No Picture

400 Greatest Singles of the Nineties: #350-326

July 11, 2010 Kevin John Coyne 24

A few should’ve been hits are mixed in with genuine smashes as the countdown continues.

400 Greatest Singles of the Nineties: #350-#326

How Do I Live
Trisha Yearwood
1997  |  Peak: #2

When Yearwood and LeAnn Rimes released dueling versions of this song in 1997, it was apparently a wake up call to country listeners: “Hey, wait a minute. Trisha Yearwood is an amazing singer!”  She elevates “How Do I Live” beyond its movie theme nature by adding layers of subtlety and nuance to the typical Diane Warren template. – Kevin Coyne

Boot Scootin’ Boogie
Brooks & Dunn
1992  |  Peak: #1

I don’t claim to have any real knowledge of what it’s like to spend a night at the liveliest of honky-tonks, but I’ll be darned if this song doesn’t make me feel like I do. Because “Boot Scootin’ Boogie” isn’t really about a specific place where people go, and it isn’t even about the boogie itself; it’s about the universal thrill of busting out of the work week, kicking back and dancing your troubles away. From start to finish, Brooks & Dunn’s performance is a twangy blast of exhilaration, and that’s a feeling we can all relate to – outlaws, in-laws, crooks and straights alike. – Tara Seetharam

No Picture

400 Greatest Singles of the Nineties: #400-#376

July 5, 2010 Kevin John Coyne 24

It’s hard to believe that twenty years have passed since the nineties first began. Perhaps that’s because so many of the artists who broke through during that decade remain relevant on the music scene today, whether they’re still getting major spins at radio or not.

For many of us, it was the nineties when we discovered and fell in love with country music, and it’s the music and artists from that decade that represent the pinnacle of the genre. It may be debatable whether the nineties were the most artistically significant decade in the history of country music, but there’s no debating that country music never had more commercial success or cultural impact than it did in that decade.

It was a time that when the C-list artists could sell gold or platinum on the strength of one or two hits, and that 24-hour video outlets could give wide exposure to songs and artists that radio playlists could not. When the four writers of this feature got together and combined our favorite singles from the decade, it was clear that this retrospective had to run far deeper than the one we recently completed for the first decade of the 21st century. There were simply far more good singles to choose from.

No Picture

Single Review: LeAnn Rimes, “Swingin'”

June 1, 2010 Leeann Ward 27

John Anderson’s early 1983 hit, “Swingin’”, is the song that propelled his mainstream country music career. The quirky song that chronicled the mundane details of young infatuation is more loved for its unadulterated cheesiness than for being anything akin to a masterpiece. In fact, it sounds delightfully dated today, which only accentuates its cult appeal.

No Picture

Favorite Songs by Favorite Songwriters: Gary Burr

April 11, 2010 Guest Contributor 8

Written by Music & More blogger Bob Losche.

Connecticut born songwriter Gary Burr got his first break when he broke his leg in a high school soccer game. With time on his hands, he taught himself to play the guitar and began writing songs. His second break came in 1982 when, without a co-writer, he penned Juice Newton’s “Love’s Been a Little Bit Hard on Me”. That same year, he became the lead singer for Pure Prairie League after Vince Gill left the group to pursue a solo career. Gary remained with PPL until 1985 and headed to Nashville in the late 1980’s. He has since been awarded ‘Songwriter of the Year’ on three separate occasions by three different organizations: Billboard, Nashville Songwriter’s Association International, and ASCAP. He has also received over twenty of ASCAP’s recognition awards for radio play activity, and cds featuring his songs have sold more than 50 million units world-wide. He’s currently affiliated with SESAC. Most recently, he was Carole King’s guitarist on her “Living Room Tour”, performing some of his own songs as well.

If you go to Gary’s website and click on Discography you’ll see a Short List of 35 of his best known songs, in alphabetical order by recording artist. If you click on Full List, you see the names of about 170 songs. You’ll find hits and albums track (“hidden treasures” to some) by country artists such as Hal Ketchum, Patty Loveless, Randy Travis, Reba McEntire, Garth Brooks, Tanya Tucker, Ty Herndon, Faith Hill, Leann Rimes, Mary Chapin Carpenter, Gary Allan, Andy Griggs, Kathy Mattea, Lorrie Morgan, Terri Clark, Collin Raye, Doug Stone, Ricky Van Shelton, Diamond Rio, Conway Twitty, Chely Wright and many others plus pop artists Kelly Clarkson, Clay Aiken, etc . The website list does not include the current Sarah Buxton hit “Outside My Window”.

No Picture

ACM Flashback: Single Record of the Year

April 3, 2010 Kevin John Coyne 11

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.


  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.


  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.

No Picture

The 201 Greatest Singles of the Decade, Conclusion: #20-#1

December 24, 2009 Dan Milliken 61

“Not Ready to Make Nice”
Dixie Chicks
Peak: #36

It’s easy to label this as a transitory response of a song, whose quality is stamped by context and time, but to do so is to undermine its carefully crafted layers of universal emotion. Anger is only the outer coating of the song – beneath it lies a tender-to-the-touch complex of feelings: pain and disgust, confusion and resolve, stubbornness and defeat. “Not Ready to Make Nice” may always recall a certain unfortunate episode in country music history, but its theme – that there’s a price to pay for standing up for what you believe – is timeless. – Tara Seetharam

“Probably Wouldn’t Be this Way”
LeAnn Rimes
Peak: #3

A striking portrait of grief that alternates between phases of desolation, disillusionment and gratitude. Rimes’ interpretation of the lyrics is chillingly precise. – TS

No Picture

The 201 Greatest Singles of the Decade, Part 8: #60-#41

December 22, 2009 Dan Milliken 21

The 201 Greatest Singles of the Decade, Part 8: #60-#41

“Long Trip Alone”
Dierks Bentley
Peak: #10

In a perfect world, this would be this decade’s wedding standard. – Kevin Coyne

“Your Man”
Josh Turner
Peak: #1

Lush baritone against an effortlessly charismatic, enticing invitation to let Turner be “your man.” How can you resist? – Tara Seetharam

No Picture

Women of the Decade

October 18, 2009 Kevin John Coyne 16

reba-mcentireCountry Universe contributor and reader Cory DeStein flagged this rundown from Billboard regarding women on the charts this decade:

PERFECT 10: On Country Songs, Carrie Underwood ropes her 10th top 10, as “Cowboy Casanova” climbs 11-8. With the advance, Underwood now stands alone in first-place for most top 10s on the chart among solo women this decade.

Here are the solo females with the most top 10s on Country Songs since 2000:

10, Carrie Underwood
9, Faith Hill
9, Martina McBride
8, Taylor Swift
7, Sara Evans
7, Reba McEntire
6, Jo Dee Messina
5, LeAnn Rimes
5, Gretchen Wilson
4, Shania Twain

Notably, the artist who led the category among women last decade did so with almost three times as many top 10s. Reba McEntire ranked first among solo women in the ’90s with 27 top 10s on Country Songs. Trisha Yearwood placed second with 18 between 1990 and 1999, and Faith Hill, Patty Loveless and Tanya Tucker each posted 14 in that span.

The decline in fortune for women at radio this decade is even more pronounced when you compare the above top ten to the previous decade:

No Picture

Grammy Wish List

September 1, 2009 Kevin John Coyne 14

brad-paisleyYesterday marked the end of the eligibility period for the 2010 Grammy Awards, which will be presented in January. To accommodate the earlier award ceremony, this year’s period lasted one month shy of a year: October 1, 2008 – August 31, 2009.

It’s been something of an underwhelming year musically from my perspective, but I have a few nominations that I’d like to see:

George Strait

  • Best Male Country Vocal Performance: “El Rey”
  • Best Country Album: Twang

Strait’s been on a roll since It Just Comes Natural, releasing his most consistent string of albums since the mid-nineties trifecta of Easy Come Easy Go, Lead On and Blue Clear Sky. It’s often been said that Strait could sing the phone book and make it sound great, and “El Rey” proved that he’d do just as well with la guía telefónica.

Todd Snider

  • Best Contemporary Folk/Americana Album: The Excitement Plan

This category has been great at acknowledging artists who essentially make acoustic music that isn’t particularly commercial, with previous winners including Nickel Creek and Emmylou Harris. Snider put out one of his strongest albums this year, and he’s long overdue for some Grammy love.

Brad Paisley

  • Best Country Album: American Saturday Night
  • Best Male Country Vocal Performance: “Welcome to the Future”
  • Best Country Instrumental Performance: “Back to the Future”

Paisley has reaffirmed himself as a creative force to be reckoned with and deserves to be amply rewarded with multiple Grammy nominations this year. The rock edge to his token instrumental track is a refreshing new take on his guitar-playing virtuosity.

No Picture

Montgomery Gentry, “Long Line of Losers”

June 10, 2009 Dan Milliken 11

What do you know? Coming off of their invitation to join the Grand Ole Opry, Montgomery Gentry release their most country-sounding single in some time. The sound is a nice blend of Alabama, Hank Jr., and 70’s folk-rock, with a chorus ready-made for barroom singalongs and a colorful set of dobro fills.

It’s a credit to the songwriting that it manages to breathe life into a fairly tired theme. This whole “I’m proud of my broken family, gosh darn it” shtick has been done a good deal in recent years, and it’s been done well, with tracks like LeAnn Rimes’ “Family” and Eric Church’s “Sinners Like Me” providing some of the most memorable moments in those artists’ catalogs.

As with those examples, what elevates Montgomery Gentry’s take on the idea is its candor. Rather than try to falsely glamorize the relatives’ imperfections, as so many would-be Redneck Anthems would do, this song just throws them all out on the table, acknowledging them as they really are – not necessarily desirable, yet inescapable. Granted, the family does sound a little bit sensationalized, but the details are at least interesting enough to warrant a momentary suspension of disbelief.

1 2 3 4 5