Tag Archives: Lorrie Morgan

Buyer’s Guide: Dolly Parton

Building a music collection used to be a far more difficult thing, a dogged hunt through record stores and mail order catalogs, hoping to find what you were looking for.   The advent of the internet made things easier, but it wasn’t until music could be downloaded digitally that a deep music collection could be built with far less effort.

However, all of this available music can be overwhelming, especially when you’re trying to get a handle on the catalog of an established artist.  Country Universe is here to help.   Our Buyer’s Guides will walk you through the music that is digitally available for a given artist, starting with the essential purchases for new listeners, and working through the entire digital catalog until even the completist fan will be sated.    You can also sample each album in its entirety, and purchase any song or album that you like through Amazon’s MP3 store.

Our first Buyer’s Guide is for our artist of the month, Dolly Parton.  Look for many more to come in the new year.

Starting Your Collection

Dolly Parton’s catalog is quite the labyrinth.   Thankfully, there are several compilations available that are an excellent value, offering twenty tracks each for less than ten dollars.   Casual fans can just pick up the first set, but serious country fans should skip the first and buy the other three.

Ultimate Dolly Parton

This collection is all that the casual fan will ever need, with twenty hits included for just under eight bucks.    All of her big crossover hits are here, like “Islands in the Stream”, “9 to 5″ and “Here You Come Again.”   Also included are her country classics “Jolene”, “Coat of Many Colors” and the original recording of “I Will Always Love You.”    It’s a bit too broad for studious fans of country music, but if you just want the big hits, they’re all here.

The Essential Dolly Parton, Volume Two

RCA has yet to issue a definitive box set for Parton, but their three Essential releases in the nineties are collectively effective in covering her tenure with the label.    This is the strongest of the three sets, focusing on her sixties and seventies material.   In addition to the big hits, including the original recording of “I Will Always Love You”,  you also get lesser-known greats like “Touch Your Woman”, “Mule Skinner Blues” and “The Seeker.”   Her transformation from mountain singer to pop sensation is captured here, as the set includes the first wave of her pop hits, too.

The Essential Dolly Parton One: I Will Always Love You

Even though it was released first, this set focuses on the latter years of Parton’s tenure, with nearly all of the cuts being released in the eighties.  The rest of the big pop hits are here, like “9 to 5″ and “Islands in the Stream”, along with some forgotten gems, most notably “Single Women”, “God Won’t Get You” and “Tennessee Homesick Blues.”  Also of note is her recording of “To Daddy”, which she chose not to release when Emmylou Harris expressed interest in recording it instead.

The Essential Porter Wagoner & Dolly Parton

Although they both are Hall of Famers, you can’t effectively tell the story of either Porter Wagoner or Dolly Parton without discussing their work together.   They are the most successful collaborators in country music history, and nearly all of their hits are collected here.   Classics like “Making Plans” and “Just Someone I Used To Know” are essential, as are “Burning the Midnight Oil” and “The Last Thing on My Mind.”

Building Your Collection

Trio

For all three women involved – Dolly Parton, Linda Ronstadt and Emmylou Harris – this was a career landmark, which brought them wide critical acclaim and huge commercial success.    The harmonies are exquisite throughout, but the best moments are “The Pain of Loving You”, “Wildflowers” and “Telling Me Lies.”

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Discussion: Legacy Recordings

Tonight, I turn over our discussion to one of our readers.    He suggested I write about this topic myself, but his suggestions were already far better than anything that I would have come up with.   Thankfully, he was willing to share them with all of you!

Guest Post by Country Universe reader Jim Bagley:

legacyAbout a month ago, I discovered a website http://feedback.legacyrecordings.com/ where folks can request reissues/retrospectives of artists who are part of the Sony/BMG Catalog.  When you sign up, you are also given 10 votes to show which suggested product you would like to see reissued.  Except for Johnny Cash, the suggested product has been decidedly uncountry and I think that the readership at Country Universe could change that for the better.

Legacy does indeed review the board and some of the suggestions – a Lou Rawls retrospective for instance – have then been subsequently released.

Here are the four listings that I have recently added:

Tammy Wynette two-discs of solo hits

The Essential Tammy Wynette – with only 14 tracks – was probably the worst essential set to date. Even the Tammy three disc set Tears of Fire left off many of her 40-plus top ten solo hits. Please release a two-disc set set of Tammy’s solo hits, including all top ten efforts. Many like “The Wonders You Perform,” “Reach Out Your Hand,” and “(You Make Me Want To Be) A Mother” are always left off Tammy sets. I would include the David Houston and Mark Gray hit collaborations, but please leave off the George Jones duets which have been reissued to death (and take up valuable room on other Tammy retrospectives).

Dolly Parton full career box set (4-5 discs)

Sony-BMG has control of nearly all of Dolly’s career, so why hasn’t a box set been done on her? From the mid-60s Monument singles (Dumb Blonde, Something Fishy), through her fascinating late ’60s RCA work Just Because I’m A Woman, Daddy Come and Get Me), the hit RCA years (Joshua through Think About Love), the late ’80s, early ’90s Columbia stint (Yellow Roses, Rockin’ Years), her collaboration with Loretta Lynn and Tammy Wynette, and finally, the turn of the century bluegrass gems on Sugar Hill. It would take 100-125 tracks to get it right, but Dolly deserves this deluxe treatment.

bobby-bareBobby Bare three disc career box set

Bobby Bare charted 60 singles for RCA and Columbia from 1962 through 1983. It would be nice to have a box set which captured all of these hits (the past Columbia retrospectives are particularly incomplete), plus his first hit “All-American Boy” and his six early-’70s singles for Mercury. Bobby deserves it!

Connie Smith two-disc set of all of her hits

Connie Smith charted 48 singles between 1964 and 1985. All of them were for labels that are now under the Sony-BMG umbrella (RCA, Columbia, Monument, Epic). Please put together one package of ALL of her hits that does justice to Connie’s legacy.

Anyone who recorded for Columbia, Epic, Monument, RCA, or Arista is eligible for reissue.  I suggested vintage artists for whom I wanted larger repackaging.  But it would also be great to see an Alan Jackson box set; 20-track best-of sets for Pam Tillis, Collin Raye, and Lorrie Morgan; 16 Biggest Hits on BlackHawk, Doug Stone, and Ty Herndon, and even 10-track Super Hits for Ricochet and Wade Hayes.   Country Universe readers have a wealth of knowledge and music favorites, and it would be great to see their “wish lists” and votes represented on the site.

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Discussion: 21st Century Trio

One of the landmarks of Dolly Parton’s career was the Trio album, her platinum-selling collaboration with Linda Ronstadt and Emmylou Harris.   It was one of the few country albums in history to receive a Grammy nomination for Album of the Year, and it won every major industry award, including the ACM for Top Album.

Just as compelling was Parton’s collaboration with Loretta Lynn and Tammy Wynette, which went gold despite zero support from country radio.   After another collaboration with Ronstadt and Harris in the late nineties, there hasn’t been another collaboration of the sort from any major country artists.

I think this concept needs to be updated for the 21st Century.  My vote is for a Lorrie Morgan, Pam Tillis and Carlene Carter album that fulfills the promise of their headlining 1996 tour.

Which three artists would you like to see put out a trio album?

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DVD Reviews: Marty Robbins, Legendary Performances; Tammy Wynette, Legendary Performances

Marty Robbins
Legendary Performances

Tammy Wynette
Legendary Performances

In coordination with the Country Music Hall of Fame and Museum, Shout Factory! has begun a new series of country music DVDs that collect archived performances of the genre’s legends, coupled with rare interview footage and Hall of Fame inductions.   The promise of this series cannot be overstated, both for fans of the artists profiled and the need for country music’s legacy to be preserved.

Both of the debut entries in the series follow the same format.   Fifteen performance clips from old television shows are arranged chronologically, and provide the bulk of each set’s content.    The defining singles of both artists are included, and in watching the clips, viewers can get a sense of how each artist developed, along with a fascinating window into how country music itself was presented on television over the course of four decades.

For a variety of reasons, the Marty Robbins collection is the stronger of the two.   Since his career dates back to the fifties, we’re treated to four performances from Country Style USA, one of the earliest country music television programs.  As we transition into the age of color television, we’re treated to a stunning performance of “My Woman, My Woman, My Wife” from the 1970 CMA Awards.    As the liner notes point out, Robbins penned the song in the hospital while recovering from his first heart attack.   In one of many appearances on these two collections by other country legends, Tennessee Ernie Ford gives a classy introduction that precedes the performance.

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CMA Flashback: Horizon Award (New Artist)

For a look back at the other major categories, visit our CMA Awards page.

2010

  • Luke Bryan
  • Easton Corbin
  • Jerrod Neimann
  • Chris Young
  • Zac Brown Band

Usually there isn’t this much turnover in this race unless most of last year’s nominees are ineligible.  This year, only one of the four eligible nominees from last year – Zac Brown Band – earns a nomination.  With their massive success and their multiple nominations, they’ve got an excellent shot at winning. Then again, Easton Corbin is elsewhere on the ballot, too. It could be a horse race.
2009

  • Randy Houser
  • Jamey Johnson
  • Jake Owen
  • Darius Rucker
  • Zac Brown Band

Thirteen years after winning the Best New Artist Grammy as part of Hootie & The Blowfish, Darius Rucker won the country music equivalent, adding an exclamation point to the most successful pop-to-country crossover in a generation.

lady-antebellum2008

  • Jason Aldean
  • Rodney Atkins
  • Lady Antebellum
  • James Otto
  • Kellie Pickler

The industry favorites Lady Antebellum became the fourth band in history to win this award, following Rascal Flatts, Dixie Chicks and Sawyer Brown.

2007

  • Jason Aldean
  • Rodney Atkins
  • Little Big Town
  • Kellie Pickler
  • Taylor Swift

In the year since winning the Horizon Award, Swift has solidified her position as the genre’s most successful rising star.  While her debut album hasn’t reached the sales heights of the first discs by previous winners Carire Underwood and Gretchen Wilson, Swift is still one of the genre’s only significant sellers.

2006

  • Miranda Lambert
  • Little Big Town
  • Sugarland
  • Josh Turner
  • Carrie Underwood

I had a sneaking suspicion that Josh Turner was going to take this home, but as I’ve said before, Carrie’s got the best pipes since Trisha Yearwood. That she’ was acknowledged for that at such an early stage of her career is pretty amazing. Somehow I think the thrill of winning Horizon was short-lived, as winning Female Vocalist the same night left that memory in the dust.

2005

  • Dierks Bentley
  • Big & Rich
  • Miranda Lambert
  • Julie Roberts
  • Sugarland

Four of these five were nominees again the following year, and all in categories besides just Horizon, though Lambert got another shot at that as well. I think Big & Rich and Sugarland are making the most interesting music, and they’re moving more units than Bentley, though he’s no slouch himself. The CMA showed good judgment this year.

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Kellie Pickler, Kellie Pickler

Kellie Pickler
Kellie Pickler

Kellie Pickler is at an important crossroads.

On her self-titled second album, she attempts to build on what must be an unexpectedly successful stay in Nashville. As a finalist on American Idol in 2006, she gained notable exposure, but the reality-show sweepstakes rarely produces significant long-term returns. After a pair of CMA nominations and sales of over 800,000 copies of her debut disc Small Town Girl, Pickler now faces a test. In a fickle marketplace where Carrie Underwood is the current queen of the country kingdom and Taylor Swift is its reigning princess, Pickler must discover her place. It’s not a matter of competition with the girl squad, but rather a need for her to establish an identity distinct from the other heroines of mainstream country music.

But although her second disc has some nice moments, its main problem is that Kellie Pickler the person sometimes struggles to translate into Kellie Pickler the singer. Some of the ten tracks here still don’t reveal her real identity, although it’s ever-present in every interview and media campaign that have played as much a part in her career as the actual music.  Ironic, given that the supposed theme of the album is expressed in its title: Kellie Pickler.  And the production, courtesy of Chris Lindsey, eschews clarity at certain junctures in favor of making big, bold statements.  The prominence of drums and electric guitars is often used to hide the utter lack of music personality in the artist, but as we’ve learned in the last years, Pickler always has something to say.  She’s not quite able to express that inescapable truth at key moments here due to the musical mix and a handful of innocuous tunes.

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Discussion: All-Female Country Tour

This topic was suggested by reader “vp”, who figured that Country Universe would be a good place to discuss this quote from Carrie Underwood:

Meanwhile, Underwood has plans. Maybe these plans will even include Faith Hill. Underwood says she intends them to include Kellie Pickler, another Idol graduate tilling the same musical soil. “I want to have a girls-only tour and get some awesome chicks together, and have us all go out and,” Underwood beams a happy smile out toward this future, “kick butt.”

It’s been done a couple of times before, with the first major instance being the 1996 Kraft Country Tour with Lorrie Morgan, Pam Tillis & Carlene Carter.    I’d certainly be on board for a show featuring Carrie Underwood, and I’d put Trisha Yearwood and Miranda Lambert on the bill with her.

Of course, I’d be even more on board for a nineties ladies tour with Trisha, Pam and Patty.   Or Kathy, Suzy and Chapin.   Both mixes would be great.

What do you think of a 2009 All-Female Country Tour?  Who would you like to see share the bill with Underwood?  Any other women you’d like to see share a bill together?

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100 Greatest Women, #30: Lorrie Morgan

100 Greatest Women

#30

Lorrie Morgan

There are many second generation country stars that build on the legacy of the famous parent that came before them. Lorrie Morgan is one of the few that actually eclipsed her famous parent, becoming one of the most popular female country artists during the nineties gold rush.

Of course, she’d been chasing the dream long before that. She was born the daughter of George Morgan, an Opry member who had his biggest hit in 1949 with “Candy Kisses.” Morgan has described herself as an “Opry brat,” a kid who grew up backstage of the venerable institution. She was 13 when she made her own Opry debut, garnering a huge ovation for her rendition of Marie Osmond’s “Paper Roses.” Three short years later, her father died suddenly. Still a teen in high school, she dedicated herself fully to pursuing her own singing career, both to carry on her father’s legacy and help pay the bills he left behind.

To say things went slowly would be an understatement. She was nineteen when she released her first single, the Eddy Raven-penned “Two People in Love” on ABC Records. After that stopped at #75, she put out the Liz Anderson-penned “Tell me I’m Only Dreaming” on MCA, which also failed to capture an audience. A third single in 1979, “I’m Completely Satisfied With You,” was a studio-spliced posthumous duet with her late father. It stopped at No. 93.

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Best Albums of 2004

Best Country Albums of 2004


1. Tim McGraw, Live Like You Were Dying
A stunning mainstream country album that manages to challenge the listener while still pleasing radio. There are too many high points to list, but “Drugs Or Jesus,” “My Old Friend,” “Open Season On My Heart” and “Walk Like A Man” still pack a punch after repeated listenings.


2. Alison Krauss & Union Station, Lonely Runs Both Ways

Is melancholic euphoria possible? Sadness and loneliness are romanticized on this collection with gorgeous results. “It Doesn’t Have To Be This Way” is nothing short of a revelation.


3. Chris Thile, Deceiver

Resident genius of Nickel Creek uses a side project to indulge his most whimsical aural fantasies. His lyrics are frighteningly and incisively intelligent; the honesty of this record outlasts the novelty of the production.


4. Todd Snider, East Nashville Skyline

His peak to date, Snider shows up with his trademark humor and biting political commentary, but reveals a sensitivity that makes the material resonate. His struggles with life, love and God are powerfully captured here.


5. Loretta Lynn, Van Lear Rose
Much press ink is being spilled about the excellence of this album, and it’s mostly warranted. Lynn was never an album artist to begin with; she was essentially a brilliant singles artist. She has created a cohesive collection of songs that work well together, and her writing talent is as sharp as ever.


6. Lorrie Morgan, Show Me How
A welcome return to form by one of the best female vocalists of the nineties. She has found material that reflects her place in life, and her voice has acquired a smoky quality when she uses her lower register.


7. Patty Griffin, Impossible Dream
She continues to be a top-notch songwriter, and while she doesn’t show off her vocal power much here, she has written some of the best songs of her career. Highlights include “Useless Desires”, “When It Don’t Come Easy” and “Top Of The World.”


8. Big & Rich, Horse of a Different Color
A schizophrenic, fearless and wildly entertaining debut. I can’t wait to hear what they do next.


9. Rachel Proctor, Where I Belong
In a year where Gretchen Wilson sold three million records and Julie Roberts scored with the critics, Proctor quietly released a better album than either of them. She’s a great songwriter, and her vocals have a natural vulnerability that is effortlessly convincing.


10. Mary Chapin Carpenter, Between Here And Gone
If understanding humanity is the road to truth, Carpenter’s music might be leading the way. “Grand Central Station”, sung from the perspective of a Ground Zero worker being haunted by lost souls looking to get home, again reveals her ability to deeply understand universal emotions. Another great album from an artist for the ages.

Honorable Mentions

Gretchen Wilson, Here For The Party
Keith Urban, Be Here
Tift Merritt, Tambourine
Willie Nelson, It Will Always Be
The Notorious Cherry Bombs, The Notorious Cherry Bombs
Dolly Parton, Live And Well
SHeDaisy, Sweet Right Here

Twelve Best Reissues & Compilations

1. Emmylou Harris, Rhino Reissues:
Pieces of the Sky,
Elite Hotel, Luxury Liner,
Quarter Moon In A Ten Cent Town,
Blue Kentucky Girl, Light Of The Stable


2. The Mavericks, Definitive Collection


3. Kim Richey, Collection


4. Johnny Cash, Life


5. Shania Twain, Greatest Hits


6. Dwight Yoakam, Dwight’s Used Records


7. Patsy Cline, Definitive Collection


8. George Strait, 50 Number Ones


9. Terri Clark, Greatest Hits 1994-2004


10. Kenny Rogers, 42 Ultimate Hits


11. Lee Ann Womack, Greatest Hits


12. George Jones, 50 Years of Hits

Ten Best From Outside the Country Universe


1. Green Day, American Idiot
2. Norah Jones, Feels Like Home
3. Olivia Newton-John, Indigo: Women of Song
4. Elton John, Peachtree Road
5. U2, How To Dismantle An Atomic Bomb
6. Beastie Boys, To The Five Boroughs
7. Steve Earle, The Revolution Starts Now
8. Eminem, Encore
9. Linda Ronstadt, Hummin’ To Myself
10. R.E.M., Around The Sun

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