We’re halfway through the summer months, which means we’ve heard the handful of summer-oriented singles played on the radio approximately 17,283 times by now. In keeping with CU’s retro theme, let’s hit the singles we missed upon their initial release (sorry y’all!).
Luke Bryan, “Country Girl (Shake it For Me)”
Written by Luke Bryan & Dallas Davidson
Whereas Jason Aldean would likely have soaked this dance number in aggression, Bryan melts away its sexist edge by layering it with goofiness and playful energy. The result is a shamelessly catchy ditty that makes me want to shake it for the squirrels. Filed under: things I never thought I’d say. Grade: B
Here are the ten singles that were almost the best of the year:
The Best Singles of 2010, Part 3: #20-#11
Poised, calculated and ferocious all at once, Rimes’ performance captures the exact persona of the scorned “ex-wives and old girlfriends” she sings of. It’s a wiser, cooler revenge anthem than we’ve heard in awhile, and it takes the crown for the year’s most fabulous opening line: “Who’d have guessed that Aqua Net could start a fire with a single cigarette?” – Tara Seetharam
What Do You Want
A contemporary spin on the standard country theme of heartache, “What Do You Want” owes its brilliance to its perfect storm of elements: The raw honesty of Niemann’s plea (“I get so tired of living like this/I don’t have the time/Neither do my friends”). The hollow, pulsing arrangement that mirrors his cycle of pain. The killer vocal performance, soaked in emotional fatigue. Each element draws out the potency of the next, culminating in one of the most captivating releases of the year. – TS
When the nominees were announced in August for the 44th annual CMA Awards, they sparked a firestorm of headlines —and thoughtful commentary by critics and fans alike— thanks to the CMA voters’ surprisingly bold moves. It’s all about change this year, as the voters revamped the ballot with a slew of fresh faces in almost all of the big categories.
How will it all play out? We’ll know for sure on Wednesday at 8pm Eastern, but before Gwenyth Paltrow throws on her cowboy boots, check out our staff picks and predictions and join the discussion in the comments below. And be sure to drop by Wednesday night for all of the CU live blog madness!
We don’t do as many discussions as we used to at CU, and it’s possible that we already did this one. But seeing the title of this week’s #1 country album, I couldn’t resist:
Jerrod Niemann, Judge Jerrod & The Hung Jury
I’d call it juvenile, but I don’t think I would’ve laughed as a kid, either. But I’m sure some people found it funny.
Here are a few others that make me wince:
Pam Tillis, Above and Beyond the Doll of Cutey
I. Don’t. Get. It. “(You Just Want to Be) Weird”, indeed.
Country music legend tells of a certain powerful, polarizing breed of radio single, said to have been spun together out of pure cane sugar by Aphrodite herself (or her Southern Baptist counterpart, April-Jean the Angel. Depends who you ask.) The single appears only sporadically, sometimes waiting years to fully reemerge – but when it comes, it walks loudly and carries a big, hooked stick.
It’s been known to travel under many names: “Ooo, Turn It Up!”; “I’m Getting Kind Of Sick Of This Song”; “Oh God, AGAIN?”. All of them worthy monikers, to be sure. But for the purposes of this review, we’ll keep things straightforward and call it the “Shameless Pop Ditty.”