Keith Urban

Single Reviews Round-Up: Rascal Flatts, Toby Keith, Tim McGraw ft. Taylor Swift and Keith Urban, & Kip Moore

April 11, 2013 // 16 Comments


Rascal Flatts, “Changed”

Like “I Won’t Let Go” a few years back, “Changed” is built on a sweeping sentiment, rousing melody and very little else. That’s not an inherently bad thing; despite an ounce of detail about the confessor, “Changed” feels like a confession –it pleads and swells and submits. Add in an earnest and relatively restrained performance, and the song has legs.

Written by Gary LeVox, Wendell Mobley & Neil Thrasher

Grade: B

Album Review: Tim McGraw, <i>Two Lanes of Freedom</i>

February 15, 2013 // 8 Comments


Tim McGraw
Two Lanes of Freedom


Though Tim McGraw’s music was among the best to be heard on country radio in the late nineties and early two thousands, recent years have seen his choice of material embarking on a gradual downward slide before bottoming out entirely with last year’s Curb Records swan song Emotional Traffic.  With McGraw’s recent output being what it is, and with him now being in the clutches of  Scott Borchetta, it’s hard to approach Two Lanes of Freedom with high expectations.

Concert Review: Carrie Underwood with Hunter Hayes

December 3, 2012 // 10 Comments

Carrie Underwood with Hunter Hayes
The Blown Away Tour
Prudential Center
Newark, NJ
December 1, 2012

There’s a desirable sweet spot in every big performer’s career where they finally have a large number of hits to fill out a two-hour show, a compelling enough current album to sustain audience interest between the hits, and the appropriate level of earned confidence to take some bold risks in staging and presentation.

Carrie Underwood just hit that sweet spot.

2012 CMA Awards: Staff Picks & Predictions

October 28, 2012 // 38 Comments

While the rest of the country fixates on “Nashville,” the 46th annual Country Music Association Awards air live from Music City with equal drama and ridiculousness November 1 at 7 p.m. CST. The CU staff picked and predicted the awards below. Chime in with your thoughts, and check back for our live blog on Thursday night!

Entertainer of the Year 

Should Win:

  • Jason Aldean – Dan, Ben, Kevin
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift – Jonathan, Tara, Leeann

Will Win:

  • Jason Aldean – Dan, Ben, Jonathan, Kevin
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift – Tara, Leeann

2012 CMA Nominations

September 5, 2012 // 60 Comments

The list of nominees for the 46th annual Country Music Association Awards has been released. Eric Church had a big breakthrough this past year, and such is reflected in the nominee list – Church leads the pack with five nominations. Current favorite power couple Blake Shelton and Miranda Lambert follow with four each, including a shared Song of the Year nod for their co-write “Over You.”

iPod Check: Most Played Song by Twenty Country Artists

August 12, 2012 // 24 Comments

Since bringing back Recommend a Track proved so popular, I’m resurrecting another CU oldie but goodie: the iPod check.

I’ve only recently discovered the Most Played feature on iTunes, since it never had any relevance until iPods were large enough in memory to sync all of my music. So going back to early 2011, I have a lengthy list of the songs I’ve played the most.

Single Review: Keith Urban, “For You”

April 25, 2012 // 12 Comments

I want to like this a lot more than I actually do.

“For You” does well enough for what it is, even though the production is a bit overblown, in a Bryan Adams kinda way. Urban is typically sincere, and there are some good attempts at pathos.

Top 40 Singles of 2011, Part Two: #30-#21

January 2, 2012 // 2 Comments

The countdown continues. Scroll down to the bottom to hear samples of each song and to share your comments!

Top 40 Singles of 2011, Part Two: #30-#21

Revelation Road
Shelby Lynne

Individual Rankings: #5 – Jonathan

It’s not for nothing that Tammy Wynette once claimed that Shelby Lynne had the best voice in country music, but, as Lynne has become increasingly subdued in the latter half of her career, she’s rarely explored the full range of her vocal talent. So when she unleashes that voice for the first time in a decade during the coda of “Revelation Road,” it may not be revelatory, but it sure is a most welcome return. – Jonathan Keefe

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