Kenny Chesney

2011 CMA Nominations

September 6, 2011 // 55 Comments

It’s always interesting to see how music industry awards reflect (or don’t reflect) larger narratives in the industry itself.

If you’re interested in the narratives behind this year’s CMAs, look no further than the two men who’ve made the biggest strides on the ballot: Blake Shelton and Jason Aldean. Both show up in Entertainer and Male Vocalist, plus Album and Single, plus assorted other stuff. But the marketing approaches that have gotten them there are vastly different.

Album Review: Luke Bryan, Tailgates & Tanlines

September 3, 2011 // 13 Comments

Luke Bryan

Tailgates & Tanlines

Got a little boom in my big truck/Gonna open up the doors and turn it up. – “Country Girl (Shake It for Me)”

Girl you make my speakers go boom boom/Dancin’ on the tailgate in the full moon. – “Drunk on You”

Looking at those two lyrics from Lyke Bryan’s new album, you can assume one of two things: Either Bryan was heavily influenced by hip-hop pioneers L’Trimm and their hit “Cars With the Boom,” or Tailgates & Tanlines falls victim to lazy songwriting. With all due respect to Tigra and Bunny, it looks like it’s the latter.

Single Review: Kenny Chesney featuring Grace Potter, “You and Tequila”

June 18, 2011 // 12 Comments

In some parallel universe where I had actual musical talent and the opportunity to record an album, I suspect I’d forgo the pile of demo tapes sent to unknown artists and just look for awesome album cuts from great songwriters.

Matraca Berg’s catalog of recorded cuts would be a good place to start, an epiphany that serves Kenny Chesney well. Berg is usually associated with female artists, and indeed, this song was originally recorded by Deana Carter, who also co-wrote the song. But Berg’s pen has been responsible for some great moments from Keith Urban and Randy Travis, so it’s no surprise that Chesney does well with this one.

ACM Live Blog 2011

April 3, 2011 // 90 Comments


This is going to be a really important show, you guys.


Entertainer of the Year: Taylor Swift

Top Female Vocalist: Miranda Lambert

Top Male Vocalist: Brad Paisley

Top Still-Deciding Vocalist:

Album of the Year: Lady Antebellum, Need You Now

Song of the Year: “The House That Built Me”

Single of the Year: “The House That Built Me”

Couple of the Year:

(^ Not to be confused with) Top Vocal Duo: Sugarland

Top Vocal Group: Lady Antebellum

Top New Artist: The Band Perry

Top Till You Drop:

Vocal Event of the Year: Zac Brown Band & Alan Jackson, “As She’s Walking Away”

Music Video of the Year: Miranda Lambert, “The House That Built Me”

Single Review: Kenny Chesney, “Live a Little”

February 16, 2011 // 10 Comments

It starts with a pure pop/rock intro that goes on a little too long, but provides for a pleasantly jarring transition into acoustic country. The first thirty seconds have that contrast which made Shania Twain’s The Woman in Me hits work so well.

But then it quickly disintegrates to generic Chesney: loud but not assertive, cute but not clever, upbeat but not uplifting.

Crunching the Numbers: January 2011

January 27, 2011 // 55 Comments

Feel that chill in the air? It’s not just climate change, friends. The music industry is suffering through historic lows in record sales, the worst since SoundScan started tallying them in 1991.

How are country artists faring? Let’s take a look at cumulative sales for current albums. Sales are rounded to the nearest hundred.

Top Selling Current Country Albums

  1. Taylor Swift, Fearless: 6,233,900
  2. Taylor Swift, Taylor Swift: 4,955,000
  3. Lady Antebellum, Need You Now: 3,138,700
  4. Taylor Swift, Speak Now: 3,078,600
  5. Zac Brown Band, The Foundation: 2,489,200

Single Review: Kenny Chesney, “Somewhere With You”

November 20, 2010 // 20 Comments

Following in the footsteps of Taylor Swift’s “Mine” and Tim McGraw’s “Felt Good On My Lips,” Kenny Chesney’s latest single sheds its country coat for, in his case, a mellow, strictly-rock groove. Though it’s a little edgier than usual, “Somewhere With You” finds Chesney doing what he’s built half his career doing: brooding. And it all looks and sounds a little “haven’t I heard this before?”…until the chorus hits.

2010 CMA Awards: Staff Picks and Predictions

November 8, 2010 // 30 Comments

When the nominees were announced in August for the 44th annual CMA Awards, they sparked a firestorm of headlines —and thoughtful commentary by critics and fans alike— thanks to the CMA voters’ surprisingly bold moves. It’s all about change this year, as the voters revamped the ballot with a slew of fresh faces in almost all of the big categories.

How will it all play out? We’ll know for sure on Wednesday at 8pm Eastern, but before Gwenyth Paltrow throws on her cowboy boots, check out our staff picks and predictions and join the discussion in the comments below. And be sure to drop by Wednesday night for all of the CU live blog madness!

400 Greatest Singles of the Nineties: #75-#51

August 20, 2010 // 42 Comments

As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.

400 Greatest Singles of the Nineties: #75-#51

When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3


This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne

Tracy Lawrence
1993 | Peak: #1


Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward

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