400 Greatest Singles of the Nineties: #100-#76

August 15, 2010 Kevin John Coyne 13






Many a star was launched in the nineties, a few of them right out of the gate. This section includes the debut singles from Toby Keith, Jo Dee Messina, LeAnn Rimes, and Doug Stone, along with Grammy-winning hits by Alison Krauss and Dwight Yoakam.

400 Greatest Singles of the Nineties: #100-#76

#100
The Battle Hymn of Love
Kathy Mattea & Tim O’Brien
1990 | Peak: #9

Listen

Wedding songs are typically made of the same fiber, but this one is a little different: it’s energized by burning conviction and fierce pledges. – Tara Seetharam

#99
Blue
LeAnn Rimes
1996 | Peak: #10

Listen

Sure, the novelty of thirteen year-old Rimes’ prodigious Patsy imitation helped things along. But that unshakable yodeled hook would have made “Blue” a classic in any era of country music. – Dan Milliken

400 Greatest Singles of the Nineties: #200-#176

August 2, 2010 Kevin John Coyne 25






The hits come from all over the place here. Breakthrough hits from Trace Adkins and Carlene Carter join one-hit wonders Brother Phelps and George Ducas. And alongside crafty covers of songs by sixties rock band The Searchers and nineties country artist Joy Lynn White, you can also find tracks from three diamond-selling country albums.

400 Greatest Singles of the Nineties: #200-#176

#200
Carrying Your Love With Me
George Strait
1997 | Peak: #1

Listen

A traveler gets through his lonely nights on the sheer strength of love. It’s perhaps a little too saccharine for some, but the sweet melody and Strait’s understated vocals make the record work. – Tara Seetharam

#199
Nothing’s News
Clint Black
1990 | Peak: #3

Listen

A man sits around in a bar “talking ’bout the good old times, bragging on how it used to be.” Simple premise, but the gorgeously melancholy melody and performance lift the record to Haggardly heights. – Dan Milliken






400 Greatest Singles of the Nineties: #250-#226

July 23, 2010 Kevin John Coyne 22






A lot of songs from both ends of the charts here, including a husband-and-wife duet that spent six weeks at #1.

400 Greatest Singles of the Nineties: #250-#226

#250
I Meant Every Word He Said
Ricky Van Shelton
1990 | Peak: #2

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At least the third song on this list about a guy mulling over romantic gestures he wishes he’d made to his former love, and the most traditional among those songs. You could easily imagine this one being a minor classic by a 60’s or 70’s legend, so close is its replication of that style. – Dan Milliken

#249
I’m So Happy I Can’t Stop Crying
Toby Keith with Sting
1997 | Peak: #2

Listen

My hard-and-fast rule for Toby Keith: The sadder he is, the happier the listening experience tends to be. He’s all kinds of sad in this snapshot of post-divorce melancholia, reflecting on everything from unfair custody protocol to the greater motions of the universe. Even a gratuitous Sting cameo can’t detract from the single’s gloomy grandeur. – DM

#248
You Ain’t Much Fun
Toby Keith
1995 | Peak: #2

Listen

Toby Keith is also funny, though. What’s a man to do? Sobering up ain’t all that it’s cracked up to be from is perspective. Ever since he’s done so, his wife has been taking advantage of his increased functionality by giving him honey-do lists that he wasn’t ably tackling pre-sobriety. It’s enough to drive a man to drink. – Leeann Ward






400 Greatest Singles of the Nineties: #375-351

July 7, 2010 Kevin John Coyne 21






The second segment of our countdown includes the first appearances by Garth Brooks and Reba McEntire, two of the biggest-selling stars of the decade.

#375
How Do I Get There
Deana Carter
1997 | Peak: #1

It’s always a gamble when friends decide to take their relationship to the next level. “How Do I Get There” explores the struggle of following one’s heart, even though it’s taking a big emotional risk to do so. – Leeann Ward

#374
If I Could Make a Living
Clay Walker
1994 | Peak: #1

This song is either ridiculously cheesy or irresistibly cheesy depending on your taste, but there’s no denying Walker sells the heck out of it with charm and enthusiasm. – Tara Seetharam






400 Greatest Singles of the Nineties: #400-#376

July 5, 2010 Kevin John Coyne 24






It’s hard to believe that twenty years have passed since the nineties first began. Perhaps that’s because so many of the artists who broke through during that decade remain relevant on the music scene today, whether they’re still getting major spins at radio or not.

For many of us, it was the nineties when we discovered and fell in love with country music, and it’s the music and artists from that decade that represent the pinnacle of the genre. It may be debatable whether the nineties were the most artistically significant decade in the history of country music, but there’s no debating that country music never had more commercial success or cultural impact than it did in that decade.

It was a time that when the C-list artists could sell gold or platinum on the strength of one or two hits, and that 24-hour video outlets could give wide exposure to songs and artists that radio playlists could not. When the four writers of this feature got together and combined our favorite singles from the decade, it was clear that this retrospective had to run far deeper than the one we recently completed for the first decade of the 21st century. There were simply far more good singles to choose from.






How Very Nineties: George Jones & Friends, and other All Star Jams

June 13, 2010 Kevin John Coyne 11






New fans of country music in the nineties were hit over the head with the assertion that country music was one big family. Nothing demonstrated this mythos better than the all star jams that cropped up during the boom years.

There were some variants of this approach. A popular one found a veteran star teaming up with one or more of the boom artists to increase their chances of radio airplay. George Jones was big on this approach, with the most high profile attempt being “I Don’t Need Your Rockin’ Chair.” Seventeen years later, it’s amazing to see how young everyone looks – even Jones himself!






The 201 Greatest Singles of the Decade, Part 7: #80-#61

December 21, 2009 Dan Milliken 17






The 201 Greatest Singles of the Decade, Part 7: #80-#61


#80

“When Somebody Loves You”
Alan Jackson
2001
Peak: #5

A treasure of a love song. Contrasted stunningly with modest accompaniment and vocals, the song’s message is that of love’s sublime ability to transform one’s life and bring light to dark. – Tara Seetharam


#79
“Separate Ways”
Rick Trevino
2007
Peak: #59

“Separate Ways” is an instructive narrative of a couple who did everything together, but “the last thing they did together was go their separate ways.” Fortunately, the song’s narrator learns from his parents’ divorce and wisely applies its valuable lesson to his own relationship. – Leeann Ward






Rick Trevino Six Pack

August 18, 2009 Kevin John Coyne 16






Rick TrevinoThe nineties brought some artists who never became full-fledged stars, but were a heck of a lot more than one-hit wonders, either. One of those was Rick Trevino, who showed great promise with a solid gold-selling debut album. Though he strayed too far down the radio fodder road with his next two projects, that approach still produced a #1 hit in “Running Out of Reasons to Run.”

As is often the case with the young stars of the nineties, his more recent work has been strikingly compelling, even though radio hasn’t played it. Here’s a good sampling of underrated artist Rick Trevino.

“Just Enough Rope (Bilingual Version)”
from the 1994 album Rick Trevino

Trevino’s debut single is best heard in both of his native tongues.

“She Can’t Say I Didn’t Cry”
from the 1994 album Rick Trevino






Tracy Byrd Starter Kit

August 11, 2009 Kevin John Coyne 13






tracy-byrd1One of the side effects of the nineties boom was that every Nashville label started looking for young male acts that looked good in a Stetson and could sing with an accent.

The end result was that some solid talent was discovered a bit too early, before they’d fully refined themselves into artists. Tracy Byrd’s a great example of this. Only 25 years old when his first single went to radio, Byrd had been plucked from the Beaumont, Texas music scene that had groomed Mark Chesnutt.

Byrd’s hit material from the nineties was reflective of what the B-list hat acts recorded during that era, though his vocal charm helped him elevate middling songs from time to time. He also turned in a few gems, with his music getting far more consistent as he entered his thirties.

His last studio album, 2006’s Different Things, was excellent, but radio had already moved on to the new twentysomethings at that point, artists who will probably be making better music a decade from now and being overlooked for the new, new twentysomethings.

Ten Essential Tracks:

“Holdin’ Heaven”
from the 1993 album Tracy Byrd

When surprisingly strong sales greeted the release of Byrd’s debut album, radio jumped on board. This catchy tune briefly knocked Garth’s “Ain’t Goin Down” out of the top spot, though Brooks would return to #1 a week later.






Mark Chesnutt Starter Kit

August 4, 2009 Kevin John Coyne 13






Back to the Nineties continues with a look at Mark Chesnutt, one of the strongest traditionalists to break through in 1990. He won the Horizon Award in 1993 while he was riding a streak of three consecutive #1 singles.

Chesnutt’s greatest commercial and radio successes came early on. His first three studio albums went platinum and his fourth went gold. He’d earn an additional platinum record with a hits collection assembled from those sets.

While he remained a consistent presence on radio for the entire decade, his sales tapered off. His last big hit was his 1999 cover of Aerosmith’s “I Don’t Want to Miss a Thing,” which went to #1. In more recent years, he’s limited his covers to The Marshall Tucker Band and Charlie Rich.

Ten Essential Tracks:

“Too Cold at Home”
from the 1990 album Too Cold at Home

Chesnutt’s first twelve singles reached the top ten, starting with this pure country hit that finds him hiding out in a bar on a sweltering summer day. “It’s too hot to fish, too hot for gold, and too cold at home.”

“Brother Jukebox”
from the 1990 album Too Cold at Home

He’s still at the bar for this hit, his first to top the charts. This time, the woman has left him, and his only family left are the jukebox, wine, freedom, and time.






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