Tag Archives: Lady Antebellum

Single Review: Blake Shelton & Ashley Monroe, “Lonely Tonight”

Blake Shelton Ashley Monroe Lonely Tonight

“Lonely Tonight”
Blake Shelton & Ashley Monroe

Written by Brent Anderson and Ryan Hurd

It’s billed as a duet, but it’s about as much as an equal pairing as Eddie Rabbitt and Crystal Gayle back in the day.  Monroe essentially plays a harmony role, singing an answer line from time to time.

Not the best use of her talent, though it seems the only way to get her on the radio is in a feature spot, which is better than nothing.   “Lonely Tonight” is a decent spin on the classic “just one more night” theme.

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Single Review: Gloriana, “Trouble”

Gloriana Trouble

“Trouble”
Gloriana

Written by Ross Copperman, Mike Gossin, Jon Nite, and Rachel Reinert

I’m starting to think there’s a group of guys in Nashville who have only two things going for them: the ability to sing “whoa-oh-whoa” and enough dirt on every record producer to blackmail them into singing on thirty records a year.

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2015 ACM Awards: Nominations & Analysis

The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced.  Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis:

Garth Brooks 3Entertainer

  • Jason Aldean
  • Garth Brooks
  • Luke Bryan
  • Florida Georgia Line
  • Miranda Lambert

Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line

Who’s Out: Blake Shelton, George Strait, Taylor Swift

Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition.  Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail.   Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Blake Shelton gone and Florida Georgia Line in.

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The Best Singles of 2014, Part 1: #40-#21

fiddle3.jpgDoes failure to reach a consensus indicate a year that lacked quality, or a year that had enough interesting singles that subjective taste is enough to prevent a consensus?

This was the dilemma faced by the Country Universe staff as we compiled our Best Singles of 2014 feature.   We followed our usual routine.  Each writer submitted their list of the twenty best singles of the year, and our numbers guru Jonathan Keefe used his time-test algorithm to produce a collective ranking.

But this year, there was only one single that appeared on four out of five lists.  The rest: three or less.  Rather than shorten the list to showcase only those songs chosen by multiple writers, we decided to stick to the usual forty slots, and let quite a few songs embraced only by one writer to have their place in the sun.

The result is probably the most diverse singles list we’ve ever published, and provides a great counterpoint to our upcoming albums list, which showed far more consensus than any previous albums list has.

Today, we start with the lower half of our top forty singles.  Look for the upper half tomorrow, and our albums list on Wednesday.

Parker Millsap Parker Millsap

#40
“Truck Stop Gospel”
Parker Millsap

JK #12

Raspy-voiced newcomer Parker Millsap takes it to church on one of the year’s best-drawn character sketches, adopting the persona of a truck driver whose cab doubles as his pulpit. – Jonathan Keefe

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CU10: What a Turkey! The Worst Singles of the Last Ten Years

Country Universe has reviewed more than a thousand singles during its ten year run.  Some of them have been real turkeys.  Here are some of the worst, with highlights and links to the original reviews.

Big and Rich Party-Like-Cowboyz

“Party Like Cowboyz”

Big & Rich

Reviewed on December 12, 2012

“Yes, from the opening cry of ‘Come on, cowboys and cowgirls, it’s time to par-tay!’ to the stupid ‘Z’ slapped onto the end of the title, this is just bad, bad, bad.” – Ben Foster

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CMA Awards 2014: Staff Predictions and Picks

Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music.  This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory.  His win for Entertainer saved a dismal show in its closing minutes.

Here’s our take on this year’s contenders:

George Strait ACMEntertainer of the Year

Should Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Kevin, Jonathan, Tara, Ben
  • Keith Urban

Will Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Jonathan, Kevin, Tara, Ben
  • Keith Urban

Kevin:  I’d settle for a Miranda Lambert victory, as she had an amazing year.  But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert.   The rest of these nominees have either won before or still seem to have their best days ahead of them.  There will never be another George Strait again.

Jonathan: The appalling sense of entitlement Jason Aldean has shown in his seemingly endless campaign of adult temper-tantrums disguised as interviews since these nominees were announced makes it all the more satisfying that the voters didn’t exclusively consider commercial and touring stats when voting for this award. I think that will likely continue with the final ballots, giving Strait the win here as a final send-off– a win that, as Kevin said, Strait’s last concert fully justifies based on even Aldean’s logic.

Tara: I have a feeling I’ll be pulling for Lambert next year, but 20 months after seeing it, I’m still high on Strait’s phenomenal farewell show. He deserves this.

Ben: Why not? Miranda will have plenty more shots at it, but this could be our last chance to see George Strait accept a CMA Entertainer of the Year trophy. Let the cowboy ride away in style.

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2014 CMA Nominations

This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark.  Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days.

George Strait ACMEntertainer of the Year

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Keith Urban

Who’s In:  Miranda Lambert, Keith Urban

Who’s Out: Jason Aldean, Taylor Swift

George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert.   Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.

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2014 ACM Awards: Staff Picks & Predictions

And they’re back: The 2014 ACM Awards air live on Sunday at 7 p.m. CST, hosted by Blake Shelton and Luke Bryan. They’re sure to be enraging or amusing, depending on your bro-country meter. In the meantime, we’ve picked and predicted the awards below – chime in with your thoughts!

Entertainer of the Year

Luke Bryan

Should Win

  • Luke Bryan 
  • Miranda Lambert
  • Blake Shelton
  • George Strait – KJC, TS, BF
  • Taylor Swift

Will Win

  • Luke Bryan – KJC, TS, BF, JK
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Taylor Swift

Ben: No, Strait didn’t have the biggest year, but he’s still the only nominee whom I can truly endorse as the face of country music in 2014. At this point the Carrie Underwood snubs have ceased to surprise me.

Jonathan: If his fans’ votes were enough to give him the surprise win last year, there’s no reason to think Bryan won’t repeat, given that his profile only seems to have grown throughout 2013. All five of the nominees are equally sort-of deserving of a win based on relative metrics of commercial stats and quality of their output, while the most obvious, most deserving winner of this award was yet again left off the ballot.

Tara: Strait’s putting on a heck of a farewell tour, and I appreciate the CMA voters for recognizing that last year. I’m doubtful he’ll have that effect on the ACM voter demographic, though; this one’s Bryan’s to lose … but really, truly, belongs to Underwood.

Kevin: Strait’s victory at last year’s CMA Awards was the highlight of the night. But I agree with the consensus. Fan votes have this thing locked up for Bryan.

Male Vocalist of the YearBlake Shelton2

Should Win

  • Jason Aldean – TS
  • Lee Brice
  • Luke Bryan – KJC
  • Blake Shelton
  • Keith Urban

Will Win

  • Jason Aldean
  • Lee Brice
  • Luke Bryan – KJC, TS, BF, JK
  • Blake Shelton
  • Keith Urban

Ben: Bryan seems to have had the biggest year, but I’m not personally invested in any of these choices.

Jonathan: I’d be more excited about seeing new blood in this line-up if I were in any way impressed with Brice. Just looking at mainstream stars who had hits during the eligibility period, a superior slate of nominees could be culled from Gary Allan, Dierks Bentley, Eric Church, Easton Corbin, Brad Paisley, Darius Rucker, and Chris Young.

Tara: I’ll be damned if Aldean hasn’t grown on me over the past few years. His material is still too uneven for me to get behind, but I’ve come to begrudgingly respect his appeal. My guess is his crown will go to Bryan, though.

Kevin: I like the fact that after the endless streak from Paisley, we’ve gotten different winners in the past two years. The only two who haven’t won yet are Brice and Bryan. The latter is the only one at the level to warrant a win at this time.

Female Vocalist of the Year

Kacey Musgraves

Should Win

  • Sheryl Crow
  • Miranda Lambert
  • Kacey Musgraves – KJC, BF
  • Taylor Swift
  • Carrie Underwood – TS

Will Win

  • Sheryl Crow
  • Miranda Lambert – TS, BF, JK
  • Kacey Musgraves – KJC
  • Taylor Swift
  • Carrie Underwood

Ben: Lambert’s status as one of this year’s leading nominees indicates that voters still have the hots for her. Her reign will end eventually, but I won’t bet on it happening this time around.

Jonathan: Brandy Clark LeAnn Rimes Ashley Monroe Kellie Pickler Julie Roberts Holly Williams No? On the brightside, Crow managed to snag the fifth slot instead of either of Blake Shelton’s overpraised “The Voice” winners, but that’s really where the good news ends. It seems premature for Musgraves to win this award, and I’m honestly still not all that enamored of her beyond “Follow Your Arrow.” I’ve been pulling for Underwood of late, but both she and Swift ended this eligibility period with two of their worst singles, so I’d have reservations about seeing either of them win. Lambert seems poised to repeat based on her haul of nominations; as fun as “Mama’s Broken Heart” is, I’d feel better about this streak of hers had it spanned her far superior Crazy Ex-Girlfriend and Revolution eras.

Tara: I’m sticking with Underwood for one more cycle, mostly because Musgraves’ charming “Follow Your Arrow” didn’t really make its (relatively small) impact until after the eligibility period. It’s hard to swallow how many of these awards Lambert is racking up between the ACM’s and the CMA’s, but I suspect the trend will continue.

Kevin: Go big or go home. Musgraves is the ACM’s opportunity to definitively position itself as the more substantive country awards show, a status they’ve been flirting with as the CMA’s have moved in the opposite direction. I think she’ll pull it off, and I’ll be happy to see her do it.

Vocal Duo of the YearFGL

Should Win

  • Big & Rich
  • Dan + Shay
  • Florida Georgia Line - KJC
  • Love and Theft
  • Thompson Square – TS, JK

Will Win

  • Big & Rich
  • Dan + Shay
  • Florida Georgia Line – KJC, TS, BF, JK
  • Love and Theft
  • Thompson Square

Ben: This category remains lame and pointless as ever, but at least I can give credit for the fact that they finally stopped shoehorning in Sugarland.

Jonathan: Thompson Square is the only one of these five acts who released a single that I didn’t absolutely hate during the past year. While that’s an accomplishment of sorts, it’s hardly one that should keep this category from being combined with the Vocal Group race.

Tara: I don’t mind Thompson Square. That’s the best thing I can say about this line-up.

Kevin: I’m not really a fan of any of these acts, so again, I’ll root for variety. Thompson Square has two wins already. Florida Georgia Line had a great year. Give them their due, and then perhaps we can forget they ever happened.

Vocal Group of the YearLittle Big Town

Should Win

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town – TS, JK
  • The Band Perry
  • Zac Brown Band – KJC

Will Win

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • The Band Perry – KJC, TS, JK, BJF
  • Zac Brown Band

Jonathan: I couldn’t vote against Little Big Town during a year when they released “Sober,” but Zac Brown Band continues to release solid material and remains overdue for recognition. The Band Perry have a run of huge hit singles– the first two of which were as clever and progressive as anything country radio has touched in a minute– to their credit during the eligibility period. Momentum seems to be on their side at the moment, and I think they’ll score the night’s only real upset.

Tara: The Band Perry are walking a skillful line between commercial and creative, and I think they’ll be rewarded. As for me, I’m clinging to Little Big Town at least until the exquisite “Sober” becomes old news.

Kevin: I think that The Band Perry is best positioned to win, but Zac Brown Band is the most overdue.

Ben: I’m torn between picking The Band Perry for having had such a strong year, and picking Little Big Town for releasing one of my favorite singles of 2013. But despite Little Big Town’s recent hot streak, I expect The Band Perry’s commercial stats will net them their first win in this category.

New Artist of the Year2012 CMT Music Awards Rehearsals - Day 1

Should Win

  • Brett Eldredge
  • Justin Moore
  • Kip Moore – KJC, TS, BF

Will Win

  • Brett Eldredge
  • Justin Moore – TS, JK, BF
  • Kip Moore

Jonathan: Of these three, Justin Moore has been building his fanbase for the longest period of time, so it seems logical that he’ll win based on the fan vote.

Tara: I’ve been in Kip Moore’s corner for a few years now, but doubt he’ll take this. True story: Sometimes I think Justin Moore and Brice are the same person.

Album of the Year

Same Trailer

Should Win

  • Blake Shelton, Based on a True Story…
  • Luke Bryan, Crash My Party
  • Florida Georgia Line, Here’s to the Good Times
  • Kacey Musgraves, Same Trailer Different Park – KJC, TS, BF, JK
  • Tim McGraw, Two Lanes of Freedom

Will Win

  • Blake Shelton, Based on a True Story… JK
  • Luke Bryan, Crash My Party
  • Florida Georgia Line, Here’s to the Good Times
  • Kacey Musgraves, Same Trailer Different Park – TS, KJC, BF
  • Tim McGraw, Two Lanes of Freedom

Ben: Musgraves is the only one deserving of a nomination, let alone a win.

Jonathan: 2013 was an extraordinary year for country music, and that is in no way reflected in this appalling slate of nominees. Musgraves’ album is the only one that belongs in any conversation about the best of contemporary country. But there seems to be some growing consensus that Shelton is owed something more than his own celebrity status, so he’s the most likely winner.

Tara: A  part of me thinks the voters will ride the 2013 Musgraves fan train and use this as an opportunity to show some relevance. But that’s a gamble of a guess, considering the atrocious other nominees.

Kevin: They’ve been more supportive of good art in this category than the CMA’s lately, so I’m thinking Musgraves has this wrapped up, and the ACM will be the tiebreaker between the Grammys and the CMA’s.

Single Record of the YearMama's Broken Heart

Should Win

  • Florida Georgia Line, “Cruise”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart” – KJC, BF, TS, JK
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

Will Win

  • Florida Georgia Line, “Cruise” – TS, BF, JK
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

Jonathan: A case could be made for any of these five singles actually winning, but I’ll let my pessimism about the overall nominations carry the most weight here and say that “Cruise” will win. “Mama’s Broken Heart” is only Lambert’s fifth-or-sixth-best single, but it’s easily the class of this field.

Tara: “Cruise” is too big for the voters to ignore, and that’s both depressing and funny. I wouldn’t be disappointed if the Rucker or Brice singles won, but Lambert’s “Mama’s Broken Heart” is clearly a cut above the rest with its sharp songwriting and spitting, bullet of a performance.

Kevin: Love the Lambert track, but the star power of McGraw/Swift/Urban seems hard to deny.

Song of the Year

WagonWheel

Should Win

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves – KJC, TS, BF
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
  • “Wagon Wheel” – Bob Dylan, Ketch Secor – JK

Will Win

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary – TS, JK
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves – KJC, BF
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
  • “Wagon Wheel” – Bob Dylan, Ketch Secor

Jonathan: “Wagon Wheel” has become as close to a standard as any song in recent memory, and that generally doesn’t happen just by accident. This is one of the few times when Brandy Clark would be my second choice for a winner. The success of “I Drive Your Truck” propelled Brice to a surprising haul of nominations this year, though, and it’s clear that the song has resonated with a sizable bloc of voters.

Tara: This isn’t an awful line-up. I personally get the most kicks out of “Mama’s Broken Heart,” but I could make a case for all five songs, even the somewhat underrated “Mine Would Be You.” I have a gut feeling “I Drive Your Truck” will win on emotional heft, though.

Kevin: Perhaps it’s overly wishful thinking, but with “Merry Go Round” not in the running, voters have a clear path to rewarding both Musgraves and Clark, along with sending some more hardware Lambert’s way.

Video of the YearTwo Black Cadillacs

Should Win

  • The Band Perry, “Better Dig Two”
  • Kacey Musgraves, “Blowin’ Smoke”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Carrie Underwood, “Two Black Cadillacs” – KJC, TS, BF, JK

Will Win

  • The Band Perry, “Better Dig Two”
  • Kacey Musgraves, “Blowin’ Smoke”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – BF
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart” – JK, TS
  • Carrie Underwood, “Two Black Cadillacs” – KJC

Jonathan: The video for “Blowin’ Smoke” looks like a reel of B-roll footage from Rob Zombie’s The Devil’s Rejects, which was an interesting aesthetic choice but was still nowhere near as fun as the Christine homage in “Two Black Cadillacs.”

Tara: I dig the tongue-in-cheek realism of Musgraves’ video and the whimsy of Lambert’s, but Underwood makes the most unexpected, imaginative choice.

Kevin: They’ve got to give Underwood something, right?  I’m not a huge fan of the video, really. The song is awfully suggestive, but doesn’t come right out and say that the two ladies killed the guy. So the video takes that opening and decides, “The car did it!” But at least it’s a video. The others are just YouTube fodder.

Vocal Event of the YearHighway Don't Care

Should Win

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC, JK, BF
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel” – TS
  • Keith Urban and Miranda Lambert, “We Were Us

Will Win

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC, BF
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”
  • Keith Urban and Miranda Lambert, “We Were Us – TS, JK

Jonathan: Hillary Scott’s shrill attempts at singing harmony are the worst part of Rucker’s cover of “Wagon Wheel,” and hopefully the two hip-hop-circa-2003-inspired singles will split votes. “We Were Us” is the worst sounding track of the five– which is really saying something about how we’ve forever lost the Loudness War– but it seems like Lambert is going to have a big night.

Tara: I’ll go with “Wagon Wheel” by default, though its collaboration does it absolutely no favors, as Jonathan said. Even still, it’s far above these other middling to obnoxious (so loud!) singles.

Kevin: Fair warning. If Florida Georgia Line/Nelly win, I’m out. Done. No live blog for me after that!

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Single Review: Lady Antebellum, “Compass”

Lady Antebellum CompassA lot of country music lovers want to claim Mumford & Sons and Philip Phillips as their own.

There’s a joy, a rootsiness, and killer musicianship in the best records of those acts, despite them not being what we’d traditionally consider country artists.   Lady Antebellum has never had much connection to what’s historically been considered country music, either.   So it’s not entirely surprising that their path from pure, glossy pop to a more grounded, earthy sound, still takes its cues from the top forty music scene.

I give them credit for stretching themselves a bit on “Compass”, though you can certainly hear the strain it’s taking for them to do so.  Their approach to harmonization doesn’t quite fit with the sound of the record.  To use the Dixie Chicks as an illustration, they’re using Taking the Long Way harmonies against a Home musical backdrop.

They need to go back and study the three-part harmonies on the latter album if they want to continue in this direction.  It’s too much of a hodgepodge right now to work.

Written by Mikkel Eriksen, Ross Golan, Emile Haynie, Tor Erik Hemransen, Ammar Malik, and Daniel Omelio

Grade: C


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2014 Grammy Nominees

The nominations for the 56th Annual Grammy Awards have been announced.   Taylor Swift has the top nomination connected to country music, earning her second nomination for Album of the Year.  She took home the award four years ago for Fearless.

Here are the general category nominees, along with all country and country-related categories:

Taylor Swift RedAlbum of the Year

  • Sara Bareilles, The Blessed Unrest
  • Daft Punk, Random Access Memories
  • Kendrick Lamar, good kid m.A.A.d. city
  • Macklemore & Ryan Lewis, The Heist
  • Taylor Swift, Red

If Taylor Swift wins, she will be the first country-related artist in history to win the category twice with individual projects. Alison Krauss also has two victories, one for her collaboration with Robert Plant (Raising Sand, 2009), and another for her contributions to the O Brother Where Art Thou soundtrack (2002.)  The award has only been won by country artists in two other years: Glen Campbell for By the Time I Get to Phoenix (1968), and the Dixie Chicks for Taking the Long Way (2007).

daft-punk-get-lucky-612x612Record of the Year

  • “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell Williams
  • “Get Lucky” – Daft Punk featuring Pharrell Williams
  • “Locked Out of Heaven” – Bruno Mars
  • “Radioactive” – Imagine Dragons
  • “Royals” – Lorde

For the third time in the last eight years, no country or country-related records make the cut. Only four country-related winners have triumphed in this category, but three of them have been in the last few years. Olivia Newton-John won for “I Honestly Love You” in 1975, followed much later by the Dixie Chicks for “Not Ready to Make Nice” in 2006; Robert Plant & Alison Krauss for “Please Read the Letter” in 2009; and Lady Antebellum for “Need You Now” in 2011.

Pink Nate Reuss Just Give me a ReasonSong of the Year

  • “Just Give Me a Reason”  – Jeff Bhasker, P!nk, and Nate Reuss
  • “Locked out of Heaven” – Phillip Lawrence, Ari Levine, and Bruno Mars
  • “Roar” – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry, and Henry Walter
  • “Royals” – Joel Little and Lorde
  • “Same Love” – Ben Haggerty, Mary Lambert, Ryan Lewis, and Curtis Mayfield

For the third straight year, country is shut out of the top songwriting category, a streak that began after the writers of Lady Antebellum’s “Need You Now” won in 2011.

Kacey-Musgraves-Same-Trailer-Different-ParkBest New Artist

  • James Blake
  • Kendrick Lamar
  • Macklemore & Ryan Lewis
  • Kacey Musgraves
  • Ed Sheeran

Kacey Musgraves is the latest new artist to represent country music in this category, which has become a nearly annual occurrence since LeAnn Rimes was nominated and won back in 1997.  Previous country winners also include Bobbie Gentry (1968), Carrie Underwood (2007) and Zac Brown Band (2010).

Tim_McGraw_Two_Lanes_of_FreedomBest Country Album

  • Jason Aldean, Night Train
  • Tim McGraw, Two Lanes of Freedom
  • Kacey Musgraves, Same Trailer Different Park
  • Blake Shelton, Based on a True Story
  • Taylor Swift, Red

Despite the presence of four big, established stars, only Taylor Swift has actually earned a victory in this category.  She won in 2010 for Fearless.  She contended again in 2012 with Speak Now, which lost to repeating victors Lady Antebellum, who won two years in a row for Need You Now (2011) and Own the Night (2012).   Kacey Musgraves earns a nomination for her debut album, the first artist do so since 2005, when Gretchen Wilson contended with Here For the Party.

darius wagon wheelBest Country Solo Performance

  • Lee Brice, “I Drive Your Truck”
  • Hunter Hayes, “I Want Crazy”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Darius Rucker, “Wagon Wheel”
  • Blake Shelton, “Mine Would Be You”

Since this category combined the solo categories into one, this award has been one by Taylor Swift (“Mean”) and Carrie Underwood (“Blown Away.”)  Lambert is the only previous winner in a predecessor of this category.

Kenny Rogers Dolly Parton Old FriendsBest Country Duo/Group Performance

  • The Civil Wars, “From This Valley”
  • Kelly Clarkson featuring Vince Gill, “Don’t Rush”
  • Little Big Town, “Your Side of the Bed”
  • Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Kenny Rogers and Dolly Parton, “You Can’t Make Old Friends”

There’s really only one hit here, but there are plenty of former Grammy winners scattered among this category.  In case you’re wondering, the answer is no, they didn’t win a Grammy for “Islands in the Stream.”

MirandaMamasBrokenHeartBest Country Song

  • “Begin Again” – Taylor Swift
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, and Kacey Musgraves
  • “Merry Go ‘Round” – Shane McAnally, Kacey Musgraves, and Josh Osborne
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington and Deric Ruttan

It’s not too common for people to receive double nominations, but here there are four songwriters competing against themselves: Jessi Alexander, Connie Harrington, Shane McAnally, and Kacey Musgraves.

Sarah Jarosz Build Me Up From BonesBest American Roots Song

  • “Build Me Up From Bones” – Sarah Jarosz
  • “Invisible” – Steve Earle
  • “Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott
  • “Love Has Come From You” – Edie Brickell and Steve Martin
  • “Shrimp Po-Boy, Dressed” – Allen Touissant

This category is brand new this year, encompassing songs from all of the subcategories in the American Roots field: Americana, bluegrass, blues, folk, and regional roots music.

Emmylou Harris & Rodney Crowell Old Yellow MoonBest Americana Album

  • Emmylou Harris and Rodney Crowell, Old Yellow Moon
  • Steve Martin and Edie Brickell, Love Has Come For You
  • Buddy Miller and Jim Lauderdale, Buddy and Jim
  • Mavis Staples, One True Vine
  • Allen Touissant, Songbook

Collaborations dominate this category, which is populated with many previous Grammy winners.  Emmylou Harris won this award twice, back when it was called Best Contemporary Folk Album.

James King Three Chords and the TruthBest Bluegrass Album

  • The Boxcars, It’s Just a Road
  • Dailey & Vincent, Brothers of the Highway
  • Della Mae, This World Oft Can Be
  • James King, Three Chords and the Truth
  • Del McCoury Band, The Streets of Baltimore

Del McCoury Band are the only returning victors in this category, winning back in 2006 for The Company We Keep.   Perhaps because of the broad voter base, this category has been dominated by acts with explicit ties to country music, including multiple wins by Ricky Skaggs, Jim Lauderdale, and Alison Krauss & Union Station, and one-off victories by Patty Loveless and Dolly Parton.  This year is the second in a row without crossover contenders; last year’s winner was the Steep Canyon Rangers for Nobody Knows You.

The Greencards Sweetheart of the SunBest Folk Album

  • Guy Clark, My Favorite Picture of You
  • The Greencards, Sweetheart of the Sun
  • Sarah Jarosz, Build Me Up From Bones
  • The Milk Carton Kids, The Ash & Clay
  • Various Artists, They all Played for Us: Arhoolie Records 50th Anniversary Celebration

A tribute to Guy Clark earned a nomination in this category last year, and now Clark himself is in contention for the prize.  None of the acts in contention have won in the folk fields before.

Also of note, the Pistol Annies set Annie Up earned nominations for engineer Chuck Ainlay and mastering engineer Bob Ludwig in the Best Engineered Album, Non-Classical category.  It competes against Daft Punk, another album mastered by Ludwig, along with sets by Alice in Chains, Queens of the Stone Age, Andrew Duhon, and Madeline Payroux.

 

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