You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.
Entertainer of the Year
Kenny Chesney
Toby Keith
Brad Paisley
George Strait
Taylor Swift
Carrie Underwood
Keith Urban
Zac Brown Band
Who’s In: Who isn’t?
Who’s Out: No one.
Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.
Top Male Vocalist of the Year
Kenny Chesney
Brad Paisley
Darius Rucker
George Strait
Keith Urban
Who’s In: Darius Rucker
Who’s Out: Toby Keith
Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.
Top Female Vocalist of the Year
Miranda Lambert
Reba McEntire
Taylor Swift
Carrie Underwood
Lee Ann Womack
Who’s In: Reba McEntire
Who’s Out: Martina McBride
Snap Judgment: Martina shaft! Drama drama!
Top Vocal Group of the Year
Lady Antebellum
Little Big Town
Randy Rogers Band
Rascal Flatts
Zac Brown Band
Who’s In: Zac Brown Band
Who’s Out: The Lost Trailers
Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!
Top Vocal Duo of the Year
Brooks & Dunn
Joey + Rory
Montgomery Gentry
Steel Magnolia
Sugarland
Who’s In: Steel Magnolia
Who’s Out: Big & Rich
Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.
Top New Solo Vocalist of the Year
Luke Bryan
Jamey Johnson
Chris Young
Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)
Who’s Out: Jake Owen (won last year), James Otto
Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.
Top New Vocal Duo of the Year
Bomshel
Joey + Rory
Steel Magnolia
Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.
Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)
Top New Vocal Group of the Year
Eli Young Band
Gloriana
The Lost Trailers
Who’s In: Gloriana
Who’s Out: Zac Brown Band (won last year)
Snap Judgment: Love And Theft HQ must be a grim, grim place today.
Album of the Year
Brad Paisley, American Saturday Night
Lady Antebellum, Lady Antebellum
Miranda Lambert, Revolution
Carrie Underwood, Play On
Zac Brown Band, The Foundation
Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.
Single Record of the Year
Lady Antebellum, “Need You Now”
Billy Currington, “People Are Crazy”
David Nail, “Red Light”
Zac Brown Band, “Toes”
Miranda Lambert, “White Liar”
Snap Judgment: I’m used to scratching my head in this category. Whatever.
Song of the Year
“Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
“Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
“People Are Crazy” – Bobby Braddock & Troy Jones
“White Liar” – Natalie Hemby & Miranda Lambert
“You Belong With Me” – Liz Rose & Taylor Swift
Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?
Video of the Year
Randy Houser, “Boots On”
Lady Antebellum, “Need You Now”
Brad Paisley, “Welcome to the Future”
Miranda Lambert, “White Liar”
Taylor Swift, “You Belong With Me”
Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.
There’s been many a discussion this past month about what makes an artist most effective: is it vocal nuance or personal connection? Is it songs with explicit absolute truth or implicit absolute emotion? They’re interesting topics to explore, but somewhere in between the analyses, we’ve lost sight of –and perhaps even appreciation of– the artists who have the potential to make our analyses futile. Because some artists actually have it all.
Let’s be real: “Groovy Little Summer Song” isn’t near James Otto’s most memorable, well-written material. It’s not as infectious as his mega-hit, “Just Got Started Lovin’ You,” nor as impassioned as the lesser-known “For You,” and his soulful phrasing seems to eat up some of the words. But “Groovy Little Summer Song” is an incredibly refreshing re-introduction to an artist who can deliver both rich, distinctive vocals and pure, raw sentiment. Otto may be simply asking a DJ to crank up a cool summer tune, but he still manages to color his performance with shades of believable soul, technical substance (the falsetto is a treat) and authentic summer bliss.
It helps that country radio rarely hears groovy little summer songs, making this one a breath of fresh air against its island-flavored and often one-dimensional peers. Otto’s summer is a little slower-burning and smoother than that of Kenny Chesney, Zac Brown Band, Jack Ingram or…Rascal Flatts. It’s a little more contemplative and a little more intoxicating. Country radio’s tried-and-true themes could stand to gain a splash of emotive soul.
As we sift through the crop of mainstream country acts this year, let’s remember to keep an eye on Otto. Like Sunset Man, his upcoming album has the potential to make him a contemporary example of an artist whose strengths are multi-faceted. And we need more of the kind.
Written by Al Anderson, Carson Chamberlain, and James Otto
Since this was a solo blog, doing a Grammy Wish List has been an annual tradition. I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters. But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:
* denotes my personal wish:
Record of the Year
Beyoncé, “Halo” *
The Black Eyed Peas, “I Gotta Feeling”
Kings of Leon, “Use Somebody”
Lady Gaga, “Poker Face”
Taylor Swift, “You Belong With Me”
It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.” I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.” Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.
Song of the Year
Lady Gaga & RedOne, “Poker Face”
Hod David & Musze, “Pretty Wings”
Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody” *
Liz Rose & Taylor Swift, “You Belong With Me”
Great to see Liz Rose in there, too, but I still can’t stand the song. I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?
Best New Artist
Zac Brown Band *
Keri Hilson
MGMT
Silversun Pickups
The Ting Tings
Zac Brown Band don’t quite live up to the hype, but they come a lot closer than last year’s nominee, Lady Antebellum.
Best Country Album
Zac Brown Band, The Foundation
George Strait, Twang *
Taylor Swift, Fearless
Keith Urban, Defying Gravity
Lee Ann Womack, Call Me Crazy
There isn’t an album here that is built for more than cherry-picking. Strait’s set has the most cherries.
Best Female Country Vocal Performance
Miranda Lambert, “Dead Flowers”
Martina McBride, “I Just Call You Mine”
Taylor Swift, “White Horse”
Carrie Underwood, “Just a Dream” *
Lee Ann Womack, “Solitary Thinkin’”
The only women who brought their A-game to this category are Swift and Underwood. “White Horse” might be the better song, but Underwood’s is the better vocal performance by a country mile.
Best Male Country Vocal Performance
Trace Adkins, “All I Ask For Anymore”
Billy Currington, “People Are Crazy”
Jamey Johnson, “High Cost of Living”
George Strait, “Living For the Night” *
Keith Urban, “Sweet Thing”
I love the Strait song, so it’s my pick, but this is one of the only strong categories this year and I wouldn’t mind seeing any of these five win.
Best Country Performance by a Duo or Group With Vocals
Brooks & Dunn, “Cowgirls Don’t Cry”
Zac Brown Band, “Chicken Fried”
Lady Antebellum, “I Run to You”
Rascal Flatts, “Here Comes Goodbye”
Sugarland, “It Happens” *
No A-game here, but Sugarland’s B-game is better than the rest.
Best Country Vocal Collaboration
Dierks Bentley & Patty Griffin, “Beautiful World”
Kenny Chesney & Mac McAnally, “Down the Road”
Brad Paisley & Keith Urban, “Start a Band”
Carrie Underwood & Randy Travis, “I Told You So” *
Lee Ann Womack & George Strait, “Everything But Quits”
Some amazing pairings here, but Underwood and Travis are the only ones with the material to match the talent.
Best Female Pop Vocal Performance
Adele, “Hometown Glory”
Beyoncé, “Halo”
Katy Perry, “Hot N Cold”
Pink, “Sober” *
Taylor Swift, “You Belong With Me”
Pink is an awesome songwriter, and easily the most substantial female pop star to come along in the last decade. “Sober” is one of her best.
Best Pop Vocal Album
The Black Eyed Peas, The End
Colbie Caillat, The Breakthrough
Kelly Clarkson, All I Ever Wanted
The Fray, The Fray
Pink, Funhouse *
It’s not quite as good as I’m Not Dead, but it comes close.
Best Dance Recording
The Black Eyed Peas, “Boom Boom Pow”
David Guetta and Kelly Rowland, “When Love Takes Over”
Here are the top selling country albums of the calendar year 2009. The number in parentheses is the album’s rank on the overall list encompassing all genres. The totals are rounded to the nearest thousand:
Taylor Swift, Fearless (1) – 3,157,000
Zac Brown Band, Foundation (15) – 1,243,000
Carrie Underwood, Play On (19) – 1,150,000
Rascal Flatts, Unstoppable (21) – 1,123,000
Lady Antebellum, Lady Antebellum (24) – 948,000
Jason Aldean, Wide Open (27) – 940,000
Darius Rucker, Learn to Live (31) – 849,000
Taylor Swift, Taylor Swift (36) – 766,000
Keith Urban, Defying Gravity (38) – 715,000
Sugarland, Love On the Inside (41) – 678,000
Kenny Chesney, Greatest Hits II (54) – 547,000
Tim McGraw, Southern Voice (55) – 547,000
George Strait, Twang (62) – 499,000
Brad Paisley, American Saturday Night (69) – 462,000
Jamey Johnson, That Lonesome Song (71) – 460,000
Carrie Underwood, Carnival Ride (74) – 457,000
Taylor Swift, The Holiday Collection (79) – 425,000
A guest contribution from Country Universe reader Zack Jodlowski.
When I first came across country music back in the eighth grade, I automatically gravitated towards the female artists of country music. When I heard the romp-stomping performance of “I’m Gonna Take That Mountain,” I thought “I have to hear more!”
Reba McEntire’s music has been such a lifesaver for me, that four years after my mom died, I found new found strength within me that allowed me to make peace with her death. It says a lot for a teenager to relate so strongly to the lyrics of Reba McEntire songs. Reba has been my favorite artist of all time, and she’ll most likely remain that for as long as I live.
Reba McEntire has been the heartbreak queen, an entertainer, and a superstar; at times she doesn’t make music choices that are spot-on, but her ability to deliver a song with an emotional tinge in her voice is all but rare in the music business, and with this ability she lifts a song up to another level. Reba also finds a way to relate to her audience with her music, whether it be helping someone through tragedies or inspiring people to continue to chase their dreams. Reba’s ability to adapt to the changing times and to continue to make herself relevant to the new country music generations is one that transcends the biases on radio that are established against females and the elder men and women of country music.
It was hard to narrow Reba’s extensive catalog down to twenty-five songs, and hard not to include some of her other great songs, but in the end I’ve managed to pick my twenty-five personal favorites.
#25
“Bobby”
For My Broken Heart, 1991
Truly heartbreaking. Bobby kills his spouse, causing hatred from his son to be thrust upon him, but in the chorus we find he does this out of love (he didn’t want his spouse to suffer any longer). His son later realizes his father’s intentions and realizes “He still missed his mama, but he’d missed his daddy too.” This is one of the rare Reba McEntire co-writes found in her catalog.
#24
“Fancy”
Rumor Has It, 1990
Reba captures the story of a woman thrust into prostitution at a young age by her mother in an iconic performance, but the woman is not ashamed or angry; she knows that her mother had to save her from a life of desperation and despair. (more…)
The 201 Greatest Singles of the Decade, Part 5: #120-#101
#120 “Tonight I Wanna Cry”
Keith Urban
2005
Peak: #2
A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken
#119 “Portland, Oregon”
Loretta Lynn with Jack White
2004
Peak: Did not chart
If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM (more…)
The 201 Greatest Singles of the Decade, Part 4: #140-#121
#140 “Who Says You Can’t Go Home”
Bon Jovi featuring Jennifer Nettles
2005
Peak: #1
Packed as country music has been lately with rocked-up little singalongs, perhaps it was only natural that one of the leading bands in rocked-up little singalongs should cross over for a bit to show everybody how it’s done. It was newcomer Nettles, though, who stole this show, driving Bon Jovi’s ditty home with an infectiously joyful performance. – Dan Milliken
#139
“God’s Gonna Cut You Down”
Johnny Cash
2006
Peak: Did not chart
The arrangement is cool enough, but it’s Cash’s stoic, slicing vocal performance that makes his version of this song so memorable. – Tara Seetharam (more…)
The 201 Greatest Singles of the Decade, Part 3: #160-#141
#160 “Last Call”
Lee Ann Womack
2008
Peak: #14
Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken
#159 “She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9
Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne
The CMA Awards are upon us again, and I must say that this is the most underwhelming lineup I’ve ever seen, and I started watching the show back in 1991. We’ll be back to live blog the festivities on Wednesday night. In the meantime, enjoy our personal picks in each category, along with who we think will actually win.
Entertainer of the Year
Should Win:
Kenny Chesney
Brad Paisley – Leeann, Tara
George Strait
Taylor Swift – Kevin, Dan
Keith Urban
Will Win:
Kenny Chesney
Brad Paisley – Kevin, Leeann, Tara
George Strait
Taylor Swift – Dan
Keith Urban
Kevin: Much like the field finally cleared for him in the Male Vocalist race two years ago, I expect that this is Paisley’s year to win with his sixth nomination. I think Taylor Swift deserves to win, though. There’s no getting around the fact that she’s the biggest thing out there right now.
Leeann: I won’t be shocked (or really even disappointed) if Taylor Swift picks it up, but I really feel it’s finally Brad’s year.
Dan: Swift is the face of the genre right now, and she’s putting out better-written material than many of the veterans in this category. It looks like a race between her and Paisley, and I think she may actually get it.
Tara: It wouldn’t be inappropriate for Swift to take this award, and I would much (understatement) prefer her to win this over the vocalist award. But to me, Paisley is the all-around entertainer, and I think it’s his year to be recognized.
Male Vocalist of the Year
Should Win:
Kenny Chesney
Brad Paisley – Leeann, Tara
Darius Rucker
George Strait – Dan
Keith Urban – Kevin
Will Win:
Kenny Chesney
Brad Paisley – Kevin, Leeann, Dan, Tara
Darius Rucker
George Strait
Keith Urban
Leeann: I have no doubt that Paisley will win again, as he has had a strong year and the CMAs tend to prefer him for this award. While I think Urban is technically a very worthy opponent, the combination of Paisley’s warm voice and stronger album makes me continue to root for him. I’d also be just as happy if Strait won, however, and feel that his and Paisley’s albums were the strongest of the year.
Dan: Looks like an easy Paisley win, but I’ll give Strait the nod for all-around strength this past year.
Tara: I don’t anticipate that Paisley’s winning streak will be broken. I’m pulling for him on the strength of his material, but wouldn’t mind one bit if Urban took the award. Just please, CMAs, don’t give it to Rucker!
Kevin: Paisley’s poised to pick up his third trophy, with his only real competition being five-time winner George Strait. I’d give a fourth trophy to previous winner Keith Urban over the rest of the field. He really sang rings around the rest of ‘em when comparing their latest albums.
Female Vocalist of the Year
Should Win:
Miranda Lambert - Leeann
Martina McBride
Reba McEntire
Taylor Swift
Carrie Underwood – Kevin, Dan, Tara
Will Win:
Miranda Lambert
Martina McBride
Reba McEntire
Taylor Swift
Carrie Underwood – Kevin, Leeann, Dan, Tara
Dan: I tend to find Underwood boring, but I do think she released some of her better singles this past year. Swift just isn’t a strong enough vocalist to merit this prize, and I’d rather see Lambert win in a year where she has more momentum going, which could well be next year.
Tara: It will no doubt spark controversy when Underwood takes her fourth trophy and joins the ranks of Reba McEntire and Martina McBride, and that’s another discussion all together – but looking at the nominees for this year, it’s clear she deserves to win. In terms of sheer vocal talent, few artists in the genre come close to her. I’d love to see Lambert take this award (and Underwood would too!), but like Dan, I don’t think it’s her time just yet.
Kevin: I won’t believe a different winner in this race until I see it. I was underwhelmed by the latest albums from Lambert, McBride, McEntire, and Swift, and quite frankly, Underwood is the only lady of the five to put out more than one single this year that I actually really liked (“Just a Dream”, “I Told You So.”) I remain in her corner.
Leeann: Carrie will deserve to win this award when she wins it this year. I, however, still prefer Lambert’s voice and feel that her output (album) is the most interesting of the nominees.
Vocal Duo of the Year
Should Win:
Big & Rich
Brooks & Dunn
Joey + Rory
Montgomery Gentry
Sugarland – Kevin, Leeann, Dan, Tara
Will Win:
Big & Rich
Brooks & Dunn
Joey + Rory
Montgomery Gentry
Sugarland – Kevin, Leeann, Dan, Tara
Tara: Sugarland continues to excite me, and I think they deserve this award again.
Kevin: I love Joey + Rory, but Sugarland have really been blowing me away lately. I’d pick them for Entertainer if they’d been nominated.
Leeann: I’d technically love for Joey + Rory to win, but I know full well that Sugarland is the duo that truly deserves to win based upon their impact this year.
Dan: Sugarland. But I want to talk to whoever is picking their singles.
Vocal Group of the Year
Should Win:
Eagles
Lady Antebellum – Tara
Little Big Town
Rascal Flatts
Zac Brown Band – Kevin, Leeann, Dan
Will Win:
Eagles
Lady Antebellum – Kevin, Leeann, Dan, Tara
Little Big Town
Rascal Flatts
Zac Brown Band
Kevin: I find Zac Brown Band more interesting, and I think they have a real shot at winning this. I suspect Lady Antebellum has a bit more industry support, though, so I’ll give them the edge.
Leeann: Lady A will win because they’ve got more industry support and popularity with radio, but the Zac Brown Band has certainly put out more interesting music and have a refreshingly unique sound that deserves to be rewarded.
Dan: Pretty much what Kevin and Leeann said. “Chicken Fried” notwithstanding.
Tara: It’s definitely a race between Zac Brown Band and Lady Antebellum, and I can understand why my co-bloggers are rooting for the former. But even if Lady Antebellum’s talent needs a little cultivating, their music strikes a very personal chord with me, and I’ll be thrilled when they take this award. Can you believe Rascal Flatts might actually walk away from an awards show empty-handed?
New Artist of the Year
Should Win:
Randy Houser
Jamey Johnson – Dan
Jake Owen
Darius Rucker
Zac Brown Band – Kevin, Leeann, Tara
Will Win:
Randy Houser
Jamey Johnson – Kevin
Jake Owen
Darius Rucker – Dan, Leeann, Tara
Zac Brown Band
Kevin: A weak lineup that speaks volumes about why country music is where it is today. I think Zac Brown Band should win. They’ve really been the real breakthrough act of the five. But I suspect in this battle of “Honky Tonk Badonkadonk” co-writers, Jamey Johnson will emerge victorious.
Leeann: While I’m tempted to root for Jamey Johnson, I think Zac Brown Band has a chance of keeping me intrigued over the next few years (even if they fall out of the mainstream), though I don’t think they’ve reached their potential just yet. I predict that Darius Rucker will actually win, however, as he’s been the most successful in the last year.
Dan: Time will tell whether Johnson is able to remain a strong artistic force, but I’d say he has as good a chance as any of these five if he can keep from getting self-important. Rucker is the biggest star on the ballot, though, and I suspect he’ll squeak the win over Johnson and Zac Brown Band.
Tara: Johnson and Zac Brown Band are both deserving recipients of this award, but I personally prefer the band’s music. With the commercial success Rucker’s seen in the past year, though, I think it’s his award to lose. Not too sure how I feel about that.
Album of the Year
Should Win:
Jamey Johnson, That Lonesome Song – Leeann, Dan
Brad Paisley, American Saturday Night – Tara
Sugarland, Love on the Inside – Kevin
Taylor Swift, Fearless
Keith Urban, Defying Gravity
Will Win:
Jamey Johnson, That Lonesome Song – Kevin, Dan, Tara
Brad Paisley, American Saturday Night
Sugarland, Love on the Inside
Taylor Swift, Fearless – Leeann
Keith Urban, Defying Gravity
Leeann: While Johnson’s album hasn’t really stuck with me over the past year or so, I still think it’s the best album out of the bunch. I think Swift will win, however, due to the volume of sales and hit singles.
Dan: All of these albums have strengths, but That Lonesome Song is the only one that makes me optimistic about country music’s future. I expect it to triumph, though Swift’s has a great shot, too.
Tara: Paisley’s album, to me, strikes that sweet balance of traditional and contemporary. I think it’s a strong, interesting and relevant album that epitomizes why Paisley is so deservingly successful. But Johnson will deserve this award when he takes it, and I recognize and appreciate his positive influence on mainstream country music.
Kevin: I expected more nods overall for Jamey Johnson. I think that the eligibility period hurt him, with the project less fresh in voters’ minds. But the CMA values traditional country more than any other awards organization, so I expect him to win this. I enjoy the Sugarland album far more than any of the other four, so I’m rooting for that one.
Single of the Year
Should Win:
“Chicken Fried” – Zac Brown Band
“I Run to You” – Lady Antebellum
“In Color” – Jamey Johnson – Kevin, Leeann, Dan, Tara
“People Are Crazy” – Billy Currington
“Then” – Brad Paisley
Will Win:
“Chicken Fried” – Zac Brown Band
“I Run to You” – Lady Antebellum
“In Color” – Jamey Johnson – Kevin, Leeann, Tara
“People Are Crazy” – Billy Currington – Dan
“Then” – Brad Paisley
Dan: I’ve just got a bad feeling about that Currington single. “I Run To You” does have some smokin’ production, but “In Color” is the only one of the five I can still stand.
Tara: Ouch. I’m pleased that “I Run to You” is nominated as it’s a personal favorite, but I don’t think any song other than “In Color” is deserving of this award. Again…ouch.
Kevin: This is the weakest lineup in the history of this category.
Leeann: Johnson’s song feels old to me now, but it’s the best song in this underwhelming category, though I’m sure David Letterman disagrees. While I like the production on “People Are Crazy” the best in this line-up, the hook (not to mention the frustratingly weak story development) is just lame.
Song of the Year
Should Win:
“Chicken Fried” – Zac Brown & Wyatt Durette
“I Told You So” – Randy Travis – Kevin, Leeann, Tara
“In Color” – Jamey Johnson – Dan
“People Are Crazy” – Bobby Braddock & Troy Jones
“Then” – Chris Dubois, Ashley Gorley & Brad Paisley
Will Win:
“Chicken Fried” – Zac Brown & Wyatt Durette
“I Told You So” – Randy Travis – Leeann
“In Color” – Jamey Johnson – Kevin, Dan, Tara
“People Are Crazy” – Bobby Braddock & Troy Jones
“Then” – Chris Dubois, Ashley Gorley & Brad Paisley
Tara: I would absolutely love to see Travis take this award; Underwood’s success with the song proves that the best-written country songs are timeless. I think “In Color” has more pull, though.
Kevin: I think Johnson will win, but kudos to Carrie Underwood for recognizing the value of the Randy Travis-penned gem and making it a hit all over again.
Leeann: This is not one of my favorite Randy Travis songs, but for nostalgia’s sake, I’m rooting for him to win this one. I even think it has a chance of winning, since it was a hit song for one of today’s country music’s most popular artists. I think the Paisley composition is, by far, the weakest though.
Dan: I like probable-winner “In Color” marginally more than “I Told You So.” Any of the other three winning would hurt me way down deep.
Musical Event of the Year
Should Win:
“Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
“Down the Road” – Kenny Chesney with Mac McAnally
“Everything But Quits” – Lee Ann Womack with George Strait
“I Told You So” – Carrie Underwood featuring Randy Travis – Kevin, Tara
“Old Enough” – The Raconteurs with Ricky Skaggs and Ashley Monroe – Leeann, Dan
“Start a Band” – Brad Paisley and Keith Urban
Will Win:
“Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
“Down the Road” – Kenny Chesney with Mac McAnally
“Everything But Quits” – Lee Ann Womack with George Strait
“I Told You So” – Carrie Underwood featuring Randy Travis – Kevin, Dan, Tara
“Old Enough” – The Raconteurs with Ricky Skaggs and Ashley Monroe
“Start a Band” – Brad Paisley and Keith Urban – Leeann
Kevin: Will the CMA really pass up the chance to give a trophy to Randy Travis for the first time in 21 years? I hope not.
Leeann: Paisley’s and Urban’s collaboration was originally accidentally left off the ballot, but the superstar pairing is the most likely to win. Conversely, I suspect that the inclusion of the collaboration with Ricky Skaggs and Ashley Monroe was likely an accident, but I’d still love to see this dark horse nomination win. It’s certainly the most interesting song of the category. I might have gone for the Underwood/Travis pairing if Travis’ inclusion didn’t seem so random. I liked Underwood’s original version better, as Vince Gill’s harmony seemed more natural.
Dan: It’s totally between “I Told You So” and “Start A Band”, but I’m pulling for the underdog Raconteurs record, too. I like my collaborations a little spontaneous like that, and it’s always great to see outsiders included in the CMA fold.
Tara: While I have a particular soft spot for “Down the Road,” which I thought was one of the best singles of 2008, it should come as no surprise that I’m pulling for the beautiful, rough-and-pure “I Told You So.” I think it will easily win.
Music Video of the Year
Should Win:
“Boots On” – Randy Houser
“Love Story” – Taylor Swift
“People Are Crazy” – Billy Currington
“Start a Band” – Brad Paisley and Keith Urban
“Troubadour” – George Strait – Kevin, Dan, Tara
Will Win:
“Boots On” – Randy Houser
“Love Story” – Taylor Swift – Kevin, Dan, Tara
“People Are Crazy” – Billy Currington
“Start a Band” – Brad Paisley and Keith Urban
“Troubadour” – George Strait
Dan: I enjoy the Strait video most, but Swift’s is the flashiest, and that tends to win out.
Tara: Strait’s video is poignant and tastefully done. I never understood the appeal of Swift’s Shakespearean video, but apparently a whole generation of country music fans does. My money’s on Swift.
Kevin: I think the Swift fairytale will get the most votes, but the Strait clip hypnotizes me every time it’s on. Who knew a simple slide show could be so powerful and such a perfect fit for a song?
Musician of the Year
Should Win:
Eddie Bayers (drums)
Paul Franklin (steel guitar) – Kevin, Leeann, Dan, Tara
Dan Huff (guitar)
Brent Mason (guitar)
Mac McAnally (guitar)
Will Win:
Eddie Bayers (drums)
Paul Franklin (steel guitar)
Dan Huff (guitar)
Brent Mason (guitar)
Mac McAnally (guitar) – Kevin, Leeann, Dan, Tara
Dan: I should really start paying more attention to this kind of thing. But I know Paul Franklin’s been doing steel for everyone from Lyle Lovett to Rascal Flatts in the past year. Respek!
Tara: Franklin’s the one I’m most familiar with, and I agree with Kevin and Dan that he deserves it. I’ll admit I’m not entirely sure how to gauge who’ll win this year, but I suppose I’d go with McAnally again.
Kevin: I guess that McAnally will repeat his victory from last year. The other previous winners won quite a bit of time ago – Dann Huff in 2001 and 2004, Brent Mason in 1997 and 1998. My sympathy goes to Eddie Bayers, who is nominated for the tenth time and has yet to win. I have no choice but to pull for Paul Frankin, though, who has lost this award sixteen times. Here’s hoping that seventeen’s a charm!
Leeann: Please don’t let it be Dann Huff! That’s all I ask. Of course, I’m partial to the steel guitar, not to mention that it’s a shame that a steel guitar player has to work so hard to win a country music award.
Wasn’t there anyone who could tell him that this wasn’t going to work? It’s a terribly awkward effort to force a classic concept into a current framework. (See also: Lorrie Morgan, “1-800-Used-To-Be”)
#9
Reba McEntire & Kelly Clarkson, “Because of You”
This could’ve been great. Two great singers, one great song. The fatal flaw is that it just doesn’t work as a duet. The lyrics don’t make sense when it’s two people singing to each other.
#8
Lonestar, “Mr. Mom”
Mr.Mom was the first movie that I saw in theaters. Back then, the concept of a stay-at-home Dad was novel. By the time this song rolled around, it was hard to even take the conceit of the song seriously. This guy’s not struggling because he’s a guy. He’s struggling because he’s a bumbling fool.
#7
Kenny Chesney, “She Thinks My Tractor’s Sexy”
The song that made Chesney a superstar doesn’t involve him lounging around on a tropical island, but it sure does make me thankful that he stopped singing about country living.
#6
Kellie Coffey, “When You Lie Next To Me”
It’s rarely the prototypes that are terrible. It’s usually the copies. By the time “Where Were You” became “I Raq and Roll”, the post-9/11 song was insufferable. Here’s what “Breathe” finally devolved into: a schlocky mess that is such a lazy copy that “Just breathe” becomes “Just be.”
#5
Toby Keith, “Stays in Mexico”
Though it’s a fairly tasteless song to begin with, production choices sink this one in the end. Silly sound effects and a backing track that makes “Hot! Hot! Hot!” seem subtle and understated push this dangerously close to novelty status.
#4
Rascal Flatts, “Bob That Head”
A desperate attempt to come off like edgy rockers.
#3
Taylor Swift, “Picture to Burn”
Criticizing Swift for being an irrational teenager is like criticizing water for being wet. But this really is Swift at her absolute worst. Not only is a juvenile lyric coupled with a disastrous vocal performance, both of which are bad enough in their own right. But the underlying message that most of Swift’s songs send to her teenage girl audience is on most naked display: Your happiness and self-worth are solely determined by the men and boys in your life.”
#2
John Michael Montgomery, “The Little Girl”
The most horrific “inspirational song” that I’ve ever heard is directly ripped off from an urban legend that showed up in songwriter Harley Allen’s inbox.
#1
Chad Brock, “Yes!”
Nothing captures how country music embraced mediocrity better than this Chad Brock single, which actually spent three weeks at #1. The storyline is completely unbelievable, the production is as generic as a Karaoke track, and Brock’s performance is so faceless that it might as well be a demo recording.
As awful as some of the other songs on this list are, they at last aspired to make a larger point. Spectacular failures can still demonstrate a noble ambition. “Yes!” aspires to be nothing more than radio filler, and it succeeded in dulling down the radio dial during its entire run. Hearing it again on satellite radio last month was the inspiration for this list. The song’s only indication of personality being the exclamation point in the title? That secured its place atop the list. It truly does represent country music being drained of all of its heart and soul until just a token fiddle is all that’s left to identify it as such.
#25
#24
Entertainer of the Year
Male Vocalist of the Year
Female Vocalist of the Year
Vocal Duo of the Year
Vocal Group of the Year
New Artist of the Year
Album of the Year
Single of the Year
Song of the Year
Musical Event of the Year
Music Video of the Year
Musician of the Year 
The Worst Singles of the Decade, Part 5: #10-#1
on 
on 
on 
on 
