Tag Archives: Loretta Lynn

The Best Albums of 1993, Part 2: #10-#1

The combined efforts of nine women and three men form the upper echelon of our Best Albums list from 1993. This embarrassment of riches showcases just how much great music there was to choose from that year, especially given how many of the genre’s biggest and most acclaimed stars – Vince Gill, Alan Jackson, Reba McEntire, Mary Chapin Carpenter, and Pam Tillis, just to name a few – were between albums that year.

It was also a strong and diverse enough year that despite some overall consensus among the lists of all of the writers, each one of us has a different album at #1 on our personal lists.

Enjoy the second half of our list, and look for the Singles list to kick off next weekend.

Uncle Tupelo Anodyne

#10
Uncle Tupelo

Anodyne

#1 – JK | #3 – SG

In jumping to a major label, Uncle Tupelo was supposed to give alt-country its Nirvana; though that didn’t happen, the critical acclaim and indie following that Anodyne earned served as an impetus for the nascent alt-country scene.

An album that’s both legitimately great and historically important in equal measure, Anodyne proved that alt-country was commercially viable as a refuge for artists and fans who felt at-odds with the increasingly slick mainstream country of the early 1990s. Borne of long-simmering conflicts between co-frontmen Jeff Tweedy and Jay Farrar, Anodyne is a sprawling and ambitious album that finds Uncle Tupelo at their most fully-realized as a band.

Drawing heavily from country-rock, folk, and traditional styles, it’s easy to hear the band’s lingering influence on both contemporary Americana and on modern country acts like Miranda Lambert and Eric Church. – Jonathan Keefe

Recommended Tracks:
“Acuff-Rose,” “The Long Cut,” “Chickamunga”

 

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Single Review: Alan Jackson, “Jim and Jack and Hank”

Alan Jackson Angels and Alcohol

“Jim and Jack and Hank”
Alan Jackson

Written by Alan Jackson

It’s country. It’s clever. It’s funny.

It’s classic Alan Jackson, with his signature attention to details and refusal to do cutesy rhymes at the end of each line.

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Daily Top Five: Father’s Day

alan-jackson-driveRegular posts, including single reviews, will begin again tomorrow.

In the meantime, today’s Daily Top Five is perfect for the day in question.

What are your five favorite country songs about being a dad?

It can be the experience of being the father or being the child, or just songs that you like that don’t bear much relation to your actual relationship with your father or your child.

Here’s my list:

  1. Sawyer Brown, “The Walk”
  2. Reba McEntire, “The Greatest Man I Never Knew”
  3. Alan Jackson, “Drive (For Daddy Gene)”
  4. Loretta Lynn, “They Don’t Make ‘Em Like My Daddy”
  5. Doug Supernaw, “I Don’t Call Him Daddy”

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Say What? – Vince Gill

Vince Gill 2In a long, fascinating interview with the Houston Press, Vince Gill was asked about the recent controversy involving female artists and country radio.

Here’s what he had to say:

“That’s one of the greatest tragedies in this stretch of life for me,” Gill says. “Because I’ve been inspired as much or more by women artists, equally, than I have as men. So if there’s only a couple that are getting the opportunity to really knock it out of the park at radio, then you just go, “What about Patsy Cline/Kitty Wells/Tammy Wynette/Loretta Lynn?’

“I could go on and on and on and on and name you about 50 great female artists,” Gill continues. “And I don’t know why that is. To me, they’re making much more…interesting records. They’re saying more things I’d prefer to hear, lyrically and song-wise, and that’s compelling. This Ashley Monroe kid, she writes songs like she’s 80 years old. It’s remarkable, and it’s not dumbing it down. It’s not going for the lowest common denominator. It’s so refreshing, you know?”

We know, Vince.  We definitely know!

Bonus quote on his duet partners Dolly Parton, Alison Krauss, and Patty Loveless:

Dolly would be a great one; getting to do “I Will Always Love You” with her. Anything I’ve ever done with Alison Krauss has been pretty magical. To me one of the most seamless-sounding partners has been Patty Loveless. I think we only maybe did one “real” duet together over all these years, but we both sang on each other’s first hit records.

I’ve been singing with her since, gosh, the mid-’80s, when she made her first record and we sang together. There’s something magical about our voices together that I was always drawn to. She sang on “When I Call Your Name,” “Pocket Full of Gold,” and I sang on a bunch of her hits — “If My Heart Had Windows” and then backgrounds on probably 15 or 20 of her records over the years.

I remember an ill-informed journalist reviewing a Patty Loveless album in the mid-nineties and suggesting Loveless get Gill to sing on some of her songs as payback for the harmony she did on his, completely oblivious to the fact that it was Loveless returning the favor for Gill’s work on her eighties hits.

That guy’s probably a radio consultant now.

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Daily Double Top Five: Kentucky Country

patty_lovelessThis week in 1792, Kentucky became the fifteenth state to join the union. It’s also the state that two Country Universe writers – Jonathan Keefe and myself – call home.

Kentucky is well known as the home of bluegrass music, but our state’s rich musical heritage spans multiple genres. A wide variety of music legends hail from the bluegrass state, while its unique natural beauty and varied culture has served as inspiration for many a songwriter.

Jonathan and I have put our heads together for a Country Universe Top Five that covers two topics in one. I’ve chosen my top five favorite artists from Kentucky, while he has chosen his top five favorite songs about Kentucky. Since there are plenty of eligible inclusions for both topics, this leaves plenty of room for reader discussion, so be sure to share your own choices in the comments.

Ben’s Top Five Artists from Kentucky:

1. Patty Loveless
2. Loretta Lynn
3. Wynonna/ The Judds
4. Dwight Yoakam
5. Crystal Gayle

Jonathan’s Top Five Songs About Kentucky:

1. Patty Loveless, “You’ll Never Leave Harlan Alive”
2. John Prine, “Paradise”
3. Bill Monroe, “Blue Moon of Kentucky”
4. Neko Case, “Bowling Green”
5. Dierks Bentley, “Bourbon in Kentucky”

 

 

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Daily Double Top Five: Best Duets and Harmony Vocals

Porter Dolly Just Between You and MeOnce again, technical difficulties derailed yesterday’s Daily Top Five.  So we’re doubling down today.

Ever notice how the Vocal Event categories at country award shows honor harmony vocals as much as they do real, full-fledged duets?  The spiritual godfather of all of this is “You and I”, the not quite duet by Eddie Rabbitt and Crystal Gayle, “You and I.”  But the modern trend goes back to the award-sweeping “It’s Your Love”, the not quite duet by Tim McGraw and Faith Hill.

So for today’s Daily Double Top Fives, we’re asking you to make the distinction that the award shows don’t.  What are your favorite five duets, which feature two artists actually trading off lines, and what are your favorite five “all-star” harmony vocals?

Here are mine:

Top Five Duets

  1. Porter Wagoner & Dolly Parton, “The Last Thing on My Mind”
  2. Loretta Lynn & Conway Twitty, “After the Fire is Gone”
  3. Kenny Rogers & Dolly Parton, “You Can’t Make Old Friends”
  4. Suzy Bogguss & Billy Dean, “Something Up My Sleeve”
  5. Brad Paisley & Alison Krauss, “Whiskey Lullaby”

Top Five Harmony Vocals

  1. Linda Ronstadt with Emmylou Harris, “I Can’t Help it (If I’m Still in Love with You)”
  2. Tim McGraw with Faith Hill, “Meanwhile Back at Mama’s”
  3. Patty Loveless with George Jones, “You Don’t Seem to Miss Me”
  4. Vince Gill with Patty Loveless, “When I Call Your Name”
  5. Trisha Yearwood with Emmylou Harris, “Woman Walk the Line”

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Six Pack: Classic Country Songs for International Women’s Day

International Women's DayToday is International Women’s Day.   Historically speaking, country music has never enjoyed a reputation for being socially progressive.

For the general public, the definitive statement the genre made was “Stand By Your Man.”  That Tammy Wynette classic is often cited as country music’s counterpoint to the women’s liberation movement, although Wynette wrote the thing in fifteen minutes without any agenda in mind. She just needed a song to sing.

I generally consider the classic country era to have ended with the seventies,  preceding the Urban Cowboy and New Traditionalist movements. What follows are some of the best deliberate statements made by country artists during those years in support for women’s rights.  Some were big hits.  Some were not.  But they were all ahead of their time and are still interesting to listen to today.

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The Twenty Best Albums of 1994

As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year.  How many of those albums, however, will we still be listening to in twenty years?

We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year.  At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago.

What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into as the genre reached wider levels of popularity than it had ever seen before.

Randy Travis This is Me

#20
Randy Travis
This is Me

BF #11 | KJC #15 | LW #19

Travis’ legendary status was practically secure by 1994, but This is Me shows an artist neither resting on his laurels nor struggling to keep up with the young new talent of the era. The album serves up one solid song after another, with its best tracks delivering clever new takes on signature country themes, thus further advancing an already respectable legacy. – Ben Foster

Recommended Tracks: “Before You Kill Us All”, “This is Me”, “The Box”

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100 Greatest Men: #15. Conway Twitty

Conway Twitty100 Greatest Men: The Complete List

He started out as a pop teen idol, but Conway Twitty’s powerful vocals and smart taste in material made him one of country music’s longest reigning superstars.

Twitty was born in Mississippi and raised in Arkansas, a background that exposed him to gospel and blues music, as well as country music. By age ten, he was playing in his own country band, but his attention was set on being a professional baseball player.  Unfortunately, as soon as he was offered a contract by the Philadelphia Phillies, he was drafted into the army.

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100 Greatest Men: #18. Ernest Tubb

Ernest Tubb100 Greatest Men: The Complete List

One of the earliest members of both the Grand Ole Opry and the Country Music Hall of Fame, Ernest Tubb’s legacy stretches back to the 1940’s, when he became one of country music’s earliest national stars.

Hailing from Texas, Tubb was the son of a sharecropper who passed the time listening to Jimmie Rodgers records, which inspired him to take up singing and yodeling.  By age nineteen, he was singing on the radio in San Antonio, while digging ditches for the federal government to pay the bills.   He wrote Rodgers’s widow, hoping for an autograph, and it started a friendship that motivated her to help Tubb land a recording contract.

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