Posts Tagged ‘k.d. lang’

Grammy Flashback: Best Female Country Vocal Performance

Sunday, January 25th, 2009

Revised and Updated for 2009

While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories.

This is a look back at the Best Female Country Vocal Performance category. It was first awarded in 1965, an included single competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks.

I’ve often made the case that female artists were making the best music in the 1990s, and the Grammys did a great job nominating songs and albums that were ignored at the CMA and ACM awards, which is not surprising, given that those shows have so few categories that are actually for songs and albums.

As usual, we start with a look at this year’s nominees and work our way back.

2009

  • Martina McBride, “For These Times”
  • LeAnn Rimes, “What I Cannot Change”
  • Carrie Underwood, “Last Name”
  • Lee Ann Womack, “Last Call”
  • Trisha Yearwood, “This is Me You’re Talking To”

This year’s lineup includes three former winners and two women looking for their first victory in this category. Martina McBride is in the running for the eighth time in fifteen years, and with one of her more understated performances. Lee Ann Womack returns for a fifth time, having received a nomination for the lead single of her five most recent albums. Both ladies turned in good performances here, but they’ve been overlooked for records bigger and better, so they’re not likely to snap their losing streaks this time around.

As for the previous winners, LeAnn Rimes earned her third consecutive nod, bringing her total to five in this category. She hasn’t won since 1997, when she took home the award for “Blue.” If enough voters hear “What I Cannot Change,” she might have a shot, though the only version of the song that’s been a legitimate hit has been the dance remix.

Trisha Yearwood won in 1998 for “How Do I Live,” her only victory to date. But she’s earned her tenth nomination for “This is Me You’re Talking To,” which is arguably her strongest vocal performance of the ten. Like Rimes, the challenge is getting enough voters to listen to it, but she’s never been more deserving of the victory than she is this year.

Still, the favorite remains Carrie Underwood. She’s quickly become a favorite with Grammy voters, having won this category two years running, along with Best New Artist in 2007. She’s the nominee with the highest profile, and while “Last Name” is nowhere near the same league of “Jesus, Take the Wheel” and “Before He Cheats” in terms of artistry or impact, it was a big hit, something that the other four entries cannot claim.

If Underwood was nominated for “Just a Dream,” she’d have a mortal lock on this one. But the strength of the other nominees will at least keep this race competitive. If Underwood prevails, Grammy queen Alison Krauss better watch her back.

2008

  • Alison Krauss, “Simple Love”
  • Miranda Lambert, “Famous in a Small Town”
  • LeAnn Rimes, “Nothin’ Better to Do”
  • Carrie Underwood, “Before He Cheats”
  • Trisha Yearwood, “Heaven, Heartache and the Power of Love”

Looking at this lineup, you’d think that it was a golden age of female country artists, something akin to the mid-nineties. In reality, only one of these songs was a big radio hit, though three others managed to go top twenty. In terms of quality, however, this is the most consistent and thoroughly wonderful set of nominees this category has seen this century.  You’d have to go back to exactly 1999 to find a better lineup.

In a year when any winner would have been deserving, Underwood won for “Before He Cheats,” her second straight win for a signature mega-hit from her debut album.

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iPod Check: They Call it Country

Saturday, January 3rd, 2009

We’re making iPod Check a weekly discussion feature this year, with a bit of a different spin each week.

This week, check out the “Country” genre on your music list and post the first ten songs that play. Here are my ten, out of 5,626 in total:

1. k.d. lang, “Pullin’ Back the Reins”
2. Johnny Cash, “I’m Going to Memphis”
3. Sugarland, “Already Gone”
4. Dolly Parton, “Don’t Let Me Cross Over”
5. Trisha Yearwood, “Nothin’ About You is Good For Me”
6. Carlene Carter, “Two Sides to Every Woman”
7. Johnny Cash, “Thirteen”
8. Kenny Rogers, “I Don’t Call Him Daddy”
9. Emmylou Harris, “Tennessee Waltz”
10. Loretta Lynn, “I Believe”

100 Greatest Women, #60: k.d. lang

Tuesday, May 6th, 2008

100 Greatest Women

#60

k.d. lang

One of the most unconventional female country stars in history, right down to the all-lowercase name.

lang was drawn to country music during college, primarily due to her infatuation with the work of Patsy Cline. She discovered Cline when she had to perform in a stage musical based on the legend’s life, and it led her to a professional music career. She put together a backing band called the Reclines in 1983, and started to play country bars across her native Canada. Two independent albums followed, and she garnered enough exposure to win the Juno award for Most Promising Female Vocalist, the Canadian equivalent of a Grammy. During her acceptance speech, she made a long list of promises for the future, so she could truly call herself the “most promising.”

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