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The 100 Greatest Albums of the Decade, Part 4: #70-#61

December 3, 2009 Kevin John Coyne 16






The 100 Greatest Albums of the Decade, Part 4

70 Tillis

#70
Pam Tillis, It’s All Relative: Tillis Sings Tillis

By the time she released a tribute to her father Mel, she’d become something of a legend in her own right. So it’s no surprise that she approached Mel’s stellar songwriting catalog as if she was recording any other studio album, taking the best of the bunch and making them her own. Bonus points for preserving the original fiddle breakdown from “Heart Over Mind” while making that classic shuffle a forlorn ballad, and a few more for hitting the archives of the Country Music Hall of Fame until she found a forgotten gem that should’ve been a hit back in the day (“Not Like it Was With You.”) – Kevin Coyne

Recommended Tracks: “Mental Revenge”, “Detroit City”

69 Dwight

#69
Dwight Yoakam, dwightyoakamacoustic.net

Yoakam takes a new, inspired spin on the greatest hits album concept, presenting us with a hearty sampling (over 20 songs) of his catalog served acoustic style. It simply works for the country legend. He introduces some delightful new twists and turns to his old classics, and as it should go with acoustic music, the album is driven by unadulterated, raw vocals, coupled with honest storytelling – the purest form of country music. – Tara Seetharam

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100 Greatest Albums of the Decade, Part 3: #80-#71

December 1, 2009 Kevin John Coyne 10






The 100 Greatest Albums of the Decade, Part 3

80 Martina

#80
Martina McBride, Timeless

McBride has a voice that would have been as relevant in country music fifty years ago as it is today, and her album of cover songs exemplifies this. She doesn’t attempt to move any of the songs to a different level, but instead inhabits the artists’ original style with precision and spirit. The result is a pure, respectful homage to the country greats. – Tara Seetharam

Recommended Tracks: “Make The World Go Away”, “Pick Me Up On Your Way Down”

79 Felice

#79
Felice Brothers, Yonder is the Clock

The Felice Brothers are the least-known among the members of ‘The Big Surprise Tour’ headlined by Old Crow Medicine Show and featuring Dave Rawlings Machine with Gillian Welch, and Justin Townes Earle. Melding country-rock and folk-rock, they are roots-influenced and made their start playing in the subway. While it may take an extremely big tent to call them “country,” consistent Dylan comparisons make Yonder is the Clock hard to ignore. – William Ward






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Miranda Lambert, Revolution

September 30, 2009 Leeann Ward 19






miranda revolutionMiranda Lambert
Revolution
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Miranda Lambert is a rare and fascinating case study of an artist who is able to push a significant number of records out the door, but is hard-pressed to receive equally significant radio airplay in return. While her first album, Kerosene, was certified Platinum and the follow up project, Crazy Ex Girlfriend, fared similarly well with Gold certification, she has only managed to squeak into radio’s top ten once with “Gunpowder And Lead.” On her third album, Revolution, it is entirely possible that Lambert has finally found a way to strike the tenuous balance of pleasing both critics and the general country music listening public with her album consisting of everything from sensitive ballads to rocked up, punk-flavored songs and a lot in between.






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If I Were In New Hampshire, I’d Go To This

July 25, 2009 William Ward 0






With the gracious permission of Tom Spurgeon, the creator of this feature at The Comics Reporter, I would like to introduce the Country Universe version of “If I Were In _________, I’d Go To This.” With interesting events around the country it is hard to know about everything, so starting with “If I Were In New Hampshire, I’d Go To This” we will present you with our picks of unique or particularly interesting upcoming shows or events.

The Big Surprise Tour – featuring Old Crow Medicine Show, Dave Rawlings Machine (w/ Gillian Welch), The Felice Brothers and Justin Townes Earle – kicks off in Hampton, NH on Tuesday Aug. 4.






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Sarah Jarosz, Song Up in Her Head

June 16, 2009 William Ward 9






Interview emerging country music stars today and it may surprise you—especially if you listen to the radio—that they are all influenced by Hank Williams, Patsy Cline, Loretta Lynn and (if they play mandolin) Bill Monroe. When you find that they also claim to emulate artists such as Garth Brooks, George Strait, Alan Jackson or whoever else has recently gone platinum (with the exception of the Dixie Chicks), it can be almost discouraging to consider that few are even that traditional.

This brings us to Sarah Jarosz, whose debut with Sugar Hill Records, Song Up in Her Head, presents a very different view of influences and a noticeably different performer in its eighteen year old co-producer.

Seven years ago, while requesting an autograph from Chris Thile, Sarah Jarosz, not yet a teenager, expressed interest in, someday, playing music with Chris Thile. Since then, she has added Darrell Scott, Tim O’Brien, Jerry Douglas, Aofie O’Donavan, and Abigail Washburn—all who appear on her album—to her most often quoted list of influences. As a result, we are presented with an impressive, but much less calculated list than one might expect from a newcomer. Given that these are some of my favorite artists, it also sets a high bar with this particular reviewer. Fortunately for this recent high school graduate who plays mandolin, guitar, clawhammer banjo, octave mandolin, piano, and toy piano (we will get to that) on her debut album, these lofty expectations are not beyond her ability.






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Sara Watkins, Sara Watkins

April 7, 2009 William Ward 15






Since the “indefinite hiatus” of progressive acoustic darlings Nickel Creek, despite a history of diverging solo work, releases from Chris Thile and Sean Watkins have been shackled by expectations of a Creek-like sound. Much like releases from her former band mates, Sara Watkins self-titled debut is not a surrogate Nickel creek album. Instead, it is an album that is purely individual, combining the talent that we have already witnessed with more than a few surprises.