Tag Archives: George Ducas

Best Singles of 1994, Part 4: #10-#1

The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre.

Alan jackson Who Says You Can't Have it All#10
“(Who Says) You Can’t Have it All”
Alan Jackson

Written by Alan Jackson and Jim McBride

LW #10 | BF #5 | JK #38

What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward

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400 Greatest Singles of the Nineties: #200-#176

The hits come from all over the place here. Breakthrough hits from Trace Adkins and Carlene Carter join one-hit wonders Brother Phelps and George Ducas.  And alongside crafty covers of songs by sixties rock band The Searchers and nineties country artist Joy Lynn White, you can also find tracks from three diamond-selling country albums.

400 Greatest Singles of the Nineties: #200-#176

#200
Carrying Your Love With Me
George Strait
1997 | Peak: #1

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A traveler gets through his lonely nights on the sheer strength of love. It’s perhaps a little too saccharine for some, but the sweet melody and Strait’s understated vocals make the record work. – Tara Seetharam

#199
Nothing’s News
Clint Black
1990 | Peak: #3

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A man sits around in a bar “talking ’bout the good old times, bragging on how it used to be.” Standard premise, but Black’s melancholy performance lifts the record to Haggardly heights. – Dan Milliken Continue reading

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Forgotten Hits: George Ducas, “Lipstick Promises”

Lipstick Promises
George Ducas
1994
Peak: #9
Written by George Ducas and Tia Sillers

One hit wonders were once an anomaly in country music.  The nineties changed that, as the massive commercial success of the genre inspired more labels to get into the game. The result was more artists than country radio could ever play regularly, so even a breakthrough top ten hit was no longer enough to get radio to automatically give the next single a shot.

George Ducas was one of the earliest casualties of this new era.  With a voice like Dwight Yoakam with a touch of Raul Malo, Ducas showed tremendous promise as a singer-songwriter.  There’s a beautiful melancholy to his performance of “Lipstick Promises.” It’s the tale of a man who has been blinded by beauty and ends up being burned by his unfaithful lover.

It still sounds great today, and it’s a shame that radio didn’t give a fair shot to the singles that followed. “Hello Cruel World” and “Every Time She Passes  By” were both on par with the better single releases of their day. Ducas exited his label after two projects, but has gone on to have some success as a songwriter, penning hits for Garth Brooks (“Beer Run)” and Sara Evans (“A Real Fine Place to Start.”) He’s also had songs recorded by Trisha Yearwood, Dixie Chicks, and Gary Allan.

Tia Sillers, co-writer of “Lipstick Promises”, went on to win major awards for “I Hope You Dance”, the peak of a songwriting career that has also included hits by Pam Tillis (“Land of the Living”), Trisha Yearwood (“Heaven, Heartache, and the Power of Love”),  Dixie Chicks (“There’s Your Trouble”), and Alan Jackson (“That’d Be Alright.”)

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