Just as songs can grow on us over time, songs can lose their shine just as easily. These are the songs that I once enjoyed and even loved in some cases, but have lost their appeal either due to over exposure or changing tastes. What songs did you once enjoy, but now no longer appreciate? Here’s my list: Tim McGraw, “Don’t Take the Girl” Garth Brooks, “The Dance” Garth Brooks, “The River” Brad Paisley, “Online” Dolly Parton, “Think About Love” (Though I’d like this one again with updated production)
UPDATE: Check out the impeccably researched work of Deb B, also known as Windmills, over at MJ’s Big Blog: Country Radio & The Anti-Female Female Myth: A Data-Based Look ORIGINAL POST: Via Terri Clark’s Twitter, this gem from radio consultant Keith Hill: This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the Read More
The fiftieth annual Academy of Country Music Awards air tonight, and Country Universe has you covered! Here’s a rundown of all of the major categories, along with some commentary from our writers about who should win, who will, and what the nominations as a whole say about the current state of country music. Share your thoughts about this year’s show in the comments, and check back for a list of winners when it’s all said and done. Update: Join the CU crew on Twitter (@CountryUniverse) during the show to share your thoughts as things unfold! Entertainer of the Year Should Win: Jason Aldean Garth Brooks – Jonathan Luke Bryan – Sam Florida-Georgia Line Miranda Lambert – Ben, Kevin Will Win: Jason Aldean Garth Brooks Luke Bryan Florida Georgia Line Miranda Lambert – Jonathan, Ben, Sam, Kevin BF: I think Lambert is due, but I could get on board with a Read More
The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced. Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis: Entertainer Jason Aldean Garth Brooks Luke Bryan Florida Georgia Line Miranda Lambert Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line Who’s Out: Blake Shelton, George Strait, Taylor Swift Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition. Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail. Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Read More
Garth Brooks Man Against Machine Garth’s first proper studio album in thirteen years is chock full of all of his best and worst traits, but thankfully errs more often on the side of subtlety over excess. He’s always been good at straddling the fence between heartfelt sincerity and saccharine sentimentality, and the strongest moments are the ones that explore parenthood. “Mom” is a maternal celebration that would make Boyz II Men teary-eyed, while “Send ‘Em on Down the Road” captures the terrifying truth that finishing the job of parenthood means letting go, no matter how much you want to hold on.
The countdown concludes with our top twenty singles of 2014. Check out the first twenty entries here, and look for our countdown of the year’s twenty best albums tomorrow. #20 “The Devil is All Around” Shovels & Rope LW #5 | JK #13 The soulful husband-wife duo that comprises Shovels and Rope delivers a no holes barred analysis of trials and temptations, which boils down to the idea that the devil is all around, which means that one must do what he can to push against such a devastating force. – Leeann Ward
The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre. #10 “(Who Says) You Can’t Have it All” Alan Jackson Written by Alan Jackson and Jim McBride LW #10 | BF #5 | JK #38 What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward
“Mom” Garth Brooks Written by Don Sampson and Wynn Varble Simply put, “Mom” is the best single that Garth Brooks has released since the first term of the Bill Clinton administration. Got your head around that yet? Good. Now process this: The best single Garth Brooks has released since the first term of the Bill Clinton administration is a Bonnie Tyler cover.
“People Loving People” Garth Brooks Written by Michael Busbee, Lee Thomas Miller & Chris Wallin There is no nuanced way to say it. Garth Brooks’ long anticipated comeback single is really bad with a little bit of good to keep it from being really, really bad. We’ll start with the good. The message and concept of the song is admirable and hits my personal sweet spot of songs that promote love, peace and goodness in the world. He posits that it’s simply people loving people that will make the world better. It’s a simplistic view of things, but a sweet one that I can get behind on a basic level. In fact, the lyrics are well constructed and not even too cloying to sell the sentiment, which is a difficult line to balance.
100 Greatest Men: The Complete List Arriving on the scene in 1989 with a great song sense and a strong background in marketing, Garth Brooks emerged as the poster boy for the nineties country boom, and along the way, became the biggest record-seller in America since the Beatles. Brooks was born and raised in Oklahoma, the son of Capitol country recording artist Colleen Carroll. He grew up with music around the house, and learned to play the guitar and the banjo. His athletic prowess earned him a track scholarship at Oklahoma State University, but his interest soon turned to music. He began performing around Stillwater, becoming a major draw on the local talent circuit.