This is going to be a really important show, you guys.
Entertainer of the Year: Taylor Swift
Top Female Vocalist: Miranda Lambert
Top Male Vocalist: Brad Paisley
Top Still-Deciding Vocalist:
Album of the Year: Lady Antebellum, Need You Now
Song of the Year: “The House That Built Me”
Single of the Year: “The House That Built Me”
Couple of the Year:
(^ Not to be confused with) Top Vocal Duo: Sugarland
Top Vocal Group: Lady Antebellum
Top New Artist: The Band Perry
Top Till You Drop:
Vocal Event of the Year: Zac Brown Band & Alan Jackson, “As She’s Walking Away”
Music Video of the Year: Miranda Lambert, “The House That Built Me”
It starts with a pure pop/rock intro that goes on a little too long, but provides for a pleasantly jarring transition into acoustic country. The first thirty seconds have that contrast which made Shania Twain’s The Woman in Me hits work so well.
But then it quickly disintegrates to generic Chesney: loud but not assertive, cute but not clever, upbeat but not uplifting.
How are country artists faring? Let’s take a look at cumulative sales for current albums. Sales are rounded to the nearest hundred.
Top Selling Current Country Albums
- Taylor Swift, Fearless: 6,233,900
- Taylor Swift, Taylor Swift: 4,955,000
- Lady Antebellum, Need You Now: 3,138,700
- Taylor Swift, Speak Now: 3,078,600
- Zac Brown Band, The Foundation: 2,489,200
Following in the footsteps of Taylor Swift’s “Mine” and Tim McGraw’s “Felt Good On My Lips,” Kenny Chesney’s latest single sheds its country coat for, in his case, a mellow, strictly-rock groove. Though it’s a little edgier than usual, “Somewhere With You” finds Chesney doing what he’s built half his career doing: brooding. And it all looks and sounds a little “haven’t I heard this before?”…until the chorus hits.
When the nominees were announced in August for the 44th annual CMA Awards, they sparked a firestorm of headlines —and thoughtful commentary by critics and fans alike— thanks to the CMA voters’ surprisingly bold moves. It’s all about change this year, as the voters revamped the ballot with a slew of fresh faces in almost all of the big categories.
How will it all play out? We’ll know for sure on Wednesday at 8pm Eastern, but before Gwenyth Paltrow throws on her cowboy boots, check out our staff picks and predictions and join the discussion in the comments below. And be sure to drop by Wednesday night for all of the CU live blog madness!
As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.
400 Greatest Singles of the Nineties: #75-#51
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3
This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne
1993 | Peak: #1
Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward
If turnover has been slow in the Entertainer category, it’s been nothing less than glacial in the Male Vocalist race. Over the past ten years, only eleven men have received nominations. Four of those eleven – Dierks Bentley, Vince Gill, Darius Rucker, and Josh Turner – have been nominated only once.
Now, Toby Keith and Tim McGraw were regularly invited to the party in the first half of the last decade, with four and three nominations, respectively. But the race has essentially been dominated by the same five men: Kenny Chesney, Alan Jackson, Brad Paisley, George Strait, and Keith Urban, who combine for forty nominations in just one decade.
The recent history has been pretty boring. After two consecutive wins by Alan Jackson, we’ve had three consecutive wins each by Keith Urban and reigning champ Brad Paisley.
Will there be a new winner this year, or even a new nominee? Should there be?
As we did last year, it’s time to share our preferences for this year’s CMA Awards. Last year, Taylor Swift was the belle of the ball, winning four awards. Some long winning streaks came to an end, as Swift replaced both Kenny Chesney as Entertainer of the Year and Carrie Underwood as Female Vocalist of the Year. Lady Antebellum ended Rascal Flatts’ long run as top Vocal Group, and were the surprise winners of Single of the Year as well.
Once again. I’ve selected the five artists that I believe are most deserving of an Entertainer of the Year nomination. But first, let’s take a look at last year’s race:
Entertainer of the Year (2009)
- Kenny Chesney
- Brad Paisley
- George Strait
- Taylor Swift
- Keith Urban
Swift was victorious in her first nomination in this category. She competed against three previous winners: Kenny Chesney, who has gone 4 for 8 in this category; Keith Urban, who is 1 for 5; and the incomparable George Strait, who is 2 for 17. Brad Paisley lost for the fifth year, tying Kenny Rogers for the most nominations without a win.
A lot of songs from both ends of the charts here, including a husband-and-wife duet that spent six weeks at #1.
400 Greatest Singles of the Nineties: #250-#226
I Meant Every Word He Said
Ricky Van Shelton
1990 | Peak: #2
At least the third song on this list about a guy mulling over romantic gestures he wishes he’d made to his former love, and the most traditional among those songs. You could easily imagine this one being a minor classic by a 60’s or 70’s legend, so close is its replication of that style. – Dan Milliken
I’m So Happy I Can’t Stop Crying
Toby Keith with Sting
1997 | Peak: #2
My hard-and-fast rule for Toby Keith: The sadder he is, the happier the listening experience tends to be. He’s all kinds of sad in this snapshot of post-divorce melancholia, reflecting on everything from unfair custody protocol to the greater motions of the universe. Even a gratuitous Sting cameo can’t detract from the single’s gloomy grandeur. – DM
You Ain’t Much Fun
1995 | Peak: #2
Toby Keith is also funny, though. What’s a man to do? Sobering up ain’t all that it’s cracked up to be from is perspective. Ever since he’s done so, his wife has been taking advantage of his increased functionality by giving him honey-do lists that he wasn’t ably tackling pre-sobriety. It’s enough to drive a man to drink. – Leeann Ward