Lorrie Morgan on Life, Music and Letting Go

February 8, 2016 Ben Foster 5

It’s been over five years since Lorrie Morgan has released a new solo country album, but her fans’ wait comes to an end with the February 12 release of her new album Letting Go…Slow on Shanachie Entertainment. The twelve-track set features previously unheard material alongside covers of classic hits by Patsy Cline, Bobbie Gentry, Vern Gosdin, Larry Gatlin, Bob Dylan and Earl Thomas Conley. The award-winning recording artist recently took some time out of her busy schedule to discuss the new project with media via conference call.

400 Greatest Singles of the Nineties: #175-#151

August 5, 2010 Kevin John Coyne 16

Proving that the airplay charts don’t tell all of the story, this part of the countdown features several singles by nineties stars that didn’t reach the top but have stood the test of time.

400 Greatest Singles of the Nineties: #175-#151

#175
I Wish I Could Have Been There
John Anderson
1994 | Peak: #4

Listen

This is the country equivalent to “Cats in the Cradle”, but more tender and less selfish. – Leeann Ward

#174
Sometimes She Forgets
Travis Tritt
1995 | Peak: #7

Listen

Tritt gives a surprisingly but fittingly subdued performance on this cover of a Steve Earle song, telling the story of a woman who sometimes forgets that she’s sworn off men. I can never get enough of the incredibly cool arrangement. – Tara Seetharam

400 Greatest Singles of the Nineties: #200-#176

August 2, 2010 Kevin John Coyne 25

The hits come from all over the place here. Breakthrough hits from Trace Adkins and Carlene Carter join one-hit wonders Brother Phelps and George Ducas. And alongside crafty covers of songs by sixties rock band The Searchers and nineties country artist Joy Lynn White, you can also find tracks from three diamond-selling country albums.

400 Greatest Singles of the Nineties: #200-#176

#200
Carrying Your Love With Me
George Strait
1997 | Peak: #1

Listen

A traveler gets through his lonely nights on the sheer strength of love. It’s perhaps a little too saccharine for some, but the sweet melody and Strait’s understated vocals make the record work. – Tara Seetharam

#199
Nothing’s News
Clint Black
1990 | Peak: #3

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A man sits around in a bar “talking ’bout the good old times, bragging on how it used to be.” Simple premise, but the gorgeously melancholy melody and performance lift the record to Haggardly heights. – Dan Milliken

400 Greatest Singles of the Nineties: #250-#226

July 23, 2010 Kevin John Coyne 22

A lot of songs from both ends of the charts here, including a husband-and-wife duet that spent six weeks at #1.

400 Greatest Singles of the Nineties: #250-#226

#250
I Meant Every Word He Said
Ricky Van Shelton
1990 | Peak: #2

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At least the third song on this list about a guy mulling over romantic gestures he wishes he’d made to his former love, and the most traditional among those songs. You could easily imagine this one being a minor classic by a 60’s or 70’s legend, so close is its replication of that style. – Dan Milliken

#249
I’m So Happy I Can’t Stop Crying
Toby Keith with Sting
1997 | Peak: #2

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My hard-and-fast rule for Toby Keith: The sadder he is, the happier the listening experience tends to be. He’s all kinds of sad in this snapshot of post-divorce melancholia, reflecting on everything from unfair custody protocol to the greater motions of the universe. Even a gratuitous Sting cameo can’t detract from the single’s gloomy grandeur. – DM

#248
You Ain’t Much Fun
Toby Keith
1995 | Peak: #2

Listen

Toby Keith is also funny, though. What’s a man to do? Sobering up ain’t all that it’s cracked up to be from is perspective. Ever since he’s done so, his wife has been taking advantage of his increased functionality by giving him honey-do lists that he wasn’t ably tackling pre-sobriety. It’s enough to drive a man to drink. – Leeann Ward

ACM Flashback: Single Record of the Year

April 3, 2010 Kevin John Coyne 11

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.

2010

  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.

2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.

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