ACM Flashback: Single Record of the Year

April 3, 2010 Kevin John Coyne 11






As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.

2010

  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.

2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.

Bargain Hunter: Avetts, Adkins, Swift & More

December 30, 2009 Dan Milliken 8






It’s been a while since we’ve done one of these, distracted as we’ve been by decade-end madness, but now seems like an appropriate day to jump back in, with a diverse bevy of MP3 albums being offered at Amazon for 5 bucks or better. As always, click on the box to listen to clips or to reach the album’s download page.

First up is the Daily Deal, the Avett Brothers’ excellent 2007 set Emotionalism, going today for $1.99. This group kind of defies genre classification, but they have enough of an earthy quality to their music to appeal to the Americana set. They’re building quite a following, too.






The Music of Our Parents

September 9, 2009 Leeann Ward 23






imagesOne of the albums that I’m anticipating most this year is Rosanne Cash’s album, The List, which comes out on October 6. Anything new from Rosanne Cash is eagerly welcomed by me, but this project is bound to be particularly special. The album will be comprised of 12 classic songs culled from a list that her father, Johnny Cash (obviously), gave to her as essential listening back when she was eighteen-years old. Since she had to choose only 12 songs out of a reported list of one-hundred, it’s pretty safe to assume that these 12 choices are among her favorites of the list that was lovingly compiled by her father, even if she did not fully appreciate them at the young age of eighteen.






Perfect 10

April 29, 2009 Dan Milliken 43






As April is one of the odd months that has five Wednesdays, I thought I’d take a break from Country Quizzin’ for this week and try out a new discussion-thing.

Given the current mainstream climate, it’s been a while since I’ve felt able to heap unfettered praise on a piece of country music here, and that frankly bums me out a bit. So in the spirit of un-bumming, I’m going to share ten country songs that I find absolutely flawless – my “Perfect 10” – and I invite you to do the same. It’s a simple enough concept – you could just think of it as Recommend a Track times 10 plus a punny name.

Still, I suspect the outcome could be really interesting if everybody puts in the effort to pick ten songs that they consider the absolute cream of the crop. We’re talking all-time best material here, whatever “all-time” happens to mean to you. You don’t have to rank them, and they don’t have to be your definitive top ten; I sure wouldn’t be able to produce that list without a lot more thought. They just have to be up there – the kind of songs that you love fully and deeply, that still engage and surprise you after countless listens.






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