Gretchen Peters Blackbirds More so than her artfully-turned phrases and her novel, evocative imagery, perhaps Gretchen Peters’ greatest gift as a songwriter is her mastery of perspective. Peters’ ability to shift her narrative voice to create fully realized, authentic characters whose emotions and experiences drive her songs has very few peers, and that particular skill serves her well on Blackbirds. A meditation on mortality, Blackbirds highlights a variety of experiences and points-of-view on matters of death and loss, and it’s that multifaceted perspective that gives the album such remarkable depth.
Kimmie Rhodes Cowgirl Boudoir Though she’s recorded steadily since the late 80s, Texas singer-songwriter Kimmie Rhodes hasn’t enjoyed either the commercial or critical cachet of many of the other alt-country and Americana acts. Both Wynonna and Trisha Yearwood have recorded her songs, but she hasn’t been a steady go-to songwriter like, say, Gretchen Peters or Kim Richey. That’s largely the result of how unassuming Rhodes’ work routinely is: Her songs are never less than well-constructed and are always observed in plainspoken but effective lines, while her singing hinges on her gentle, wispy voice.
As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year. How many of those albums, however, will we still be listening to in twenty years? We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year. At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago. What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into Read More
The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre. #10 “(Who Says) You Can’t Have it All” Alan Jackson Written by Alan Jackson and Jim McBride LW #10 | BF #5 | JK #38 What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward
Trisha Yearwood PrizeFighter: Hit After Hit PrizeFighter: Hit after Hit includes the first set of new material from Trisha Yearwood in seven years. That new material, six tracks in total, is uniformly excellent and often extraordinary, adding to her already impressive legacy as the genre’s finest singer and interpreter of the last thirty years. What a pity that the rest of the collection cheapens and sullies that legacy. Let’s start with those wonderful new tracks. The lead single and title cut, “PrizeFighter”, is an inspiring, get back up when you fall power anthem, featuring supporting vocals by Kelly Clarkson. In true Trisha form, the preview track is better than just about anything else on the radio today, yet still only hints at the treasures that await on the rest of the album.
As the nineties began, George Strait was the reigning CMA Entertainer of the Year, a title noted on the belt buckle he wore on the cover of Livin’ it Up.
Around this time, Billboard switched to monitoring radio stations in real time, revealing just how often songs were really being played. So while all of his eighties #1 singles spent only a week at the top, all four of the #1 singles listed here spent multiple weeks in the penthouse, including two five-week runs at the top.
“Love Without End, Amen”
One of Strait’s most enduring hits, “Love Without End, Amen” foreshadowed the understated religiousness of future hits like “I Saw God Today.” A classic three act story song, it makes its point subtly and endearingly.
As reflected by the title of our web site, our choices for Top 40 Albums of 2012 span the farthest reaches of the country music universe. In previous years, the Country Universe staff has counted down twenty albums and forty singles, but this year our album picks included such a wide variety that we were able to stretch our Top Albums countdown to a full forty slots. What did we miss? That’s where you, our readers, come in. Please join in the discussion, and share which albums you had in heavy rotation over the past year.
The Garden of Love – Songs of William Blake
Martha Redbone Roots Project
Something you probably already know about us here at Country Universe: We love country music. A lot. While truly great country music has become scarce on country radio, we are fortunate to live in an age in which modern technology has made great music more accessible than ever, regardless of whether Top 40 radio dares touch it.
At the close of each year we separate the grain from the chaff, and share the music we discovered over the past year that made us glad that we stuck with our genre of choice. We at Country Universe have put our heads together to create the following lists of favorite singles and albums of 2012.