The final week of January was a big one for Aubrie Sellers, who gave her first television performance, released her first album, and appears poised for an outstanding 2016. Elsewhere a fairly light news week which includes a short but solid list of new releases as well as troubles for Jamey Johnson, Tyler Farr and Katie Armiger.
This week’s round-up is a bit light on Chris Stapleton news… if only because we already have a post about the Grammy nominations, where he scored a total of 4 nods, including the all-genre Album Of The Year award. But there are some terrific reissues out this week– Johnny Cash! Dolly Parton! Connie Smith!!!– some pop crossover bids to dissect, an honor for a genre legend, and country music’s second-most impressive beard. Onward!
The list comes to a close with ten classic records from some of the era’s most commercially and critically successful stars. It’s easy to be cynical about country radio these days, but unlike most of the songs on the lists we compile now, 1993’s best singles got a lot of airplay. All but one of our top ten entries reached the top five of the singles chart. If we could get a success rate today that was anywhere near that, it might be safe to turn on the radio again! Enjoy the end to this list, and us writers will enjoy that rare downtime that comes between finishing the publication of one of these lists and starting another one! #10 “Nothin’ But the Wheel” Patty Loveless Written by John Scott Sherrill Peak: #20 #3 – BF | #7 – KJC | #24 – SG Loveless’ brokenhearted narrator takes to the Read More
As we enter the top half of the list, signature hits by some of the era’s biggest stars rub elbows with a pair of breakthrough singles and an overlooked release by a future superstar. You’ll also find out, in case you’ve been wondering for the past 22 years, just what Dwight Yoakam sneers at the end of one of his classic records. #20 “Soon” Tanya Tucker Written by Casey Kelly and Bob Regan Peak: #2 #13 – LW | #22 – JK | #28 – KJC | #30 – BF Cheating songs that successfully make us feel compassion for the other woman are a rarity, but “Soon” manages to make us root for the woman who finds herself in a losing cycle, one that she finally finds the strength to stop. Tanya Tucker’s sympathetic performance and the song’s soothing melody invite us to feel compassion for the woman in Read More
We’ve been beefing up our activity on Twitter of late– for those of you not following us yet, you’ll never in a million years believe that our name is @CountryUniverse— and have been enjoying the opportunity to engage with our readers– and, on occasion, with the artists we’ve written about– using that platform. So, for this Daily Top Five, we’ve listed some of our most essential, “Must Follow” Twitter accounts! Country Music News, Culture, & Humor: 1). Windmills Country (@WindmillsMusic) You want opinions that are driven by real data and thoughtful, incisive analysis? No one does it better. 2). Grady Smith (@gradywsmith) The in-house country music columnist for The Guardian has truly stepped up in a post-Chris Neal, post-Chet Flippo world. 3). Americana Music Association (@AmericanaFest) Essential coverage of the artists we love who reside on the fringes of the country universe. 4). Jessica Northey (@JessicaNorthey) No one works harder Read More
Again, we play catch up with a daily double top five, and this one focuses on cover songs. So many great songs have been re-recorded over time. Sometimes the new versions are so good that you discover something new about the original. Other times, the new takes are so bad that you just wish they’d left well enough alone. So today we ask: What do you think are the best and the worst cover songs? For my five best, I’m picking versions that I enjoyed so much more than the originals that I rarely listen to the first versions anymore. But you don’t have to do that! Original artists are in parentheses after each pick. Five Best Cover Songs Emmylou Harris, “The Boxer” (Simon & Garfunkel) Johnny Cash, “Why Me Lord” (Kris Kristofferson) Reba McEntire, “Sweet Music Man” (Kenny Rogers) Alison Krauss, “Ghost in This House” (Shenandoah) Dwight Yoakam, “Wichita Read More