Hugh Prestwood

The Best Singles of 1993, Part Four: #10-#1

July 28, 2015 // 5 Comments

The list comes to a close with ten classic records from some of the era’s most commercially and critically successful stars. It’s easy to be cynical about country radio these days, but unlike most of the songs on the lists we compile now, 1993’s best singles got a lot of airplay. All but one of our top ten entries reached the top five of the singles chart. If we could get a success rate today that was anywhere near that, it might be safe to turn on the radio again! Enjoy the end to this list, and us writers will enjoy that rare downtime that comes between finishing the publication of one of these lists and starting another one! #10 “Nothin’ But the Wheel” Patty Loveless Written by John Scott Sherrill Peak: #20 #3 – BF | #7 – KJC | #24 – SG Loveless’ brokenhearted narrator takes to the Read More

Song Talk: Songs About Songs

July 17, 2014 // 17 Comments

Songs have such a big impact on our life experience that they sometimes inspire songs of their own.  It’s a cool theme that I wish more singers and songwriters would explore. Here are some of my favorite examples of this theme: Trisha Yearwood, “The Song Remembers When” Far and away, the gold standard for songs about songs.  I love the way the intro’s guitar hook is repeated immediately after Yearwood, sings, “When I heard that old familiar music start.”  Producer Garth Fundis is the unsung hero of this classic recording, which has always seen heaps of deserved praise for Hugh Prestwood’s poetic songwriting and Yearwood’s skillful interpretation.

Crystal Gayle Starter Kit

February 26, 2010 // 24 Comments

Producing primarily pop-flavored country music has rarely been a ticket to immortality for even the biggest artists, particularly the female ones. Imports like Shania Twain and Olivia Newton-John are labeled impostors. Faith Hill’s canny song sense is overlooked while hubby Tim McGraw’s is widely praised. Brilliant Dolly Parton records like “Here You Come Again” and “9 to 5” are cited as being beneath her greatness, rather than prime examples of it. Only Patsy Cline has been given a free pass, and who wouldn’t want to claim those pipes?