Break out the eye-drops, gang, this one’s a longread!
tl;dr: This week is heavy on new singles and music videos for those who, y’know, don’t like to read.
The good folks at NARAS know how to keep things interesting, producing yet another diverse crop of nominees in the general, country, and country-adjacent fields.
Here are the personal picks from some of our contributing staff, along with who we predict will take home the gold tomorrow.
The final week of January was a big one for Aubrie Sellers, who gave her first television performance, released her first album, and appears poised for an outstanding 2016. Elsewhere a fairly light news week which includes a short but solid list of new releases as well as troubles for Jamey Johnson, Tyler Farr and Katie Armiger.
Country music is well represented in the major categories – numerically, at least – and the overall nominee list proves once again that NARAS voters have the widest, most diverse, and yes, best taste of all industry award voters.
Here are this year’s nominees in the big four and all country and country-related categories. It’s worth noting that because Miranda Lambert won Best Country Album last year for Platinum, nothing from that set was eligible in any of the Country categories.
Earlier this week, writer and friend-of-Country Universe C.M. Wilcox announced that he was shuttering his blog, Country California. The crew here have long been admirers of the sharp, insightful writing and wry humor that Country California brought to the country music blogosphere, and we all wish Chris the best in his new ventures.
Something you probably already know about us here at Country Universe: We love country music. A lot. While truly great country music has become scarce on country radio, we are fortunate to live in an age in which modern technology has made great music more accessible than ever, regardless of whether Top 40 radio dares touch it.
At the close of each year we separate the grain from the chaff, and share the music we discovered over the past year that made us glad that we stuck with our genre of choice. We at Country Universe have put our heads together to create the following lists of favorite singles and albums of 2012.
The countdown continues to continue. Scroll down to the bottom to hear samples of each song and to share your comments!
Top 40 Singles of 2011, Part Three: #20-#11
Joey + Rory
Individual Rankings: #6 – Sam; #15 – Leeann; #17 – Ben
Joey Feek is not a woman to be trifled with. Blow off a day with her to go fishing with your buddies, and be prepared for a holdout that would make the recent NBA lockout look like a bathroom break. Along with a steel guitar-centric, pure country sound, the song’s humor doesn’t wear thin after repeated listenings. (Are you paying attention, Brad “Camouflage” Paisley?) – Sam Gazdziak
How are country artists faring? Let’s take a look at cumulative sales for current albums. Sales are rounded to the nearest hundred.
Top Selling Current Country Albums
- Taylor Swift, Fearless: 6,233,900
- Taylor Swift, Taylor Swift: 4,955,000
- Lady Antebellum, Need You Now: 3,138,700
- Taylor Swift, Speak Now: 3,078,600
- Zac Brown Band, The Foundation: 2,489,200
Greatness comes in twos this year, as ten different artists make dual appearances on this list. Perhaps this demonstrates a greater truth about 2010. Sure, there was some good music, but greatness was concentrated among a smaller group of artists than usual.
As is the annual tradition, we’ll reveal this year’s forty best singles, ten at a time. Check back tomorrow for Part 2.
The Best Singles of 2010, Part 1: #40-#31
The Flatts boys return to their roots with this bright, infectious slice of country-pop. Bonus points for keeping both Gary LeVox’s voice and Dann Huff’s production in check. – Tara Seetharam
That’s Important to Me
Joey + Rory
So far, Joey+Rory’s calling card has been their ability to exude authenticity through their songs with a naturalness and warmth as convincingly as a certain mother-daughter duo of the eighties, The Judds. Only, unlike the Judds, this partnership’s perceived connection isn’t marred by real accounts of strife and familial discord. Instead, by all accounts, Joey and Rory’s love is as sweet as their musical harmonies suggest. And this song is a nice encapsulation of what makes them who they are as a duo, both in a personal and professional sense. – Leeann Ward