“Somewhere Tonight” James Otto Written by Patrick Russell Davis, Corey Crowder and James Slater James Otto’s name and voice will likely be familiar to anyone who was listening to country radio in the latter half of 2007, but hearing his new single “Somewhere Tonight”, one wouldn’t even know that it was the same artist who once rode the airwaves with the soulful, organic “Just Got Started Lovin’ You.”
Today, a single could be any one of the following: a CD sent to radio for airplay; a digital download released in advance of an album; a music video released to online websites and dwindling television outlets; and in a lovely throwback, a seven inch vinyl single sold in the indie record stores that have managed to outlast the chain stores that once threatened their existence.
I’m getting tired of the dime store theology in country music today. It’s officially reached pandemic proportions.
Up for airplay are two new singles in which religion is just a decorative prop used to elevate a human role to something divine. Instead of achieving that impossible goal, all they do is cheapen the divine into something that is only human.
There’s been many a discussion this past month about what makes an artist most effective: is it vocal nuance or personal connection? Is it songs with explicit absolute truth or implicit absolute emotion? They’re interesting topics to explore, but somewhere in between the analyses, we’ve lost sight of –and perhaps even appreciation of– the artists who have the potential to make our analyses futile. Because some artists actually have it all.
Let’s be real: “Groovy Little Summer Song” isn’t near James Otto’s most memorable, well-written material. It’s not as infectious as his mega-hit, “Just Got Started Lovin’ You,” nor as impassioned as the lesser-known “For You,” and his soulful phrasing seems to eat up some of the words. But “Groovy Little Summer Song” is an incredibly refreshing re-introduction to an artist who can deliver both rich, distinctive vocals and pure, raw sentiment. Otto may be simply asking a DJ to crank up a cool summer tune, but he still manages to color his performance with shades of believable soul, technical substance (the falsetto is a treat) and authentic summer bliss.
The 201 Greatest Singles of the Decade, Part 5: #120-#101
“Tonight I Wanna Cry”
A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken
Loretta Lynn with Jack White
Peak: Did not chart
If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM
The 100 Greatest Albums of the Decade, Part 3
Martina McBride, Timeless
McBride has a voice that would have been as relevant in country music fifty years ago as it is today, and her album of cover songs exemplifies this. She doesn’t attempt to move any of the songs to a different level, but instead inhabits the artists’ original style with precision and spirit. The result is a pure, respectful homage to the country greats. – Tara Seetharam
Recommended Tracks: “Make The World Go Away”, “Pick Me Up On Your Way Down”
Felice Brothers, Yonder is the Clock
The Felice Brothers are the least-known among the members of ‘The Big Surprise Tour’ headlined by Old Crow Medicine Show and featuring Dave Rawlings Machine with Gillian Welch, and Justin Townes Earle. Melding country-rock and folk-rock, they are roots-influenced and made their start playing in the subway. While it may take an extremely big tent to call them “country,” consistent Dylan comparisons make Yonder is the Clock hard to ignore. – William Ward
It’s time for an album sales update, our first since May 23. Brad Paisley is off to a strong start with American Saturday Night, selling 130k in its first week. That’s about 70k less than his previous two studio albums – Time Well Wasted and 5th Gear – opened with, but not a terrible drop-off, considering the state of the music market.
Meanwhile, the new studio albums by Rascal Flatts and Keith Urban are slowing down considerably, now being outpaced on a weekly basis by 2008 releases by Taylor Swift, Zac Brown Band, Darius Rucker and Lady Antebellum.
Among younger acts with a new album in 2009, the most impressive sales are coming from Jason Aldean, while 2008 releases from Kellie Pickler, Billy Currington, and Randy Houser are showing new signs of life.
Biggest disappointments? It’s hard not to look in the direction of Martina McBride, who has barely cleared the 100k mark on her new studio set. Lee Ann Womack’s 2008 set just made it over that mark, too. Then again, one only needs to have sold 455 copies to make the chart this week, with the anchor position going to Wynonna with that total. Her covers album Sing – Chapter 1 has sold 41k to date.
Here are the latest totals for albums released over the past three years that are still charting:
- Rascal Flatts, Unstoppable – 842,000
- Keith Urban, Defying Gravity – 452,000
- Jason Aldean, Wide Open – 384,000
- Kenny Chesney, Greatest Hits II – 281,000
- Dierks Bentley, Feel That Fire – 219,000
- Martina McBride, Shine – 104,000
- John Rich, Son of a Preacher Man – 103,000
- Eric Church, Carolina – 94,000
- Rodney Atkins, It’s America – 88,000
- Jake Owen, Easy Does It – 81,000
* Rascal Flatts, Unstoppable – 669,000
* Keith Urban, Defying Gravity – 349,000
* Jason Aldean, Wide Open – 241,000
* Dierks Bentley, Feel That Fire – 189,000
* Martina McBride, Shine – 89,000
* John Rich, Son of a Preacher Man – 89,000
* Rodney Atkins, It’s America – 72,000
* Jake Owen, Easy Does It – 70,000
* Eric Church, Carolina – 66,000
* Randy Travis, I Told You So: Ultimate Hits – 59,000
* Randy Rogers Band, Randy Rogers Band – 57,000
* Pat Green, What I’m For – 54,000
* Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 50,000
* Billy Ray Cyrus, Back to Tennessee – 29,000
* Jason Michael Carroll, Growing Up is Getting Old – 26,000
* Dean Brody, Dean Brody – 5,000
Despite a good album in 2008, James Otto’s only hit to date has been his smash single, “Just Got Started Lovin’ You.” It’s strong, sultry vibe, provided by both Otto’s soulful vocal delivery and an addictive baseline hook, easily got into people’s heads and pushed the song to the top. Since no other songs from the album received such support, it’s no wonder that Otto has reverted to releasing another song to try to capture those same elements. “Since You Brought It Up” is basically a cutesy back and forth, via the telephone, between a man and woman who want to get together, but d on’t quite have the courage to be straightforward about it. Instead, “since you brought it up” is used as the not so sly pick up line with “Since you brought it up, why don’t you bring it over?” “Since You Brought It Up” employs many Read More