Ah…Remember the days when a name drop of a country singer actually meant something and made sense within the context of the song? Before Jason Aldean’s gratuitous and inane name checks of Johnny Cash, Alabama and even Joe Diffie? Those were the days, weren’t they? What are some of your favorite songs that refer to country singers or country songs? Don Williams, “Good Old Boys Like Me” (Hank Williams) Vince Gill, “Some Things Never Get Old” (Emmylou Harris’ “Bluebird Wine”) Rodney Crowell, “Walk the Line Revisited” (Johnny Cash) Ashley Monroe, “Hank’s Cadillac” (Hank Williams) Josh Turner, “Loretta Lynn’s Lincoln”
As we grow older, our tastes change and some would even say that they mature. Such is the case with me, as you’ll see in the list below. There was a time when I did not like these artists (gasp!) and a time when I didn’t like these songs. However, something made them grow on me to the point that I absolutely love them now. Which artists and songs have grown on you over time? Here are my lists: Artists: Willie Nelson Dwight Yoakam Emmylou Harris Miranda Lambert Sturgill Simpson Songs: Josh Turner, “Another Try” Vince Gill, “Go Rest High on that Mountain” Dierks Bentley, “What Was I Thinking” George Strait, “Troubadour Randy Travis, “Before You Kill Us All”
Ralph Stanley & Friends Man of Constant Sorrow Perhaps the uninitiated may have “discovered” Ralph Stanley through his participation in the O Brother Where Art Thou? soundtrack, For those who have spent their lives appreciating the man and his music, Ralph Stanley is a certified living legend — not to mention one of the last remaining links to that first generation of bluegrass musicians who blazed the trail for newgrassers and traditionalists alike. Even though he threatened retirement not long ago, the 87-year-old singer is back with a new duets album, available through Cracker Barrel stores.
“Lay Low” Josh Turner Written by Ross Copperman, Tony Martin and Mark Nesler Good for Josh Turner for sticking with his neo-traditional country sound, even though he’s in the oft talked about minority nowadays. I don’t listen to country radio anymore, but I imagine that some people will think that “Lay Low” sounds stale and boring amongst the bombastic and party anthem “escapism” of country radio playlists these days.
My local Public Radio station has a wonderful series called Music that Moves Me, which was conceived and originally produced by the inimitable Suzanne Nance who has now (sadly for us, but happily for her) moved on to bigger things in a big Chicago market. For this series, people across Maine submitted touching or funny stories about how a particular song or specific music has moved them in their lives. As a result, this series inspired me to make a playlist of songs that move me whenever I hear them. The songs that move me the most are those that promote sensitivity and kindness in the world or in me. Here are just a few of the songs that move me. What are some of yours and why? Sarah Jarosz, “Ring Them Bells” Jarosz beautifully interprets this Bob Dylan Chestnut with the help of Vince Gill. There’s just something in Read More
In a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page, and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.
There is something distinctly different about how I am processing the news about Randy Travis. The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago. Now, I remember Randy Travis from when I was a child. What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?
As the title suggests, Clay Walker’s latest single plays out like the alternate ending to Faith Hill and Tim McGraw’s fiery “Like We Never Loved At All.” Whereas the latter finds the woman agonizing over her ex moving on, “Like We Never Said Goodbye” tackles a smaller, more predictable range of emotions as its characters rekindle their relationship over wine. On paper, it’s the less interesting road taken.
Clear as Day
In listening to American Idol winner Scotty McCreery’s debut album, it becomes all too clear that either McCreery is being carefully reared by the unabashedly commercial-minded execs of 19 Entertainment… or that he simply enjoys playing follow-the-leader. The former is most likely, but almost every track on Clear as Day sounds like an emulation of the style of one of country radio’s favorite hitmakers. We get to hear Scotty McCreery play Montgomery Gentry. We get to hear Scotty McCreery play Kenny Chesney. But there are precious few moments in which it sounds like Scotty McCreery is being Scotty McCreery.
Any review of this single anywhere is like begging for site traffic from impassioned fans/haters. I don’t do nearly enough favors for Country Universe most of the time, though – so allow me to greet you down on my knees, Scottyfolk.
A preface: I didn’t watch this past season of American Idol, so this single is basically my first exposure to its winner, and I feel no sour grapes that he beat out So-And-So or What’s-Her-Face, and I don’t care about his adorable TV backstory or any of that. The only metric I’m using is whether “I Love You This Big” sounds like something I’d want to hear on the radio between “Teenage Daughters” and “Amen.”