Tag Archives: Heidi Newfield

ACM Flashback: Single Record of the Year

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year.  There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.

2010

  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years.  This year, it’s David Nail.  Good for him!  Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it.  With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.

2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award.  He also won the ACM for Top New Male Vocalist in 1997.

2008

  • Gary Allan, “Watching Airplanes”
  • Big & Rich, “Lost in This Moment”
  • Kenny Chesney, “Don’t Blink”
  • Miranda Lambert, “Famous in a Small Town”
  • Sugarland, “Stay”

“Stay” swept the Song of the Year categories at all three industry shows, along with winning the ACM for Single Record.  Allan’s presence here shows that being a little West Coast can still help a guy at the ACMs.

2007

  • Heartland, “I Loved Her First”
  • Rascal Flatts, “What Hurts the Most”
  • George Strait, “Give it Away”
  • Josh Turner, “Would You Go With Me”
  • Carrie Underwood, “Before He Cheats”

George Strait earned his second ACM Single Record award a decade after his first (“Check Yes or No”) and two and a half decades after having his first radio hit.  Underwood won at the CMAs later that year.  “Give it Away” is one of a small group of ACM winners to not receive a nomination at the CMA ceremony.

2006

  • Gary Allan, “Best I Ever Had”
  • Brooks & Dunn, “Believe”
  • Brad Paisley, “Alcohol”
  • Sugarland, “Baby Girl”
  • Carrie Underwood, “Jesus, Take the Wheel”

In the battle of biblical hits, the CMA picked Brooks & Dunn but the ACM picked Carrie Underwood.  Much like George Strait would later win a CMA trophy for a different single (“I Saw God Today”), Underwood later triumphed at the CMA with “Before He Cheats.”

2005

  • Tim McGraw, “Live Like You Were Dying”
  • Brad Paisley with Alison Krauss, “Whiskey Lullaby”
  • Rascal Flatts, “Bless the Broken Road”
  • Keith Urban, “Days Go By”
  • Gretchen Wilson, “Redneck Woman”
  • Lee Ann Womack, “I May Hate Myself in the Morning”

Because McGraw picked up the trophy at the CMAs in 2004, the field was cleared for Womack to win the CMA later in 2005.  McGraw had won the ACM before for “It’s Your Love.”

2004

  • Brooks & Dunn, “Red Dirt Road”
  • Alan Jackson with Jimmy Buffett, “It’s Five O’ Clock Somewhere”
  • Alan Jackson, “Remember When”
  • Toby Keith, “American Soldier”
  • Randy Travis, “Three Wooden Crosses”

Among all the lead nominees, only Toby Keith wasn’t a previous winner. Still, the award went to the new alcoholic’s creed, winning over a more pensive Jackson track and a big comeback hit for Randy Travis.

2003

  • Kenny Chesney, “The Good Stuff”
  • Toby Keith, “Courtesy of the Red, White, and Blue (The Angry American)”
  • Trick Pony, “Just What I Do”
  • Keith Urban, “Somebody Like You”
  • Mark Wills, “19 Somethin’”

Chesney spent nearly two months at #1 with this hit, perhaps giving him the edge over the other mega-hits at radio from Keith, Urban, and Wills. As for the Trick Pony nomination, somebody really should find out what Heidi Newfield has on those ACM voters.

2002

  • Brooks & Dunn, “Ain’t Nothin’ ‘Bout You”
  • Diamond Rio, “One More Day”
  • Alan Jackson, “Where Were You (When the World Stopped Turning)”
  • Toby Keith, “I Wanna Talk About Me”
  • Travis Tritt, “It’s a Great Day to Be Alive”

Jackson’s powerful 9/11 reflection stands out as the only ballad among his four ACM Single Record victories.

2001

  • Toby Keith, “How Do You Like Me Now?!”
  • John Michael Montgomery, “The Little Girl”
  • Jamie O’Neal, “There is No Arizona”
  • Aaron Tippin, “Kiss This”
  • Lee Ann Womack with Sons of the Desert, “I Hope You Dance”

Toby Keith’s run of four consecutive nominations began this year. His album of the same name proved victorious that evening.  Womack’s massive hit became an instant standard, and is incidentally the most recent winner to also be a genuine crossover hit.

2000

  • Dixie Chicks, “Ready to Run”
  • Lonestar, “Amazed”
  • Tim McGraw, “Please Remember Me”
  • Brad Paisley, “He Didn’t Have to Be”
  • George Strait, “Write This Down”

As pop hits go, this one was a monster. “Amazed” even topped the Hot 100, the first country single to do so since “Islands in the Stream.”

1999

  • Faith Hill, “This Kiss”
  • Martina McBride, “A Broken Wing”
  • Shania Twain, “You’re Still the One”
  • Steve Wariner, “Holes in the Floor of Heaven”
  • The Wilkinsons, “26 Cents”

Hill and hubby Tim McGraw each have two ACM trophies in this category, one solo and one shared.

1998

  • Diamond Rio, “How Your Love Makes Me Feel”
  • Tim McGraw with Faith Hill, “It’s Your Love”
  • LeAnn Rimes, “How Do I Live”
  • George Strait, “Carrying Your Love With Me”
  • Trisha Yearwood, “How Do I Live (from “Con Air”)”

While Yearwood had won over Rimes at the Grammys a few weeks earlier, the ACM sidestepped the big controversy of the year and gave the trophy to the biggest hit in the bunch.

1997

  • Brooks & Dunn, “My Maria”
  • Deana Carter, “Strawberry Wine”
  • Tracy Lawrence, “Time Marches On”
  • LeAnn Rimes, “Blue”
  • George Strait, “Carried Away”

It’s rare that the ACM goes with the song that was least successful at radio, but don’t let that #10 peak of “Blue” fool you.  That hit was responsible for millions of record sales.

1996

  • Brooks & Dunn, “You’re Gonna Miss Me When I’m Gone”
  • Faith Hill, “It Matters to Me”
  • Tim McGraw, “I Like It, I Love It”
  • George Strait, “Check Yes or No”
  • Shania Twain, “Any Man of Mine”

It was a stroke of marketing brilliance: add two singles to a box set of a genre superstar. When the first single became one of his biggest hits, the box set quickly became the top selling in country music history.

1995

  • Joe Diffie, “Third Rock From the Sun”
  • Vince Gill, “Tryin’ to Get Over You”
  • Alan Jackson, “Livin’ On Love”
  • Tim McGraw, “Don’t Take the Girl”
  • John Michael Montgomery, “I Swear”

There have been a few wedding standards to win this award, though Montgomery’s hit didn’t cross over in its original form.

1994

  • Clint Black with Wynonna, “A Bad Goodbye”
  • Garth Brooks, “Ain’t Goin’ Down (‘Til the Sun Comes Up)”
  • Alan Jackson, “Chattahoochee”
  • Reba McEntire with Linda Davis, “Does He Love You”
  • Dwight Yoakam, “Ain’t That Lonely Yet”

Jackson won the ACM with his massive hit, but the McEntire/Davis duet and the Yoakam track were Grammy winners.

1993

  • John Anderson, “Straight Tequila Night”
  • Brooks & Dunn, “Boot Scootin’ Boogie”
  • Billy Ray Cyrus, “Achy Breaky Heart”
  • Collin Raye, “Love, Me”
  • Tanya Tucker, “Two Sparrows in a Hurricane”

Brooks & Dunn are among the most nominated artists in this category’s history, but this is their only victory.

1992

  • Clint Black, “Where Are You Now”
  • Garth Brooks, “Shameless”
  • Alan Jackson, “Don’t Rock the Jukebox”
  • Travis Tritt, “Here’s a Quarter (Call Someone Who Cares)”
  • Trisha Yearwood, “She’s in Love With the Boy”

This was Jackson’s first major industry award.

1991

  • Alabama, “Jukebox in My Mind”
  • Garth Brooks, “Friends in Low Places”
  • Vince Gill, “When I Call Your Name”
  • Alan Jackson, “Here in the Real World”
  • Shenandoah, “Next to You, Next to Me”

Garth-mania was beginning to peak in 1991. He swept the ACMs that  year.

1990

  • Clint Black, “Better Man”
  • Garth Brooks, “If Tomorrow Never Comes”
  • Patty Loveless, “Timber I’m Falling in Love”
  • Keith Whitley, “I’m No Stranger to the Rain”
  • Hank Williams & Hank Williams Jr., “There’s a Tear in My Beer”

Clint Black is one of only three artists in the last twenty years to win for their first proper single, with Carrie Underwood and LeAnn Rimes being the other two.

1989

  • Kathy Mattea, “Eighteen Wheels and a Dozen Roses”
  • K.T. Oslin, “I’ll Always Come Back”
  • Ricky Van Shelton, “I’ll Leave This World Loving You”
  • Randy Travis, “I Told You So”
  • Keith Whitley, “Don’t Close Your Eyes”

Mattea’s award-winning hit had such a high profile that it was even referenced in the dialog of the hit movie Rain Man.

1988

  • Restless Heart, “I’ll Still Be Loving You”
  • Ricky Van Shelton, “Somebody Lied”
  • George Strait, “All My Ex’s Live in Texas”
  • Randy Travis, “Forever and Ever, Amen”
  • Hank Williams Jr., “Born to Boogie”

Travis won for the second year in a row with what would become his signature hit.

1987

  • Alabama, “Touch Me When We’re Dancing”
  • Janie Fricke, “Always Have, Always Will”
  • The Judds, “Rockin’ With the Rhythm of the Rain”
  • Reba McEntire, “Whoever’s in New England”
  • Randy Travis, “On the Other Hand”

This was technically his first single, but when released under the name Randy Traywick, it bombed. Warner Bros. then released “1982″ under Randy Travis, and it went top ten. They then re-released this song, and it became his first #1 hit.

1986

  • Lee Greenwood, “Dixie Road”
  • Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson, “Highwayman”
  • The Judds, “Love is Alive”
  • Mel McDaniel, “Baby’s Got Her Blue Jeans On”
  • Hank Williams Jr., “I’m For Love”

So successful was this winning single that the four legends would go on to release future collaborations as the Highwaymen.

1985

  • Alabama, “When We Make Love”
  • Julio Iglesias & Willie Nelson, “To All the Girls I’ve Loved Before”
  • The Judds, “Why Not Me”
  • John Schneider, “I’ve Been Around Enough to Know”
  • Conway Twitty, “I Don’t Know a Thing About Love (The Moon Song)”

Say what you want about this winner, but it was popular enough to sell two million 45s.

1984

  • John Anderson, “Swingin’”
  • Anne Murray, “A Little Good News”
  • Willie Nelson & Merle Haggard, “Pancho  and Lefty”
  • Kenny Rogers & Dolly Parton, “Islands in the Stream”
  • Shelly West, “José Cuervo”

Another pop smash that moved two million 45s. Is there anybody over 30 who can’t sing along to the chorus?

1983

  • David Frizzell, “I’m Gonna Hire a Wino to Decorate Our Home”
  • Willie Nelson, “Always on My Mind”
  • Kenny Rogers, “Love Will Turn You Around”
  • Ricky Skaggs, “Crying My Heart Out Over You”
  • Sylvia, “Nobody”

Nelson’s had quite a few signature hits, but none bigger than this one.

1982

  • Rosanne Cash, “Seven Year Ache”
  • David Frizzell & Shelly West, “You’re the Reason God Made Oklahoma”
  • Barbara Mandrell, “I Was Country When Country Wasn’t Cool”
  • Ronnie Milsap, “(There’s) No Gettin’ Over Me”
  • Oak Ridge Boys, “Elvira”

This might be the most pop-flavored lineup in category’s history. Even the Mandrell hit doth protest too much.

1981

  • George Jones, “He Stopped Loving Her Today”
  • Johnny Lee, “Lookin’ For Love”
  • Dolly Parton, “9 to 5″
  • Eddie Rabbitt, “Drivin’ My Life Away”
  • Don Williams, “I Believe in You”

Jones capped his biggest comeback in a career defined by them with several awards for this classic hit.

1980

  • Charlie Daniels Band, “Devil Went Down to Georgia”
  • Larry Gatlin & The Gatlin Brothers Band, “All the Gold in California”
  • Crystal Gayle, “Half the Way”
  • Waylon Jennings, “Amanda”
  • Kenny Rogers, “Coward of the County”

West Coast represent!

1979

  • Crystal Gayle, “Talking in Your Sleep”
  • Loretta Lynn, “Out of My Head and Back in My Bed”
  • Willie Nelson, “Georgia On My Mind”
  • Waylon & Willie, “Mammas Don’t Let Your Babies Grow Up to be Cowboys”
  • Don Williams, “Tulsa Time”

In a category of superstars, the Gentle Giant of Country Music was the victor.

1978

  • Debby Boone, “You Light Up My Life”
  • Crystal Gayle, “Don’t it Make My Brown Eyes Blue”
  • Waylon Jennings, “Luckenbach, Texas (Back to the Basics of Love)”
  • Kenny Rogers, “Lucille”
  • Linda Ronstadt, “Blue Bayou”

All of these records made a big impact on both the country and the pop chart.

1977

  • Mickey Gilley, “Bring it On Home to Me”
  • Loretta Lynn, “Somebody Somewhere (Don’t Know What He’s Missin’ Tonight)”
  • Marty Robbins, “El Paso City”
  • Red Sovine, “Teddy Bear”
  • Waylon & Willie, “Good Hearted Woman”

A surprising win, perhaps fueled by the momentum of Gilley’s previous single, “Don’t the Girls All Get Prettier at Closing Time.”

1976

  • Glen Campbell, “Rhinestone Cowboy”
  • Freddie Fender, “Before the Next Teardrop Falls”
  • Mickey Gilley, “Overnight Sensation”
  • Willie Nelson, “Blue Eyes Crying in the Rain”
  • Kenny Starr, “The Blind Man in the Bleachers”

Campbell made quite the comeback with this one, and it later inspired the Dolly Parton film vehicle Rhinestone, which earned an ACM nomination of its own for the Tex Ritter Award.

1975

  • John Denver, “Back Home Again”
  • Merle Haggard, “Things Aren’t Funny Anymore”
  • Ronnie Milsap, “(I’d Be) A Legend in My Time”
  • Cal Smith, “Country Bumpkin”
  • Billy Swan, “I Can Help”

Smith may not have gotten all the recognition that his talent warranted, but he made two undeniable classics: “The Lord Knows I’m Drinking”, and his winner here.

1974

  • Merle Haggard, “If We Make it Through December”
  • Byron MacGregor, “The Americans”
  • Jeanne Pruett, “Satin Sheets”
  • Charlie Rich, “Behind Closed Doors”
  • Charlie Rich, “The Most Beautiful Girl”

Rich’s two hits were so big that even with vote-splitting, he still emerged the winner.

1973

  • Donna Fargo, “The Happiest Girl in the Whole U.S.A.”
  • Merle Haggard, “It’s Not Love (But It’s Not Bad)”
  • Johnny Rodriguez, “Pass Me By (If You’re Only Passing Through)”
  • Jerry Wallace, “If You Leave Me Tonight I’ll Cry”
  • Faron Young, “Four in the Morning”

Fargo was a local star on the West Coast before she broke through nationwide with this hit, dominating the 1973 ACM Awards as a result.

1972

  • Merle Haggard, “Carolyn”
  • Freddie Hart, “Easy Loving”
  • Loretta Lynn and Conway Twitty, “Lead Me On”
  • Loretta Lynn, “One’s On the Way”
  • Charley Pride, “Kiss an Angel Good Morning”

This gold-selling classic helped Hart triumph over the superstars of his day.

1971

  • Lynn Anderson, “Rose Garden”
  • Merle Haggard, “The Fightin’ Side of Me”
  • Anne Murray, “Snowbird”
  • Ray Price, “For the Good Times”
  • Sammi Smith, “Help Me Make it Through the Night”

Each one of these is a classic in its own right. In a battle of Kristofferson-penned hits, Price emerged victorious, though Smith won the CMA later that year.

1970

  • Glen Campbell, “Try a Little Kindness”
  • Johnny Cash, “A Boy Named Sue”
  • Merle Haggard, “Okie From Muskogee”
  • Billy Mize, “Make it Rain”
  • Elvis Presley, “Don’t Cry Daddy”
  • Freddy Weller, “Games People Play”
  • Tammy Wynette, “Stand By Your Man”

Haggard’s only victory in this category came on a night where he also won Album of the Year for the only time in several nominations.

1969

  • Glen Campbell, “Wichita Lineman”
  • Merle Haggard, “I Take a Lot of Pride in What I Am”
  • Merle Haggard, “The Legend of Bonnie and Clyde”
  • Merle Haggard, “Mama Tried”
  • Roger Miller, “Little Green Apples”

Miller’s known for his legendary songwriting, but his winning hit here was penned by Bobby Russell.

1968

  • Glen Campbell, “Burning Bridges”
  • Glen Campbell, “Gentle on My Mind”
  • The Gosdin Bros., “Hangin’ On”
  • Bobbie Gentry, “Ode to Billy Joe”
  • Merle Haggard, “Branded Man”
  • Merle Haggard, “I’m a Lonesome Fugitive”

A young Vern Gosdin made up half of the nominated Gosdin Bros., a nice historical footnote to the first year of this category. Glen Campbell’s victory was appropriately West Coast for the ACMs first attempt at honoring the national country music scene.

Facts & Feats:

Most Wins

  • (4) – Alan Jackson
  • (3) – Willie Nelson
  • (2) – Glen Campbell, Faith Hill, Tim McGraw, Kenny Rogers, George Strait, Randy Travis

Most Nominations

  • (12) – Merle Haggard
  • (8) – Willie Nelson
  • (6) – Brooks & Dunn, Alan Jackson, George Strait
  • (5) – Glen Campbell, Waylon Jennings, Tim McGraw
  • (4) – Garth Brooks, Toby Keith, Loretta Lynn, Brad Paisley, Kenny Rogers, Randy Travis

Most Nominations Without a Win

  • (4) – Toby Keith, Loretta Lynn, Brad Paisley
  • (3) – Alabama, Crystal Gayle, The Judds, Miranda Lambert, Hank Williams Jr.

Singles that Won Both the ACM and CMA Award:

  • Merle Haggard, “Okie From Muskogee”
  • Donna Fargo, “The Happiest Girl in the Whole U.S.A.”
  • Charlie Rich, “Behind Closed Doors”
  • Cal Smith, ‘Country Bumpkin”
  • Kenny Rogers, “Lucille”
  • George Jones, “He Stopped Loving Her Today”
  • Oak Ridge Boys, “Elvira”
  • Willie Nelson, “Always On My Mind”
  • Randy Travis, “Forever and Ever, Amen”
  • Kathy Mattea, “Eighteen Wheels and a Dozen Roses”
  • Garth Brooks, “Friends in Low Places”
  • Alan Jackson, “Chattahoochee”
  • John Michael Montgomery, “I Swear”
  • George Strait, “Check Yes or No”
  • Lee Ann Womack with Sons of the Desert, “I Hope You Dance”
  • Alan Jackson, “Where Were You (When the World Stopped Turning)”
  • Tim McGraw, “Live Like You Were Dying”

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ACM Flashback: Album of the Year

The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons.  First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start.  The ACM has also been more commercially-oriented from the beginning, as the history of this category proves.  Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.

Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs.  Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek!  At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.

A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010.  For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.

As with other flashbacks, we begin with a look at this year’s nominees:

2010

  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Brad Paisley, American Saturday Night
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands.  Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot.  This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.

2009

  • Jamey Johnson, That Lonesome Song
  • Montgomery Gentry, Back When I Knew It All
  • George Strait, Troubadour
  • Taylor Swift, Fearless
  • Carrie Underwood, Carnival Ride

Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.

2008

  • Rodney Atkins, If You’re Going Through Hell
  • Kenny Chesney, Just Who I Am: Poets and Pirates
  • Miranda Lambert, Crazy Ex-Girlfriend
  • Brad Paisley, 5th Gear
  • Taylor Swift, Taylor Swift

A visibly shocked Lambert accepted the trophy for her critically acclaimed sophomore set.  While it did go gold, it remains an anomaly among ACM album winners. You have to go all the way back to 1979 (Oak Ridge Boys) to find another ACM album winner that didn’t sell platinum or higher.

2007

  • Brooks & Dunn, Hillbilly Deluxe
  • Vince Gill, These Days
  • Rascal Flatts, Me and My Gang
  • George Strait, It Just Comes Natural
  • Carrie Underwood, Some Hearts

Carrie Underwood became the first solo female artist to win this award in eleven years with her 7 million-selling Some Hearts.

2006

  • Gary Allan, Tough All Over
  • Brad Paisley, Time Well Wasted
  • Rascal Flatts, Feels Like Today
  • Sugarland, Twice the Speed of Life
  • Lee Ann Womack, There’s More Where That Came From

A strikingly strong lineup, with the victory going to Brad Paisley. Due to differences in eligibility between the two shows, there are two CMA winners in this category. Not only did Paisley repeat his victory the following fall, Womack won the CMA the previous year.

2005

  • Kenny Chesney, When the Sun Goes Down
  • Sara Evans, Restless
  • Tim McGraw, Live Like You Were Dying
  • Keith Urban, Be Here
  • Gretchen Wilson, Here for the Party

Though he’s always been popular with the CMA and Grammy voters, Urban’s only Album award to date came courtesy of the ACMs. Oddly enough, they haven’t nominated him since.

2004

  • Brooks & Dunn, Red Dirt Road
  • Toby Keith, Shock’n Y’All
  • Martina McBride, Martina
  • Brad Paisley, Mud on the Tires
  • George Strait, Honkytonkville

On an evening where he won several major awards, Keith picked up his second Album of the Year trophy from the ACMs for an album that included the #1  hits “American Soldier”, “Whiskey Girl”,  and “I Love This Bar.”

2003

  • Kenny Chesney, No Shoes, No Shirt, No Problems
  • Dixie Chicks, Home
  • Alan Jackson, Drive
  • Toby Keith, Unleashed
  • Trick Pony, On a Mission

If you think all of those 2009 nominations for Heidi Newfield were surprising, check out Trick Pony’s presence in this category among four albums that sold more than 4 million copies each.  Alan Jackson picked up his third trophy in this category for the album that included “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”.

2002

  • Brooks & Dunn, Steers & Stripes
  • Toby Keith, Pull My Chain
  • Tim McGraw, Set This Circus Down
  • Soundtrack, O Brother, Where Art Thou?
  • Travis Tritt, Down the Road I Go

Big comeback albums for Brooks & Dunn and Travis Tritt were nominated, but it was no surprise to see the victory go to the landmark soundtrack that sold more than eight million copies in the end.

2001

  • Johnny Cash, American III: Solitary Man
  • Billy Gilman, One Voice
  • Toby Keith, How Do You Like Me Now?!
  • Brad Paisley, Who Needs Pictures
  • Lee Ann Womack, I Hope You Dance

Even Keith was a veteran in comparison to Gilman and Paisley, who were nominated with their debut albums, but the biggest surprise was the nomination of Cash for his third project with Rick Rubin. Even the CMA didn’t recognize those collaborations until the fourth volume and “Hurt.”

2000

  • Asleep at the Wheel, Ride With Bob
  • Dixie Chicks, Fly
  • Faith Hill, Breathe
  • George Jones, Cold Hard Truth
  • Tim McGraw, A Place in the Sun

An impressively eclectic lineup is unsurprisingly represented by the consensus choice Dixie Chicks, the one act that everybody used to agree on.

1999

  • Garth Brooks, Double Live
  • Dixie Chicks, Wide Open Spaces
  • Faith Hill, Faith
  • Jo Dee Messina, I’m Alright
  • George Strait, One Step at a Time

For the fourth time in the nineties, the trophy went to an artist’s breakthrough album.  After their shocking win at the Grammys a few weeks earlier, this Dixie Chicks victory wasn’t quite as surprising.

1998

  • Garth Brooks, Sevens
  • Patty Loveless, Long Stretch of Lonesome
  • Tim McGraw, Everywhere
  • George Strait, Carrying Your Love With Me
  • Shania Twain, Come On Over

Strait’s third victory in this category tied him with Alabama for most wins.  It was also his first album to top the overall Billboard 200, a feat he’s repeated with three additional albums.

1997

  • Brooks & Dunn, Borderline
  • Tracy Lawrence, Time Marches On
  • Patty Loveless, The Trouble With the Truth
  • LeAnn Rimes, Blue
  • George Strait, Blue Clear Sky

Strait’s victory came with an album that featured the #1 hits “Blue Clear Sky” and “Carried Away”, along with the rodeo-themed “I Can Still Make Cheyenne.”

1996

  • Brooks & Dunn, Waitin’ On Sundown
  • Patty Loveless, When Fallen Angels Fly
  • Tim McGraw, All I Want
  • George Strait, Lead On
  • Shania Twain, The Woman in Me

Although Loveless won the CMA award the previous fall, the ACM sided with the Grammy winner for Best Country Album, Shania Twain’s landmark set, The Woman in Me.

1995

  • Garth Brooks, In Pieces
  • Mary Chapin Carpenter, Stones in the Road
  • Vince Gill, When Love Finds You
  • Alan Jackson, Who I Am
  • Tim McGraw, Not a Moment Too Soon

McGraw’s only victory in this category came with his first nomination. This set remains his top-selling to date, thanks to the presence of the massive hits “Don’t Take the Girl”, “Indian Outlaw”, “Down on the Farm”, and the title track.

1994

  • Brooks & Dunn, Hard Workin’ Man
  • Billy Ray Cyrus, It Won’t Be the Last
  • Vince Gill, I Still Believe In You
  • Alan Jackson, A Lot About Livin’ (And a Little ‘Bout Love)
  • Various Artists, Common Thread: The Songs of the Eagles
  • Dwight Yoakam, This Time

Alan Jackson picked up his second victory in this category with an album that included “Chattahoochee”, which would remain his biggest hit for nearly a decade.

1993

  • Garth Brooks, The Chase
  • Brooks & Dunn, Brand New Man
  • Mary Chapin Carpenter, Come On Come On
  • Billy Ray Cyrus, Some Gave All
  • Wynonna, Wynonna

These are some big selling albums. Wynonna and Mary Chapin Carpenter both sold five million and they are tied for last place among the nominees.  It’s easy to forget how fresh the Brooks & Dunn sound was when it first arrived on the scene.  Five hits, including the classic title track, “Neon Moon”, and “Boot Scootin’ Boogie”, helped power them to a win.

1992

  • Garth Brooks, No Fences
  • Garth Brooks, Ropin’ the Wind
  • Alan Jackson, Don’t Rock the Jukebox
  • Ricky Van Shelton, Backroads
  • Travis Tritt, It’s All About to Change

In perhaps the most bizarre moment in this category’s history, Garth Brooks competed again with No Fences, which won the same award last year. Alan Jackson emerged victorious with his sophomore set.

1991

  • Alabama, Pass it On Down
  • Garth Brooks, No Fences
  • Vince Gill, When I Call Your Name
  • Alan Jackson, Here in the Real World
  • Ricky Van Shelton, RVS III

No Fences includes the Garth Brooks classics “Friends in Low Places”, “Unanswered Prayers”, and “The Thunder Rolls”. It remains his highest-selling album to date, and second only to Shania Twain’s Come On Over among all single-disc country albums in history.

1990

  • Clint Black, Killin’ Time
  • Rodney Crowell, Diamonds and Dirt
  • Kathy Mattea, Willow in the Wind
  • Nitty Gritty Dirt Band, Will the Circle Be Unbroken? Vol. II
  • Randy Travis, Old 8×10

The winning album demonstrates why Clint Black was the head of the Class of ’89, even though he’d soon be overshadowed by fellow newbie Garth Brooks.

1989

  • Vern Gosdin, Chiseled in Stone
  • K.T. Oslin, This Woman
  • Ricky Van Shelton, Loving Proof
  • George Strait, If You Ain’t Lovin’ You Ain’t Livin’
  • Dwight Yoakam, Buenos Noches From a Lonely Room

K.T. Oslin dominated the awards circuit in 1988 and 1989, with her final victories coming at the ACM Awards.  Her Album of the Year winner included the #1 hit “Hold Me”, along with the top five hits “Hey Bobby” and the title track.

1988

  • The Judds, Heart Land
  • Dolly Parton, Linda Ronstadt, and Emmylou Harris, Trio
  • George Strait, Ocean Front Property
  • Randy Travis, Always and Forever
  • Hank Williams Jr., Born to Boogie

The classic project by legends Dolly Parton, Linda Ronstadt, and Emmylou Harris also won a CMA for Vocal Event and a Grammy for Best Country Performance by a Duo or Group with Vocals.

1987

  • The Judds, Rockin’ With the Rhythm
  • Ricky Skaggs, Live in London
  • George Strait, 7
  • Randy Travis, Storms of Life
  • Dwight Yoakam, Guitars, Cadillacs, Etc., Etc.

The neo-traditionalist movement at its peak, with a win by its standard-bearing artist with his standard-bearing debut album.

1986

  • Alabama, 40 Hour Week
  • Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson, Highwayman
  • The Judds, Why Not Me
  • George Strait, Does Fort Worth Ever Cross Your Mind
  • Hank Williams Jr., Five-O

The only #1 hit from this album was the title track, but “The Fireman” and “The Cowboy Rides Away” have since become signature songs for the legendary artist.

1985

  • Alabama, Roll On
  • Earl Thomas Conley, Don’t Make it Easy On Me
  • Ricky Skaggs, Don’t Cheat in Our Hometown
  • George Strait, Right or Wrong
  • Hank Williams Jr., Man of Steel

Their third victory in four years came on the strength of the hits “Roll On (Eighteen Wheeler)”, “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)”, “(There’s a) Fire in the Night”, and “When We Make Love.”

1984

  • Alabama, The Closer You Get
  • John Anderson, Wild & Blue
  • Merle Haggard, Going Where the Lonely Go
  • Merle Haggard & Willie Nelson, Pancho & Lefty
  • Ricky Skaggs, Highways & Heartaches

Over a field of traditionalists old and new, the pop-country supergroup Alabama won their second Album award. In addition to the hit title track, The Closer You Get… included the hits “Lady Down on Love” and “Dixieland Delight.”

1983

  • Alabama, Mountain Music
  • Willie Nelson, Always On My Mind
  • Kenny Rogers, Love Will Turn You Around
  • Ricky Skaggs, Waitin’ For the Sun to Shine
  • Don Williams, Listen to the Radio

Nelson’s biggest single powered the album of the same name to victory. It also included a pair of #2 hits: “Last Thing I Needed First Thing This Morning” and “Let it Be Me.”

1982

  • Alabama, Feels So Right
  • Rosanne Cash, Seven Year Ache
  • George Jones, Still the Same Ole Me
  • Oak Ridge Boys, Fancy Free
  • Dolly Parton, 9 to 5 and Odd Jobs

With the exception of George Jones, all the nominees here enjoyed significant pop success with these projects. Alabama won their first trophy in this category with Feels So Right, which included the hit title track, “Old Flame”, and their biggest crossover hit, “Love in the First Degree.”

1981

  • Charley Pride, There’s a Little Bit of Hank in Me
  • Kenny Rogers, Greatest Hits
  • Soundtrack, Coal Miner’s Daughter
  • Soundtrack, Urban Cowboy
  • Don Williams, I Believe in You

For all that it’s been maligned, the Urban Cowboy soundtrack does have a lot of classic hits on it.  Some of them were recycled, like “Devil Went Down to Georgia” and “Lyin’ Eyes”, but some were introduced on the soundtrack, most notably Anne Murray’s “Could I Have This Dance” and Johnny Lee’s “Lookin’ For Love.”

1980

  • Larry Gatlin, Straight Ahead
  • Emmylou Harris, Blue Kentucky Girl
  • Waylon Jennings, Greatest Hits
  • Willie Nelson, Willie Sings Kristofferson
  • Kenny Rogers, Kenny

Those of you wondering how on earth Larry Gatlin was the winner in this field should know that this was actually a platinum-selling album. Perhaps its big hit, “All the Gold in California”, endeared the project to west coast voters.

1979

  • Ronnie Milsap, It Was Almost Like a Song
  • Anne Murray, Let’s Keep it That Way
  • Willie Nelson, Stardust
  • Oak Ridge Boys, Y’All Come Back Saloon
  • Kenny Rogers & Dottie West, Every Time Two Fools Collide

They had made several albums as gospel stars, but it was their first big country hit that fueled this win for Album of the Year.

1978

  • Waylon Jennings, Ol’ Waylon
  • Dolly Parton, Here You Come Again
  • Elvis Presley, Moody Blue
  • Kenny Rogers, Kenny Rogers
  • Conway Twitty, Greatest Hits Vol. II

This self-titled album was renamed “Lucille” in later pressings to capitalize on its biggest hit.

1977

  • Mickey Gilley, Gilley’s Smokin’
  • Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, Wanted! The Outlaws
  • Loretta Lynn, Somebody Somewhere
  • Marty Robbins, El Paso City
  • Conway Twitty, Now and Then

Gilley’s winning album features his most well known hit, “Don’t the Girls All Get Prettier at Closing Time.” It’s the most recent album in the category’s history that hasn’t reached at least gold status.

1976

  • Glen Campbell, Rhinestone Cowboy
  • Freddie Fender, Before the Next Teardrop Falls
  • Merle Haggard, Keep Movin’ On
  • Loretta Lynn & Conway Twitty, Feelins’
  • Willie Nelson, Red Headed Stranger

This shared award is the only Album trophy that either Lynn or Twitty won from the ACM or CMA, though Lynn did go on to win Best Country Album three decades later at the Grammys.

1975

  • John Denver, Back Home Again
  • Merle Haggard, Merle Haggard Presents His 30th Album
  • Loretta Lynn, They Don’t Make ‘Em Like My Daddy
  • Cal Smith, Country Bumpkin
  • Bob Wills, For the Last Time

Denver’s biggest country album, it spent thirteen weeks atop the country album chart. The title track topped the chart, and “Annie’s Song” became a wedding standard.

1974

  • Merle Haggard, I Love Dixie Blues…so I Recorded “Live” in New Orleans
  • Loretta Lynn, Love is the Foundation
  • Charlie Rich, Behind Closed Doors
  • Johnny Rodriguez, Introducing Johnny Rodriguez
  • Conway Twitty & Loretta Lynn, Louisiana Woman, Mississippi Man

Rich’s classic set has sold four million copies, an unheard of tally for a country album from this time period. It didn’t hurt that the title track and “The Most Beautiful Girl” were crossover hits, with the latter actually topping the pop singles chart.

1973

  • Mac Davis, Baby Don’t Get Hooked On Me
  • Donna Fargo, The Happiest Girl in the Whole U.S.A.
  • Merle Haggard, The Best of the Best of Merle Haggard
  • Merle Haggard, It’s Not Love (But It’s Not Bad)
  • Merle Haggard, Let Me Tell You About a Song
  • Freddie Hart, Bless Your Heart

Donna Fargo triumphed in a field of six albums, half of which were recorded by Merle Haggard! The Fargo set produced two million-selling singles – the title track and “Funny Face”.

1972

  • Merle Haggard, Hag
  • Merle Haggard, Someday We’ll Look Back
  • Freddie Hart, Easy Loving
  • Ray Price, I Won’t Mention it Again
  • Charley Pride, Charley Pride Sings Heart Songs

The title track was a massive hit, helping Hart’s Easy Loving reach gold status and spend nine weeks atop the country albums chart.

1971

  • Glen Campbell, The Glen Campbell Goodtime Album
  • Merle Haggard, The Fightin’ Side of Me
  • Merle Haggard, A Tribute to the Best Damn Fiddle Player in the World (or, My Salute to Bob Wills)
  • Ray Price, For the Good Times
  • Charley Pride, Charley Pride’s 10th Album

Who knows how many times Haggard could’ve won this award if he wasn’t nominated against himself? This year, Ray Price’s For the Good Times was the victor, thanks to the Kristofferson-penned title track.

1970

  • Glen Campbell, Live
  • Johnny Cash, At Folsom Prison
  • Merle Haggard, Okie From Muskogee
  • Charley Pride, Best of Charley Pride
  • Tammy Wynette, Greatest Hits

Haggard’s only victory in this category was for a live album. Incidentally, he won over two other live albums and a pair of greatest hits sets.

1969

  • Glen Campbell, Wichita Lineman
  • Bobbie Gentry & Glen Campbell, Bobbie Gentry & Glen Campbell
  • Merle Haggard, The Best of Merle Haggard
  • Merle Haggard, Mama Tried
  • Buck Owens, Best of Buck Owens

Campbell won for the second year in a row, this time sharing the victory with Bobbie Gentry of “Ode to Billie Joe” fame.

1968

  • Glen Campbell, Burning Bridges
  • Glen Campbell, Gentle on My Mind
  • Merle Haggard, Branded Man
  • Merle Haggard, I’m a Lonesome Fugitive
  • Wynn Stewart, It’s Such a Pretty World Today

California favorite Glen Campbell won the first ACM trophy in this category, and he’d remain a favorite of the Academy over the next decade.

Facts & Feats

Multiple Wins:

  • (3) – Alabama, Alan Jackson, George Strait
  • (2) – Glen Campbell, Dixie Chicks, Toby Keith

Most Nominations:

  • (17) – Merle Haggard
  • (12) – George Strait
  • (7) – Garth Brooks, Glen Campbell, Willie Nelson
  • (6) – Alabama, Tim McGraw
  • (5) – Loretta Lynn, Brad Paisley, Kenny Rogers

Most Nominations Without a Win:

  • (4) – Vince Gill, Waylon Jennings, Charley Pride, Ricky Skaggs
  • (3) – Johnny Cash, Kenny Chesney, The Judds, Patty Loveless, Ricky Van Shelton, Hank Williams Jr., Dwight Yoakam

Albums that won the ACM Award and the CMA Award:

  • Merle Haggard, Okie From Muskogee
  • Charlie Rich, Behind Closed Doors
  • Willie Nelson, Always on My Mind
  • Alabama, The Closer You Get
  • George Strait, Does Fort Worth Ever Cross Your Mind
  • Garth Brooks, No Fences
  • George Strait, Blue Clear Sky
  • George Strait, Carrying Your Love With Me
  • Dixie Chicks, Fly
  • Soundtrack, O Brother Where Art Thou?
  • Alan Jackson, Drive
  • Brad Paisley, Time Well Wasted
  • George Strait, It Just Comes Natural
  • Taylor Swift, Fearless

Albums that Won the ACM award and the Grammy for Album of the Year:

  • Soundtrack, O Brother Where Art Thou?
  • Taylor Swift, Fearless

Albums that Won the ACM award and the Grammy for Best Country Album (only presented in 1965-1966 and 1995-present):

  • Shania Twain, The Woman in Me
  • Dixie Chicks, Wide Open Spaces
  • Dixie Chicks, Fly
  • George Strait, Troubadour
  • Taylor Swift, Fearless

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Best Country Singles of 2009, Part 2: #20-#1

We proceed.

#20

Taylor Swift, “You Belong with Me”

Teen-pop perfection, bursting with personality and unshakable hooks. – Dan Milliken

#19

Keith Urban, “‘Til Summer Comes Around”

There’s nothing quite as lonely as a carnival that has shut down, except for being alone at a carnival, surrounded by everyone but the love who has left you behind. – Kevin Coyne

#18

Lady Antebellum, “I Run to You”

Sheer passion and pulsing energy from start to finish. – Tara Seetharam Continue reading

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The 201 Greatest Singles of the Decade, Part 3: #160-#141

The 201 Greatest Singles of the Decade, Part 3: #160-#141

lee-ann-womack-call-me-crazy

#160
“Last Call”
Lee Ann Womack
2008
Peak: #14

Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken

159 Shania Up

#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9

Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne

Continue reading

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Album Sales Update

Here are the latest totals for albums released over the past three years that are still charting:

2009

  • Rascal Flatts, Unstoppable – 669,000
  • Keith Urban, Defying Gravity – 349,000
  • Jason Aldean, Wide Open – 241,000
  • Dierks Bentley, Feel That Fire – 189,000
  • Martina McBride, Shine – 89,000
  • John Rich, Son of a Preacher Man – 89,000
  • Rodney Atkins, It’s America – 72,000
  • Jake Owen, Easy Does It – 70,000
  • Eric Church, Carolina – 66,000
  • Randy Travis, I Told You So: Ultimate Hits – 59,000
  • Randy Rogers Band, Randy Rogers Band – 57,000
  • Pat Green, What I’m For – 54,000
  • Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 50,000
  • Billy Ray Cyrus, Back to Tennessee – 29,000
  • Jason Michael Carroll, Growing Up is Getting Old – 26,000
  • Dean Brody, Dean Brody – 5,000

2008

  • Taylor Swift, Fearless – 3,220,000
  • Sugarland, Love on the Inside – 1,594,000
  • George Strait, Troubadour – 860,000
  • Alan Jackson, Good Time – 803,000
  • Keith Urban, Greatest Hits – 737,000
  • Kenny Chesney, Lucky Old Sun – 696,000
  • Darius Rucker, Learn to Live – 642,000
  • Rascal Flatts, Greatest Hits Vol. 1 – 642,000
  • Toby Keith, 35 Biggest Hits – 630,000
  • Lady Antebellum, Lady Antebellum – 572,000
  • Zac Brown Band, Foundation – 511,000
  • Jamey Johnson, That Lonesome Song – 438,000
  • Toby Keith, That Don’t Make Me a Bad Guy – 384,000
  • James Otto, Sunset Man – 368,000
  • Julianne Hough, Julianne Hough – 309,000
  • Dierks Bentley, Greatest Hits – 244,000
  • Brad Paisley, Play – 238,000
  • Jewel, Perfectly Clear – 226,000
  • Kellie Pickler, Kellie Pickler – 216,000
  • Dolly Parton, Backwoods Barbie – 199,000
  • Heidi Newfield, What am I Waiting For? – 197,000
  • Tim McGraw, Greatest Hits Vol. 3 – 196,000
  • Trace Adkins, X – 174,000
  • Montgomery Gentry, Back When I Knew it All – 173,000
  • Blake Shelton, Startin’ Fires – 152,000
  • Joey + Rory, Life of a Song – 152,000
  • Billy Currington, Little Bit of Everything – 133,000
  • Chuck Wicks, Starting Now – 129,000
  • Jimmy Wayne, Do You Believe Me Now – 127,000
  • Lee Ann Womack, Call Me Crazy – 94,000
  • Eli Young Band, Jet Black and Jealous – 92,000
  • Hank Williams III, Damn Right Rebel Proud – 76,000
  • Craig Morgan, Greatest Hits – 73,000
  • Lost Trailers, Holler Back – 65,000
  • Randy Houser, Anything Goes – 58,000

2006-2007

  • Taylor Swift, Taylor Swift – 4,129,000
  • Carrie Underwood, Carnival Ride – 2,852,000
  • Trace Adkins, Greatest Hits Vol. 2 – 627,000

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Kate & Kacey, “Dreaming Love”

kate-and-kacey“Love, love, love, love…” crazy love? Unfortunately, no. There is a brief moment at the beginning of “Dreaming Love” where you think Kate & Kacey might break into Van Morrison’s “Crazy Love.” But no, we’re not that fortunate.

Kate & Kacey do have some songwriting chops. In fact, they have a co-write with Jamey Johnson coming out on George Strait’s upcoming album.  However, “Dreaming Love” is not a shimmering display of those abilities.  Overall, the song is plagued with a  pretty but forgettable tune (slightly reminiscent in parts of Heidi Newfield’s “Johnny and June”), decidedly unmemorable vocals and unimaginative lyrics expounding on that n’er-written-about subject, love.

In some ways, “Dreaming Love” feels like the beginning of the “Taylor Swift era” in country music, where young female singer-songwriters inspired by Swift’s success share their diaries with the world through heartfelt lyrics and music that has a hint of country but would never be out of place on a Disney soundtrack.  The funny thing is, this song would not only be more interesting with Swift singing, but you know she would have written a more interesting song to begin with … who da thunk?

Songwriters: Kate & Kacey Coppola

Grade: C+

Listen:Dreaming Love

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Heidi Newfield, “What Am I Waiting For”

heidi-newfieldThe third single from Heidi Newfield’s solo debut is the strongest track on the album.

Rather than taking the traditional routes of empowered bravado or weak-kneed self-pity, Newfield is simply unsure of herself. “I’m five years into a two-year plan,” she notes, “still standing here with the walls closing in behind this open door. What am I waiting for?”

I love songs with bravado and I love songs dripping with self-pity, but this is one of those rare singles that just feels real. Life unfolds in a series of small moments where little opportunities for change are overlooked. It’s easier to put off that big step for one more day, to keep dipping your toe in the water without ever getting in.

For me, what lifts the song from good to great is the final verse that has God asking the question back: “I got plans for you child. What are you worried about? You know life’s too short. What are you waiting for?” It’s difficult to take that leap of faith until the fear of looking back without having done so outweighs the fear of what lies ahead.

Written by Keith Burns, Ira Dean, Heidi Newfield & Jeffrey Steele

Grade: A-

Listen: What Am I Waiting For

Buy:


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ACM Winners and Live Blog

acm-awards

WINNERS:

ENTERTAINER: Carrie Underwood

ALBUM: Taylor Swift, Fearless

SINGLE: “You’re Gonna Miss This” – Trace Adkins

FEMALE VOCALIST: Carrie Underwood

MALE VOCALIST: Brad Paisley

VOCAL DUO: Sugarland

TOP NEW ARTIST: Julianne Hough

VOCAL GROUP: Rascal Flatts

SONG: “In Color” – Jamey Johnson

LIVE BLOG:

11:00 Wonderful ending to a pretty good night!

10:59 ENTERTAINER: Carrie Underwood!!!

10:57 Matt and Jamie Foxx should co-host next year.

10:56 Matthew M. was the “Walkaway Joe” in Trisha’s video from 1992.

10:54 The show got better as it went on. I’ve really enjoyed most of the later performances.

10:49 This is the best I’ve heard Rascal Flatts in a very long time. I would buy this song arranged and performed like this.

10:47 Not much in the way of multiple winners tonight, at least in the marquee categories. Brad Paisley has 3 (Male, Video, Vocal Event), Julianne Hough has 2 (New Artist, New Female Artist.)

10:45 ALBUM: Taylor Swift, Fearless (Leeann has to be far ahead by now)

10:42 Blake got Brad Paisley’s slot, I think. Good to hear him. I like this song.

10:36 Who will win Female Vocalist? You need a better teaser than that. Who’s in charge of the clips here?

10:35 SINGLE: “You’re Gonna Miss This” – Trace Adkins  (His first industry award since winning ACM Top New Male Vocalist twelve years ago.)

10:34 Anybody else lose sound?

10:33 She’s getting a Crystal Milestone award for winning an award last year? Really?

10:30 I really need to see them live. If they’re this good on award shows, they must be amazing with their own audience.

10:29 Jennifer Nettles attended Keith Urban’s charisma workshop.

10:28 Reba just said “Any-hoo.”

10:22 The contrast in phrasing between Adkins and the choir is jarring. But Good Lord, this is the best song of the night.

10:19 Amazing how war songs are timeless, even when they describe wars from long ago.

10:15 FEMALE VOCALIST: Carrie Underwood

10:13 She’s getting lost in the mix, but from what I can hear, it’s like “For My Broken Heart” with a brighter morning.

10: 12 New Reba. Good so far.

10:07 Little Jimmy Dickens got served.

10:05 MALE VOCALIST: Brad Paisley

10:04 None of these guys are really at the top of their game.

10:02 She really does put everyone else to shame. This is better than the record.

10:01 Carrie saw it in the window and she just had to have it.

9:54 It’s been 34 minutes since the last award. Yeesh.

9:53 “Hell Yeah”, Part II. Among country recycled grooves, I dig MG’s the least.

9:51 Ladies and gentlemen, Anita Cochran on lead guitar!

9:50 Then again, I’m not sure she’s singing live. Anybody heard the record?

9:49 Alright, I’ll say it. She’s got better vocal chops than most of the people on tonight’s show. I’d like to swap teen idols with pop music right about now.

9:47 Perhaps one of the reasons it’s been such a wild ride for both you and Miley is that you won’t get off her horse.

9:45 Random aside: Is anyone else seeing the Gene Simmons commercial for Cherry Dr. Pepper? Why doesn’t Cherry Coke Zero get such a big promotional push???

9:42 Coming up…Miley Cyrus and Carrie Underwood. Why not?

9:41 This live blog brought to you from New York City. We’re not part of the real world, but thankfully the internet can beam us to those of you who live in it.

9:40 Good to know some tools are still made in America.

9:39 A rundown of working class anthems should’ve included Aaron Tippin.

9:37 I didn’t realize LeAnn Rimes did so much humanitarian work. I guess she has nothin’ better to do.

9:35 She dances like Natalie Maines. Heh.

9:34 I like the imagery. She’s quite the songwriter, assuming that she wrote this.

9:33 Am I the only one who can’t help but think about Mindy McCready’s “Maybe He’ll Notice Her Now” with these lyrics?

9:32 New Miranda Lambert song. Can’t wait to hear it.

9:26 Urban reminds me just how much the new artists lack charisma. He should give workshops on charisma.

9:23 Of all the country superstar recycled grooves, Urban’s is my favorite.

9:21 If Nettles had turned quickly at an angle, this show would be on tape delay next year.

9:20 VOCAL DUO: Sugarland (Finally! First time B&D ever lost a pure Vocal Duo race at the ACM’s!)

9:19 I think we may have peaked for the evening. Sigh.

9:17 So far, this is the only performance of the night that I can say improves on the recorded performance.

9:15 Lee Ann Womack is doing “Solitary Thinkin’.” One of the better tracks from Call Me Crazy.

9:10 Lady Antebellum sounds very generic.

9:06 She gets a crystal milestone award for her incredible record sales? Her albums combined haven’t matched the sales of Underwood’s first album, the first three Dixie Chicks albums, three Shania Twain albums.  Why didn’t Rascal Flatts get this award? John Michael Montgomery? Toby Keith? Kenny Chesney? I’m just confused.

9:05 This reminds me of the Brooke White girl from Idol last year.

9:03 David Copperfield did not, in the end, pull an auto-tuner out of his hat.

8:54 Standing O? Wow, the value of those have plummeted. Must be the economy.

8:53 TOP NEW ARTIST: Julianne Hough

8:52 We like to blame the sound mix for less than par performances. But notice how George Strait still sounds great  – and mark my words, Carrie Underwood will, too.

8:51 I love this song. “Troubadour” couldn’t be a better fit for him.

8:50 I wonder how many of the new artists knew that was a George Strait song.

8:49 He could do a sketch as Wanda the Ugly Girl trying to out-dress Carrie Underwood.

8:48 Seriously, he’s killing. Please let him host next year.

8:47 Jamie Foxx. I’d love to see him host the show next year.

8:43 Poor Nashville viewers had to deal with storm warnings during the Johnson performance. How cool would it have been if those popped up last year during Taylor Swift’s performance of “Should’ve Said No”?

8:41 As for the actual performance, he sounds good. Still overwhelmed by the backing track, but that seems inevitable on these shows. I’m surprised they didn’t do a stripped-down performance a la “Stay.” Those are the only ones that ever sound good on these shows.

8:40 So I get the whole conceit here, but give me a break. There weren’t huge projection screens in the days of black-and-white photographs. Or TV for that matter. This is way too pretentious for my tastes.

8:39 Oh dear God. It’s in black and white. I didn’t see that coming.

8:38 Here comes Jamey Johnson. I suspect we’ll see it in color.

8:36 I wonder if McGraw’s production differences had something to do with those screens behind the artists?

8:35 Toby Keith’s best recent performance wasn’t on a country music award show. Check out his roast of Larry the Cable Guy.

8:29 I’m excited for Toby Keith, though he always seems to do rave-ups. Shame, since he’s such a great balladeer.

8:27 VOCAL GROUP: Rascal Flatts (There goes my lead)

8:26 I wonder if next year she’ll be back singing “Amy and Vince” or “Tim and Faith.”

8:23 I feel bad that Heidi Newfield has nearly no chance despite five nominations. A bit weird to see her dolled up. She was Gretchen Wilson before Gretchen Wilson was Gretchen Wilson.

8:22 Home Depot has been a big friend to this show. They supply the wooden performances.

8:17 Methinks that Jamey Johnson would look better out of color. Yikes.

8:16 SONG: “In Color” – Jamey Johnson  (I called this one, y’all – he’ll repeat at the CMA’s)

8:15 J Love is a huge fan of country music. I’m a huge fan of the Ghost Whisperer. Cool.

8:14 Random pics in the back of young college-age girls partying. Weird.

8:12 Anyone in the comments want to explain the appeal of Chesney playing live? What are his shows like? I’ve never been.

8:11 First time in a long time there’s been a woman in there. I think the Dixie Chicks were the last ones.

8:10 Who’s on the couch with Brad Paisley and Little Jimmy Dickens?

8:09 A gay joke? Really?

8:09 George Strait is indeed the man himself.

8:08 Please say Rascal Flatts from the behind of a cow.

8:07 That was interesting, but I wonder how much cooler it could’ve been if it was done later in the show, and was built around ballads with “Very Last Country Song” being the framework.

8:06 I do not want to hang with you and your gang.

8:05 I think they’ve run through all of country’s multi-platinum acts.

8:04 Love me some Carrie Underwood. Hope she has a big night.

8:03 Sugarland, I wouldn’t mind hearing the full song. At least Leeann got a bit of “It Happens.”

8:02 Wow, George Strait snarled at his reference until he noticed the camera was on.

8:01 Taylor Swift doing “Picture to Burn.” Is this a medley of annoying songs performed poorly?

8:00 We’re starting with some sort of jam beginning with Brooks & Dunn. “Play Something Country” still annoys me. The melody is ripped off from “Shut Up and Kiss Me.”

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ACM Awards: Predicted Winners

As we gear up for the 2009 Academy of Country Music Awards, the writing staff of Country Universe have prepared our predicted winners among this year’s nominees. Check out our Personal Picks as well, and share your own predictions in the comments. As always, we’ll be live-blogging the festivities this Sunday, starting at 8 EST.

ACM 2009: Country Universe Predicts the Winners

Entertainer of the Year

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Carrie Underwood – Kevin, Leeann, Dan, Lynn
  • Keith Urban

Kevin: For as much as the industry favors male acts, it’s the female acts who really post the big numbers.  I think that the fans having a say will put Underwood over the top, though the industry is certainly behind her, too.  The depth and breadth of her appeal warrants the win.

Leeann: I know how zealous Carrie Underwood fans are.  So, I’d be shocked if she doesn’t win it.  I like the way Lynn said it though.

Dan: You know, I really have no idea. It’s not going to be George Strait, and I probably wouldn’t anticipate a win for Keith Urban this year. At first I was going with Chesney by default, but the arguments for Underwood’s win are too good to ignore, so I’m changing to her.

Lynn: If the fans are truly allowed to have their say…Ms. Underwood, please watch your step on the way up to receive your first Entertainer of the Year award.

Top Male Vocalist

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Leeann, Dan, Lynn, Kevin
  • George Strait
  • Keith Urban

Leeann: I can’t decide between Chesney or Paisley.  If I had to choose, I’d guess Paisley, since he’s gotten used to winning this one.

Dan: Tough call. I’ll put it between Paisley and Chesney, and I’ll give Paisley the edge.

Lynn: Paisley by default. Yes, his last album was an instrumental, but he was easily the most visible of these artists over the past year.

Kevin: I could see Strait sneaking in there, but I don’t see how things have shifted in a meaningful enough way to end Paisley’s run.

Top Female Vocalist

  • Miranda Lambert
  • Heidi Newfield
  • Taylor Swift
  • Carrie Underwood – Dan, Lynn, Kevin, Leeann
  • Lee Ann Womack

Dan: There’s always that chance of a Miranda or Taylor upset, but I think Carrie’s still got this.

Lynn: Given a choice among these ladies over the course of the past year, I can’t imagine this award not going to Underwood.

Kevin: It’s a race between Taylor Swift and Carrie Underwood, and it’s hard for me to imagine Underwood losing a vocalist race to Swift.

Leeann: I’d be an idiot to predict anyone other than Underwood.

Top Vocal Group

  • Lady Antebellum – Lynn, Kevin
  • Little Big Town
  • Rascal Flatts – Leeann, Dan
  • Randy Rogers Band
  • The Lost Trailers

Lynn: With previous ACM and CMA wins under their belts, and a big Grammy nod earlier this year, I wouldn’t bet against Lady A for the win. I could be wrong, but I think Nashville is dying to hand this award to a band other than Rascal Flatts, and Lady A is visible, popular and photogenic.

Kevin:
I think that voters have finally found an alternative to Rascal Flatts, who have dominated this race for so many years.

Leeann: Lady A could take this one.  However, if I want to be safe, I should just predict Rascal Flatts.

Dan: If Lady A hadn’t released such a sluggish second single, they could be posing a serious threat by now. They’ve definitely got a shot, but I’d guess the Flatts still have it.

Top Vocal Duo

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland – Kevin, Leeann, Dan, Lynn


Kevin:
This must finally be the year that Brooks & Dunn loses, right? Sugarland is long overdue.

Leeann: Sugarland.  They’re clearly the hottest duo right now.

Dan: Sugarland, although Brooks & Dunn could still keep it.

Lynn: Sugarland has the momentum.

Top New Artist

  • Julianne Hough- Leeann, Lynn, Kevin
  • Jake Owen
  • Zac Brown Band - Dan

Leeann: Hough will get this one, because I have a feeling she’s got the strongest and most organized fan base, thanks to a popular television show.

Dan: Fan voting = I have no idea. But just for the sake of having a bet, I’ll say Zac Brown Band. They’re well-liked by audiences; maybe their grassroots support will push them over.

Lynn: Fan voting = Julianne Hough (= Dancing With the Stars = 20 million viewers per week = Lots of Free Publicity).

Kevin: I also think Hough will win because of the nature of her fan base.

Album of the Year

  • Back When I Knew It All – Montgomery Gentry
  • Carnival Ride – Carrie Underwood
  • Fearless – Taylor Swift – Leeann
  • That Lonesome Song – Jamey Johnson
  • Troubadour – George Strait  – Dan, Lynn, Kevin
Dan: I can kind of see anyone but Montgomery Gentry winning here, but at the end of the day, Strait is probably the best all-around bet.

Lynn: Ditto Dan.

Kevin:
The Single/Album races just seem to be going Strait’s way lately.

Leeann:
I’ll go out on a limb and predict Taylor Swift.  I’m sure the industry wants to give her an award and this is the most plausible way to do it.

Single Record of the Year

  • “Gunpowder & Lead” – Miranda Lambert
  • “In Color” – Jamey Johnson
  • “Johnny And June” – Heidi Newfield
  • “Waitin’ On A Woman” – Brad Paisley – Dan
  • “You’re Gonna Miss This” – Trace Adkins – Lynn, Kevin, Leeann

Lynn: I might have to go with Trace Adkins’ “You’re Gonna Miss This.” Admittedly, I have a poor track record when it comes to predicting country music awards shows, but I’d be willing to wager at least…nope, can’t do it, I really am bad at this. Second choice is “Gunpowder & Lead” (although it came out 1 single and a year ago!)

Kevin: I’m torn between Paisley and Adkins. The ACM likes to go with the biggest hit, and I guess that’s “You’re Gonna Miss This.”

Leeann: I guess I predict Trace Adkins.  It’s the dullest song of the choices, but the one that seems to tug the hardest on the heartstrings of the assumed average country music listener.

Dan: Paisley’s sentimental hit seems like the strongest bet to me, although I feel a little sheepish with everyone else pulling for Adkins.

Song of the Year

  • I Saw God Today – Leeann, Dan, Lynn
    George Strait
    Composers:  Rodney Clawson, Monty Criswell, Wade Kirby
  • In Color – Kevin
    Jamey Johnson
    Composers:  Jamey Johnson, Lee Thomas Miller, James Otto
  • Johnny And June
    Heidi Newfield
    Composers:  Deanna Bryant, Heidi Newfield, Stephony Smith
  • Waitin’ On A Woman
    Brad Paisley
    Composers:  Don Sampson, Wynn Varble
  • You’re Gonna Miss This
    Trace Adkins
    Composers:  Ashley Gorley and Lee Thomas Miller

Kevin: I’m guessing “In Color” or “I Saw God Today.” It doesn’t help that when Strait won this award, he shared it with Johnson for “Give it Away.” I’ll say “In Color”, though it might result in my defeat in the final tally.

Leeann:
I can’t see why “I Saw God Today” won’t win, even if it makes me cringe a little.

Dan: If I had to guess, it’s a race between “Waitin’ on a Woman” and “I Saw God Today,” with “In Color” playing dark horse. I guess I’ll say “I Saw God Today.”

Lynn: I think Strait will pick up an ACM trophy to go with his CMA one for “I Saw God Today.”

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ACM Awards: Personal Picks

As we gear up for the 2009 Academy of Country Music Awards, the writing staff of Country Universe have prepared our personal picks among this year’s nominees. Check out our Predicted Winners as well, and share your own personal picks in the comments. As always, we’ll be live-blogging the festivities this Sunday, starting at 8 EST.

ACM 2009: Country Universe’s Personal Picks

Entertainer of the Year

  • Kenny Chesney
  • Brad Paisley – Leeann
  • George Strait – Lynn
  • Carrie Underwood – Kevin, Dan
  • Keith Urban

Kevin: I haven’t been as happy with the standard-bearing superstar of country music since the heyday of the Dixie Chicks, so I’m definitely pulling for Carrie Underwood. She strikes the perfect balance of contemporary relevance and reverence for tradition.

Leeann: I’m always pulling for Paisley to win an Entertainer award, but I’d be happy to see a female win it as well, especially since Underwood’s not undeserving at this point.

Dan: None of these artists has impressed me recently from an artistic standpoint, although Strait has been less grating than the rest. But I think I’m going to say Carrie Underwood, simply because it’d be cool to see a woman win, and I think it might give her the freedom to take more artistic risks (if she chooses).

Lynn: I’m pulling for Strait to win this year. The ACMs put out a promo the other day that was essentially a glamour magazine photo shoot with three cute blonde singers. I’ll be honest…I didn’t want to watch the show after seeing that. Maybe I’m the odd one out, but I’d be more interested in watching the show if the promo had Strait sitting in a chair singing one of his classic tunes. I’m tired of the promotion of style over substance. Paisley, Underwood and Urban aren’t necessarily guilty of this, but I hope Strait wins just to remind everyone to keep it real.

Top Male Vocalist

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Leeann
  • George Strait – Dan, Lynn, Kevin
  • Keith Urban

Leeann: This is a tough one.  I have not been impressed with any of these artists in the last year.  So, I’m going to have to choose by voice alone, which gives Paisley the slight edge over the others as far as my taste runs.

Dan: The big-hitters have had a lame year. Strait was the only one who didn’t let me down too bad, although I can’t say I’m a big fan of “River of Love”, either.

Lynn: I noted in a discussion the other day that Strait’s album is no longer on my iPod. But…it at least made it to my iPod. Which is more than I can say for Urban, Paisley, Keith and Chesney’s most recent outings.

Kevin: There’s a cyclical process I go through that includes taking George Strait for granted and then suddenly realizing just how good he is again. I’m in the latter part of the cycle again.

Top Female Vocalist

  • Miranda Lambert – Dan, Lynn, Leeann
  • Heidi Newfield
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack – Kevin

Dan: Miranda Lambert released arguably the two riskiest singles of the past year (“Gunpowder & Lead” and “More Like Her”), and she somehow got radio to play them both. There isn’t a more inspiring mainstream artist out there right now, at least for my money.

Lynn: M I R A N D A   L A M B E R T ! ! (Was that subtle enough? :P )

Kevin: I’d be happy to see Underwood or Lambert win, but since Womack has never won before, she’s my personal pick this year.

Leeann: I hate to be so predictable, but Miranda Lambert is my clear pick.  I choose her with Lynn’s exuberance and Dan’s reasoning.

Top Vocal Group

  • Lady Antebellum
  • Little Big Town – Lynn, Dan
  • Rascal Flatts
  • Randy Rogers Band- Kevin, Leeann
  • The Lost Trailers

Lynn: If those are my only choices, I’m pulling for Little Big Town. It’s too bad we can’t write-in nominations…

Kevin:
I’m with Leeann on this one.

Leeann: My personal vote goes to the Randy Rogers Band.  I love Rogers’ voice and dig their music in general.

Dan: I love me some Randy Rogers Band and am thrilled to see them nominated, but I like Little Big Town’s current album better than theirs, so I’ll side with LBT.

Top Vocal Duo

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory – Leeann, Lynn
  • Montgomery Gentry
  • Sugarland – Kevin, Dan


Kevin:
I don’t understand why Sugarland isn’t all over this ballot. They’re one of the best acts in country music today.

Leeann: Out of all of the nominations in all of the categories for the ACMs, I’m rooting for Joey + Rory most enthusiastically this year.

Dan: Sugarland is injecting pop-country with some much-needed personality, plus they don’t concern themselves with trivial things like “postmodern Appalachia,” right, Kristian Bush? :) On a side note, it’s great to see Joey + Rory here. They’re a bit too new for me to pick them right now, but I hope they become regular contenders for this award.

Lynn: Joey + Rory are my favorites to win here simply because they stepped into the Nashville limelight with class and character, bringing a certain genuine spirit, candor and down home realness along with good music.

Top New Artist

  • Julianne Hough
  • Jake Owen
  • Zac Brown Band – Leeann, Dan, Lynn, Kevin

Leeann: Zac Brown Band has a cool vibe about them that is hard to ignore.  While I’m not personally sold on them yet, they are clearly the most unique act out of the nominees here.

Dan: I still don’t care for “Chicken Fried,” but Zac Brown Band is one of the freshest acts to break at radio in recent memory. They’ve been playing around forever (it shows), have a number of solid songs on their current album, and seem like genuinely nice guys, too. Mainstream country needs more acts like them.

Lynn: I’m at a loss here. I listened to Zac Brown Band’s album for the first time the other day. It was part hokey and part cool. I truly didn’t know what to make of it, but I am curious to see where they head next, and that has to be worth something.

Kevin: I was going to go with Jake Owen, but then I realized I had him confused with Luke Bryan, who made the “Country Boy” video I like so much. So I’ll go with Zac Brown Band instead.

Album of the Year

  • Back When I Knew It All – Montgomery Gentry
  • Carnival Ride – Carrie Underwood
  • Fearless – Taylor Swift
  • That Lonesome Song – Jamey Johnson  – Dan, Lynn, Leeann
  • Troubadour – George Strait – Kevin
Dan: As it happens, I really like both Johnson’s and Swift’s. Despite their vast differences, both albums are fully-realized artistic expressions that convey a believable sense of who their creators are and how they view the world, even if we as listeners can’t always relate to the particular subject matter (hard drugs, divorce, Joe Jonas, etc.). That said, I think Music Row needs more Johnson than Swift right now. So I’m pulling for That Lonesome Song.
.
Lynn: Ditto Dan (although I’m not quite as enamored with Swift’s album).
.
Kevin: Underwood’s album has grown on me with time, but the only album of these five that I really enjoy from start to finish is George Strait’s Troubadour.
.
Leeann: Jamey Johnson clearly has the most interesting album here, though I’ll give Swift some credit too.  It’s odd that any of us would put Johnson and Swift in the same category, but one thing I can say about their efforts as opposed to the others is that it’s obvious that their albums were labors of love for them while the other albums seemed more thrown together.

Single Record of the Year

  • “Gunpowder & Lead” – Miranda Lambert – Lynn, Kevin, Leeann, Dan
  • “In Color” – Jamey Johnson
  • “Johnny And June” – Heidi Newfield
  • “Waitin’ On A Woman” – Brad Paisley
  • “You’re Gonna Miss This” – Trace Adkins

Lynn: I was impressed with “In Color,” but this is an easy call: “Gunpowder & Lead” kicked arse!

Kevin: I’m splitting my vote between Single and Song, with the edge going to Miranda Lambert here.

Leeann: I just enjoy “Gunpowder And Lead” the most out of these choices.  I like “In Color”, but the appeal really hasn’t stuck with me over time. I still crank “Gunpowder And Lead” when given the chance, however.

Dan: Catch me on another day and I might say “In Color,” but I think “Gunpowder & Lead” is destined to become a classic, even if it’s more southern rock than country.

Song of the Year

  • I Saw God Today
    George Strait
    Composers:  Rodney Clawson, Monty Criswell, Wade Kirby
  • In Color – Leeann, Dan, Lynn
    Jamey Johnson
    Composers:  Jamey Johnson, Lee Thomas Miller, James Otto
  • Johnny And June
    Heidi Newfield
    Composers:  Deanna Bryant, Heidi Newfield, Stephony Smith
  • Waitin’ On A Woman – Kevin
    Brad Paisley
    Composers:  Don Sampson, Wynn Varble
  • You’re Gonna Miss This
    Trace Adkins
    Composers:  Ashley Gorley and Lee Thomas Miller

Kevin: The final verse of “Waitin’ on a Woman” gets me every time. It’s easily my favorite Paisley song since “Whiskey Lullaby.”

Leeann:
“In Color” is the best and most intricately written song out of the bunch.

Dan: “In Color” is the only one of the bunch that really engrossed me the first time I heard it, which is kind of my litmus test for song quality.

Lynn: “In Color” is the most interesting song of the group (with “Johnny and June” actually being one of my least favorite big singles in recent years).

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