This review of George Strait’s final Houston Livestock Show and Rodeo concert was originally published on CultureMap Houston.
It was 30 years ago that the Texas rancher and country music newcomer received a last-minute call to make his Houston Livestock Show and Rodeo debut, replacing the ill Eddie Rabbitt. Since then, George Strait has become part of the RodeoHouson fabric: He’s played a total of 21 shows, including the Astrodome’s closing concert in 2002 — its highest-attended event — and the Reliant Stadium’s debut concert in 2003.
Jason Aldean’s new single “1994” sounds like what you might get if you threw “Johnny Cash,” “She’s Country,” and “My Kinda Party” into a blender with a dash of Colt Ford, and added fourteen Joe Diffie namedrops. While the name of nineties country star Joe Diffie is rarely cited as often as the usual Cash, Haggard, Nelson, Jennings, or Jones, Aldean ostensibly seeks to balance things out by chanting “Joe, Joe, Joe Diffie” at the end of each chorus, while throwing in references to assorted Diffie hits such as “Pickup Man” and “Third Rock from the Sun.”
Billboard unveils new methodology today for the long-standing Hot Country Songs, Hot R&B/Hip-Hop Songs and Hot Latin Songs charts. Each receive a major consumer-influenced face-lift, as digital download sales (tracked by Nielsen SoundScan) and streaming data (tracked by Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) will now be factored into the 50-position rankings, along with existing radio airplay data monitored by Nielsen BDS. The makeovers will enable these charts to match the methodology applied to Billboard’s signature all-genre songs ranking, the Billboard Hot 100.
On the surface, this seems like a good idea. After all, the country singles chart included both sales and airplay data for decades, until switching to airplay-only in 1989. Declining availability of retail singles made this change necessary.
Though his Hall of Fame career has now stretched several decades, Kris Kristofferson will forever be defined by his legendary songwriting in the late sixties and early seventies.
The Little Willies
For the Good Times
After having first formed in 2003, The Little Willies released their self-titled debut album in 2006, four years after pianist and vocalist Norah Jones had found success with her jazz and pop flavored solo album Come Away With Me.
Six years later, a second Little Willies album finally comes to light, following in the tradition of the first by featuring covers of country classics. For the Good Times finds The Little Willies covering classics songs by some of country music’s most revered (and most covered) artists, including nods to Willie Nelson, Johnny Cash, Hank Williams, Lefty Frizzell, Loretta Lynn, and Dolly Parton, among others.
My latest playlist is of covers. First, I have the original version (or the one that’s famous for being the original) followed by my favorite cover of it. My only rule is that I have to like both versions. So, songs where I like the cover but not the original won’t make the list.