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Album Review: Terri Clark, <i>Classic</i>

November 20, 2012 Ben Foster 9

A great covers record, no matter how sincere the artist’s intentions, must provide a satisfactory answer to one question: Why should we listen to this artist’s versions of these songs when the originals are still there for us to enjoy?

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Top 40 Singles of 2011, Part Two: #30-#21

January 2, 2012 Kevin John Coyne 2

The countdown continues. Scroll down to the bottom to hear samples of each song and to share your comments!

Top 40 Singles of 2011, Part Two: #30-#21

#30
Revelation Road
Shelby Lynne

Individual Rankings: #5 – Jonathan

It’s not for nothing that Tammy Wynette once claimed that Shelby Lynne had the best voice in country music, but, as Lynne has become increasingly subdued in the latter half of her career, she’s rarely explored the full range of her vocal talent. So when she unleashes that voice for the first time in a decade during the coda of “Revelation Road,” it may not be revelatory, but it sure is a most welcome return. – Jonathan Keefe

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Top Twenty Albums of 2011, Part One: #20-#11

December 29, 2011 Kevin John Coyne 7

The country music umbrella stretched wider than ever this year, regardless of the fact that radio playlists seem shorter than ever.

Of course, it’s not just the Americana acts that can’t get radio play these days. Even top-selling albums by Scotty McCreery and Alison Krauss & Union Station weren’t embraced.

Country Universe editors and contributors each submitted a list of their ten favorite albums of 2011. 31 different albums were included on our lists, and over the next two days, we’ll share with you our collective top twenty.

Top Twenty Albums of 2011, Part One: #20-#11

#20
Beat the Devil and Carry a Rail
Noam Pikelny

His tenure with the Punch Brothers and his winning of the first annual “Steve Martin Prize for Excellence in Banjo and Bluegrass” in 2010 both earned Noam Pikelny the clout to release Beat the Devil and Carry a Rail, his second solo album and first since 2004. Joined by an all-star roster of fellow pickers, Pikelny’s mostly instrumental set is a showcase both for its lead artist’s extraordinary technical skills and for the banjo’s wide-ranging potential. – Jonathan Keefe

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Veterans Day Six Pack

November 11, 2011 Kevin John Coyne 6

If history had played out the way Woodrow Wilson planned, we’d be celebrating the 92nd Armistice Day today. When first proclaimed a national holiday, Wilson declared the following:

To us in America, the reflections of Armistice Day will be filled with solemn pride in the heroism of those who died in the country’s service and with gratitude for the victory, both because of the thing from which it has freed us and because of the opportunity it has given America to show her sympathy with peace and justice in the councils of the nations.

If the Great War had been the last war, we wouldn’t be celebrating what is now known as Veterans Day. We also wouldn’t have an incredible legacy of songs about soldiers in the annals of country music.

Here are five classics that celebrate those who have served our country and the ones who love them, along with one tale that has a returned soldier that’s not being loved quite enough.

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Single Review: Jerrod Niemann, “Lover, Lover”

July 5, 2010 Dan Milliken 15

Country music legend tells of a certain powerful, polarizing breed of radio single, said to have been spun together out of pure cane sugar by Aphrodite herself (or her Southern Baptist counterpart, April-Jean the Angel. Depends who you ask.) The single appears only sporadically, sometimes waiting years to fully reemerge – but when it comes, it walks loudly and carries a big, hooked stick.

It’s been known to travel under many names: “Ooo, Turn It Up!”; “I’m Getting Kind Of Sick Of This Song”; “Oh God, AGAIN?”. All of them worthy monikers, to be sure. But for the purposes of this review, we’ll keep things straightforward and call it the “Shameless Pop Ditty.”

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ACM Flashback: Single Record of the Year

April 3, 2010 Kevin John Coyne 11

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.

2010

  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.

2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.

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Why Can’t I Buy This?

February 24, 2010 Kevin John Coyne 9

During the nineties boom, there was a mad rush to get the catalog of older country artists available on CD. For older country albums, this wasn’t always the best approach. Many of these discs had only ten tracks, so even with a handful of bonus songs, the entire running time could still be under 40 minutes. Some labels took the smart approach of pairing two albums to one disc, but for the most part, it was landmark albums or lengthy compilation discs.

The digital age has finally made it both practical and affordable to get those old albums. Vintage sets are now available from legends like Merle Haggard and Glen Campbell, and even not quite legends like Jeannie C. Riley. But there are still some glaring omissions that need to become more readily available.

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My Start in Country Music

March 2, 2009 Guest Contributor 11

The following article is by guest contributor and Country Universe commenter, Craig R. My Start in Country Music By Craig Ross My memories only started collecting at age four. That year, 1969, my uncle was

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