Tag Archives: Hal Ketchum

400 Greatest Singles of the Nineties: #25-#1

And so we come to the end. The top of our list includes a wide range of artists singing a wide range of country music styles.  Thematically, these entries are diverse, but what they all have in common is what has always made for great country music. They are all perfectly-written songs delivered with sincerity by the artists who brought them to life.

400 Greatest Singles of the Nineties: #25-#1

#25
Smoke Rings in the Dark
Gary Allan
1999 | Peak: #12

Listen

A dark, atmospheric wonder, as Allan delivers the final eulogy for a love that couldn’t help burning out. – Dan Milliken

#24
Just to See You Smile
Tim McGraw
1997 | Peak: #1

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Being deeply enamored of someone can make it easy – even appealing – to forfeit your own well-being. This single’s sunny tone reflects the persistent affection running through its protagonist, but its story demonstrates the heartbreak to which such unmeasured selflessness leads. – DM Continue reading

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400 Greatest Singles of the Nineties: #75-#51

As might be expected, the subject matters are getting more intense as we edge closer to the top.  But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.

400 Greatest Singles of the Nineties: #75-#51


#75
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3

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This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne


#74
Alibis
Tracy Lawrence
1993 | Peak: #1

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Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward

#73
Cowboy Take Me Away
Dixie Chicks
1999 | Peak: #1

Listen

In a modern world where life can so easily feel cold and mechanical, love remains earthy and exciting and mysterious. It’s a window into a different world, one where we’re not defined by the predictables of our routine – the same stresses, the same cars and buildings – but by our core nature as people, our place in the greater fabric of Earth and, perhaps, heaven. On the surface, “Cowboy Take Me Away” sounds like just a sugar-sweet love song – I’ve even heard it called “pre-feminist”  – but there’s something else going on here: a plea for life to have meaning again. – Dan Milliken Continue reading

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400 Greatest Singles of the Nineties: #275-#251

This section begins with a song about a farmer and his wife and ends with one about Mama. Doesn’t get much more country than this!

400 Greatest Singles of the Nineties: #275-#251

#275
Somewhere Other Than the Night
Garth Brooks
1992 | Peak: #1

Listen

About a woman who only feels truly appreciated by her husband when they’re having sex. Practically literature, that. – Dan Milliken

#274
Looking Out For Number One
Travis Tritt
1993 | Peak: #11

Listen

From his rocking side, Tritt is tired of trying to please everyone around him, including his demanding lover. As a result, he brashly declares that he’s going to make some changes, which will include looking out for himself. Get out of the way, because his ferocious performance makes him seem quite serious about his epiphany. – Leeann Ward Continue reading

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Favorite Songs by Favorite Songwriters: Gary Burr

Written by Music & More blogger Bob Losche.

Connecticut born songwriter Gary Burr got his first break when he broke his leg in a high school soccer game. With time on his hands, he taught himself to play the guitar and began writing songs. His second break came in 1982 when, without a co-writer, he penned Juice Newton’s “Love’s Been a Little Bit Hard on Me”. That same year, he became the lead singer for Pure Prairie League after Vince Gill left the group to pursue a solo career. Gary remained with PPL until 1985 and headed to Nashville in the late 1980′s. He has since been awarded ‘Songwriter of the Year’ on three separate occasions by three different organizations: Billboard, Nashville Songwriter’s Association International, and ASCAP. He has also received over twenty of ASCAP’s recognition awards for radio play activity, and cds featuring his songs have sold more than 50 million units world-wide. He’s currently affiliated with SESAC. Most recently, he was Carole King’s guitarist on her “Living Room Tour”, performing some of his own songs as well.

If you go to Gary’s website and click on Discography you’ll see a Short List of 35 of his best known songs, in alphabetical order by recording artist. If you click on Full List, you see the names of about 170 songs. You’ll find hits and albums track (“hidden treasures” to some) by country artists such as Hal Ketchum, Patty Loveless, Randy Travis, Reba McEntire, Garth Brooks, Tanya Tucker, Ty Herndon, Faith Hill, Leann Rimes, Mary Chapin Carpenter, Gary Allan, Andy Griggs, Kathy Mattea, Lorrie Morgan, Terri Clark, Collin Raye, Doug Stone, Ricky Van Shelton, Diamond Rio, Conway Twitty, Chely Wright and many others plus pop artists Kelly Clarkson, Clay Aiken, etc . The website list does not include the current Sarah Buxton hit “Outside My Window”.

Gary appears quite frequently at Nashville’s famous Bluebird Cafe, appearing in the round with singer/songwriters like Mike Reid, Georgia Middleman, J.D. Souther and others. In addition, he performs as part of the group MelDiBurPho which is composed of songwriters Vince Melamed, Bob DiPiero, Gary and Jim Photoglo.These shows are performed on the Bluebird’s small stage and, unlike the shows in the round, includes a drummer in addition to the usual guitars and a keyboard. Gary and the Guys have been doing these great shows for about 12 years. They call themselves the oldest boy band in America and the best band you can see for $12. They really seem to be having a great time together and they can be very funny, much of the humor either self-deprecating or at the expense of one of the other guys. For the February show, the guys performed in their pj’s, an annual event closely coinciding with three of their birthdays. Supposedly Faith Hill once showed up in pj’s and bunny slippers. She was discovered while singing back-up for Gary at the Bluebird.

After seeing Mr. Burr perform twice at the Bluebird, I purchased his two cd’s from the Bluebird on-line store. Stop Me If You’ve Heard This One Before …, released in 1997, includes 18 of his best songs performed and recorded live at the Bluebird. Mariane’s includes 11 songs and was released in 2004. The list of my favorite Gary Burr written songs that follows indicates the artist and cd it appeared on and his co-writer. Many of these favorites are from his Stop Me … cd and a few from Marianne’s. (Songs that can also be found on Gary’s cds have an asterisk next to the title.)

Should you already have or decide to purchase these cds, you may find, as I did, that you prefer Gary’s version for quite a few of them. A lot of his songs are about lost love, some because the guy was clueless, others about love that just didn’t work out and the difficulty in leaving memories behind. At his shows, Gary refers to himself as the “sensitive one” when he sings one of his ballads. Check out the songs listed on Gary’s website and let us know your favorites. Obviously, differing tastes will result in a very different list by many readers.

#25
“I Wear Your Love” – Kathy Mattea
Time Passes By, 1991
co-writer – None

An album track for Kathy Mattea from a cd chock full of great songs in addition to the three chosen for release as singles. The chorus concludes, “on the chillest night though I travel light, it is always enough for I wear your love”. Mattea is still one of the best female vocalists in country music.

#24
“A Man Ain’t Made of Stone” – Randy Travis
A Man Ain’t Made of Stone,  1999
co-writers – Frannie Golde and Robin Lerner

About this song, Leeann wrote, “I love Travis’ vulnerable, yet passionate, vocal delivery in this song. This man thought it was important to seem strong and unflappable, but realizes that she needed to see the softer side of him at times. Unfortunately, he reached this conclusion too late. Her leaving unearths his emotions and he abruptly learns that ‘a man ain’t made of stone/A man ain’t made of steel.’” The song peaked at #16.

#23
“What’s In It For Me” – John Berry
John Berry, 1993
co-writer – John Jarrard

This up tempo song is about a guy asking a girl who dumped him but has changed her mind and wants him back, ” What’s in it for me?” He’s glad she’s back and wants her but are things going to be different this time? “If it’s only more tears, then I’ll have to pass.” The song reached #5 on the charts for John Berry.

#22
“Love’s Been a Little Bit Hard On Me” – Juice Newton
Quiet Lies, 1982
co-writer – None

The young lady is a bit skittish about love after being burned in this up tempo tune. Calls to her inner romantic self can’t convince her to try again yet. “I’ll be back when I calm my fears … See you around in a thousand years.” This did better on the pop charts (# 7) than country (#30).

#21
“A Thousand Times a Day” – Patty Loveless (1995); George Jones (1993)
The Trouble With The Truth, 1995;  High Tech Redneck, 1993
co-writer – Gary Nicholson

Another song about trying to forget someone. Giving up booze and smokes was difficult but “Forgetting you is not that hard to do, I’ve done it a thousand times a day”. The song reached #13 for Patty and was an album track for George. I prefer Patty’s version.

#20
“In a Week or Two” – Diamond Rio
Close To The Edge, 1992
co-writer – James House

A song of warning for procrastinators from a group known for their great harmony. “These words in my heart never had a chance to be heard”. The guy waited too long to tell her he loved her so he came out second. The song nearly reached the top of the charts but, as Trent Summar once reminded us, “close only counts in horseshoes and hand grenades.”

#19
“I Try to Think About Elvis” – Patty Loveless
When Fallen Angels Fly, 1994
co-writer – None
I recall seeing Patty sing this in a concert about 10 years ago. I would think that “list songs” like this would present a challenge remembering all the lyrics but she nailed it. A fun song that made it to #3.

#18
“Heart Half Empty” – Ty Herndon with Stephanie Bentley
What Mattered Most, 1995
co-writer – Desmond Child
“Is my heart half full of the love you gave me, or my heart half empty ’cause your love is gone?” While the half full, half empty metaphor is obviously not new and the song is a bit schmaltzy, I still love it. I add a star for true duets – equal contributions by the duet partners. Although Ty’s recent comeback attempt appears to have come up short, he still has a great voice and was well complemented here by Stephanie Bentley.

#17
“Blue Sky” – Emily West
Emily West, 2007 (EP)
co-writer – Emily West

The original version was from her EP. The current single includes background vocals by Keith Urban and online reviews have been very favorable but it hasn’t cracked the top 40 yet. The girl is saddened by her lover’s behavior but resolved not to be hurt by him again. “So you made a list of shoulders that you’d be needing, well mine aren’t yours anymore, come on show me your temper, be the man I remember, so I won’t forget what you’ve done.”

#16
“Out of My Bones” – Randy Travis
You and You Alone 1998
co-writers – Sharon Vaughn and Robin Lerner

Randy sings “I’m in need of a remedy, to cure me from loving you”. His remedy is walking in the first verse and talking in the second til she’s “out of my bones”. While his 1986 song “Diggin’ Up Bones” made it to the top, “Out of My Bones” stalled at #2. The album also included the late Patrick Swayze singing background on one of the tracks.

#15
“Rockin’ the Rock” – Larry Stewart (Restless Heart)
Heart Like a Hurricane, 1994
co-writer – None

A rollicking song about a girl who rocks his world but didn’t rock the charts peaking at #56. “I had a wonderful sense of balance, everything under control, til the day she came along and started rockin’ the rock that I’m standing on.” If you have a multiple tissues tune on your playlist, play this next. Larry Stewart’s solo career after leaving Restless Heart was not a huge success. He’s been back with them since 2004.

#14
“That’s My Job” – Conway Twitty
Borderline, 1987
co-writer – None

The relationship between a son and his father is portrayed in three vignettes. In the first, the father comforts his young son, calming his fears. Conflict and doubts occur in the second while the final scene finds the son, who makes his living with words and rhyme, trying to deal with the death of his father, asking himself how can I come up with a song to say I love you. The song made it to #6. (I remember liking “It’s Only Make Believe” as a kid but shortly after Conway disappeared from the pop charts. I didn’t know til much later that he had become a country star.)

#13
“The One You Love” – Terri Clark with Vince Gill
The Long Way Home, 2009; Pain to Kill, 2003
co-writer – Terri Clark

While Terri’s new cd did not include lyrics, they can be found with comments for each song on her website. She said that she hesitated to re-cut this song but her mother’s recent bout with cancer inspired her because it put the lyrics in a whole different light. “when someone’s slippin’ away, right before your eyes, how useless we are is a painful surprise”. Although Vince Gill singing harmony is always a plus, the original version on Pain to Kill was still excellent.

#12
“West of Crazy” – Lisa Brokop
Lisa Brokop, 1996
co-writer – Vince Melamed

An up tempo tune which reflects a woman’s state of mind after a breakup. “Just a few miles west of crazy, a stone’s throw away from tears, oh, so close to normal, but I can’t get there from here”. Love the song although it didn’t even chart in Canada. Lisa Brokop has become one of my favorite country music singers.

#11
“One Night a Day” – Garth Brooks
In Pieces, 1993
co-writer – Pete Wasner

The piano is the star in this song about a guy trying to leave a girl’s memory behind. He tells of the things he’s doing to get through the breakup, including “calling every friend I had, wake ‘em up, make ‘em mad, to let them know I’m okay”. Garth’s version, which reached #7 on the charts, also features a sax while in Gary’s, a steel guitar complements the piano.

#10
“Time Machine” – Collin Raye
I Think About You, 1995
co-writer – None

Although it was never a single, it’s one of my favorite Collin Raye songs. The songs tells of a lonely man who knows things won’t be any better tomorrow so he wants to go back in time. “To the casual eye it’s a barstool, but it’s really much more than it seems, a few drinks and then, she’ll be with him again, as he sits on the time machine”.

#9
“Up and Flying” – Reba McEntire
If You See Him, 1998
co-writer – Patty Griffin

Her ex-love is doing fine but she’s still doing time. “You make it look so easy, it doesn’t seem quite fair, baby I’m still tryin’, to get up and flying”. An album track for Reba. Should this song have been a single? Love Gary’s take on it.

#8
“You Tell Me” – Terri Clark with Johnnie Reed
The Long Way Home, 2009
co-writer – Terri Clark

As noted above, I love duets and on this album track, Terri is joined by Scotland born, Canadian country music artist, Johnny Reid. On her website, she describes it as a grown up song about a relationship in trouble that she wrote with Gary about 10 years ago. The conversational quality of the lyrics made it feel as a natural duet.

#7
“Sure Love” – Hal Ketchum
Sure Love, 1992
co-writer – Hal Ketchum

Hal sings of what he would do to find “Sure Love”. “I would chase all ghosts and watch them scatter, drop old dreams and watch them shatter, lose myself and all I own, to find sure love.” This up tempo song reached #3.

#6
“Silence Is King” – Tanya Tucker
Soon, 1993
co-writer – Jim Photoglo

This sad tune is about a couple who have reached the point where they don’t communicate any more. The chorus begins “We live in a land where silence is king, whispers have all disappeared”. In the last verse, there’s no let-up, “desperate measures come from desperate times, I don’t regret what I’ve done, if my actions made you speak your mind, angry words are better than none”. An album track for Tanya. On the live “Stop Me …” cd you hear Gary saying “so depressing” after he finishes singing. Probably too serious for country radio.

#5
“I Will Not Be a Mistake” – Cliff Richard
Something’s Goin’ On, 2004
co-writers – Helen Darling and Will Robinson

While Cliff is not a country singer, I could easily see someone like Collin Raye covering this song. It’s about a guy who assures the girl he’s about to get together with that while it may not come to anything it won’t be something she’ll regret. “I’ll be a chance you had to take, a heart you had to break, but I will not be a mistake”.



#4

“Can’t Be Really Gone” – Tim McGraw
All I Want, 1995
co-writer – None

A man tries to convince himself that his girl must be coming back when he mends his ways because “so much of her remains”. “The shoes she bought on Christmas day, she laughed and said they called her name”. “Her book is lying on the bed, the two of hearts to mark the page, now who would ever walk away at chapter twenty-one.” Just missed the top peaking at #2.

#3
“Station on the Line”
Stop Me If You’ve Heard This One Before …
co-writer – None

A haunting melody about a guy who falls for a girl who can’t commit. The chorus goes “and her type never does linger, she leaves all could and might-have-beens behind, she rode from New York to California, and I was just a station on that line”. As far as I can tell, no one else has covered this song.

#2
“What Mattered Most” – Ty Herndon
What Mattered Most, 1995
co-writer – Vince Melamed

A lament by a clueless guy who knew all the trivial stuff but missed what mattered most. “I never asked…she never said,and when she cried I turned my head, she dreamed her dreams behind closed doors, and that made them easy to ignore”. A #1 song for Ty in his successful stretch during the 90′s.

#1
“In Front of the Alamo” – Hal Ketchum with LeAnn Rimes
One More Midnight (no U.S. release)
co-writer – None

Allusions to one of the most famous battles in American history are combined with the story of a woman’s love gone bad because of her husband’s infidelity. The couple met as tourists in front of the Alamo. The second verse ends “she wanted trust, she wanted truth, the two things he found hard to do. So forever was shorter than she planned”. (The lives of the defenders of the Alamo were shorter than they planned.) She returns to the Alamo so that she can move on. The bridge begins “she didn’t come for inspiration or to breathe the mighty dust of heroes lost” and concludes “She just felt the time was right, at this random traffic light, to say ‘enough is enough’ and move on”. The third verse ends “maybe something in the air makes the timid braver there, to cross the line that they’ve drawn in the sand”. The tag chorus completes the analogy “they held on she lets go” (they were brave by holding on she by letting go) and concludes “in front of the Alamo, that’s a pretty good place to make a stand”.

While I do recall hearing the song on the radio, it failed to crack the top 40.

Kevin Coyne wrote here in 2007, “… a beautifully sympathetic portrait of a woman leaving a bad relationship behind. After all, what better a place to make a stand than in front of the Alamo? Before you worry that this is one of those over-the-top country numbers with a tortured metaphor, it’s actually wonderfully understated. The character is so believable that it seems just a happy accident that she makes a tough choice in front of a historical landmark.”

Also in 2007, Jim Malec of the 9513 wrote about the Ketchum song, “if you ask me, his latest, “In Front Of The Alamo,” is the best single I’ve heard so far this year. Featuring a brilliant support vocal from LeAnn Rimes, this song does everything right. Lyrically, it is a lesson in excellence, accomplishing in just over three minutes what most songs never do. On the production side it’s damn near perfect, even down to the mix (the short but fitting instrumental parts are well-played and perfectly placed).
It just doesn’t get much better than this.”

I agree.

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Words to Live By

Earlier this week, Tara Seetharam posted about songs that resonate for reasons beyond the lyrics.  This got me thinking about something close to the opposite: What about songs that stand out because of a particular lyric, a line that takes on a life of its own beyond the song?

I first heard “Too Many Memories” on the Patty Loveless album Long Stretch of Lonesome. It was later recorded by Hal Ketchum.  It’s a good song, no doubt, but the kicker that ends the second verse has grown into words to live by for me:

What makes you grow old is replacing hope with regret.

I’ve used that quote countless times, and as I get older, it gets ever more true.

Is this just me, or do any of you also have lines from songs that are words to live by?

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Leeann Ward’s Top Ten Albums of 2008

steel-drivers#10

The SteelDrivers, The SteelDrivers

Chris Stapleton’s voice just blows me away. As Lee Ann Womack has recently observed, he sings like a real man. He takes Travis Tritt’s soulfulness to a whole new level. With incredible harmonies and terrific songs not limited to “Blue Side of the Mountain” and “Drinkin’ Dark Whiskey”, this is a strong project that certainly stood out in 2008.

#9

Jason Boland & The Stragglers, Comal County Blue

I love Boland’s folk-tinged country voice, which sings these memorable fiddle laden melodies to great affect. While the lyrics can be abstract at times, they still manage to feel meaningful. I’ve come to realize that what ultimately appeals to me about this album is the fact that it reminds me of good nineties country music, which is the era that drew me to this genre in the first place.

#8

Darrell Scott, Modern Hymns

My admiration for Darrell Scott is unending. I, of course, love his voice, but I especially love his thoughtful songwriting. “You’ll Never Leave Harlan Alive” just floors me every time I hear it. In this project, however, he chose to cover some of his favorite songs that he classifies as modern hymns. Unsurprisingly, these choices turn out to be as interesting as his own compositions, which simply confirms that his talent is inspired by tasteful writing equal to his own.

#7

Jamey Johnson, That Lonesome Song

Admittedly, nothing about this album is warm or pretty. Johnson’s vocals are harsh and the songs are mostly darker than we’re accustomed to hearing in country music these days. Along with the outlaw tinged productions, these factors are the fundamental elements of this great album.

peter-cooper-mission-door#6

Peter Cooper, Mission Door

While the melodies on his first album, Mission Door, are enough to draw you in, it is Peter Cooper’s provocative and insightful lyrics which catch you by surprise on this folk infused, steel guitar laden album. Cooper either wrote or co-wrote ten out of the twelve tracks that explores such weighty topics as racism and poverty. He enlists the help of Nanci Griffith and Todd Snider, his two favorite singers, on the album’s stand out title track, along with recording his own mellower version of “Thin Wild Mercury”, which he co-wrote with Todd Snider for Snider’s The Devil You Know album.

The best and most powerful song on the album, however, is “715 (For Hank Aaron), a song that discusses the duality of Aaron being a revered baseball player and an oppressed black man. This grossly ignored album that sounds like a mix of Darrell Scott and Todd Snider, with lots of steel guitar thrown in for good measure, is one of the year’s most intriguing albums.

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Dan Milliken’s Top 10 Albums of 2008

squintydan-christmas_avatarHappy holidays, everybody! I’m back with my personal top ten albums of the year, a list that took a stupid-long time to put together but is very nice to have done. All I would say as a note is that I like all of these albums very much and don’t think the rankings should be scrutinized to death, because my tastes certainly change frequently enough.

Okay, you get it. Let’s do this. Va-VOOM!

dailey-vincent-c#10

Dailey and Vincent, Dailey and Vincent

I typically lean progressive in my bluegrass tastes, but there’s simply no arguing with this dynamic twosome, whose debut finds them ripping into a straight-ahead traditional style with such crazy-polished singing, playing and writing that they practically become the new standard. Excellent.

kathy-mattea-coal#9

Kathy Mattea, Coal

Confession: I wasn’t quite sure how to take this one. Although I like Kathy Mattea’s voice and generally love concept albums, I had trouble getting into this set of mining-related songs as a whole, which may be because I personally have trouble digesting so many bare-bones story songs in one sitting, or may be because the album itself becomes a bit monotonous after a while. It’s kind of hard to say, and I finally decided that it’s just the sort of thing I personally have to be in the right mood for. Objectively speaking, though, I think what Mattea and producer Marty Stuart have achieved here is easily one of the most fully realized artistic expressions of 2008, and it’s pretty hard to gripe about on a song-by-song or sonic basis. So #9 feels about right for me.

reckless-kelly#8

Reckless Kelly, Bulletproof

Randy Rogers, Wade Bowen and Cody Canada take note: Reckless Kelly’s latest set showcases just how tersely effective the whole “country-nodding Texas rock” shtick can be when you pay the same attention to developing compelling lyrical ideas that you do to ‘tude (and I say that with love, because I enjoy work from all of the acts mentioned above). Bonus points for the year’s best album cover.

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Hal Ketchum, Father Time

Hal Ketchum
Father Time

If you’re looking for slick productions that include loud drums, obligatory guitar solos or simply the polished sounds of today’s country music, this is not the album for you. However, if you were hoping for Hal Ketchum’s signature soulful but sensitive vocal prowess, thoughtful lyrics and gentle instrumentation that will actually allow you to focus on the words rather than being distracted by the production, Father Time will likely be an album that you’ll want to add to your music collection.

Because Hal Ketchum was lamenting the fact that musicians and artists didn’t seem to record together in the studio anymore, he was inspired to try to do it himself. As a result, he called his favorite musicians and created a live, direct to two track album where almost everyone gathered in the same room to record their parts. While this endeavor only took two days to produce and most songs were done in one or two takes, this album does not feel rushed. In fact, it flows with a relaxed ease that is mostly enticing and just a bit detrimental to the over all listening experience. Out of 14 songs, Ketchum wrote 13 of them, with the fourteenth being a cover of Tom Waits’ “Jersey Girl.” Interestingly, the album is sequenced in the order that the tracks were recorded.

As the album’s title suggests, a prevailing theme throughout the project is time. Songs such as “Yesterday’s Gone”, “Invisible”, “Ordinary Day” and “When He Called Your Name” are some of the compositions that explore the perspective that often accompanies the passing of time. The opening song, “Invisible”, is from the viewpoint of a homeless man who is sad, but not bitter about the contemptuous manner with which people tend to look at him. While he acknowledges that he”has become expendable, untouchable, invisible”, he reveals that this hasn’t always been the case in his life. Ultimately, he benevolently wishes that the people around him will have “the gift of never being me.”

“Yesterday’s Gone” finds a younger man trying to make sense of mortality as he watches his grandfather fading away. He sings, “It’s hard to believe as I sit here and hold him/How mountains will crumble and Yesterday’s gone.” Another song that struggles with the affects of time is “Ordinary Day”, wherein we find a waitress who feels that her life has passed without accomplishing much for her to be proud of.

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Hal Ketchum, “In Front of the Alamo”

Hal Ketchum, “In Front of the Alamo”

He was one of the oldest of the new country stars, and there was always an aura of wisdom about him from the start.    Here, he writes a beautifully sympathetic portrait of a woman leaving a bad relationship behind.  After all, what better a place to make a stand than in front of the Alamo?   Before you worry that this is one of those over-the-top country numbers with a tortured metaphor, it’s actually wonderfully understated.   The character is so believable that it seems just a happy accident that she makes a tough choice in front of a historical landmark.

Country radio just sounded better when Ketchum was on it.  It’s so good to hear his voice again.

Grade:  A-

Listen: In Front of the Alamo

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