England swings, or at least it did back in Roger Miller’s day. Nowadays, England is more likely to line dance, which helped an album from one of Nashville’s top singer-songwriters become a hit – almost 20 years after it was released.
To back up a bit: in the late ‘80s and early ‘90s, country music was in a creative boom era, and James House was one of the reasons. His two albums on MCA Records (James House, Hard Times for An Honest Man) and one for Epic (Days Gone By) are all top-quality affairs that featured his distinctive voice and excellent songwriting chops. While he only had one Top 10 hit — “This Is Me Missing You” — he garnered airplay with several singles. House’s real success, though, came as a songwriter, as he penned hits for the likes of Dwight Yoakam, Martina McBride and other artists.
Those three albums really deserved a wider audience, and even today, they are well worth acquiring should you ever stumble across a copy. Days Gone By, though, ended up enjoying a renaissance in England last year, where it spawned three hit singles and coaxed House back into the recording studio for a new album and an overseas tour. Not bad for an album that was released in 1995.
Few artists command as much critical acclaim as Dwight Yoakam, yet he was also a stunningly successful commercial act from the start. Nine of his releases have been certified gold or better, and his biggest set to date – This Time – has sold more than three million copies.
His catalog is deep with classic cuts. Here are ten of the best, a solid introduction to one of the genre’s greatest talents.
And while it’s not represented on the list, I highly recommend his stellar Under the Covers, an excellent covers album that is best heard in its entirety.
“Guitars, Cadillacs” from the 1986 album Guitars, Cadillacs, Etc., Etc.
It’s tempting to kick off with “Honky Tonk Man”, Yoakam’s effective cover of Johnny Horton’s classic that was also his breakthrough hit. But what’s missing from that track is Yoakam’s signature heartache and pain. In Yoakam’s best songs, he’s not seeking out the night life because he enjoys it. It’s to distract him from the loneliness and rejection that his lover has inflicted upon him.
“Streets of Bakersfield” (featuring Buck Owens) from the 1988 album Buenas Noches From a Lonely Room
Yoakam was instrumental in making the younger generations aware of the importance of Buck Owens, clearly Yoakam’s strongest country influence. When he chose to revive an old Owens tune, he invited the man himself to help him out. The end result was a #1 hit that was a comeback for Owens and a signature smash for both of them.