Doug Stone

Searching for Gary Harrison

September 18, 2010 // 11 Comments

Written by Bob Losche (Music & More)

Google “Gary Harrison songwriter” and you won’t find a website or MySpace. There’s not even a Wikipedia article. Don’t know where he’s from, how he got into songwriting or what he likes to eat for dinner.

As far as I know, he has never made an album. When he co-writes a song, does he write the music or the lyrics or a little of both? Don’t know. He’s a Grammy nominated songwriter as co-writer of “Strawberry Wine”, the 1997 CMA Song of the Year, and has penned many BMI Award-Winning Songs. It appears that his first big hit was “Lying in Love with You”, written with Dean Dillon for Jim Ed Brown and Helen Cornelius. The duet went to #2 in 1979.

400 Greatest Singles of the Nineties: #100-#76

August 15, 2010 // 13 Comments

Many a star was launched in the nineties, a few of them right out of the gate. This section includes the debut singles from Toby Keith, Jo Dee Messina, LeAnn Rimes, and Doug Stone, along with Grammy-winning hits by Alison Krauss and Dwight Yoakam.

400 Greatest Singles of the Nineties: #100-#76

The Battle Hymn of Love
Kathy Mattea & Tim O’Brien
1990 | Peak: #9


Wedding songs are typically made of the same fiber, but this one is a little different: it’s energized by burning conviction and fierce pledges. – Tara Seetharam

LeAnn Rimes
1996 | Peak: #10


Sure, the novelty of thirteen year-old Rimes’ prodigious Patsy imitation helped things along. But that unshakable yodeled hook would have made “Blue” a classic in any era of country music. – Dan Milliken

400 Greatest Singles of the Nineties: #250-#226

July 23, 2010 // 22 Comments

A lot of songs from both ends of the charts here, including a husband-and-wife duet that spent six weeks at #1.

400 Greatest Singles of the Nineties: #250-#226

I Meant Every Word He Said
Ricky Van Shelton
1990 | Peak: #2


At least the third song on this list about a guy mulling over romantic gestures he wishes he’d made to his former love, and the most traditional among those songs. You could easily imagine this one being a minor classic by a 60’s or 70’s legend, so close is its replication of that style. – Dan Milliken

I’m So Happy I Can’t Stop Crying
Toby Keith with Sting
1997 | Peak: #2


My hard-and-fast rule for Toby Keith: The sadder he is, the happier the listening experience tends to be. He’s all kinds of sad in this snapshot of post-divorce melancholia, reflecting on everything from unfair custody protocol to the greater motions of the universe. Even a gratuitous Sting cameo can’t detract from the single’s gloomy grandeur. – DM

You Ain’t Much Fun
Toby Keith
1995 | Peak: #2


Toby Keith is also funny, though. What’s a man to do? Sobering up ain’t all that it’s cracked up to be from is perspective. Ever since he’s done so, his wife has been taking advantage of his increased functionality by giving him honey-do lists that he wasn’t ably tackling pre-sobriety. It’s enough to drive a man to drink. – Leeann Ward

400 Greatest Singles of the Nineties: #275-#251

July 20, 2010 // 23 Comments

This section begins with a song about a farmer and his wife and ends with one about Mama. Doesn’t get much more country than this!

400 Greatest Singles of the Nineties: #275-#251

Somewhere Other Than the Night
Garth Brooks
1992 | Peak: #1


About a woman who only feels truly appreciated by her husband when they’re having sex. That kind of says it all, doesn’t it? – Dan Milliken

Looking Out For Number One
Travis Tritt
1993 | Peak: #11


From his rocking side, Tritt is tired of trying to please everyone around him, including his demanding lover. As a result, he brashly declares that he’s going to make some changes, which will include looking out for himself. Get out of the way, because his ferocious performance makes him seem quite serious about his epiphany. – Leeann Ward

Let That Pony Run
Pam Tillis
1992 | Peak: #1


Gretchen Peters wrote the gorgeous song and Pam Tillis, in turn, beautifully sings it. The song is about Mary, a woman who is forced to start a new life after her husband confesses his infidelities with no apologies. The story is sad, it’s resilient, and it’s hopeful. – LW

I Just Want to Dance With You
George Strait
1998 | Peak: #1


Any monotony in the verses is overcome by the song’s completely enticing rhythm and flavor. How can you not get lost in this? – Tara Seetharam

How Very Nineties: George Jones & Friends, and other All Star Jams

June 13, 2010 // 11 Comments

New fans of country music in the nineties were hit over the head with the assertion that country music was one big family. Nothing demonstrated this mythos better than the all star jams that cropped up during the boom years.

There were some variants of this approach. A popular one found a veteran star teaming up with one or more of the boom artists to increase their chances of radio airplay. George Jones was big on this approach, with the most high profile attempt being “I Don’t Need Your Rockin’ Chair.” Seventeen years later, it’s amazing to see how young everyone looks – even Jones himself!

Favorite Songs by Favorite Songwriters: Gary Burr

April 11, 2010 // 8 Comments

Written by Music & More blogger Bob Losche.

Connecticut born songwriter Gary Burr got his first break when he broke his leg in a high school soccer game. With time on his hands, he taught himself to play the guitar and began writing songs. His second break came in 1982 when, without a co-writer, he penned Juice Newton’s “Love’s Been a Little Bit Hard on Me”. That same year, he became the lead singer for Pure Prairie League after Vince Gill left the group to pursue a solo career. Gary remained with PPL until 1985 and headed to Nashville in the late 1980’s. He has since been awarded ‘Songwriter of the Year’ on three separate occasions by three different organizations: Billboard, Nashville Songwriter’s Association International, and ASCAP. He has also received over twenty of ASCAP’s recognition awards for radio play activity, and cds featuring his songs have sold more than 50 million units world-wide. He’s currently affiliated with SESAC. Most recently, he was Carole King’s guitarist on her “Living Room Tour”, performing some of his own songs as well.

If you go to Gary’s website and click on Discography you’ll see a Short List of 35 of his best known songs, in alphabetical order by recording artist. If you click on Full List, you see the names of about 170 songs. You’ll find hits and albums track (“hidden treasures” to some) by country artists such as Hal Ketchum, Patty Loveless, Randy Travis, Reba McEntire, Garth Brooks, Tanya Tucker, Ty Herndon, Faith Hill, Leann Rimes, Mary Chapin Carpenter, Gary Allan, Andy Griggs, Kathy Mattea, Lorrie Morgan, Terri Clark, Collin Raye, Doug Stone, Ricky Van Shelton, Diamond Rio, Conway Twitty, Chely Wright and many others plus pop artists Kelly Clarkson, Clay Aiken, etc . The website list does not include the current Sarah Buxton hit “Outside My Window”.

Favorite Songs by Favorite Artists: George Strait

March 1, 2009 // 32 Comments

Write this down: George Strait will be recorded in the annals of country music history as the greatest singles artist of all-time. He already ranks third among all artists in terms of chart success, trailing only Eddy Arnold and George Jones. By the dawn of the next decade, he’ll be on top. Now, I don’t place inordinate value on what radio decides worthy of massive spins, but I do think that Strait’s hit singles are usually much better than the album cuts that aren’t sent to radio. Even though I have all of his albums, only two of the tracks on this list weren’t released as singles. With more than thirty albums to his credit, I’m sure that there are many songs that readers love which I haven’t included here. Here are my favorite songs by George Strait. #25 “Blue Clear Sky” Blue Clear Sky, 1996 This is the type Read More

I am not ashamed.

February 28, 2009 // 46 Comments

“Pride attaches undue importance to the superiority of one’s status in the eyes of others; And shame is fear of humiliation at one’s inferior status in the estimation of others. When one sets his heart on being highly esteemed, and achieves such rating, then he is automatically involved in fear of losing his status.” – Lao Tzu, Chinese philosopher This week’s iPod challenge requires you to check your shame at the door. Too often, there is embarrassment associated with our favorite music. We worry about the cool factor. When I started Country Universe, I was determined to write honestly about what I like and dislike, regardless of how it might affect my credibility in the eyes of others. But I often keep mum about the guiltiest of my guilty pleasures. So with this iPod check, I’m hitting shuffle and listing the first twenty songs that I’d normally be too embarrassed Read More

Grammy Flashback: Best Male Country Vocal Performance

January 19, 2009 // 10 Comments

Updated for 2009 While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This year, the 45th trophy for Best Male Country Vocal Performance will be awarded. In a continuation of our Grammy Flashback series, here is a rundown of the Best Country Vocal Performance, Male category. It was first awarded in 1965, and included singles competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks. As usual, we start with a look at this year’s nominees and work our way back. Be sure to vote in My Kind of Country’s Best Male Country Vocal Performance poll and let your preference for this year’s race be known! Read More

Review: Doug Stone, "Don't Tell Mama"

January 8, 2009 // 17 Comments

There are some singers you generally shou ldn’t touch if you don’t want to your rendition to be remembered for second-bestness. You shouldn’t touch Patsy, you shouldn’t touch Connie, you shouldn’t touch Merle, you shouldn’t touch Reba, you shouldn’t touch Wynonna, you shouldn’t touch Trisha, you shouldn’t touch either George. And you shouldn’t touch Gary Allan. Okay, to his credit, Stone actually has some nice moments in this attempt at the honky-tonk weeper that most notably appeared on Allan’s Smoke Rings in the Dark. He’s always had one of the prettier voices in the business, and the first verse of his reading suggests he might use that quality to offer a different interpretive take on the song than Allan’s appropriately gritty vocal did. Perhaps, you think, Stone will focus on the shocked vulnerability of the drunk driver as he realizes he is near death and utters his empathic last words. Read More

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