The 54th annual GrammyAdele Awards air this Sunday at 8 p.m. Eastern. Look for appearances by Miranda Lambert, Dierks Bentley and Lady Antebellum as well as country-ish performances by Jason Aldean, Glen Campbell (with the Band Perry and Blake Shelton), Taylor Swift and Carrie Underwood. We’ve picked and predicted the awards below – share your thoughts, and be sure to drop by on Sunday night for our live blog!
Kenny Chesney leads with nine nominations. Jason Aldean, Lady Antebellum, and Brad Paisley follow.
Check out the entire list of nominees here.
The countdown continues. Scroll down to the bottom to hear samples of each song and to share your comments!
Top 40 Singles of 2011, Part Two: #30-#21
Individual Rankings: #5 – Jonathan
It’s not for nothing that Tammy Wynette once claimed that Shelby Lynne had the best voice in country music, but, as Lynne has become increasingly subdued in the latter half of her career, she’s rarely explored the full range of her vocal talent. So when she unleashes that voice for the first time in a decade during the coda of “Revelation Road,” it may not be revelatory, but it sure is a most welcome return. – Jonathan Keefe
First, a disclaimer.
I like Miranda Lambert. I really do like her. She is a talented vocalist, and a smart insightful songwriter. She is one of the most interesting and artistically credible of the artists currently favored by country radio, and I await each of her new releases with a significantly higher level of interest than I show toward many of her contemporaries.
And now the inevitable truth: “Over You” is a really boring song.
It’s that time of year again! The time when we all dutifully tune in to the CMA Awards show, raise our eyebrows at the “What the heck are they doing here?” award presenters, and afterwards complain about how totally un-country the whole show was. I don’t know about the rest of you, but I can’t wait.
We’re pleased to share the Country Universe staff picks for this year’s CMA Awards, as well as our predictions of who the winners will be. This year we have some highly competitive categories in which predicting the winners is quite difficult, leading to some significantly divergent picks among our writing staff. Agree? Disagree? Join in the discussion in the comment thread below, and let us know.
Own the Night
Lady Antebellum’s “Need You Now” is a once in a career kind of hit. That drunk-dialer ballad became a such a huge cross-genre smash hit that is was virtually inescapable no matter which radio format you tuned into. The Grammy-winning hit pushed Lady Antebellum to instant add status on country radio, which is where they stayed even as their single releases gradually slid downhill in quality.
The downward slide continues on the trio’s third album Own the Night – an uninspired effort that savors strongly of an act coasting along on their superstar status, while resting on their laurels artistically. One could present the easy-out criticism that the album is not country, and indeed it makes little effort to sonically resemble country, but the real issue is not simply that these are pop songs. The issue is that, pop or country, they’re just flat-out not good songs.
It’s always interesting to see how music industry awards reflect (or don’t reflect) larger narratives in the industry itself.
If you’re interested in the narratives behind this year’s CMAs, look no further than the two men who’ve made the biggest strides on the ballot: Blake Shelton and Jason Aldean. Both show up in Entertainer and Male Vocalist, plus Album and Single, plus assorted other stuff. But the marketing approaches that have gotten them there are vastly different.
Gather up the Brat Pack. We’ve got the song they need for their third act montage.
“Just a Kiss” is pure eighties power pop, which translates into nineties adult contemporary and, sadly, twenty-first century country.