A lot of songs from both ends of the charts here, including a husband-and-wife duet that spent six weeks at #1.
400 Greatest Singles of the Nineties: #250-#226
I Meant Every Word He Said
Ricky Van Shelton
1990 | Peak: #2
At least the third song on this list about a guy mulling over romantic gestures he wishes he’d made to his former love, and the most traditional among those songs. You could easily imagine this one being a minor classic by a 60’s or 70’s legend, so close is its replication of that style. – Dan Milliken
I’m So Happy I Can’t Stop Crying
Toby Keith with Sting
1997 | Peak: #2
My hard-and-fast rule for Toby Keith: The sadder he is, the happier the listening experience tends to be. He’s all kinds of sad in this snapshot of post-divorce melancholia, reflecting on everything from unfair custody protocol to the greater motions of the universe. Even a gratuitous Sting cameo can’t detract from the single’s gloomy grandeur. – DM
You Ain’t Much Fun
1995 | Peak: #2
Toby Keith is also funny, though. What’s a man to do? Sobering up ain’t all that it’s cracked up to be from is perspective. Ever since he’s done so, his wife has been taking advantage of his increased functionality by giving him honey-do lists that he wasn’t ably tackling pre-sobriety. It’s enough to drive a man to drink. – Leeann Ward
Nashville takes over Vegas this Sunday for the 45th Annual Academy of Country Music Awards, and it could actually be an interesting night. Eight acts are vying for Entertainer of the Year, one trio is poised to sweep the show, and a certain artist’s performance may solidify her as Music Row’s Lady Gaga. We’ll find out for sure Sunday at 8 pm Eastern, but in the meantime, we’ve picked ‘em and predicted ‘em. Sound off in the comments below.
- Kenny Chesney
- Toby Keith
- Brad Paisley – Tara
- George Strait – Kevin
- Taylor Swift
- Carrie Underwood
- Keith Urban
- Zac Brown Band – Dan, Leeann
I was less than generous to this group’s Bon Jovi-lite (and that’s some serious lite) debut, “Runaway,” but damn if its infectious melody didn’t weasel into my brain anyway. Not unlike Lady Antebellum and Gloriana, Love and Theft show a real aptitude for sugary AC-pop melodies wrapped up in slick harmonies, with their only major recorded weakness being their bland, somewhat vacuous lyrics.
It’s hard not to at least mildly enjoy “How Far Do You Wanna Go?”. It’s catchy. It has a feel-good vibe, and the authentic kind that’s missing from many of the upbeat singles released by mainstream country artists these days. It pulses with a palpable energy, making the song quite infectious – and very appropriately complementing the “let’s leave this town and never look back” storyline.