Sunday, September 18th, 2011
100 Greatest Men: The Complete List
They’ve been around in various incarnations for more than four decades, but the common thread has always been a deep respect for, and desire to preserve, the history of country music.
Nitty Gritty Dirt Band has gone through several personnel changes since they started as a California country-rock band in 1966. At one point, they even changed their name to the Dirt Band.
But the constants have been guitarist Jeff Hanna and drummer Jimmie Fadden. Though he left the band in 1986, later returning in 2001, John McEuen’s instrumental prowess have also been key to most of the band’s finest moments.
“Mr. Bojangles” was their biggest pop hit, reaching the top ten in 1970 and exposing their sound to a wider audience. But they soon turned to their country music roots, which led them to make what is arguably the most historically significant album in the genre’s history: 1972′s Will the Circle Be Unbroken.
Recorded in Nashville, it gathered the forefathers (and mothers) of the genre and captured them performing their classic songs and sharing the stories that surrounded their creation. It was so successful that it later spawned a highly successful sequel in 1989, which won a Grammy and the CMA for Album of the Year.
In between those two bookends, the band scored a hit with Linda Ronstadt in 1979 called “An American Dream.” A string of fifteen consecutive top ten country hits followed, highlighted by a trio of #1 singles that included the modern classic, “Fishin’ in the Dark.”
In recent years, they’ve continued to record roots music, ensuring their legacy as the band that pushed country instrumentation forward by looking back.
- Mr. Bojangles, 1970
- An American Dream, 1979
- Long Hard Road (The Sharecropper’s Dream), 1984
- Modern Day Romance, 1985
- Fishin’ in the Dark, 1987
- Uncle Charlie & His Dog Teddy, 1970
- Will the Circle Be Unbroken, 1972
- Stars & Stripes Forever, 1974
- Hold On, 1987
- Will the Circle Be Unbroken, Volume Two, 1989
Next: #85. Marty Stuart
Previous: #87. Billy Walker
100 Greatest Men: The Complete List
Saturday, September 18th, 2010
Written by Bob Losche (Music & More)
Google “Gary Harrison songwriter” and you won’t find a website or MySpace. There’s not even a Wikipedia article. Don’t know where he’s from, how he got into songwriting or what he likes to eat for dinner.
As far as I know, he has never made an album. When he co-writes a song, does he write the music or the lyrics or a little of both? Don’t know. He’s a Grammy nominated songwriter as co-writer of “Strawberry Wine”, the 1997 CMA Song of the Year, and has penned many BMI Award-Winning Songs. It appears that his first big hit was “Lying in Love with You”, written with Dean Dillon for Jim Ed Brown and Helen Cornelius. The duet went to #2 in 1979.
Since there is so little data to draw from, a chronological treatment of his illustrious career would be difficult. I’ve decided instead to begin with the collaboration Gary is best known for, his work with Matraca Berg, and then continue with his other significant songwriting collaborations.
In his excellent Favorite Songs by Favorite Songwriters article on Matraca Berg, Kevin gave us his favorite 25 songs written by Berg. Gary Harrison has frequently collaborated with Matraca. On Kevin’s list the following 9 songs are written by Berg/Harrison:
- #25 Wild Angels – Martina McBride
- #22 Give Me Some Wheels – Suzy Bogguss
- #20 Demolition Angel – Pam Tillis
- #19 Everybody Knows – Trisha Yearwood
- #10 Strawberry Wine – Deana Carter
- #7 Wrong Side of Memphis – Trisha Yearwood
- #5 Diamonds and Tears – Suzy Bogguss
- #4 Dreaming Fields – Trisha Yearwood
- #3 My Heart Will Never Break This Way Again – Patty Loveless
Give a read to Kevin’s write-up for all 25. Kevin asked for comments from his readers on their favorite Matraca Berg songs. In the 29 comments received, three more collaborations with Gary were mentioned that didn’t make Kevin’s cut, including “Hey Cinderella” and “Eat at Joe’s” by Suzy Bogguss and Pinmonkey’s “That Train Don’t Run”.
“Hey Cinderella” is from Suzy’s 1993 CD, Something Up My Sleeve. Fantasy turns into “dreams that lost their way” by the end of the first long verse. In the second verse, reality sets in. In “Eat at Joe’s”, from her 1992 CD, Voices in the Wind, Suzy’s sounds like a sultry waitress in an all night diner – “here’s a hot top on your coffee, honey you’re a mess, I ain’t your wife I ain’t your momma, but I’ll do I guess”. The bridge is a wistful but not really hopeful call out to prince charming.
My favorite Pinmonkey song is still “Barbed Wire and Roses”, but “That Train Don’t Run”, from their 2006 Big Shiny Cars CD, isn’t far behind. It’s up-tempo like Barbed Wire. It was also a single for Matraca Berg from her 1997 “Sunday Morning to Saturday Night” cd. The singer recalls a former lover who may have been a bit on the wild side. It must be “your memory rattlin’ the shutters, that train don’t run by here no more”. The next line is “I lie and listen to the last boxcar, sweet dreams baby wherever you are”. Love that last phrase. Sounds like something Bogie might have said.
A bit of trivia: I wonder how many times that last phrase, “sweet dreams baby, wherever you are”, has been used in a song. In addition to the Pinmonkey song, I found it in “Goodnight”, written by Charlie Black and Dana Hunt, from Suzy Bogguss’ self-titled 1999 CD. The last line of the chorus is “I’m signing off, sweet dreams baby, wherever you are”. A song by Jedd Hughes, “Time to Say Goodnight” has “sweet dreams baby, sweet dreams baby wherever you are tonight”. It was written by Hughes, Tommy Lee James and Terry McBride and can be found on Hughes’ 2004 CD, Transcontinental. I wouldn’t be surprised if someone else finds another instance.
I found another Berg/Harrison collaboration but this time with Jeff Hanna on a Chely Wright song, “Emma Jean’s Guitar”. It’s an album track from Chely’s 1997 Let Me In CD, which featured “Shut Up and Drive”. The story tells of a guitar with Emma Jean’s name etched in the finish found in a pawnshop. The singer wonders about Emma Jean’s hopes and dreams and feels that she’s the guardian of her guitar.
Gary has written quite a few great songs without Matraca. Another frequent co-writer for Gary has been Tim Mensy. My favorite Mensy-Harrison collaboration is Trisha Yearwood’s “Nearest Distant Shore”, an album track from her 1992 Hearts in Armor CD. It’s a song about getting out of a bad relationship: “You did your best but “the one you swore to love is pulling you down, you’re in over your head, chilled to the bone by the waters you’ve tread, chart a course to land before you drown”.
“That Wasn’t Me” was an excellent album track for Martina McBride on her 1993 CD, The Way That I Am. She knows that the guy is still hurting from the memory of an old girlfriend. She tells him “that wasn’t me”. It’s time to move on because she “can no longer pay the price” of his not letting go.
For fans of Mark Chesnutt, there’s “I Just Wanted You to Know”, a #1 song in ’94 from the CD Almost Goodbye and a #6 the same year, “She Dreams”, from What a Way to Live. Other Mensy Harrison collaborations include Doug Stone’s “I Thought It Was You”, a #4 in 1991, “A Singer in the Band”, an album track on Joe Nichol’s Revelation CD in 2004, and a Mark Wills song “Any Fool Can say Goodbye”.
With J.D. Martin, Gary Harrison wrote “Rollin’ Lonely”, a Johnny Lee song from his “Workin’ for a Livin’ ” album, which reached #9 on the charts in 1985, “Domestic Life”, a John Conlee #4 hit from his “American Faces” album in 1987, “Two Car Garage”, a #3 hit in 1983 from the B.J. Thomas album “The Great American Dream” and “Broken Toys”, a song about child abuse from BJ’s 1985 album “Throwin’ Rocks at the Moon”. The last song was written with Gloria Thomas as well as J.D.
Gary co-wrote 3 songs with Tammy Cochran from her “Thirty Something and Single” album released in June of 2009, the title track, “It’s All Over But the Leaving” and “He Really Thinks He’s Got It”.
With Karen Staley, he wrote “Face in the Crowd” which peaked at #4, a duet with Michael Martin Murphey and Holly Dunn from the former’s 1987 “Americana” album and “Now and Then” which Michelle Wright took to #9 in Canada.
Some other Gary Harrison songs are:
- “I Hate Everything” written with Keith Stegall, a #1 for George Strait in 2005. Check out the wake-up call at the end.
- “Alone Some” with Billy Yates, an album track for Billy from his 2005 album “Harmony Man”.
- “Crazy Me” and “I Do It for Your Love” with Richard Marx, from the Kenny Rogers 2000 CD There You Go Again.
Impressive list and I’ve probably missed some songs. If you search BMI.com, you’ll find 918 work titles for Gary Harrison. He’s been so busy, he probably hasn’t had time to set up a website or MySpace.
Category Features, Guest Commentary
Tags: B.J. Thomas, Billy Yates, Chely Wright, Dean Dillon, Deana Carter, Doug Stone, Gary Harrison, George Strait, Helen Cornelius, Holly Dunn, Jeff Hanna, Jim Ed Brown, Joe Nichols, John Conlee, Johnny Lee, Kenny Rogers, Mark Chesnutt, Mark Wills, Martina McBride, Matraca Berg, Michael Martin Murphey, Michelle Wright, Pam Tillis, Pinmonkey, Richard Marx, Suzy Bogguss, Tammy Cochran, Tim Mensy, Trisha Yearwood