Kathy Mattea

Single Review: Miranda Lambert, “All Kinds of Kinds”

July 7, 2013 // 20 Comments

Miranda Lambert All Kinds of KindsI haven’t heard a country song spin such a fantastical yet somehow believable yarn about circus folk since Kathy Mattea’s “Harley”, a fan favorite album cut from her 1991 set, Time Passes By.

Don Henry wrote that tune, and he’s a co-writer of this latest single by Miranda Lambert as well. “All Kinds of Kinds” is actually headed to country radio, giving this new tale the opportunity for a wider audience than that little-known gem from two decades ago.

CU Archives: Kathy Mattea

September 22, 2012 // 2 Comments

For those of you just discovering Country Universe because of Ben Foster’s stellar review of Calling Me Home, here are some other Kathy Mattea features from our archives:

A Conversation with Kathy Mattea

This interview from March 2009 covers Mattea’s musical legacy, with a special focus on her Grammy-nominated Coal.

100 Greatest Women: #27. Kathy Mattea

Mattea’s entry on our 2008 countdown of the genre’s greatest women.

Favorite Songs by Favorite Artists: Kathy Mattea

Twenty-five of her best, written shortly after the release of Coal.

Classic Country Singles: “Where’ve You Been”

A look back at the single that earned Mattea her first Grammy award and won its songwriters several major honors as well.

Album Review: Kathy Mattea, <i>Calling Me Home</i>

September 20, 2012 // 5 Comments

Kathy Mattea
Calling Me Home

On her exquisite new album Calling Me Home, Kathy Mattea shows herself to be an artist who fully understands music as a medium of art and self-expression. Following down a path similar to that of her stellar Grammy-nominated 2008 effort Coal, but expanding upon it by dealing with a wider range of topics, Calling Me Home finds Mattea turning to her own roots for inspiration, and producing what just might be the finest album of her illustrious career.

Deep Down in 2011

November 28, 2011 // 43 Comments

Lately, I’ve been playing “Deep Down” on a loop, and it got me thinking…

What if one of the big female artists of 2011 were the first to release this song?

If Carrie Underwood recorded it in 2011, the song would be praised as one of the best she’s ever recorded, but she’d be criticized for over-singing and over-producing it.

The 30 Day Song Challenge: Day 14

May 22, 2011 // 30 Comments

Today’s category is…

The First Song You Remember Liking.

Here are the staff picks:

Tara Seetharam: “She’s Not Cryin’ Anymore” – Billy Ray Cyrus

Cyrus released “Achy Breaky Heart” when I was seven years old, and I fell for it. The upside? My mom bought me his Some Gave All cassette tape, and I fell in love with “She’s Not Cryin’ Anymore.” It was the first song in my life to grip me with emotion, which would later come to define my bond with music.

100 Greatest Men: #90. John Denver

March 5, 2011 // 17 Comments

His sweet AM radio sound resonated across genre boundaries, but for traditionalists, John Denver was where they would draw the line.

That such inoffensive music could ever cause such controversy may seem silly today, but Denver’s crossover success in the country market reached its peak with a 1975 CMA win for Entertainer of the Year.

Coming one short year after the hotly contested Olivia Newton-John win for Female Vocalist, presenter Charlie Rich may not have been in the right frame of mind when he lit the envelope on fire before announcing Denver’s win, but he certainly spoke for the wide dissent felt among the industry’s rank for these genre carpetbaggers.

Choice Cuts: Kathy Mattea, “Beautiful Fool”

January 17, 2011 // 11 Comments

A repost from last year, in honor of Dr. King.

Beautiful Fool
Kathy Mattea
from the 1997 album Love Travels

Our antiseptic approach to the legends of American history often results in the life’s work of Dr. Martin Luther King Jr. being reduced to four words and a three-day weekend. To prevent this in my own mind, I often revisit “Beautiful Fool”, a Don Henry composition that can be found on Kathy Mattea’s 1997 album Love Travels.

What I love about this song is its realism and its willingness to take on two voices of perspective at the same time. As an older woman reflects on King’s impact on her country and the sacrifices he was willing to make, she remembers her far less charitable opinion of him when he was alive: “Walter Cronkite preempted Disney one night, and all us kids were so upset. We thought you were a trouble instigator marching through our TV set.”


December 29, 2010 // 24 Comments

Earlier this year, a discussion with a colleague of mine revealed a mutual affinity for country music. It was a typical conversation that I have with fans that are around my age. We fell in love with the music about twenty years ago, don’t think it’s quite as good as it once was, but can find a lot of things to like from just about any era, including the current one.

So in the 2010 version of making a mix tape, I offered to load up her iPod with a whole bunch of country music. A week later, she took me to dinner as a thank you. We started talking about the music that I’d passed on to her, and she told me that she was listening to the iPod while mowing the lawn. Suddenly, a song came on that made her cry. Full-out cry, mind you, not just a tear or two.

So I ask if it was “Love, Me”, or maybe “Where’ve You Been”, or something similarly tragic. She was almost embarrassed as she told me that it was the old Anne Murray hit, “You Needed Me.”

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