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The Worst Singles of the Decade, Part 2: #40-#31

October 24, 2009 Kevin John Coyne 38

thumbs downThe banality continues. Read Part 1 here.

The Worst Singles of the Decade, Part 2: #40-#31

#40
Kenny Chesney & George Strait, “Shiftwork”

A stab at the working class blues still ends up on a tropical island by the third verse.

#39
Anita Cochran featuring The Voice of Conway Twitty, “(I Wanna Hear) A Cheatin’ Song”

In which a duet is formed from beyond the grave by chopping up bits and pieces of old Conway Twitty songs and reassembling them word by word.

#38
Billy Dean, “Let Them Be Little”

Thirty seconds in and you’ll be headed to your dentist for a cavity filling.

#37
Montgomery Gentry, “She Couldn’t Change Me”

Sorry boys, but “some hip-hop mess” would be a great improvement over this hillbilly trainwreck.

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Women of the Decade

October 18, 2009 Kevin John Coyne 16

reba-mcentireCountry Universe contributor and reader Cory DeStein flagged this rundown from Billboard regarding women on the charts this decade:

PERFECT 10: On Country Songs, Carrie Underwood ropes her 10th top 10, as “Cowboy Casanova” climbs 11-8. With the advance, Underwood now stands alone in first-place for most top 10s on the chart among solo women this decade.

Here are the solo females with the most top 10s on Country Songs since 2000:

10, Carrie Underwood
9, Faith Hill
9, Martina McBride
8, Taylor Swift
7, Sara Evans
7, Reba McEntire
6, Jo Dee Messina
5, LeAnn Rimes
5, Gretchen Wilson
4, Shania Twain

Notably, the artist who led the category among women last decade did so with almost three times as many top 10s. Reba McEntire ranked first among solo women in the ’90s with 27 top 10s on Country Songs. Trisha Yearwood placed second with 18 between 1990 and 1999, and Faith Hill, Patty Loveless and Tanya Tucker each posted 14 in that span.

The decline in fortune for women at radio this decade is even more pronounced when you compare the above top ten to the previous decade:

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Marcel, "Believin'"

April 6, 2009 Leeann Ward 8

It is no secret that I have an unexplainable soft spot for Marcel. His songs are often silly and his voice is unpolished, though irresistibly charming, but he is also capable of turning a phrase.

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Jo Dee Messina, “Shine”

March 22, 2009 Kevin John Coyne 3

Jo Dee Messina’s singles generally into two categories: empowering anthems and sardonic kiss-off numbers. Her best singles, like “Bye Bye” and “Downtime”, are a little bit of both.

Given the title, it doesn’t take a rocket scientist to figure out which type of song “Shine” is. She’s had enough of looking at the glass half empty and is now determined to live her life to the fullest, taking every moment that she can to shine.

It’s decent enough, but the problem with releasing so many songs in the same vein is that the new releases are invariably stacked up against the old ones. In this case, the comparison does “Shine” few favors.

It doesn’t feature the energetic spark normally associated with Messina’s spurts of positivity, and she sounds more resigned to her life rather than reinvigorated by it. It doesn’t help that the production has such little luster, a strange choice to make for a song that is trumpeting the sunny side of life.

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Discussion: iPod Check

December 9, 2008 Kevin John Coyne 41

This afternoon, it took me seventy minutes to get to my final and fifteen minutes to actually take it.   It was the traffic jam to end all traffic jams, requiring navigations of Brooklyn and Queens

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Jo Dee Messina, “I’m Done”

February 18, 2008 Kevin John Coyne 13

Dripping with bitterness and resignation, Jo Dee Messina’s new single “I’m Done” captures the anger and frustration that comes with being the back-up girl. Messina is the modern queen of the kiss-off song, and she’s

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Jo Dee Messina, “Biker Chick”

July 10, 2007 Kevin John Coyne 5

Jo Dee Messina, “Biker Chick” I couldn’t shake the feeling that I’d heard all of this before. Then suddenly, it came back to me. “Cool Rider.” Grade: C Listen: Biker Chick Buy: Biker Chick Podcast:

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