Twelve Songs of Christmas: Day One

December 15, 2011 Sam Gazdziak 8

Along with all the other traditions that come with Christmas time – watching your favorite TV specials, getting together with family on Christmas Day, wondering how you ever lived without a pre-lit Christmas tree – one of the best ones involves breaking out the collection of Christmas music.

As a kid, it meant that the Bing Crosby and The Chipmunks Christmas albums make their way out of the buffet draw and take up a month-long residence on my mom’s stereo. Now, it means flipping over to my Christmas songs playlist on iTunes, where Patty Loveless, Dwight Yoakam and The Chieftains all are a part of the family’s Christmas soundtrack.

Pop Goes Country – A Cover Song Report Card

November 15, 2011 Ben Foster 40

Cover songs can be a hot topic at just about any given time. We recently got to hear a somewhat underwhelming OneRepublic cover by Faith Hill, which Kevin recently reviewed. Other recent attempts include Sara Evans’ pop-country reworking of Rod Stewart’s “My Heart Can’t Tell You No,” as well as last year’s polarizing Beyoncé cover by Reba McEntire.

Since cover songs are so much fun to talk about, I thought I’d weigh in on a few well-known cover songs from the past few years – the good ones, as well as a few that we would rather forget. My criteria is simple: A good cover song should bring something new to the table, and the song should be treated in a way that is well-suited to the artist as well as the genre. This list focuses specifically on country covers of non-country songs.

iPod Playlist: Originals And Covers

July 14, 2011 Leeann Ward 19

As I’m sure the rest of you do, I make playlists all the time. Many of them are lists of individual artists, but some of them have a concept.

My latest playlist is of covers. First, I have the original version (or the one that’s famous for being the original) followed by my favorite cover of it. My only rule is that I have to like both versions. So, songs where I like the cover but not the original won’t make the list.

The 30 Day Song Challenge: Day 13

May 21, 2011 Leeann Ward 26

Today’s category is…

A Leaving Song.

Here are the staff picks:

Leeann Ward: “She’s Crazy For Leavin'” – Rodney Crowell

For me, this song plays out like a movie scene in one of those wacky romantic comedies. The guy is over-the-top trying to convince his girl not to go, saying that “she’s crazy for leaving”, while everyone else at the bus stop pretty much knows he’s the crazy one and tells him to just let her go. I especially love the hook, “You can’t stop a woman when she’s out of control.” Few can write tongue in cheek like Crowell and Guy Clark, I tell ya.

Where’ve You Been? – 2011 Edition

January 23, 2011 Kevin John Coyne 25

It’s hard to believe that there once was a time that country artists put out two full-length albums a year. If they were part of a regular superstar duet team, like Conway Twitty & Loretta Lynn or Porter Wagoner & Dolly Parton, a fan might hear as many as four new studio albums from their favorite artist.

By the time that I got into country music – twenty years ago, natch – things had slowed down a bit. Artists usually released a new album every 12-18 months. Sometimes they’d push it to two years, but not often.

Those were the days. Waits between album releases have gotten crazy lately. I’m all for taking the time to get it right, but once we push past the half-decade mark, things have gone too far. Sure, we’re given side projects to carry us over, but there’s no substitute for a full-length studio album of all-new material.

Here are five artists who I’d really love to see make a long-awaited return with a new album in 2011, along with a brief rundown of the side projects that they’ve been busy with while we’ve waited for that new album:

Best of 2011?

December 28, 2010 Kevin John Coyne 30

End-of-year lists abound, and we still have another on the way. But what about the best albums of 2011?

We’re in that super cool period of anticipation, where we wonder what the albums we know about will sound like, and hope that the albums that we don’t know about will be from artists who we can’t get enough of.

Single Review: Alan Jackson featuring Lee Ann Womack, “Ring of Fire”

November 30, 2010 Leeann Ward 16

I am not one who typically embraces extremes, but I must make an exception for Johnny Cash’s recording of “Ring of Fire.” It’s the definitive version; it’s an untouchable. Sure, some people have made valiant attempts, even changing things up so as not to try to mimic Cash, but make it their own, and I even like some of these other versions. None of these other efforts, however, has surpassed or even come close to touching Cash.

400 Greatest Singles of the Nineties: #25-#1

August 30, 2010 Kevin John Coyne 32

And so we come to the end. The top of our list includes a wide range of artists singing a wide range of country music styles. Thematically, these entries are diverse, but what they all have in common is what has always made for great country music. They are all perfectly-written songs delivered with sincerity by the artists who brought them to life.

400 Greatest Singles of the Nineties: #25-#1

#25
Smoke Rings in the Dark
Gary Allan
1999 | Peak: #12

Listen

A dark, atmospheric wonder, as Allan delivers the final eulogy for a love that couldn’t help burning out. – Dan Milliken

#24
Just to See You Smile
Tim McGraw
1997 | Peak: #1

Listen

Being deeply enamored of someone can make it easy – even appealing – to forfeit your own well-being. This single’s sunny sound reflects the persistent affection pulsing through its protagonist, but its story demonstrates the heartbreak to which such unmeasured selflessness leads. – DM

400 Greatest Singles of the Nineties: #50-#26

August 24, 2010 Kevin John Coyne 16

The themes of love and loss have permeated country music for as long as it’s been in existence. This second-to-last batch of great nineties hits contains songs that are direct descendants of well-known classics like “Can the Circle Be Unbroken” and “I’m So Lonesome I Could Cry”, along with a Shania Twain hit that would have made Roba Stanley smile.

400 Greatest Singles of the Nineties: #50-#26

#50
Here’s a Quarter (Call Someone Who Cares)
Travis Tritt
1991 | Peak: #2

Listen

From the first forceful guitar strum on, this kiss-off number somehow manages to seem unusually cool and collected in its own aggression. You get the impression that Tritt’s character has been anticipating this moment, and has already determined that he’s going to relish every second of it. – Dan Milliken

#49
I’ve Come to Expect it From You
George Strait
1990 | Peak: #1

Listen

This is about as dark and bitter as George Strait gets. It’s a coat that he wears well. – Kevin Coyne

400 Greatest Singles of the Nineties: #75-#51

August 20, 2010 Kevin John Coyne 42

As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.

400 Greatest Singles of the Nineties: #75-#51


#75
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3

Listen

This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne


#74
Alibis
Tracy Lawrence
1993 | Peak: #1

Listen

Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward

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