Country Universe is sending out good wishes and prayers for the health of country music legend Ferlin Husky, who has been hospitalized with serious ailments.
Husky is best known for the gospel classic “Wings of a Dove”, which spent ten weeks at #1 in 1960. His other chart-toppers are “Gone”, which also spent ten weeks at #1, and his debut single, “A Dear John Letter.” He was the featured artist on that record, with Jean Shepard being the lead artist, and it spent a cool six weeks at #1.
Husky’s popularity at his peak was not limited to the radio dial, as he appeared in eighteen films and several television shows. At 83, he remains an active performer. Here’s hoping he heals up soon and gets back on the road, where he still has fans waiting to hear him sing his classics, five decades after he began his long and successful career.
You can watch Husky perform some of his classics after the jump.
On Wednesday, February 4, the Country Music Hall of Fame will announce its newest members. The genre’s highest honor, induction into the Hall of Fame is bestowed upon the absolute best of country music. In 1996 the CMHOF developed a set of categories to sort candidates, an effort intended to recognize the great breadth of the genre.
The Hall will admit three new members in 2009, one each from the following categories:
Recording and/or Touring Musician Active Prior to 1980
Performer, career achieved national prominence between WWII and 1975
Performer, career achieved national prominence between 1975-current
Below are six living Country Music Hall of Fame candidates that deserve induction in 2009.
While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories.
This is a look back at the Best Female Country Vocal Performance category. It was first awarded in 1965, an included single competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks.
I’ve often made the case that female artists were making the best music in the 1990s, and the Grammys did a great job nominating songs and albums that were ignored at the CMA and ACM awards, which is not surprising, given that those shows have so few categories that are actually for songs and albums.
As usual, we start with a look at this year’s nominees and work our way back.
2009
Martina McBride, “For These Times”
LeAnn Rimes, “What I Cannot Change”
Carrie Underwood, “Last Name”
Lee Ann Womack, “Last Call”
Trisha Yearwood, “This is Me You’re Talking To”
This year’s lineup includes three former winners and two women looking for their first victory in this category. Martina McBride is in the running for the eighth time in fifteen years, and with one of her more understated performances. Lee Ann Womack returns for a fifth time, having received a nomination for the lead single of her five most recent albums. Both ladies turned in good performances here, but they’ve been overlooked for records bigger and better, so they’re not likely to snap their losing streaks this time around.
As for the previous winners, LeAnn Rimes earned her third consecutive nod, bringing her total to five in this category. She hasn’t won since 1997, when she took home the award for “Blue.” If enough voters hear “What I Cannot Change,” she might have a shot, though the only version of the song that’s been a legitimate hit has been the dance remix.
Trisha Yearwood won in 1998 for “How Do I Live,” her only victory to date. But she’s earned her tenth nomination for “This is Me You’re Talking To,” which is arguably her strongest vocal performance of the ten. Like Rimes, the challenge is getting enough voters to listen to it, but she’s never been more deserving of the victory than she is this year.
Still, the favorite remains Carrie Underwood. She’s quickly become a favorite with Grammy voters, having won this category two years running, along with Best New Artist in 2007. She’s the nominee with the highest profile, and while “Last Name” is nowhere near the same league of “Jesus, Take the Wheel” and “Before He Cheats” in terms of artistry or impact, it was a big hit, something that the other four entries cannot claim.
If Underwood was nominated for “Just a Dream,” she’d have a mortal lock on this one. But the strength of the other nominees will at least keep this race competitive. If Underwood prevails, Grammy queen Alison Krauss better watch her back.
2008
Alison Krauss, “Simple Love”
Miranda Lambert, “Famous in a Small Town”
LeAnn Rimes, “Nothin’ Better to Do”
Carrie Underwood, “Before He Cheats”
Trisha Yearwood, “Heaven, Heartache and the Power of Love”
Looking at this lineup, you’d think that it was a golden age of female country artists, something akin to the mid-nineties. In reality, only one of these songs was a big radio hit, though three others managed to go top twenty. In terms of quality, however, this is the most consistent and thoroughly wonderful set of nominees this category has seen this century. You’d have to go back to exactly 1999 to find a better lineup.
In a year when any winner would have been deserving, Underwood won for “Before He Cheats,” her second straight win for a signature mega-hit from her debut album.
Jean Shepard has been entertaining fans of classic country music for fifty years with her honky-tonk stylings and brass delivery. At her peak, she was the one of the strongest female forces in country music, a salty counterpoint to the timid balladeers and lush pop divas she shared the charts with.
She was originally from Oklahoma, but her family moved out west when she was a child, settling in California. She got her musical start in Bakersfield, forming The Melody Ranch Girls. The band developed a strong local following. One night, Hank Thompson caught one of their performances and was blown away. Through him, Shepard secured a record deal with Capitol. She was still a teenager when she signed with the label.
On record, Shepard turned in a honky-tonk sound that rivaled the grit of all of her male contemporaries. She had her breakthrough in 1953 with “A Dear John Letter”, a duet with Ferlin Husky that topped the charts. She followed it up with two big solo hits in 1955, “Beautiful Lies” and “A Satisfied Mind”, the latter of which was also a big hit for Porter Wagoner.
Country Universe is sending out good wishes and prayers for the health of country music legend Ferlin Husky, who has been hospitalized with serious ailments.
On Wednesday, February 4, the Country Music Hall of Fame will announce its newest members. The genre’s highest honor, induction into the Hall of Fame is bestowed upon the absolute best of country music. In 1996 the CMHOF developed a set of categories to sort candidates, an effort intended to recognize the great breadth of the genre.
2009
2008
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