“Buy Me a Boat” Chris Janson Written by Chris DuBois and Chris Janson It’s about time that Eric Church’s sound started showing up on other people’s records. Chris Janson’s “Buy Me a Boat” is lyrically something you would’ve expected from Alan Jackson back in the day. He’d have done it with a goofy smile. Janson does it with the same amount of twang, but it sounds like he’s grimacing instead of grinning.
For casual fans of country music, Johnny Paycheck was a one-hit wonder who spent a good chunk of his life in jail. For those who know better, he was the greatest of the Outlaw singers and the definitive honky-tonk voice of his time.
Coe was born in Akron, Ohio in 1939. He spent his youth in and out of reformatory schools, the beginning of a long history of run-ins with the law. After spending most of his twenties in prison, he moved to Nashville in the late sixties. His style was jarring, with tattoos, long hair, and piercings, and for a stretch, he lived in a hearse parked right outside the Ryman Auditorium.
One of the side effects of the nineties boom was that every Nashville label started looking for young male acts that looked good in a Stetson and could sing with an accent.
The end result was that some solid talent was discovered a bit too early, before they’d fully refined themselves into artists. Tracy Byrd’s a great example of this. Only 25 years old when his first single went to radio, Byrd had been plucked from the Beaumont, Texas music scene that had groomed Mark Chesnutt.
Byrd’s hit material from the nineties was reflective of what the B-list hat acts recorded during that era, though his vocal charm helped him elevate middling songs from time to time. He also turned in a few gems, with his music getting far more consistent as he entered his thirties.
His last studio album, 2006’s Different Things, was excellent, but radio had already moved on to the new twentysomethings at that point, artists who will probably be making better music a decade from now and being overlooked for the new, new twentysomethings.
Ten Essential Tracks:
from the 1993 album Tracy Byrd
When surprisingly strong sales greeted the release of Byrd’s debut album, radio jumped on board. This catchy tune briefly knocked Garth’s “Ain’t Goin Down” out of the top spot, though Brooks would return to #1 a week later.
Updated for 2009 While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This year, the 45th trophy for Best Male Country Vocal Performance will be awarded. In a continuation of our Grammy Flashback series, here is a rundown of the Best Country Vocal Performance, Male category. It was first awarded in 1965, and included singles competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks. As usual, we start with a look at this year’s nominees and work our way back. Be sure to vote in My Kind of Country’s Best Male Country Vocal Performance poll and let your preference for this year’s race be known! Read More
Tonight’s topic was last included at Country Universe on Labor Day Weekend, but, considering that much of our lives are spent chasing the almighty dollar, I figured it was one worth revisiting. Songs about the working man (and woman) are a little less common in country music nowadays (Is there still no replacement for George Jones’ “It’s Finally Friday?”.). Quite possibly, the working songs are gone because radio listeners are supposed to forget about work, a necessary evil, altogether. Believe me, some days I dream of buying lotto tickets until my numbers come up (Where are you, Mary Chapin Carpenter? I don’t feel lucky.). My favorite: “Take This Job and Shove It” by Johnny Paycheck (Please do yourself a favor and check out Paycheck’s catalog. The man is more than one song.) What’s your favorite song about the daily grind?
Change is in the air. Last night, Dan sparked an interesting conversation about the changes that readers would like to see in country music, inspired by the world events of this past week. Country Universe, of course, is undergoing its own series of changes. The best is (hopefully) yet to come. Some of the greatest country songs are about transition, whether they be tales of triumph or tragedy. Deaths, romantic dramas and job dissolutions (thank you, Mr. Paycheck) all fall into the category. For no particular reason, my choice at this moment is “I’ll Change for You,” from the Rosanne Cash album Rules of Travel. Recommend a track tonight, one that’s occupied with the grand notion of change.
For a look back at the other major categories, visit our CMA Awards page. 2010 Dierks Bentley Brad Paisley Blake Shelton George Strait Keith Urban Bentley and Shelton have never won, but they’re up against Strait, who has won five times, and Paisley and Urban, who’ve won three times each. With the balance of commercial and critical success not significantly different across the category, this race could bring the night’s biggest surprise. But whatever happens, kudos to Paisley for earning his tenth nomination, and Strait for earning his twenty-fifth! 2009 Kenny Chesney Brad Paisley Darius Rucker George Strait Keith Urban Just like in the Entertainer category, 80% of this race for the past three years had been Kenny Chesney, Brad Paisley, George Strait, and Keith Urban. This year, Darius Rucker took the fifth slot that was occupied by Alan Jackson in 2008 and Josh Turner in 2007. Brad Paisley went Read More