Clear as Day
In listening to American Idol winner Scotty McCreery’s debut album, it becomes all too clear that either McCreery is being carefully reared by the unabashedly commercial-minded execs of 19 Entertainment… or that he simply enjoys playing follow-the-leader. The former is most likely, but almost every track on Clear as Day sounds like an emulation of the style of one of country radio’s favorite hitmakers. We get to hear Scotty McCreery play Montgomery Gentry. We get to hear Scotty McCreery play Kenny Chesney. But there are precious few moments in which it sounds like Scotty McCreery is being Scotty McCreery.
Any review of this single anywhere is like begging for site traffic from impassioned fans/haters. I don’t do nearly enough favors for Country Universe most of the time, though – so allow me to greet you down on my knees, Scottyfolk.
A preface: I didn’t watch this past season of American Idol, so this single is basically my first exposure to its winner, and I feel no sour grapes that he beat out So-And-So or What’s-Her-Face, and I don’t care about his adorable TV backstory or any of that. The only metric I’m using is whether “I Love You This Big” sounds like something I’d want to hear on the radio between “Teenage Daughters” and “Amen.”
I wouldn’t be a man if I didn’t feel like this
I wouldn’t be a man if a woman like you
Was anything I could resist
I’d have to be from another planet
Where love doesn’t exist
I wouldn’t be a man if I didn’t feel like this
Well, this is kind of an unusual situation: a modern country singer choosing to resurrect an old country song…that was never that good to begin with.
How are country artists faring? Let’s take a look at cumulative sales for current albums. Sales are rounded to the nearest hundred.
Top Selling Current Country Albums
- Taylor Swift, Fearless: 6,233,900
- Taylor Swift, Taylor Swift: 4,955,000
- Lady Antebellum, Need You Now: 3,138,700
- Taylor Swift, Speak Now: 3,078,600
- Zac Brown Band, The Foundation: 2,489,200
If turnover has been slow in the Entertainer category, it’s been nothing less than glacial in the Male Vocalist race. Over the past ten years, only eleven men have received nominations. Four of those eleven – Dierks Bentley, Vince Gill, Darius Rucker, and Josh Turner – have been nominated only once.
Now, Toby Keith and Tim McGraw were regularly invited to the party in the first half of the last decade, with four and three nominations, respectively. But the race has essentially been dominated by the same five men: Kenny Chesney, Alan Jackson, Brad Paisley, George Strait, and Keith Urban, who combine for forty nominations in just one decade.
The recent history has been pretty boring. After two consecutive wins by Alan Jackson, we’ve had three consecutive wins each by Keith Urban and reigning champ Brad Paisley.
Will there be a new winner this year, or even a new nominee? Should there be?
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.
There has been a fair amount of positive hype surrounding newcomer, Easton Corbin, as of late. He has been lauded as the next George Strait (not that George Strait is going anywhere quite yet, by the way!). Since he isn’t afraid to prominently feature the steel guitar on his self-titled debut record, such comparison is natural if not justified, though Corbin’s voice is not yet as strong as Strait’s.