Tag Archives: Kenny Chesney

Single Review: Kenny Chesney, “Save it For a Rainy Day”

Kenny Chesney Save it for a Rainy Day

“Save it For a Rainy Day”
Kenny Chesney

Written by Andrew Dorff, Matt Ramsey, and Brad Tursi

Okay, now I’m confused.

Are you telling me that sometimes people go out and drink because they want to get away from a bad memory?

All these party songs of the last few years have transformed drinking from the means to an end into the means and the end.

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Daily Top Five: Pre-Fame Releases

Carlene Carter Carlene CarterFrom longtime reader Six String Richie.

What are your favorite pre-fame releases?  You can pick singles and/or albums.  Whatever works for you.

Here’s my Top Five:

  1. Patty Loveless, “I Did”
  2. Shania Twain, “Dance With the One That Brought You”
  3. Kenny Chesney, “Whatever it Takes”
  4. Carlene Carter, “Never Together but Close Sometimes”
  5. Martina McBride, “Cheap Whiskey”

 

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2015 ACM Awards: Country Universe Viewer’s Guide

The fiftieth annual Academy of Country Music Awards air tonight, and Country Universe has you covered!  Here’s a rundown of all of the major categories, along with some commentary from our writers about who should win, who will, and what the nominations as a whole say about the current state of country music.

Share your thoughts about this year’s show in the comments, and check back for a list of winners when it’s all said and done.

Update: Join the CU crew on Twitter (@CountryUniverse) during the show to share your thoughts as things unfold!

Garth Brooks 3Entertainer of the Year

Should Win:

  • Jason Aldean
  • Garth Brooks – Jonathan
  • Luke Bryan – Sam
  • Florida-Georgia Line
  • Miranda Lambert – Ben, Kevin

Will Win:

  • Jason Aldean
  • Garth Brooks
  • Luke Bryan
  • Florida Georgia Line
  • Miranda Lambert – Jonathan, Ben, Sam, Kevin

BF: I think Lambert is due, but I could get on board with a win for Brooks, whose comeback tour certainly warrants recognition. Those are about the only two possible victories I could swallow.

SG: This is fan-voted, so it really comes down to who can most mobilize their fan base. I give Miranda the nod, simply because she and her husband can both rally the troops. As to who deserves it, it’s hard to deny the impact that Luke Bryan has had on country music, love him or loathe him. He also seems like a fair entertainer, whether it’s shimmying around the stage or falling off them.

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Single Review: Kenny Chesney with Grace Potter, “Wild Child”

Kenny Chesney with Grace Potter Wild Child

“Wild Child”
Kenny Chesney with Grace Potter

Written by Kenny Chesney, Shane McAnally, and Josh Osborne

No, it isn’t as strong as “You and Tequila.” Let’s get that out of the way right now, because expecting that lightning to strike twice will make it easy to miss the subtle beauty of “Wild Child”, Chesney’s new collaboration with Grace Potter.

Potter’s harmonies provide the perfect lift to Chesney’s understated and grounded vocal performance, allowing for the two singers to mirror the two characters of the song: a free-spirited woman who follows the wind and the man who is along for the ride.

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2015 ACM Awards: Nominations & Analysis

The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced.  Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis:

Garth Brooks 3Entertainer

  • Jason Aldean
  • Garth Brooks
  • Luke Bryan
  • Florida Georgia Line
  • Miranda Lambert

Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line

Who’s Out: Blake Shelton, George Strait, Taylor Swift

Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition.  Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail.   Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Blake Shelton gone and Florida Georgia Line in.

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The Best Singles of 2014, Part 2: #20-#1

The countdown concludes with our top twenty singles of 2014.   Check out the first twenty entries here, and look for our countdown of the year’s twenty best albums tomorrow.

Shovels & Rope Swimmin' Time

#20
“The Devil is All Around”
Shovels & Rope

LW #5 | JK #13

The soulful husband-wife duo that comprises Shovels and Rope delivers a no holes barred analysis of trials and temptations, which boils down to the idea that the devil is all around, which means that one must do what he can to push against such a devastating force. – Leeann Ward

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Single Review: Kenny Chesney, “Til it’s Gone”

Kenny Chesney Til it's gone“‘Til it’s Gone”

Kenny Chesney

Written by Rodney Clawson, David Lee Murphy, and Jimmy Yeary

There were a lot of great singer-songwriters that didn’t quite make it to stardom in the nineties, especially once the market was saturated.  It’s good to see that some of the best ones are having success as writers, like David Lee Murphy, who has a hand in the latest Kenny Chesney single.

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2014 CMA Nominations

This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark.  Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days.

George Strait ACMEntertainer of the Year

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Keith Urban

Who’s In:  Miranda Lambert, Keith Urban

Who’s Out: Jason Aldean, Taylor Swift

George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert.   Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.

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CU10 Flashback: Carrie Underwood, Shania Twain and Gender in Country Music

Shania Twain Carrie UnderwoodIn 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable.

That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency.

It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the real issue at hand: country music’s staggering, frustrating gender bias. Six years and a truckload of interchangeable male artists later, it’s more imperative than ever that we continue this discussion.  – Tara Seetharam

Discussion: Carrie Underwood, Shania Twain and Gender in Country Music

by Kevin John Coyne

August 29, 2008

I fear this post won’t quite live up to its ambitious title, and I realize that I’m stirring the tempest pot a bit by putting those two artists in the same sentence. But the tone that surfaces whenever Carrie Underwood is discussed here is something that I find increasingly frustrating, so I’m going to talk about it. Hopefully, I’ll get a meaningful conversation going along the way.

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Single Review: Kenny Chesney, “American Kids”

Kenny Chesney American KidsIf you’re going to keep revisiting the same themes, you might as well take some risks with your delivery.

Kenny Chesney’s new single sounds fresher and more engaging than anything he’s done in a very long time.  It’s easy to miss that he’s singing about what he always sings about: nostalgia for growing up in the country with American rock as the soundtrack.

 

What makes “American Kids” work more than a lot his attempts with this theme is that sounds like he learned something listening to those Mellencamp and Springsteen records.  This record oozes charm and mature authority, like he’s finally lived long enough to look back and say, “Hey. We were kinda crazy back then.  But we all turned out alright in the end.”

Written by Rodney Clawson, Luke Laird, and Shane McAnally

Grade: B+

httpv://www.youtube.com/watch?v=ZliR74HRwGU

 

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