Tag Archives: Josh Osborne

Single Review: Keith Urban, “John Cougar, John Deere, John 3:16″

Keith Urban John Cougar John Deere John 3 16

“John Cougar, John Deere, John 3:16″
Keith Urban

Written by Ross Copperman, Shane McAnally, and Josh Osborne

A Keith Urban record has a natural floor.  Things can only go south so much.

He’s got a great voice, he’s an incredible guitar player, and he’s got enough presence on record that it doesn’t really matter what’s going on around him.  He never loses control of the proceedings.

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Single Review: Jake Owen, “Real Life”

Jake Owen Real Life

“Real Life”
Jake Owen

Written by Ross Copperman, Ashley Gorley, Shane McAnally, and Josh Osborne

Everclear is one of the few pop bands that I liked in the late 90s/early 2000s. While a lot of their music sounded similar, their grooves were addictive and their tunes were memorable (“A.M. Radio”, Anyone?).

As a result of enjoying Everclear, I’ll admit that I actually guiltily enjoy Jake Owen’s “Real Life.”

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Single Review: David Fanning, “Doin’ Country Right”

David Fanning Doin' Country Right

“Doin’ Country Right”
David Fanning

Written by Heather Morgan, Josh Osborne, and Jimmy Robbins

Seems safe to bet that the irony of this single’s title is lost on everyone involved in inflicting it upon a genre that keeps finding ever-more horrifying ways to embarrass itself.

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Single Review: Blake Shelton, “Sangria”

Blake Shelton Sangria

“Sangria”
Blake Shelton

Written by J.T. Harding, Josh Osborne, and Trevor Rosen

This is Shelton’s best single an a good long while.

It’s smooth and seductive, without sounding overly coy or even the least bit tacky. The Sangria angle is used well both literally and figuratively, and the lyrics are creative enough that they don’t run the concept into the ground.

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Single Review: Sam Hunt, “Take Your Time”

Sam Hunt Take Your Time

“Take Your Time”
Sam Hunt

Written by Sam Hunt, Shane McAnally, and Josh Osborne

“Take Your Time” is interesting for its combination of rapidly delivered spoken word and warmly sung melody, and for its tentative attempts to acknowledge a woman’s own agency.

The structure borrows heavily from contemporary urban music, and will sound familiar to anyone who has listened to a fair amount of Drake. But Hunt keeps the proceedings grounded enough in country that it doesn’t sound nearly as reductive as it could’ve been.

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Single Review: Sam Hunt, “Leave the Night On”

Sam Hunt Leave the Night On

“Leave the Night On”
Sam Hunt

Written by Sam Hunt, Shane McAnally, and Josh Osborne

I feel like I’ve heard this song so many times before that the artist has to work extra hard just to even keep my attention.

Sam Hunt works pretty hard to do that.  Not as a vocalist, mind you.  But as a songwriter, which is what’s put him on the map in the first place.

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Single Review: Blake Shelton featuring Gwen Sebastian, “My Eyes”

Blake Shelton My Eyes

“My Eyes”

Blake Shelton featuring Gwen Sebastian

Written by Andrew Dorff, Tommy Lee James, and Josh Osborne

Is a play on words really that romantic?  I can imagine being asked, “If I said you had a beautiful body, would you hold it against me?” getting an icebreaking laugh, for sure.

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Single Review: The Band Perry, “Chainsaw”

The Band Perry ChainsawA cool sounding record that is ultimately undermined by a juvenile delivery.

As is often the case with the Band Perry, the arrangement is interesting.  This is one of their more distinctive records in that sense, with enough changes in mood and sonics to give you aural whiplash.

But the vocal is so childish that it makes “Picture to Burn” sound like restrained maturity.  They’ve got the vocal chops, and they’ve got the creativity, but they don’t seem to be able to balance the two very well.  So yes, it’s interesting.  But it’s not very enjoyable to listen to.

Written by Shane McAnally, Josh Osborne, and Matt Ramsey

Grade: C

 

httpv://www.youtube.com/watch?v=m22PSWc71WA

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2014 Grammy Winners

56th Grammy AwardsThis year’s Grammy winners will be posted here as they are announced.

Here are the awards, in the order of presentation:

Pre-Telecast Winners:

American Roots Song: Edie Brickell & Steve Martin, “Love Has Come For You”

Americana Album: Emmylou Harris & Rodney Crowell, Old Yellow Moon

Bluegrass Album: The Del McCoury Band, The Streets of Baltimore

Folk Album: Guy Clark, My Favorite Picture of You

Country Solo Performance: Darius Rucker, “Wagon Wheel”

Country Duo/Group Performance: The Civil Wars, “From This Valley”

Country Song: Shane McAnally, Kacey Musgraves, and Josh Osborne, “Merry Go ‘Round”

Telecast Winners:

Best Country Album: Kacey Musgraves, Same Trailer Different Park

Best New Artist: Macklemore & Ryan Lewis

Song of the Year: Joel Little and Ella Yelich O’Connor, “Royals”

Album of the Year: Daft Punk, Random Access Memories

Record of the Year: Daft Punk featuring Pharrell Williams and Nile Rodgers, “Get Lucky”

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Single Review: Eli Young Band, “Dust”

Eli Young Band Dust“Dust” tells the story of an interesting woman who is leaving her past behind her in the…dust.

I’m most surprised, and impressed, by the complete absence of a guy in this song.  This girl’s leaving to get her life started, and sheds a tear for what she leaves behind, but knows her future is waiting in front of her.  I guess it could be a guy she’s shedding a tear for, but it’s just as likely that she’s going to miss her family and the town she grew up in.

I’m still waiting for Taylor Swift to write a great song that has nothing to do with a guy, so I’m happy to hear a male act put one together, and one with only a token physical description (“baby blue eyes”) to boot.

That being said, the whole sound of the record is Bon Jovi lite.  That would’ve been an insult to a country band not too long ago, but today, it means that the song is professionally done and not too cluttered.  Nothing identifiably country about it, but then again, nothing identifiably bad, either.  I’ll take it.

Written by Kyle Jacobs, Jon Jones, Josh Osborne, and James Young

Grade: B

httpv://www.youtube.com/watch?v=Xjl4qHTVh2o

 

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