The nominations for this year’s Academy of Country Music Awards will be announced on Wednesday, February 11, and Country Universe will have a preview next week. As announced yesterday, the blond brigade of Julianne Hough, Leann Rimes, Jessica Simpson and Kellie Pickler will read the nominations from the Country Music Hall of Fame and Museum.
The Academy of Country Music, Dick Clark productions and Great American Country (GAC) announced today that for the first time ever, the three newcomer categories for the Academy of Country Music Awards—Top New Female Vocalist, Top New Male Vocalist and Top New Vocal Duo or Group—will be opened up to interactive fan voting through GACTV.com. The 44th Annual Academy of Country Music Awards will be broadcast LIVE from the MGM Grand Garden Arena in Las Vegas Sunday, April 5, 2009 at 8:00 PM live ET/delayed PT on the CBS Television Network.
Fan voting for these three categories will begin at GACTV.com on Friday, February 13, and will close on Thursday, March 5. The winner in each of the three categories will be announced March 9, and will move on to compete in a brand new Academy of Country Music Awards category, Top New Artist. Voting for the Top New Artist category will begin on March 16, and will close on April 5, with the winner being announced live during the 44th Annual Academy of Country Music Awards.
The official website is cryptic regarding the validity of voting procedures. Under the Best New Artist categories, the Board of Directors state that winners will be determined by a vote of members and/or viewer voting, so the Academy could possibly have a hand in the voting in case inconsistencies arise.
The Academy’s voting criteria was called into question last year when the Entertainer of the Year award was a fan-voted affair, and today’s announcement continues the questionable practice of allowing the general public to voice their opinions for one of the industry’s highest honors. This year, the rules do explicitly state that Entertainer of the Year will be awarded based on both membership vote and fan participation.
Critics’ fave Jamey Johnson also suffers from the academy’s shortsighted criteria. Due to an absolutely archaic rule, Jamey Johnson’s That Lonesome Song (current sales: 270k at 26 weeks) is ineligible for the Album of the Year category.
The Album must have attained minimum sales of 300,000 units and/or maintained an average of 20,000 unit sales per week since release as reflected by SoundScan during the qualification period. Any album commercially released prior to the preceding calendar year, but achieving its highest charted position in any accepted country music industry publication chart and greatest commercial success during the calendar year, is eligible unless it has appeared on a final ACM ballot in this category.
Conceivably, Johnson can be nominated for Album of the Year next year. By that time, That Lonesome Song will have sold over 300,000 copies and could sneak above its current chart peak in 2009 (it debuted at No.6 in August and now rests at No. 7 on the weekly chart). Understood? With record sales dwindling due to the economy and the current technological shift within the music industry, the criteria must be changed. Unless the rule is amended, only ten albums are eligible (the latest releases from Kenny Chesney,Alan Jackson, Toby Keith, Lady Antebellum, James Otto, Darius Rucker, Sugarland, George Strait, Taylor Swift and Zac Brown Band). This is a small pool from which to determine the genre’s best album of the year. The current slate of criteria for the ACM only serves to dilute a meaningful country music milestone and forgo artistic value in favor of commercial prowess and internet savvy.
Fun fact: In its final week of eligibility for last year’s ACM Awards, Miranda Lambert’s Crazy Ex-Girlfriend sold 7,894 copies for a total of 304,999 since its May 1, 2007 debut. Lambert’s sophomore set went on to best platinum-selling albums from Kenny Chesney, Rodney Atkins, Taylor Swift and Brad Paisley to claim the ACM award for Album of the Year.As of February 7, 2009, the album has sold 679,391 copies and remains the second-oldest album on the Country Albums chart (Taylor Swift’s Taylor Swift).
In this era of rampant piracy and economic recession, things aren’t looking good for the music industry. We don’t post too often about the business side of the music business here, as we tend to keep the focus on the music. But the reality is that these numbers matter. If Little Big Town’s second Equity album had performed as well as the first, the label might still be in business.
It’s not all doom and gloom, as many artists go on to make their best music once they leave major labels. But this Christmas, you can guarantee that some artists and record executives will be bracing for the New Year, while others are embracing it.
Here’s a look at some totals for albums released in 2008, ranked by total sales (rounded to the nearest thousand):
Taylor Swift, Fearless – 1,519,000
Sugarland, Love on the Inside – 1,179,000
George Strait, Troubadour – 693,000
Alan Jackson, Good Time – 628,000
Toby Keith, 35 Biggest Hits – 530,000
Kenny Chesney, Lucky Old Sun – 479,000
Faith Hill, Joy to the World – 341,000
Lady Antebellum, Lady Antebellum – 337,000
James Otto, Sunset Man – 332,000
Rascal Flatts, Greatest Hits Volume 1 – 330,000
Darius Rucker, Learn to Live – 284,000
Julianne Hough, Julianne Hough – 260,000
Toby Keith, That Don’t Make Me a Bad Guy – 224,000
Jewel, Perfectly Clear – 203,000
Dierks Bentley, Greatest Hits: Every Mile a Memory - 195,000
Jamey Johnson, That Lonesome Song – 183,000
Heidi Newfield, What Am I Waiting For – 162,000
Jessica Simpson, Do You Know – 153,000
Brad Paisley, Play – 137,000
Kellie Pickler, Kellie Pickler – 129,000
Montgomery Gentry, Back When I Knew it All – 127,000
Tim McGraw, Greatest Hits Vol. 3 – 127,000
Emmylou Harris, All I Intended to Be – 119,000
Zac Brown Band, Foundation – 118,000
Randy Travis, Around the Bend – 89,000
Ashton Shepherd, Sounds So Good - 84,000
Jimmy Wayne, Do You Believe Me Now – 81,000
Trace Adkins, X – 72,000
Billy Currington, Little Bit of Everything – 65,000
I fell in love with Broadway musicals at age 6 when my parents took me to see “Camelot”. It was a truly magical experience, and over the years I’ve often wondered if my early love of musicals contributed to my discovery of country music, as both rely on the emotional connection developed through story songs.
In recent years, a number of mainstream musical artists have ventured onto “The Great White Way.” Among them former American Idol contestants and pop stars. For the most part country music stars have stayed away, but Reba McEntire stands out as a noteworthy exception. In 2001, she starred in “Annie Get Your Gun” to great acclaim. Even as a mid-run replacement she was given a special Drama Desk award, among others. She also gave a memorable turn as Nellie Forbush in the Carnegie Hall production of “South Pacific” in 2006.
While I do believe the experience may be beneficial for some artists in learning how to interpret lyrics and connect with the audience, most country artists will likely never perform on Broadway. So mostly for fun, and out of appreciation and love for both genres, I cast some of today’s country artists in various Broadway roles:
Carrie Underwood as Cosette in “Les Miserables”
Kellie Pickler as Ado Annie Carnes in “Oklahoma”
Emily West as Sally Bowles in “Cabaret”
Julianne Hough as Glinda in “Wicked”
Toby Keith as Jud Fry in “Oklahoma”
Taylor Swift as Wendla Bergmann in “Spring Awakening”
John Rich as Harold Hill in “Music Man”
Ashton Shepherd as Jo March in “Little Women”
Keith Urban as Roger Davis in “Rent”
Brad Paisley as Seymour Krelborn in “Little Shop of Horrors”
Charles Kelley as Joe Gillis in “Sunset Boulevard”
Julianne Hough danced her way into the Top 20 with her first single, “That Song in My Head,” and she returns to action with the follow-up, “My Hallelujah Song.” It’s another in long line of country radio tunes designed to make listeners appreciate the important things in life. She’s thankful for the “angels helping (her) all along” and the peace that comes with believing that loving life will lead to love in her life.
Hough’s intentions are good, no question, but the material on her first album is fairly pedestrian and her voice is rather run-of-the mill. The trend continues on “My Hallelujah Song.” It’s awfully cliché-ridden (“Life is more than just the breaths you take, but the moments that take your breath away” is knee-deep in Hallmark territory) and we are given no idea of any personal struggles this young woman experiences that she has now risen above. We also don’t know what has caused her recent upturn in fortunes. While there’s really no fault in having a sunny disposition, it also stands to reason that her happy nature would have some foundation.
The arrangement is rather stripped-down in the beginning, and is actually attractive throughout, never trying to do too much. But this power-of-positive-thinking song rarely rises above the fluff of today’s mainstream country music due to its glaring omission of honest-to-goodness detail.