Little Big Town Pain Killer Rather than focusing on their unrivaled vocal skill, Little Big Town and producer Jay Joyce approach Pain Killer like a game of “Chicken”: Listening to the album, it appears that no idea that occurred to the band or to Joyce during their recording sessions was deemed too outlandish or too gauche.
Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music. This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory. His win for Entertainer saved a dismal show in its closing minutes. Here’s our take on this year’s contenders: Entertainer of the Year Should Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Kevin, Jonathan, Tara, Ben Keith Urban Will Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Jonathan, Kevin, Tara, Ben Keith Urban Kevin: I’d settle for a Miranda Lambert victory, as she had an amazing year. But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert. The rest of these nominees have either won before or still seem to Read More
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In: Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.
Eric Church has said that “Smoke a Little Smoke” is the single that changed his career. He’s totally right. Though he’d had bigger chart hits with tamer material, “Smoke” reintroduced Church as a fully formed artist, marrying his all-too-established swagger to a bold lyric and one of Jay Joyce’s feistiest productions. It didn’t matter that the gatekeepers at country radio winced, stalling the song at #16; fans made “Smoke” a Gold single, and critics joined them in eagerly awaiting Church’s next effort.