This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days.
Entertainer of the Year
Who’s In: Miranda Lambert, Keith Urban
Who’s Out: Jason Aldean, Taylor Swift
George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.
Eric Church has said that “Smoke a Little Smoke” is the single that changed his career. He’s totally right. Though he’d had bigger chart hits with tamer material, “Smoke” reintroduced Church as a fully formed artist, marrying his typical swagger to a bold lyric and one of Jay Joyce’s feistiest productions. It didn’t matter that the gatekeepers cialis australia online at country radio winced, stalling the song at #16; fans made “Smoke” a Gold single, and critics joined them in eagerly awaiting Church’s next effort.
It was savvy move, then, to have the next album’s opening trackecho “Smoke”‘s spirit. “Creepin'” runs on a similar blend of swampy acoustic guitars, thrashing electrics, and thumping percussion, and once again toys with its arrangement enough to keep the listening experience unpredictable.
But the track is hardly a Me-Too; if anything, it’s a Yes-And, conducting its groovy chaos even more confidently than its predecessor. It’s a record packed with great little hooks and changes: a rattlesnake-shake opening; some creepy-cool “bum bum”s; a snarling hair-metal solo; a series of whip-smart couplets (“Like a honey bee beatin’ on my screen door / I got a little buzz and my head is sore”). Banjos sneak in and out; drums march and crash; Church wriggles and howls as if in a fever sweat. “Creepin'” milks each moment to the max, urging you to push “Play” again and again to catch ‘em all.
It was already a fantastic opening to the album. But now that Church has enough clout to also make it the radio hit “Smoke a Little Smoke” never was, I dare say it deserves to become for him what “Whiskey River” has become for Willie Nelson: a signature song, and an immortal show-starter.