Lady Antebellum

2012 ACM Awards: Staff Picks & Predictions

March 30, 2012 // 17 Comments

Throw on your bedazzled boots – the 47th annual Academy of Country Music Awards air live from Las Vegas this Sunday at 8 p.m. EST. The show promises to be a melting pot of performances, with oddball duets like Rascal Flatts and Steve Martin – and no, that’s not an April Fools joke. The CU staff picked and predicted the awards below. Tell us your thoughts, and check back for our live blog on Sunday night!

Entertainer of the Year

Should Win:

  • Jason Aldean
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift – Jonathan, Dan, Tara, Leeann, Kevin, Ben, Sam

Grammy Awards 2012: Staff Picks & Predictions

February 11, 2012 // 2 Comments

The 54th annual GrammyAdele Awards air this Sunday at 8 p.m. Eastern. Look for appearances by Miranda Lambert, Dierks Bentley and Lady Antebellum as well as country-ish performances by Jason Aldean, Glen Campbell (with the Band Perry and Blake Shelton), Taylor Swift and Carrie Underwood. We’ve picked and predicted the awards below – share your thoughts, and be sure to drop by on Sunday night for our live blog!

2012 ACM Nominations

January 27, 2012 // 7 Comments

The nominations have been announced for the 2012 Academy of Country Music Awards.

Kenny Chesney leads with nine nominations. Jason Aldean, Lady Antebellum, and Brad Paisley follow.

Check out the entire list of nominees here.

Top 40 Singles of 2011, Part Two: #30-#21

January 2, 2012 // 2 Comments

The countdown continues. Scroll down to the bottom to hear samples of each song and to share your comments!

Top 40 Singles of 2011, Part Two: #30-#21

#30
Revelation Road
Shelby Lynne

Individual Rankings: #5 – Jonathan

It’s not for nothing that Tammy Wynette once claimed that Shelby Lynne had the best voice in country music, but, as Lynne has become increasingly subdued in the latter half of her career, she’s rarely explored the full range of her vocal talent. So when she unleashes that voice for the first time in a decade during the coda of “Revelation Road,” it may not be revelatory, but it sure is a most welcome return. – Jonathan Keefe

Single Review: Miranda Lambert, “Over You”

December 12, 2011 // 83 Comments

First, a disclaimer.

I like Miranda Lambert. I really do like her. She is a talented vocalist, and a smart insightful songwriter. She is one of the most interesting and artistically credible of the artists currently favored by country radio, and I await each of her new releases with a significantly higher level of interest than I show toward many of her contemporaries.

And now the inevitable truth: “Over You” is a really boring song.

2011 CMA Awards: Staff Picks and Predictions

November 7, 2011 // 28 Comments

It’s that time of year again! The time when we all dutifully tune in to the CMA Awards show, raise our eyebrows at the “What the heck are they doing here?” award presenters, and afterwards complain about how totally un-country the whole show was. I don’t know about the rest of you, but I can’t wait.

We’re pleased to share the Country Universe staff picks for this year’s CMA Awards, as well as our predictions of who the winners will be. This year we have some highly competitive categories in which predicting the winners is quite difficult, leading to some significantly divergent picks among our writing staff. Agree? Disagree? Join in the discussion in the comment thread below, and let us know.

Album Review: Lady Antebellum, Own the Night

September 13, 2011 // 39 Comments

Lady Antebellum

Own the Night

Lady Antebellum’s “Need You Now” is a once in a career kind of hit. That drunk-dialer ballad became a such a huge cross-genre smash hit that is was virtually inescapable no matter which radio format you tuned into. The Grammy-winning hit pushed Lady Antebellum to instant add status on country radio, which is where they stayed even as their single releases gradually slid downhill in quality.

The downward slide continues on the trio’s third album Own the Night – an uninspired effort that savors strongly of an act coasting along on their superstar status, while resting on their laurels artistically. One could present the easy-out criticism that the album is not country, and indeed it makes little effort to sonically resemble country, but the real issue is not simply that these are pop songs. The issue is that, pop or country, they’re just flat-out not good songs.

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