Tag Archives: Keith Urban

2014 CMA Nominations

This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark.  Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days.

George Strait ACMEntertainer of the Year

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Keith Urban

Who’s In:  Miranda Lambert, Keith Urban

Who’s Out: Jason Aldean, Taylor Swift

George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert.   Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.

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CU10 Flashback: Carrie Underwood, Shania Twain and Gender in Country Music

Shania Twain Carrie UnderwoodIn 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable.

That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency.

It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the real issue at hand: country music’s staggering, frustrating gender bias. Six years and a truckload of interchangeable male artists later, it’s more imperative than ever that we continue this discussion.  – Tara Seetharam

Discussion: Carrie Underwood, Shania Twain and Gender in Country Music

by Kevin John Coyne

August 29, 2008

I fear this post won’t quite live up to its ambitious title, and I realize that I’m stirring the tempest pot a bit by putting those two artists in the same sentence. But the tone that surfaces whenever Carrie Underwood is discussed here is something that I find increasingly frustrating, so I’m going to talk about it. Hopefully, I’ll get a meaningful conversation going along the way.

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Single Review: Sam Hunt, “Leave the Night On”

Sam Hunt Leave the Night On

“Leave the Night On”
Sam Hunt

Written by Sam Hunt, Shane McAnally, and Josh Osborne

I feel like I’ve heard this song so many times before that the artist has to work extra hard just to even keep my attention.

Sam Hunt works pretty hard to do that.  Not as a vocalist, mind you.  But as a songwriter, which is what’s put him on the map in the first place.

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Single Review: Hunter Hayes, “Tattoo”

Hunter Hayes TattooI want to preface this by saying, as I’ve said before, that Hunter Hayes is tremendously talented.

“Tattoo” is further evidence that he can assemble all of the necessary components for an entertaining record, and I guess it is a pretty entertaining record.

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Single Review: Miranda Lambert and Carrie Underwood, “Somethin’ Bad”

Miranda Lambert Carrie Underwood Somethin' BadMiranda Lambert’s tempting fate with her titles, calling her upcoming album Platinum and her high-profile collaboration with Carrie Underwood, “Somethin’ Bad.”

No word for a while yet on whether the album will sell a million copies, but as far as the single goes, it lives up to the promise of the two singers more than it does to its title.

It does so by trying not to be as ambitious as the caliber of the collaborators would make you expect it to be.  This was a trap both ladies fell into when collaborating with other A-listers, making  Lambert’s duet with Keith Urban and Underwood’s with Brad Paisley not as successful as they could’ve been.

This is just a plain ol’ good girls on their baddest behavior ditty.  Well, not their baddest behavior.  Underwood doesn’t key up anyone’s car and Lambert doesn’t kill anybody.  But it’s all in good fun, and both ladies can perform the thing solo just fine when the other isn’t around.

And kudos to the production, I feel I should mention.  There were a few moments I thought it was gonna go all eighties glam rock, but the record pulls back before it goes over the edge, and we get just the ladies and a rhythm track, which actually supports the lyric better.  Somethin’ bad’s gonna happen, but….not yet.  Good stuff.

Written by Chris DeStefano, Brett James, and Priscilla Renea

Grade: B+

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ACM Awards 2014: Final Thoughts

George StraitThis year’s ACM Awards were mediocre and broverwhemingly male-centric, despite women winning most of the major awards.  As with last fall’s CMA show, the best moment was the final one, when George Strait won Entertainer of the Year.

Here’s a rundown of all the major winners:

Entertainer of the Year

  • Luke Bryan

  • Miranda Lambert

  • Blake Shelton

  • George Strait

  • Taylor Swift

George Strait winning at the ACMs this year was even more surprising than at the CMAs last year, given how the fan-voted element of this award has favored stars with young fanbases in previous years.  King George, indeed. – KJC

While it’s disheartening to see Strait’s mainstream support dwindling, it’s great to see the fans come through for King George. – BF

Even if Strait did unintentionally but hilariously leave Miranda Lambert hanging on her attempted hi-five, it was nice to see the genuine support for Strait’s win among the other artists in attendance. Too bad radio seems to have turned their back on him.  – JK

jason-aldeanMale Vocalist of the Year

  • Jason Aldean

  • Lee Brice

  • Luke Bryan

  • Blake Shelton

  • Keith Urban

A repeat win for Jason Aldean helped both hosts go home empty handed, despite the big years both Bryan and Shelton had. – KJC

Miranda Lambert Over YouFemale Vocalist of the Year

  • Sheryl Crow

  • Miranda Lambert

  • Kacey Musgraves

  • Taylor Swift

  • Carrie Underwood

Has there ever been a female vocalist that the ACMs loved more?  Lambert’s fifth consecutive victory snaps Reba McEntire’s four in a row from 1985-1988, though she’d return to the winner’s circle three more times in the nineties.  But even McEntire didn’t dominate the other categories the way Lambert’s been doing. – KJC

Lambert officially owns this category for a half-decade. Can we please get a shake-up in the Female Vocalist race next year? – BF

As I said on twitter: If she’s in the building, Trisha Yearwood is the Best Female Vocalist (unless Connie Smith is also in the building, in which case Trisha would be runner-up). End of discussion. – JK

2013 CMA Music Festival - Day 3Vocal Duo of the Year

  • Big & Rich

  • Dan + Shay

  • Florida Georgia Line

  • Love and Theft

  • Thompson Square

Florida Georgia Line had the biggest year – actually, the only big year – of all the nominees, making their victory the least surprising win of the night. – KJC

Congratulations to Florida Georgia Line on their win for (Only Significantly Successful) Vocal Duo of the Year. – BF

The Band PerryVocal Group of the Year

  • Eli Young Band

  • Lady Antebellum

  • Little Big Town

  • The Band Perry

  • Zac Brown Band

The Band Perry won their first Vocal Group award, with all the votes in before a confetti backlash was able to sway the tally. – KJC

Justin MooreNew Artist of the Year

  • Brett Eldredge

  • Justin Moore

  • Kip Moore

Two Moores and a Brett walk into an ACM ceremony… – KJC

Kacey Musgraves Same Trailer Different ParkAlbum of the Year

  • Blake Shelton, Based on a True Story…

  • Luke Bryan, Crash My Party

  • Florida Georgia Line, Here’s to the Good Times

  • Kacey Musgraves, Same Trailer Different Park

  • Tim McGraw, Two Lanes of Freedom

With the Grammys picking Musgraves and the CMAs picking Shelton, the ACMs broke the tie, picking the best album over the biggest.  Good call. – KJC

Musgraves’ well-deserved victory restores some ACM credibility, though it is ironic that she was the only nominee whom the producers did not grant a performance slot. – BF

She won for Album of the Year and co-wrote the winner of Single of the Year, so we can’t necessarily blame the ACM voters for Musgraves’ lack of a performance: Clearly, the producers of the show had adopted an ethos of “Bros Before Women Who Make Good Music.” – JK

Mama's Broken HeartSingle Record of the Year

  • Florida Georgia Line, “Cruise”

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Lee Brice, “I Drive Your Truck”

  • Miranda Lambert, “Mama’s Broken Heart”

  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

True, a Song of the Year victory would’ve been sweeter.  But Lambert’s single was still the best of the five, and gave her a third win in this category in four years.  That feat was last accomplished by Willie Nelson, who picked up three in four years back in the eighties, for “Always on My Mind”, “To All the Girls I’ve Loved Before”, and “The Highwayman.” – KJC

The “Cruise” phenomenon promised to be hard to beat, but fortunately the voters chose to honor the best record over the biggest. – BF

I really wouldn’t have any reservations at all with Miranda having won this category three times for “Kerosene,” “Gunpowder and Lead,” and “The House That Built Me.” Hers was easily the best nominee of this line-up, though. – JK

IDriveYourTruck_lee_briceSong of the Year

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren

  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary

  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves

  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan

  • “Wagon Wheel” – Bob Dylan, Ketch Secor

With Grammy winner “Merry Go ‘Round” not in the running, the ACM chose to honor last fall’s CMA winner, “I Drive Your Truck.” – KJC

Props to Lee Brice for letting the songwriters have the spotlight for this win. Considering the Song of the Year award purports to honor the year’s best songwriting, it’s been disconcerting that recent years have seen the ACMs shifting the focus from the songwriters to the artists. – BF

Of note: Women won for Album of the Year, Single of the Year, and were two of the three co-writers of the Song of the Year. Yet the genre’s regressive gender politics are as problematic right now as at any point in recent memory. When will we reach a true tipping point with this? – JK

220px-TMG_-_Highway_Dont_Care_coverVideo of the Year

  • The Band Perry, “Better Dig Two”

  • Kacey Musgraves, “Blowin’ Smoke”

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Lee Brice, “I Drive Your Truck”

  • Miranda Lambert, “Mama’s Broken Heart”

  • Carrie Underwood, “Two Black Cadillacs”

The high-octane collaboration between these three superstars earned several nominations, but their only win came in this category. – KJC

NASHVILLE, TN - NOVEMBER 06:  Miranda Lambert and Keith Urban perform onstage during the 47th annual CMA Awards at the Bridgestone Arena on November 6, 2013 in Nashville, Tennessee.  (Photo by Rick Diamond/Getty Images)Vocal Event of the Year

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”

  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

  • Keith Urban and Miranda Lambert, “We Were Us”

Betting against Miranda Lambert at the ACM Awards is starting to look like a fool’s wager.  This is her first win in this category, and with the other awards she won last night, her total ACM count is now at fifteen. – KJC

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2014 ACM Awards: Staff Picks & Predictions

And they’re back: The 2014 ACM Awards air live on Sunday at 7 p.m. CST, hosted by Blake Shelton and Luke Bryan. They’re sure to be enraging or amusing, depending on your bro-country meter. In the meantime, we’ve picked and predicted the awards below – chime in with your thoughts!

Entertainer of the Year

Luke Bryan

Should Win

  • Luke Bryan 
  • Miranda Lambert
  • Blake Shelton
  • George Strait – KJC, TS, BF
  • Taylor Swift

Will Win

  • Luke Bryan – KJC, TS, BF, JK
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Taylor Swift

Ben: No, Strait didn’t have the biggest year, but he’s still the only nominee whom I can truly endorse as the face of country music in 2014. At this point the Carrie Underwood snubs have ceased to surprise me.

Jonathan: If his fans’ votes were enough to give him the surprise win last year, there’s no reason to think Bryan won’t repeat, given that his profile only seems to have grown throughout 2013. All five of the nominees are equally sort-of deserving of a win based on relative metrics of commercial stats and quality of their output, while the most obvious, most deserving winner of this award was yet again left off the ballot.

Tara: Strait’s putting on a heck of a farewell tour, and I appreciate the CMA voters for recognizing that last year. I’m doubtful he’ll have that effect on the ACM voter demographic, though; this one’s Bryan’s to lose … but really, truly, belongs to Underwood.

Kevin: Strait’s victory at last year’s CMA Awards was the highlight of the night. But I agree with the consensus. Fan votes have this thing locked up for Bryan.

Male Vocalist of the YearBlake Shelton2

Should Win

  • Jason Aldean – TS
  • Lee Brice
  • Luke Bryan – KJC
  • Blake Shelton
  • Keith Urban

Will Win

  • Jason Aldean
  • Lee Brice
  • Luke Bryan – KJC, TS, BF, JK
  • Blake Shelton
  • Keith Urban

Ben: Bryan seems to have had the biggest year, but I’m not personally invested in any of these choices.

Jonathan: I’d be more excited about seeing new blood in this line-up if I were in any way impressed with Brice. Just looking at mainstream stars who had hits during the eligibility period, a superior slate of nominees could be culled from Gary Allan, Dierks Bentley, Eric Church, Easton Corbin, Brad Paisley, Darius Rucker, and Chris Young.

Tara: I’ll be damned if Aldean hasn’t grown on me over the past few years. His material is still too uneven for me to get behind, but I’ve come to begrudgingly respect his appeal. My guess is his crown will go to Bryan, though.

Kevin: I like the fact that after the endless streak from Paisley, we’ve gotten different winners in the past two years. The only two who haven’t won yet are Brice and Bryan. The latter is the only one at the level to warrant a win at this time.

Female Vocalist of the Year

Kacey Musgraves

Should Win

  • Sheryl Crow
  • Miranda Lambert
  • Kacey Musgraves – KJC, BF
  • Taylor Swift
  • Carrie Underwood – TS

Will Win

  • Sheryl Crow
  • Miranda Lambert – TS, BF, JK
  • Kacey Musgraves – KJC
  • Taylor Swift
  • Carrie Underwood

Ben: Lambert’s status as one of this year’s leading nominees indicates that voters still have the hots for her. Her reign will end eventually, but I won’t bet on it happening this time around.

Jonathan: Brandy Clark LeAnn Rimes Ashley Monroe Kellie Pickler Julie Roberts Holly Williams No? On the brightside, Crow managed to snag the fifth slot instead of either of Blake Shelton’s overpraised “The Voice” winners, but that’s really where the good news ends. It seems premature for Musgraves to win this award, and I’m honestly still not all that enamored of her beyond “Follow Your Arrow.” I’ve been pulling for Underwood of late, but both she and Swift ended this eligibility period with two of their worst singles, so I’d have reservations about seeing either of them win. Lambert seems poised to repeat based on her haul of nominations; as fun as “Mama’s Broken Heart” is, I’d feel better about this streak of hers had it spanned her far superior Crazy Ex-Girlfriend and Revolution eras.

Tara: I’m sticking with Underwood for one more cycle, mostly because Musgraves’ charming “Follow Your Arrow” didn’t really make its (relatively small) impact until after the eligibility period. It’s hard to swallow how many of these awards Lambert is racking up between the ACM’s and the CMA’s, but I suspect the trend will continue.

Kevin: Go big or go home. Musgraves is the ACM’s opportunity to definitively position itself as the more substantive country awards show, a status they’ve been flirting with as the CMA’s have moved in the opposite direction. I think she’ll pull it off, and I’ll be happy to see her do it.

Vocal Duo of the YearFGL

Should Win

  • Big & Rich
  • Dan + Shay
  • Florida Georgia Line - KJC
  • Love and Theft
  • Thompson Square – TS, JK

Will Win

  • Big & Rich
  • Dan + Shay
  • Florida Georgia Line – KJC, TS, BF, JK
  • Love and Theft
  • Thompson Square

Ben: This category remains lame and pointless as ever, but at least I can give credit for the fact that they finally stopped shoehorning in Sugarland.

Jonathan: Thompson Square is the only one of these five acts who released a single that I didn’t absolutely hate during the past year. While that’s an accomplishment of sorts, it’s hardly one that should keep this category from being combined with the Vocal Group race.

Tara: I don’t mind Thompson Square. That’s the best thing I can say about this line-up.

Kevin: I’m not really a fan of any of these acts, so again, I’ll root for variety. Thompson Square has two wins already. Florida Georgia Line had a great year. Give them their due, and then perhaps we can forget they ever happened.

Vocal Group of the YearLittle Big Town

Should Win

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town – TS, JK
  • The Band Perry
  • Zac Brown Band – KJC

Will Win

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • The Band Perry – KJC, TS, JK, BJF
  • Zac Brown Band

Jonathan: I couldn’t vote against Little Big Town during a year when they released “Sober,” but Zac Brown Band continues to release solid material and remains overdue for recognition. The Band Perry have a run of huge hit singles– the first two of which were as clever and progressive as anything country radio has touched in a minute– to their credit during the eligibility period. Momentum seems to be on their side at the moment, and I think they’ll score the night’s only real upset.

Tara: The Band Perry are walking a skillful line between commercial and creative, and I think they’ll be rewarded. As for me, I’m clinging to Little Big Town at least until the exquisite “Sober” becomes old news.

Kevin: I think that The Band Perry is best positioned to win, but Zac Brown Band is the most overdue.

Ben: I’m torn between picking The Band Perry for having had such a strong year, and picking Little Big Town for releasing one of my favorite singles of 2013. But despite Little Big Town’s recent hot streak, I expect The Band Perry’s commercial stats will net them their first win in this category.

New Artist of the Year2012 CMT Music Awards Rehearsals - Day 1

Should Win

  • Brett Eldredge
  • Justin Moore
  • Kip Moore – KJC, TS, BF

Will Win

  • Brett Eldredge
  • Justin Moore – TS, JK, BF
  • Kip Moore

Jonathan: Of these three, Justin Moore has been building his fanbase for the longest period of time, so it seems logical that he’ll win based on the fan vote.

Tara: I’ve been in Kip Moore’s corner for a few years now, but doubt he’ll take this. True story: Sometimes I think Justin Moore and Brice are the same person.

Album of the Year

Same Trailer

Should Win

  • Blake Shelton, Based on a True Story…
  • Luke Bryan, Crash My Party
  • Florida Georgia Line, Here’s to the Good Times
  • Kacey Musgraves, Same Trailer Different Park – KJC, TS, BF, JK
  • Tim McGraw, Two Lanes of Freedom

Will Win

  • Blake Shelton, Based on a True Story… JK
  • Luke Bryan, Crash My Party
  • Florida Georgia Line, Here’s to the Good Times
  • Kacey Musgraves, Same Trailer Different Park – TS, KJC, BF
  • Tim McGraw, Two Lanes of Freedom

Ben: Musgraves is the only one deserving of a nomination, let alone a win.

Jonathan: 2013 was an extraordinary year for country music, and that is in no way reflected in this appalling slate of nominees. Musgraves’ album is the only one that belongs in any conversation about the best of contemporary country. But there seems to be some growing consensus that Shelton is owed something more than his own celebrity status, so he’s the most likely winner.

Tara: A  part of me thinks the voters will ride the 2013 Musgraves fan train and use this as an opportunity to show some relevance. But that’s a gamble of a guess, considering the atrocious other nominees.

Kevin: They’ve been more supportive of good art in this category than the CMA’s lately, so I’m thinking Musgraves has this wrapped up, and the ACM will be the tiebreaker between the Grammys and the CMA’s.

Single Record of the YearMama's Broken Heart

Should Win

  • Florida Georgia Line, “Cruise”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart” – KJC, BF, TS, JK
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

Will Win

  • Florida Georgia Line, “Cruise” – TS, BF, JK
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

Jonathan: A case could be made for any of these five singles actually winning, but I’ll let my pessimism about the overall nominations carry the most weight here and say that “Cruise” will win. “Mama’s Broken Heart” is only Lambert’s fifth-or-sixth-best single, but it’s easily the class of this field.

Tara: “Cruise” is too big for the voters to ignore, and that’s both depressing and funny. I wouldn’t be disappointed if the Rucker or Brice singles won, but Lambert’s “Mama’s Broken Heart” is clearly a cut above the rest with its sharp songwriting and spitting, bullet of a performance.

Kevin: Love the Lambert track, but the star power of McGraw/Swift/Urban seems hard to deny.

Song of the Year

WagonWheel

Should Win

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves – KJC, TS, BF
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
  • “Wagon Wheel” – Bob Dylan, Ketch Secor – JK

Will Win

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary – TS, JK
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves – KJC, BF
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
  • “Wagon Wheel” – Bob Dylan, Ketch Secor

Jonathan: “Wagon Wheel” has become as close to a standard as any song in recent memory, and that generally doesn’t happen just by accident. This is one of the few times when Brandy Clark would be my second choice for a winner. The success of “I Drive Your Truck” propelled Brice to a surprising haul of nominations this year, though, and it’s clear that the song has resonated with a sizable bloc of voters.

Tara: This isn’t an awful line-up. I personally get the most kicks out of “Mama’s Broken Heart,” but I could make a case for all five songs, even the somewhat underrated “Mine Would Be You.” I have a gut feeling “I Drive Your Truck” will win on emotional heft, though.

Kevin: Perhaps it’s overly wishful thinking, but with “Merry Go Round” not in the running, voters have a clear path to rewarding both Musgraves and Clark, along with sending some more hardware Lambert’s way.

Video of the YearTwo Black Cadillacs

Should Win

  • The Band Perry, “Better Dig Two”
  • Kacey Musgraves, “Blowin’ Smoke”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Carrie Underwood, “Two Black Cadillacs” – KJC, TS, BF, JK

Will Win

  • The Band Perry, “Better Dig Two”
  • Kacey Musgraves, “Blowin’ Smoke”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – BF
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart” – JK, TS
  • Carrie Underwood, “Two Black Cadillacs” – KJC

Jonathan: The video for “Blowin’ Smoke” looks like a reel of B-roll footage from Rob Zombie’s The Devil’s Rejects, which was an interesting aesthetic choice but was still nowhere near as fun as the Christine homage in “Two Black Cadillacs.”

Tara: I dig the tongue-in-cheek realism of Musgraves’ video and the whimsy of Lambert’s, but Underwood makes the most unexpected, imaginative choice.

Kevin: They’ve got to give Underwood something, right?  I’m not a huge fan of the video, really. The song is awfully suggestive, but doesn’t come right out and say that the two ladies killed the guy. So the video takes that opening and decides, “The car did it!” But at least it’s a video. The others are just YouTube fodder.

Vocal Event of the YearHighway Don't Care

Should Win

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC, JK, BF
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel” – TS
  • Keith Urban and Miranda Lambert, “We Were Us

Will Win

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC, BF
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”
  • Keith Urban and Miranda Lambert, “We Were Us – TS, JK

Jonathan: Hillary Scott’s shrill attempts at singing harmony are the worst part of Rucker’s cover of “Wagon Wheel,” and hopefully the two hip-hop-circa-2003-inspired singles will split votes. “We Were Us” is the worst sounding track of the five– which is really saying something about how we’ve forever lost the Loudness War– but it seems like Lambert is going to have a big night.

Tara: I’ll go with “Wagon Wheel” by default, though its collaboration does it absolutely no favors, as Jonathan said. Even still, it’s far above these other middling to obnoxious (so loud!) singles.

Kevin: Fair warning. If Florida Georgia Line/Nelly win, I’m out. Done. No live blog for me after that!

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Single Review: Hunter Hayes, “Invisible”

Hunter Hayes InvisibleHunter Hayes scored a killer Grammy performance slot to debut this song, which has all of the necessary components to become a career record.

Showing solidarity with the outcasts in high school halls is as timely as ever, and his youth helps him be the ideal vessel for the heartwarming message.   There are moments which come perilously close to the maudlin, with shades of Billy Gilman’s “One Voice” or the Mark Wills hit, “Don’t Laugh at Me.”    Thankfully, he’s sounding a lot more like a young Keith Urban than a young Bryan White, and the song is just vague enough that it can become a personal anthem for pretty much anyone who feels unnoticed or noticed in all the wrong ways.

This is going to be a big hit, I’m sure, and probably score some songwriting nominations along the way.  Now is as good a time as any to listen to it with fresh ears and appreciate its understatement.   Where he could have laid on thick, he chose not to.  That’s always been a rare choice to make when dealing with material this heavy, so that alone is reason to be grateful.

Written by Bonnie Baker, Katrina Elam, and Hunter Hayes

Grade: B+

 

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2014 Grammy Awards: Staff Picks & Predictions

The Country Universe staff has picked and predicted the 2014 Grammy Awards below, strange bunch that they are. Chime in with your thoughts, and catch the show on Sunday at 7 p.m. CST.

daftpunk-randomaccess-vinyl_grande-1.jpg?v=1368726630Album of the Year

Should Win:

  • Sara Bareilles, The Blessed Unrest
  • Daft Punk, Random Access Memories  – Kevin
  • Kendrick Lamar, good kid m.A.A.d. cityJonathan
  • Macklemore & Ryan Lewis, The Heist
  • Taylor Swift, Red

Will Win:

  • Sara Bareilles, The Blessed Unrest
  • Daft Punk, Random Access Memories  – Kevin, Jonathan
  • Kendrick Lamar, good kid m.A.A.d. city
  • Macklemore & Ryan Lewis, The Heist
  • Taylor Swift, Red

Kevin: With electronic music so mainstream now, it would be wise and timely for NARAS to acknowledge the excellent comeback of one of its pioneers, especially as the year’s best country albums (Brandy Clark, Kacey Musgraves, Ashley Monroe, etc.) and the year’s best rap album (Kanye West) didn’t score nominations in the top category.

Jonathan: Lamar and Daft Punk would both be worthy winners of an award that rarely seems to go to one. Hip-hop and R&B have notoriously struggled in the general field in recent years, so Daft Punk’s cachet with the rock contingent should give them the edge over Swift, who didn’t score the across-the-board support many were expecting from her this year. If the voters are feeling especially timid, though, watch out for “Brave” yelper Bareilles as a spoiler.

Bruno-Mars-LockedOutOfHeavenRecord of the Year

Should Win:

  • “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell Williams
  • “Get Lucky” – Daft Punk featuring Pharrell Williams – Kevin, Jonathan, Tara
  • “Locked Out of Heaven” – Bruno Mars
  • “Radioactive” – Imagine Dragons
  • “Royals” – Lorde – Dan

Will Win:

  • “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell Williams – Tara
  • “Get Lucky” – Daft Punk featuring Pharrell Williams
  • “Locked Out of Heaven” – Bruno Mars – Kevin, Jonathan, Ben
  • “Radioactive” – Imagine Dragons
  • “Royals” – Lorde – Dan

Kevin:  “Get Lucky” was retro and modern at the same time, featuring the charismatic Williams.  That guy makes everything better.  I’m guessing Mars will get it because he’s the most established and arguably is overdue for a big win.

Dan: “Royals” was the most refreshing to me. Winner feels like a real toss-up, though.

Jonathan: Prevailing logic as to why hip-hop tracks have fared so poorly in this category is that NARAS voters are still hell-bent on rewarding live instrumentation, so it’s hard to imagine something as spare as “Royals” winning, even if it’s the most distinctive choice. “Get Lucky” would get my vote, but look for Bruno Mars to head off to his Super Bowl Halftime gig with some new hardware in hand to reward his Police homage.

Tara: Lots of atmospheric tunes here. “Get Lucky” seems like the one that will feel no less groovy in ten years time. I wouldn’t put any money on it, but I could see the voters ignoring controversy and rewarding the biggest hit of the year.

macklemore-samelove-1Song of the Year

Should Win:

  • “Just Give Me a Reason”  – Jeff Bhasker, P!nk, and Nate Reuss – Kevin, Ben
  • “Locked out of Heaven” – Phillip Lawrence, Ari Levine, and Bruno Mars
  • “Roar” – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry, and Henry Walter
  • “Royals” – Joel Little and Lorde – Jonathan
  • “Same Love” – Ben Haggerty, Mary Lambert, Ryan Lewis, and Curtis Mayfield – Dan, Tara

Will Win:

  • “Just Give Me a Reason”  – Jeff Bhasker, P!nk, and Nate Reuss – Kevin, Ben, Dan
  • “Locked out of Heaven” – Phillip Lawrence, Ari Levine, and Bruno Mars
  • “Roar” – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry, and Henry Walter
  • “Royals” – Joel Little and Lorde 
  • “Same Love” – Ben Haggerty, Mary Lambert, Ryan Lewis, and Curtis Mayfield – Jonathan, Tara

Kevin: P!nk is long overdue for a top tier award, and her co-write with previous winner Nate Reuss was, in my opinion, the best duet in a year chock full of ‘em.

Dan: The Macklemore & Ryan Lewis composition is somehow the most personal of the group even as it makes the biggest, broadest statement. And the climactic third verse still gives me chills.

Jonathan: I don’t care that Kacey Musgraves is a fan of hers: Perry’s nomination is indefensible, with four adults credited on a song that rhymes “zero” with “hero” and that allows pop music’s least-capable vocalist to scream a series of self-help cliches. The broad, even-in-the-flyover-states popularity of “Same Love,” though, gives the voters a safe opportunity to make a political statement and to recognize one of the year’s breakthrough acts.

Tara: It’s a toss-up between “Royals” and “Same Love” for me in terms of substance and purposeful songwriting, but I can’t ignore the chills I also get listening to the latter. I agree with Jonathan that this is a win-win way for the voters to make a statement.

Kacey+Musgraves+KACEY++PNGBest New Artist

Should Win:

  • James Blake
  • Kendrick Lamar – Jonathan
  • Macklemore & Ryan Lewis – Dan
  • Kacey Musgraves – Kevin, Ben, Tara
  • Ed Sheeran

Will Win:

  • James Blake
  • Kendrick Lamar 
  • Macklemore & Ryan Lewis – Dan, Kevin, Tara
  • Kacey Musgraves – Jonathan, Ben
  • Ed Sheeran

Kevin: Gotta root for the home team.  I think Macklemore & Lewis  will win, though.

Dan: For once, this category is hot across the board; you could make a great argument for any of these folks. Personally, I find Macklemore & Ryan Lewis to be the most exciting.

Ben:  I don’t always gravitate toward the country-affiliated New Artist nominee, but then again it’s rare for me to be so invested in a country newcomer’s artistry as I am with Musgraves. To see her win would make my heart happy.

Jonathan: Lamar is making the most compelling music of this lot, but this category’s history dictates that it’s Musgraves’ award to lose. Macklemore & Ryan Lewis pose a real threat, but being the only woman nominated plays in Musgraves’ favor.

Tara: It’s hard to tell if Musgraves’ profile outside of the country sphere is big enough to nab her this one, but I’d be happy if it did. I hope she keeps the face in check if it doesn’t, though.

REdBest Country Album

Should Win:

  • Jason Aldean, Night Train
  • Tim McGraw, Two Lanes of Freedom
  • Kacey Musgraves, Same Trailer Different ParkDan, Kevin, Ben, Jonathan, Sam, Tara
  • Blake Shelton, Based on a True Story
  • Taylor Swift, Red

Will Win:

  • Jason Aldean, Night Train
  • Tim McGraw, Two Lanes of Freedom
  • Kacey Musgraves, Same Trailer Different Park
  • Blake Shelton, Based on a True Story – Sam
  • Taylor Swift, Red – Kevin, Ben, Jonathan, Tara

Kevin:  Don’t see how Taylor doesn’t win, though Musgraves made the best album by a decent margin, regardless of how country any of ‘em are.

Dan: Here’s the most logical place to reward Musgraves, though I guess Red’s nomination in the general Album of the Year field makes it the frontrunner in this category. And that’s fine; whatever. I’ve been hoping for Swift’s albums to be grouped under “Pop” at the Grammys since Fearless. It ain’t gonna happen.

Ben:  Should Win – easy choice. Will Win – also an easy choice.

Sam: Just to be contrary, I think Shelton’s built up enough recognition with his “The Voice” gig that he has name recognition from voters who know next to nothing about country music. The fact that it was a terrible, terrible album doesn’t really matter.

Jonathan: No, Red shouldn’t be nominated in the Country field, so I wouldn’t vote for it on principle, even though its best tracks are far and away the strongest material in this line-up. NARAS has no qualms about rewarding pop crossover albums here, so it would be a huge upset were Swift to lose. When we were all prepping our ballots for our year-end countdowns, I had Musgraves’ album at #38. It’s good and I certainly understand why it has as many fans as it does, but I’m just not as bullish on it as others seem to be. Still, it would be my personal choice from this paltry line-up, since Aldean’s, McGraw’s, and Shelton’s albums ranged from pedestrian to downright unlistenable.

Tara: Seems like an easy Swift win, but I get where Sam’s head is at re: Shelton. There’s no question Musgraves made the best music, though, and what a shame she’s not surrounded by her peers who made even better music.

Miranda-Lambert-Mamas-Broken-Heart-2013Best Country Solo Performance

Should Win:

  • Lee Brice, “I Drive Your Truck”
  • Hunter Hayes, “I Want Crazy”
  • Miranda Lambert, “Mama’s Broken Heart” – Dan, Kevin, Ben, Jonathan, Sam, Tara
  • Darius Rucker, “Wagon Wheel”
  • Blake Shelton, “Mine Would Be You”

Will Win:

  • Lee Brice, “I Drive Your Truck”
  • Hunter Hayes, “I Want Crazy”
  • Miranda Lambert, “Mama’s Broken Heart” – Dan, Kevin, Ben, Jonathan, Sam, Tara
  • Darius Rucker, “Wagon Wheel”
  • Blake Shelton, “Mine Would Be You”

Kevin:  Lambert is the only female and the only previous winner.  I’d be shocked if she lost.

Ben:  To me, Lambert’s performance alone claims the distinction of making an already-great song even better.

Sam: This could be one of those rare occasions where the best nominee actually wins a Grammy. I think Hunter Hayes is a long shot, as most Grammy voters are not teenaged girls.

Jonathan: What Kevin said. Also, he’s a talented instrumentalist, but the Grammy voters’ fascination with Hunter Hayes is baffling.

Tara: Lambert’s is the most distinct and impactful performance here, but I’ll throw in my defense of Hayes’ “I Want Crazy,” a song and vocal that’s as breathlessly exuberant as Keith Urban’s best work.

5448-thumbBest Country Duo/Group Performance

Should Win:

  • The Civil Wars, “From This Valley”
  • Kelly Clarkson featuring Vince Gill, “Don’t Rush”
  • Little Big Town, “Your Side of the Bed” – Jonathan
  • Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Kenny Rogers and Dolly Parton, “You Can’t Make Old Friends” – Kevin, Ben, Tara

Will Win:

  • The Civil Wars, “From This Valley”
  • Kelly Clarkson featuring Vince Gill, “Don’t Rush”
  • Little Big Town, “Your Side of the Bed” 
  • Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care” - Kevin, Ben, Tara
  • Kenny Rogers and Dolly Parton, “You Can’t Make Old Friends” – Jonathan, Sam

Kevin: The high octane collaboration of McGraw/Swift/Urban has been unstoppable thus far.  Kudos to NARAS for noticing Rogers & Parton’s beautiful work, their best together since “Islands in the Stream.”

Ben: “You Can’t Make Old Friends” is enough to give many a longtime country music lover warm fuzzies, but the commercial clout of “Highway Don’t Care” may be too much to beat.

Sam: If you’re a Grammy voter and have to decide on a zillion categories, do you take the time to sit and listen to each nominee, or do you skim over the names and pick the ones you’re most familiar with? Kenny and Dolly for the win.

Jonathan: One of the strongest sets of nominees anywhere on the Grammy ballot this year. Little Big Town would get my vote so that they have a win for something besides “Pontoon” to their credit, but I think NARAS’ older voters will be swayed by the effortless charm of the Rogers and Parton duet.

Tara: I don’t love any of these except for the Rogers and Parton collaboration, as much as I wanted to embrace “Don’t Rush” (Kelly Clarkson! Vince Gill!). I think the middle-of-the-road McGraw / Swift / Urban song will win out, but here’s to hoping the voters act on warm fuzzies.

Merry_go_'roundBest Country Song

Should Win:

  • “Begin Again” – Taylor Swift
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, and Kacey Musgraves – Kevin, Jonathan, Sam, Tara
  • “Merry Go ‘Round” – Shane McAnally, Kacey Musgraves, and Josh Osborne - Ben
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington and Deric Ruttan

Will Win:

  • “Begin Again” – Taylor Swift – Jonathan, Sam
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, and Kacey Musgraves – Kevin, Tara
  • “Merry Go ‘Round” – Shane McAnally, Kacey Musgraves, and Josh Osborne - Ben
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington and Deric Ruttan

Kevin:  Gotta root for the Brandy Clark co-write, which is conveniently the best composition anyway.  Still, I think  voters will use this category to acknowledge Musgraves for writing her own hit instead of Miranda’s.

Ben:  I seem to be in the minority here, but I actually consider “Merry Go ‘Round” to be the finer of the two Musgraves co-writes – which is not to say that I don’t adore “Mama’s Broken Heart” or that I wouldn’t be thrilled to see Brandy Clark also gain a mantle decoration. This would seem a comfortable place for voters to acknowledge Musgraves – as well as a likely consolation prize should she lose Best New Artist – and like Kevin, I expect it will be for the hit she performed as well as wrote.

Sam: I’d just like to point out that this is an incredibly strong group of nominees and shows there is some substance to country music once you weed out all the tailgate songs.

Jonathan: Things could play out here in a similar fashion to the CMAs, with vote-splitting among the multiple nominations for Musgraves, McAnally, Alexander, and Harrington. That worked to the latter pair’s advantage at the CMAs, where “I Drive Your Truck” pulled off a surprise win, but Shelton’s powerballad could siphon votes from Brice’s hit this time. As much as I love the idea of Brandy Clark as a Grammy winner, I think the various vote-splits will allow one of Swift’s best-written songs to win.

Tara: As strong as Lambert’s spitfire performance is, I’d argue that the bones of “Mama’s Broken Heart” are even stronger. I’ve never been able to connect with “Merry Go Round” the way others have, but agree this is likely where the voters will single Musgraves out.

Build+Me+Up+From+Bones+Sarah+JaroszBest American Roots Song

Should Win:

  • “Build Me Up From Bones” – Sarah Jarosz – Jonathan
  • “Invisible” – Steve Earle
  • “Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott – Kevin
  • “Love Has Come From You” – Edie Brickell and Steve Martin
  • “Shrimp Po-Boy, Dressed” – Allen Touissant

Will Win:

  • “Build Me Up From Bones” – Sarah Jarosz 
  • “Invisible” – Steve Earle
  • “Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott
  • “Love Has Come From You” – Edie Brickell and Steve Martin- Kevin, Jonathan
  • “Shrimp Po-Boy, Dressed” – Allen Touissant

Kevin:  Can voters resist Steve Martin? If they do, I hope it’s to acknowledge again the unique talents of Tim O’Brien and Darrell Scott.  They are so good together.

Jonathan: Jarosz draws favorable comparisons to Alison Krauss, and, if ever there were a surefire way to appeal to Grammy voters, that would be it. She’d get my vote for the exceptional title track from her third album, though, like Kevin, I’m a big fan of O’Brien’s and Scott’s work together. Martin’s charm and name recognition are likely to give his duet with erstwhile New Bohemian Brickell the edge here.

harris-crowell-old-yellow-moonBest Americana Album

Should Win:

  • Emmylou Harris and Rodney Crowell, Old Yellow MoonKevin, Jonathan, Sam
  • Steve Martin and Edie Brickell, Love Has Come For You
  • Buddy Miller and Jim Lauderdale, Buddy and Jim
  • Mavis Staples, One True Vine
  • Allen Touissant, Songbook

Will Win:

  • Emmylou Harris and Rodney Crowell, Old Yellow Moon – Kevin, Ben
  • Steve Martin and Edie Brickell, Love Has Come For You - Jonathan
  • Buddy Miller and Jim Lauderdale, Buddy and Jim
  • Mavis Staples, One True Vine
  • Allen Touissant, Songbook - Sam

Kevin:  Martin & Brickell might be the most logical choice, but in a category stacked with veterans, Harris & Crowell must be tempting to voters who are long time fans of both.

Sam: The fact that Jason Isbell wasn’t nominated here shows that Americana music has a long way to go before Grammy voters stop using it at the place where all veteran singer/songwriters end up. As for this year, Allen Touissant is older and has past Grammy love, so my money is on him.

Jonathan: The strongest, most vital year for Americana music in a decade is rewarded with a staid slate of nominees. Old Yellow Moon is the obvious standout and could very well win, but I think Martin’s well-received album with Brickell has the edge based on Martin’s celebrity.

0011661914124Best Bluegrass Album

Should Win:

  • The Boxcars, It’s Just a Road
  • Dailey & Vincent, Brothers of the HighwayJonathan
  • Della Mae, This World Oft Can Be
  • James King, Three Chords and the Truth
  • Del McCoury Band, The Streets of Baltimore

Will Win:

  • The Boxcars, It’s Just a Road
  • Dailey & Vincent, Brothers of the Highway
  • Della Mae, This World Oft Can Be
  • James King, Three Chords and the Truth
  • Del McCoury Band, The Streets of Baltimore - Kevin, Jonathan, Ben

Kevin: Haven’t heard these albums enough to have a personal favorite, but I think the Del McCoury Band’s name recognition will power it to a win.

Jonathan: Both the Del McCoury Band and Dailey & Vincent are nominated for some of their very best work, and either would be a richly deserving winner. Della Mae have a fairly vocal fanbase, but it isn’t clear if that fanbase overlaps with the Grammy voter bloc enough to unseat one of the two bigger-name acts.

GuyClarkMFPOYCoverSenorMcGuireBest Folk Album

Should Win:

  • Guy Clark, My Favorite Picture of YouKevin, Ben
  • The Greencards, Sweetheart of the Sun
  • Sarah Jarosz, Build Me Up From BonesJonathan
  • The Milk Carton Kids, The Ash & Clay
  • Various Artists, They all Played for Us: Arhoolie Records 50th Anniversary Celebration

Will Win:

  • Guy Clark, My Favorite Picture of You – Kevin, Ben, Jonathan
  • The Greencards, Sweetheart of the Sun
  • Sarah Jarosz, Build Me Up From Bones
  • The Milk Carton Kids, The Ash & Clay
  • Various Artists, They all Played for Us: Arhoolie Records 50th Anniversary Celebration

Kevin: Sentimental favorite who also put out a great album? How can they deny Guy Clark?

Jonathan: I’m tempted to pick the Arhoolie Records without having heard it, simply because it just seems like something the idiosyncratic Grammys would go for. Clark is a safer bet for his beautifully observed album, while the ascendant Jarosz would get my vote for her career-best work.

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Single Review: Keith Urban, “Cop Car”

Keith Urban Cop CarOne hallmark of a great singer is the ability to suspend the listener’s disbelief.

The storyline of “Cop Car” is very far-fetched, one of those Nashville compositions that takes fantastical lengths to try and tell the story of a young couple falling in love.   In this case, they’re doing so right after being arrested for trespassing, while in handcuffs in the back seat of a police car.

Keith Urban’s heartfelt delivery and careful choice of what lines to emphasize keep the proceedings grounded.  He’s so effective at capturing the feeling of falling in love that the specifics of the event surrounding the moment are appropriately secondary to the emotions at play.

I don’t believe the story, but I believe him.

Written by Zach Crowell, Sam Hunt, and Matt Jenkins

Grade: B+


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