CMA Flashback: Female Vocalist of the Year
Our CMA Flashback series continues with a look at Female Vocalist of the Year.
Dottie West
Sunday Selections: September 11, 2016
It’s Trio Collection release week, y’all!
Daily Top Five: Cover Songs You Like Better Than the Original
Some cover songs pale in comparison to previous incarnations. Other attempts may come across as competent but disposable. But every now and then, a cover […]
Single Review: Miranda Lambert, “Roots and Wings”
“Roots and Wings” Miranda Lambert Written by Miranda Lambert That’s right. Miranda’s so much on her game right now that a song written for a […]
2014 CMA Nominations
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be […]
100 Greatest Men: #17. Kenny Rogers
100 Greatest Men: The Complete List The biggest crossover star that country music has ever known, Kenny Rogers was among the biggest stars of any […]
100 Greatest Men: #60. Don Gibson
100 Greatest Men: The Complete List
The writer of several timeless country standards, Don Gibson put down his pen often enough to maintain a remarkable, decades-long career as a singer and performer.
100 Greatest Men: #67. Steve Wariner
100 Greatest Men: The Complete List
Many stars shone brighter before they quickly faded away. Steve Wariner stayed humble and relied on his talent, and he managed to outlast all of them.
Album Review: Steve Wariner, Guitar Laboratory
Written by Paul W. Dennis of The 9513.
Steve Wariner
Guitar Laboratory
Chet Atkins had many disciples, not the least of whom was Steve Wariner. Steve was a major country star and chart presence from 1980-1994 with scattered success both before and after his peak years.
ACM Flashback: Album of the Year
The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons. First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start. The ACM has also been more commercially-oriented from the beginning, as the history of this category proves. Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.
Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs. Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek! At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.
A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010. For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.
As with other flashbacks, we begin with a look at this year’s nominees:
2010
- Lady Antebellum, Lady Antebellum
- Miranda Lambert, Revolution
- Brad Paisley, American Saturday Night
- Carrie Underwood, Play On
- Zac Brown Band, The Foundation
Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands. Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot. This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.
2009
- Jamey Johnson, That Lonesome Song
- Montgomery Gentry, Back When I Knew It All
- George Strait, Troubadour
- Taylor Swift, Fearless
- Carrie Underwood, Carnival Ride
Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.