a shrewdly chosen collection of songs that draw from a diverse sample of American roots music, Giddens and producer T Bone Burnett showcase a fearless approach to genre that never once allows easy signifiers to interfere with her forceful and intuitive interpretations.

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The Best Albums of 2014

2014 was a banner year for country music albums.   In addition to the predictably solid entries from the Americana, folk, and bluegrass scenes, some excellent albums also surfaced from the unlikeliest of sources: mainstream, radio-friendly contemporary country artists!

Here are our twenty favorite albums from 2014.   Fingers crossed that 2015 is as good or better than this year has been.

Jennifer Nettles That Girl

#20
Jennifer Nettles
That Girl

KJC #8 | LW #16

A confident, intelligent solo project that washes away all of the bitter taste left by Sugarland’s preceding studio album, The Incredible Machine.  Nettles manages to remind us what was so appealing about the trio-turned-duo in the first place, while also staking out her own musical territory that has room for independence anthems alongside wry, humorous commentary on society and, of course, palpably vulnerable heartbreak numbers.  – Kevin John Coyne

Recommended Tracks: “Me Without You”, “Know You Wanna Know”, “Jealousy”

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The Twenty Best Albums of 1994

As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year.  How many of those albums, however, will we still be listening to in twenty years?

We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year.  At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago.

What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into as the genre reached wider levels of popularity than it had ever seen before.

Randy Travis This is Me

#20
Randy Travis
This is Me

BF #11 | KJC #15 | LW #19

Travis’ legendary status was practically secure by 1994, but This is Me shows an artist neither resting on his laurels nor struggling to keep up with the young new talent of the era. The album serves up one solid song after another, with its best tracks delivering clever new takes on signature country themes, thus further advancing an already respectable legacy. – Ben Foster

Recommended Tracks: “Before You Kill Us All”, “This is Me”, “The Box”

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The Best Singles of 1994, Part 1: #40-#31

Our Best of 1994 Singles List kicks off today with the bottom quarter of our top forty. The list was compiled by weighing each individual writer’s choices, with preference given to songs that appeared on multiple lists. Each writer’s individual ranking is listed under the songwriter credits.

Bonus retro fun: Check out those cassette singles covers!

Alan Jackson Livin' On Love

#40
“Livin’ on Love”
Alan Jackson

Written by Alan Jackson

SG #14 | JK #23 | BF #37

Country music has, historically, given voice to those disenfranchised by poverty, validating and finding the value in the struggles of economic hardship. What elevates the appropriately bare-bones narrative of “Livin’ on Love” is the warmth and real sense of empathy in Jackson’s performance. – Jonathan Keefe

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