In a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page, and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.
There is something distinctly different about how I am processing the news about Randy Travis. The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago. Now, I remember Randy Travis from when I was a child. What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?
This review of George Strait’s final Houston Livestock Show and Rodeo concert was originally published on CultureMap Houston.
It was 30 years ago that the Texas rancher and country music newcomer received a last-minute call to make his Houston Livestock Show and Rodeo debut, replacing the ill Eddie Rabbitt. Since then, George Strait has become part of the RodeoHouson fabric: He’s played a total of 21 shows, including the Astrodome’s closing concert in 2002 — its highest-attended event — and the Reliant Stadium’s debut concert in 2003.
He became widely hailed for his lightning-fast wit and charming novelty songs, but Roger Miller’s talents ran far deeper than just the moments of comedic brilliance that made him a legend.
So, Alan Jackson is at the peak of his first wave of popularity, and he partners up with a still-potent George Jones to cover one of the Possum’s greatest singles.
I qualify that statement with “one of”, simply because “He Stopped Loving Her Today”, “The Window Up Above”, and “She Thinks I Still Care” exist, but in my personal opinion, the original recording of “A Good Year for the Roses” really is the best George Jones single.