Tag Archives: Martina McBride

Classic Country Singles: Randy Travis, “Three Wooden Crosses”

Three Wooden Crosses
Randy Travis
2002

Written by Doug Johnson and Kim Williams

During the first decade of the twenty-first century, the antiseptic depictions of faith that have dominated contemporary Christian music began to seep in to country music.

This perception created records both good (“Jesus, Take the Wheel”) and bad (“The Little Girl”), but most of them were bland, adding going to church on Sunday or praying as just one of the token traits of southern life, no more or less significant than the fried chicken or football game that followed the morning services.

In one of the genre’s great ironies, Randy Travis had crossed over to contemporary Christian music, having had little luck on the radio since the late nineties.  He brought country music’s love of fallen angels along with him, and with “Three Wooden Crosses”, he managed to found his way back to the top of the country charts without even trying.

It starts off like an off-color joke that shouldn’t be told in polite company, let alone on the radio dial next to Martina McBride’s “Blessed” and Craig Morgan’s “That’s What I Love About Sunday”:  “A farmer and a teacher, a hooker and a preacher, ridin’ on a midnight bus bound for Mexico.”  The story that unfolds reveals that one of these four travelers will be instrumental in spreading the Good News for a long time to come.

But because it manages to humanize all four of them along the way, revealing how each of them helped make the world a better place, its ultimate message is that our lives are best defined by what we do when we’re at our best, not by the labels that may be assigned to us through occupation or personal choices.

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Single Review: Martina McBride, “Teenage Daughters”

This is the Martina McBride that I was really into when I was a teenager.

Well partially, at least. I love the huskiness of her voice, which I haven’t heard on record since her Wild Angels artistic peak. There’s none of the earnestness that has characterized her work ever since, and you’d actually have to remix “Teenage Daughters” quite a bit to get it to fit on AC radio.

Why on earth are there “do da doo doos” popping up in the middle of an otherwise charmingly resigned number about the realities of being the parent of a teenage girl? I guess they need something for the critics to poke a stick at.

But the lack of a glossy sheen and the palpably real vocal performance are more than enough to make this a winning preview of her first release for Republic Nashville. Can’t wait to hear the rest.

Grade: B+

Listen: Teenage Daughters

 

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Grammy Awards 2011: Staff Picks & Predictions

It’s hard to believe, but it’s that time of year again: the 2011 Grammy Awards air this Sunday at 8 p.m. Eastern. Country music has its hand in the Grammy pot via major nominations for Lady Antebellum, performances by Miranda Lambert, Lady A and Martina McBride, and appearances by Keith Urban, Zac Brown, Blake Shelton and Kris Kristofferson. We’ve picked and predicted the awards below – chime in with your own thoughts, and stop by on Sunday night for our live blog!

Album of the Year

Should Win

  • Arcade Fire, The Suburbs - Dan
  • Eminem, Recovery - Kevin, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Will Win

  • Arcade Fire, The Suburbs
  • Eminem, Recovery - Kevin, Dan, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Kevin: In a field of newer artists, Eminem is the established veteran that is overdue for this award. It helps that he also made the best album of his career, as well as of the five nominees.

Dan: I could actually see Lady A coming out on top, since they’ve moved a lot of units and are the least divisive act here. But Recovery was a big comeback, and NARAS likes to use this award as a lifetime achievement thing. I don’t like that tendency, though; I’d rather we just reward the best set. To me, that was Arcade Fire’s ambitious concept album.

Tara: I really respect The Suburbs and really dig Recovery. Both are deserving, but Eminem probably has the edge with NARAS for the reasons stated above. (PS – I’m still not over it. TEENAGE DREAM?)

Record of the Year

Should Win

  • B.O.B featuring Bruno Mars, “Nothin’ On You”
  • Eminem featuring Rihanna, “Love the Way You Lie”
  • Cee Lo Green, “F*** You” - Dan, Tara
  • Jay-Z featuring Alicia Keys, “Empire State of Mind” - Kevin
  • Lady Antebellum, “Need You Now”

Will Win

  • B.O.B featuring Bruno Mars, “Nothin’ On You”
  • Eminem featuring Rihanna, “Love the Way You Lie”
  • Cee Lo Green, “F*** You”
  • Jay-Z featuring Alicia Keys, “Empire State of Mind”
  • Lady Antebellum, “Need You Now” - Kevin, Dan, Tara

Kevin: Perhaps it’s an instinctual reaction as a native New Yorker, but I still get chills every time I hear “Empire State of Mind.” Jay-Z’s casual “Long live the World Trade” in the second verse perfectly captures how our city moved briskly forward after 9/11 like we always do, but we haven’t forgotten it.

No Urban or Hip-Hop record has ever won this award, so it pains me to predict that Lady Antebellum will triumph over four better records. I hope I’m wrong.

Dan: Cee Lo’s viral novelty hit was one of last year’s biggest delights. I could see this award going to any track but “Nothin’ On You,” but suspect voters will probably go with the least edgy track.

Tara: I could make an argument for four of the five songs here, but I can’t peel myself away from Green’s personality-packed throwback hit that practically begs you to love it. And do I. I agree with Dan and Kevin, though, that Lady A will take this.

Song of the Year

Should Win

  • “Beg, Steal, or Borrow” – Ray LaMontagne
  • “F*** You!” – Brody Brown, Cee Lo Green, Philip Lawrence & Bruno Mars
  • “The House That Built Me” – Tom Douglas & Allen Shamblin - Kevin, Tara
  • “Love the Way You Lie” – Alexander Grant, Skylar Grey & Marshall Mathers
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Will Win

  • “Beg, Steal, or Borrow” – Ray LaMontagne
  • “F*** You!” – Brody Brown, Cee Lo Green, Philip Lawrence & Bruno Mars
  • “The House That Built Me” – Tom Douglas & Allen Shamblin – Kevin, Tara
  • “Love the Way You Lie” – Alexander Grant, Skylar Grey & Marshall Mathers
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Kevin: I think the biggest hurdle for “The House That Built Me” was getting the nomination. It really stands out in this field. It used to be rare for the Song victor to not be nominated for Record, but it has happened three times in the last seven years, including last year.

Tara: I’d honestly be happy to see any of these songs win. I’ll back “The House That Built Me” and just take a guess that the voters will, too.

Best New Artist

Should Win

  • Justin Bieber
  • Drake
  • Florence + the Machine
  • Mumford & Sons - Dan, Kevin, Tara
  • Esperanza Spalding

Will Win

  • Justin Bieber
  • Drake – Kevin, Dan, Tara
  • Florence + the Machine
  • Mumford & Sons
  • Esperanza Spalding

Kevin: I dig Mumford & Sons the most, but Drake seems to be the guy to beat.

Dan: I think Mumford has the most potential going forward. They’re got a dark-horse shot at the win, too, though Drake does seem like the most logical choice. Bieber’s by far the biggest name right now, but NARAS didn’t give it to tween-fave forerunners Hanson or Jonas Brothers, so…

Tara: Ditto. Although I have an unexplainable inkling that the Bieber might nab the award.

Best Country Album

Should Win

  • Dierks Bentley, Up on the Ridge – Kevin, Tara, Leeann
  • Zac Brown Band, You Get What You Give
  • Jamey Johnson, The Guitar Song - Dan
  • Lady Antebellum, Need You Now
  • Miranda Lambert, Revolution

Will Win

  • Dierks Bentley, Up on the Ridge
  • Zac Brown Band, You Get What You Give
  • Jamey Johnson, The Guitar Song
  • Lady Antebellum, Need You Now – Dan
  • Miranda Lambert, Revolution - Kevin, Tara, Leeann

Kevin: I think Bentley made the best record, and perhaps the slew of collaborators will help raise its profile with voters. Usually the country album nominated for overall Album wins this award, but I’m thinking that Lambert’s recent awards streak will continue here.

Dan: I pick Johnson by a nose, but genuinely like every album here besides Need You Now. Hoping Kevin’s right about that one.

Leeann: Like Kevin said, Bentley deserves to win and I hope he does, but I think Lambert’s album may win due to accessibility and her reputation for artistic integrity.

Tara: Up on the Ridge and Revolution both hit my sweet spot: they straddle the line between reverent and relevant and make me genuinely excited about country music’s future. Bentley’s album is the better of the two (and the best of the bunch) – but I think Lambert’s will pick up the most votes.

Best Female Country Vocal Performance

Should Win

  • Jewel, “Satisfied”
  • Miranda Lambert, “The House That Built Me” - Dan, Kevin, Tara, Leeann
  • LeAnn Rimes, “Swingin’”
  • Carrie Underwood, “Temporary Home”
  • Gretchen Wilson, “I’d Love to Be Your Last”

Will Win

  • Jewel, “Satisfied”
  • Miranda Lambert, “The House That Built Me” - Dan, Kevin, Tara, Leeann
  • LeAnn Rimes, “Swingin’”
  • Carrie Underwood, “Temporary Home”
  • Gretchen Wilson, “I’d Love to Be Your Last”

Kevin: This is Lambert’s best shot at a Grammy. Underwood will threaten, as always, but I think the strength of this song makes it tough to beat.

Leeann: Lambert’s signature song is the strongest and likely most long-lasting of the bunch.

Tara: Lambert and Underwood turn in two of the most emotive, powerful performances of their careers, but “The House That Built Me” is undeniably the better song. Since Underwood’s Grammy streak seems to be up for now, I think the voters will side with Lambert.

Best Male Country Vocal Performance

Should Win

  • Jamey Johnson, “Macon”
  • Toby Keith, “Cryin’ For Me (Wayman’s Song)” - Kevin, Leeann
  • David Nail, “Turning Home” - Dan
  • Keith Urban, “‘Til Summer Comes Around”
  • Chris Young, “Gettin’ You Home (The Black Dress Song)”  - Tara

Will Win

  • Jamey Johnson, “Macon”
  • Toby Keith, “Cryin’ For Me (Wayman’s Song)”
  • David Nail, “Turning Home”
  • Keith Urban, “‘Til Summer Comes Around” - Dan, Kevin, Tara, Leeann
  • Chris Young, “Gettin’ You Home (The Black Dress Song)”

Kevin: I am not going to complain about Urban winning again for my favorite single from his last two albums. But Toby Keith is way overdue in this category, and he’s nominated for one of his best vocal performances to date.

Dan: Nail’s nuanced performance brought what could have been a very rote song to life. And his career could use the boost.

Leeann: I think the Grammy voters will reflexively give the award to Keith Urban, but Toby Keith’s song is the most poignant of the nominees.

Tara: Urban’s got his hold on this category, but I’m in Young’s corner. His slow-burning hit is as charming as it is sexy, which isn’t an easy thing to pull off. And that voice.

Best Duo/Group Country Vocal Performance

Should Win

  • Zac Brown Band, “Free”
  • Dailey & Vincent, “Elizabeth”
  • Lady Antebellum, “Need You Now”
  • Little Big Town, “Little White Church”- Tara
  • The SteelDrivers, “Where Rainbows Never Die” - Kevin, Leeann

Will Win

  • Zac Brown Band, “Free”
  • Dailey & Vincent, “Elizabeth”
  • Lady Antebellum, “Need You Now” - Kevin, Tara, Leeann
  • Little Big Town, “Little White Church”
  • The SteelDrivers, “Where Rainbows Never Die”

Kevin: I think it’s a race between Lady Antbellum and Zac Brown Band, with LA in the lead. But the SteelDrivers get the annual “song I discovered because it was nominated for a Grammy and fell in love with after hearing it” award from me.

Leeann: The SteelDriver’s song is my favorite with Little Big Town at a close second, but I suspect that Lady A won’t be shut out for such a hugely popular radio hit across the board.

Tara: Dear NARAS: since “Single Ladies” got screwed over for ROTY last year, please show Little Big Town some love for their crazy awesome countrified version. It’s just as good…maybe even better?

Best Country Collaboration with Vocals

Should Win

  • “Bad Angel” — Dierks Bentley, Miranda Lambert & Jamey Johnson
  • “Pride (In The Name Of Love)” — Dierks Bentley, Del McCoury & The Punch Brothers
  • “As She’s Walking Away” — Zac Brown Band & Alan Jackson – Kevin, Tara, Leeann
  • “Hillbilly Bone” — Blake Shelton & Trace Adkins
  • “I Run To You” — Marty Stuart & Connie Smith

Will Win

  • “Bad Angel” — Dierks Bentley, Miranda Lambert & Jamey Johnson
  • “Pride (In The Name Of Love)” — Dierks Bentley, Del McCoury & The Punch Brothers
  • “As She’s Walking Away” — Zac Brown Band & Alan Jackson – Kevin, Tara, Leeann
  • “Hillbilly Bone” — Blake Shelton & Trace Adkins
  • “I Run To You” — Marty Stuart & Connie Smith

Kevin: Best collaboration in a very long time. Love hearing an artist from my youth playing elder statesman so well.

Leeann: It’s difficult for me to imagine that “As She’s Walking Away” won’t be rewarded for both its popularity and the significance of the still active veteran, Alan Jackson, dispensing wisdom to the up-and-coming bright stars of country music in the Zac Brown Band.

Tara: I love the groove of “Bad Angel,” but its collaboration isn’t nearly as dynamic nor as fitting as that of “As She’s Walking Way.” I can’t imagine any “wise man” but Jackson pulling up a stool next to Brown in this song.

Best Country Instrumental Performance

Should Win

  • Cherryholmes, “Tattoo of a Smudge”
  • The Infamous Stringdusters, “Magic #9″
  • Punch Brothers, “New Chance Blues” – Kevin, Leeann
  • Darrell Scott, ‘Willow Creek”
  • Marty Stuart, “Hummingbyrd”

Will Win

  • Cherryholmes, “Tattoo of a Smudge”
  • The Infamous Stringdusters, “Magic #9″
  • Punch Brothers, “New Chance Blues” - Kevin, Leeann
  • Darrell Scott, ‘Willow Creek”
  • Marty Stuart, “Hummingbyrd”

Kevin: Punch Brothers are approaching Nickel Creek levels of awesomeness. Possibly exceeding them.

Leeann: Kevin’s right. Even as someone who isn’t typically fond of instrumentals, I dig those of the Punch Brothers.

Best Country Song

Should Win

  • “The Breath You Take” — Casey Beathard, Dean Dillon & Jessie Jo Dillon
  • “Free” — Zac Brown
  • “The House That Built Me” — Tom Douglas & Allen Shamblin - Dan, Kevin, Tara, Leeann
  • “I’d Love To Be Your Last” — Rivers Rutherford, Annie Tate & Sam Tate
  • “If I Die Young” — Kimberly Perry
  • “Need You Now” — Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Will Win

  • “The Breath You Take” — written by Casey Beathard, Dean Dillon & Jessie Jo Dillon
  • “Free” — written by Zac Brown
  • “The House That Built Me” — written by Tom Douglas & Allen Shamblin – Kevin, Tara, Leeann
  • “I’d Love To Be Your Last” — written by Rivers Rutherford, Annie Tate & Sam Tate
  • “If I Die Young” — written by Kimberly Perry
  • “Need You Now” — written by Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Kevin: My heart is owned by “If I Die Young”, but I think that “The House That Built Me” is objectively the best song.

Leeann: While The Band Perry’s song sounds the coolest, the writing for “The House That Built Me” is clear frontrunner for the best song of the year.  It deserves and likely will be recognized as such, especially since it was both very critically acclaimed and successful as a single.

Tara: No question “The House That Built Me” is the best written song of the group, and I think it’ll be recognized as such.

Best Bluegrass Album

Should Win

  • Sam Bush, Circles Around Me
  • Patty Loveless, Mountain Soul II
  • The Del McCoury Band, Family Circle
  • Peter Rowan Bluegrass Band, Legacy
  • The SteelDrivers, Reckless – Kevin

Will Win

  • Sam Bush, Circles Around Me
  • Patty Loveless, Mountain Soul II
  • The Del McCoury Band, Family Circle – Kevin
  • Peter Rowan Bluegrass Band, Legacy
  • The SteelDrivers, Reckless

Kevin: Kudos to Loveless for her nomination, but I like the SteelDrivers set more.

Best Americana Album

Should Win

  • Rosanne Cash, The List
  • Los Lobos, Tin Can Trust
  • Willie Nelson, Country Music – Dan, Kevin
  • Robert Plant, Band of Joy
  • Mavis Staples, You Are Not Alone

Will Win

  • Rosanne Cash, The List
  • Los Lobos, Tin Can Trust
  • Willie Nelson, Country Music
  • Robert Plant, Band of Joy
  • Mavis Staples, You Are Not Alone - Kevin

Kevin: So I think Staples is nominated for an awesome gospel album and Nelson for an awesome country album. This category is confusing.

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2010 CMA Awards: Staff Picks and Predictions

When the nominees were announced in August for the 44th annual CMA Awards, they sparked a firestorm of headlines –and thoughtful commentary by critics and fans alike– thanks to the CMA voters’ surprisingly bold moves. It’s all about change this year, as the voters revamped the ballot with a slew of fresh faces in almost all of the big categories.

How will it all play out? We’ll know for sure on Wednesday at 8pm Eastern, but before Gwenyth Paltrow throws on her cowboy boots, check out our staff picks and predictions and join the discussion in the comments below. And be sure to drop by Wednesday night for all of the CU live blog madness!

Entertainer of the Year

Should Win:

  • Lady Antebellum
  • Miranda Lambert – Kevin
  • Brad Paisley
  • Keith Urban
  • Zac Brown Band – Leeann, Dan, Tara

Kevin:  Among the five nominees, Miranda Lambert has best represented the genre this year.

Leeann: I’m torn between Lambert and the Zac Brown Band as most deserving this year. I recently saw Lambert’s show and wasn’t incredibly impressed, however. While I have not yet attended a ZBB show, theirs is one of the few spots that I look forward to at awards shows these days. Moreover, I’m impressed by how much of a following they had even before they made any mainstream records.

Dan: Of these five, Zac Brown Band had the second-most success this year (after Lady A) and made the second-best music (after Lambert), so that’s pretty good standing. And I feel like giving this award to a grassroots act would be a good way for the industry to greet the future.

Tara: I’m consistently impressed by Zac Brown Band’s live performances, and it would be really refreshing to see them win – so I’ll go with them. (But I’m still disappointed that the first year my head and heart align on Carrie Underwood deserving an EOTY award, I can’t support her. I’m holding out for 2012…)

Will Win:

  • Lady Antebellum
  • Miranda Lambert – Tara
  • Brad Paisley – Kevin, Leeann, Dan
  • Keith Urban
  • Zac Brown Band

Kevin: I’ve probably learned nothing from last year’s Swift sweep by going with Paisley again, but he’s the only nominee of veteran stature who hasn’t won yet.

Leeann: I can’t imagine that Paisley won’t finally win this one.

Dan: I was going to guess Lady A, since they’re sort of 2010’s “flavor of the year” the way Taylor Swift was 2009’s. But when I think about it, Swift’s ascent was greater and more gradual, and she stood in contrast to the rest of her nominee pool (four male veterans) in a way Lady A don’t with theirs (in which they’re one of three new competitors). So, Paisley.

Tara: I have no rationale. My gut says Lambert.

Male Vocalist of the Year

Should Win:

  • Dierks Bentley – Kevin, Leeann, Dan, Tara
  • Brad Paisley
  • Blake Shelton
  • George Strait
  • Keith Urban

Kevin: Bentley made the best music this year.

Leeann: Bentley may not have the best technical voice out of these nominees, but he has the most interesting and distinctive of them, which is always something that I gravitate toward. Also, I agree with Kevin that he’s made the best music this year.

Dan: Shelton and Bentley are the only ones in this pool who made significant career strides this year – Shelton at radio, and Bentley creatively. Since I’m backing someone else in the Album category, this is where I’d like to see Bentley recognized for following his muse.

Tara: I guess Up on the Ridge is as good a reason as any to fall off the Brad-for-MVOTY bandwagon. He’s a close second for me, though.

Will Win:

  • Dierks Bentley – Kevin, Dan
  • Brad Paisley – Leeann, Tara
  • Blake Shelton
  • George Strait
  • Keith Urban

Kevin: I can see the roots album giving Bentley an edge. Then again, Paisley could just repeat again, or Shelton may suddenly have deep support among voters. I say, Bentley by a nose.

Leeann: I think that voters will reflexively give this one to Paisley again.

Dan: I’ll ditto Kevin.

Tara: I can’t really see Paisley losing this one, but I think if he does lose to Bentley, it’ll be a telling moment.

Female Vocalist of the Year

Should Win:

  • Miranda Lambert – Kevin, Leeann, Dan
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood – Tara

Kevin: Underwood and McEntire are the women who made my favorite singles from the eligibility period, but Lambert’s the only one who hasn’t won this award.  She’s not overdue, but she’s due.

Leeann: Kevin’s right that Lambert is due to win this award now, not to mention that she’s my favorite female singer out of the bunch.

Dan: Lambert still isn’t at Underwood’s sales level, much less Swift’s, and I don’t see her catching up before traditional music sales die out altogether. Doesn’t matter, though: her habit of making creative music will sustain her regardless of industry conditions, and will elevate the genre in the long run. It’s time to look ahead.

Tara: I’m 50/50 on Lambert and Underwood. I’m not sure how to balance Lambert’s long overdue mega-year against Underwood’s continuous stream of solid success, ambassadorship and artistic growth. I’ll be happy either way, but personal investment’s got me in Underwood’s camp.

Will Win:

  • Miranda Lambert - Kevin, Dan, Tara
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood- Leeann

Kevin: I’d be shocked if Lambert lost, and can’t even make a guess as to who she’d lose to, should she somehow lose.

Leeann: It’s between Lambert and Underwood, but I give Underwood the edge, especially since it’s somewhat surprising that she didn’t get an Entertainer nomination. Although Lambert has gained popularity in the past year, Underwood is still one of the two biggest females in the business and I refuse to predict that Swift will win the award.

Dan: Lambert’s had enough mainstream success this year to give tasteful voters an excuse to give her some props.

Tara: The voters love them some Lambert this year, and I think of all her nominations, this is the one she’s got in the bag.

Vocal Duo of the Year

Should Win:

  • Brooks & Dunn
  • Joey + Rory – Kevin, Leeann, Dan, Tara
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Kevin: I’m assuming “Stuck Like Glue” was after the eligibility period, so I think actually making some music over the year is important. Joey + Rory are the only duo I like who have yet to win.

Leeann: I simply like them the most, but I know they don’t have a chance.

Dan: I mean, why not? Nobody on this ballot has done much but tour.

Tara: I’m not very excited about any of these acts right now, to be honest. It would just be heartwarming to see Joey + Rory pick this one up.

Will Win:

  • Brooks & Dunn – Kevin, Dan
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Leeann, Tara

Kevin: Sugarland’s year off helped guarantee a B&D victory lap, which would probably have happened anyway.

Leeann: It’s between Brooks & Dunn and Sugarland. I should just pick B&D because of their retirement, but I’m still going with Sugarland because of their popularity.

Dan: Brooks & Dunn, unless voters ignore the eligibility period and stick with Sugarland.

Tara: Isn’t the Brooks & Dunn retirement thing kind of old news by now, or am I just out of touch?

Vocal Group of the Year

Should Win:

  • Lady Antebellum – Tara
  • Little Big Town
  • Rascal Flatts
  • The Band Perry
  • Zac Brown Band – Kevin, Leeann, Dan

Kevin: Let’s start getting some variety in this category, instead of having Lady A own it for five years.

Leeann: They’re the only group that I like right now.

Dan: I’ll probably be rooting for Little Big Town come ACM season, but for now…

Tara: I don’t want Lady A to own this for five years, either, but I do think they deserve to win this year. At least in my opinion, their huge success on the charts and with album sales can be attributed much to their ability to (I know, I know – I’m a broken record) hone in on specific emotion and deliver it in a way that people can really connect with. There’s some meat (and a heck of a lot of potential) behind their success that tends to go unnoticed.

Will Win:

  • Lady Antebellum – Kevin, Leeann, Dan, Tara
  • Little Big Town
  • Rascal Flatts
  • The Band Perry
  • Zac Brown Band

Kevin: Lady A and Zac BB are both very popular with voters, but I’m thinking that this is the only race where voters can reward Lady A for dominating at retail this year.

Leeann: Ditto to Kevin.

Dan: New Artist will be ZBB’s consolation prize.

Tara: …And I think the voters will agree with my pick, if not for the same reasons.

New Artist of the Year

Should Win:

  • Luke Bryan
  • Easton Corbin
  • Jerrod Niemann
  • Chris Young – Leeann
  • Zac Brown Band - Kevin, Dan, Tara

Kevin: ZBB is in another league, which makes me wish they still called this the Horizon Award.

Leeann: It’s weird to see ZBB here considering their nominations elsewhere, so I think that Chris Young has the most potential of the remaining nominees.

Dan: I’d love to see Young take this, but ZBB can’t be denied.

Tara: This is a great line-up, but there’s no question that ZBB deserves this win.

Will Win:

  • Luke Bryan
  • Easton Corbin
  • Jerrod Niemann
  • Chris Young
  • Zac Brown Band – Kevin, Leeann, Dan, Tara

Kevin: ZBB is nominated for Entertainer of the Year, much like Ricky Skaggs was when he won Horizon in 1982. (Skaggs also won Male Vocalist, which means I may have to rethink my pick for Vocal Group, too.)

Leeann: Kevin’s argument is too compelling not to follow. Also, they are the most popular of the nominees, therefore, probably the most deserving.

Dan: Everyone here but Niemann has had a significant breakthrough. With ZBB in the mix, though, it’s no contest.

Tara: It’s a funky set-up to have ZBB nominated for both the top and bottom (figuratively) prizes, and I think this one will play out exactly the way Kevin explained it.

Album of the Year

Should Win:

  • Dierks Bentley, Up on the RidgeLeeann
  • Lady Antebellum, Need You Now
  • Miranda Lambert, Revolution – Dan, Tara
  • George Strait, Twang
  • Carrie Underwood, Play OnKevin

Kevin: I have all five of these albums, and Underwood’s is the one that I listen to the most, with Strait a not-too-close second. In 2010, of course, “listening to an album” really means “how many songs do I pull off the album and put on a play list,” which has Underwood ahead by three tracks.

Leeann: If I follow Kevin’s test, Bently wins with Lambert as a close second. Bentley’s is, hands down, my favorite album of these choices. I’d love to see something this different from the mainstream win.

Dan: Also employing Kevin’s test, I flip-flop Leeann’s first and second choices. Only about two thirds of Revolution click for me a year later, but those two thirds have helped redefined what I thought modern country could be (still flipping about “Me and Your Cigarettes”), and the stray third at least tried.

Tara: I’m not going to follow Kevin’s test: I don’t play Revolution quite as much as three of the other albums on here, but I feel it’s the most deserving. It’s sharp, smart and an excellent example of an artist taking her potential by the horns.

Will Win:

  • Dierks Bentley, Up on the Ridge
  • Lady Antebellum, Need You Now
  • Miranda Lambert, RevolutionKevin, Leeann, Dan, Tara
  • George Strait, Twang
  • Carrie Underwood, Play On

Kevin: I really do think Lambert will sweep. I think she should’ve won for her last album, which wasn’t even nominated, but I’m not going to complain about an ambitious album getting the prize.

Leeann: I’m guessing either Lambert or Underwood. Although Lambert has the better album, Underwood has the slight edge because it sold better. I wouldn’t be especially surprised if Lady A takes it though.

Dan: Seems to me like a toss-up between Lady A’s commercial favorite and Lambert’s critical one. Lambert?

Tara: This is Lambert’s to lose, but I wouldn’t be too surprised if Lady A (or maybe Bentley?) snatched it.

Single of the Year

Should Win:

  • Easton Corbin, “A Little More Country Than That”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “The House That Built Me” – Kevin, Leeann, Dan, Tara
  • Miranda Lambert, “White Liar”
  • Blake Shelton featuring Trace Adkins, “Hillbilly Bone”

Kevin: It’s the big chunk of meat in a category of mashed potatoes and candied apples.

Leeann: Kevin just made me really hungry, therefore, kind of distracted. It’s a good thing that my choice doesn’t need justification then.

Dan: “Need You Now” had the biggest impact, of course, but “The House That Built Me” was no slouch either – four weeks at #1 – and was arguably the riskiest, most rewarding release. Also of note: she sang it real pretty.

Tara: “Need You Now” and “The House That Built Me” are performed equally well, but “House” is the better-written song. I’ll go with “House” on the basis of that, but I do think country music will be represented justly either way. Both songs resonate with pure, compelling sentiment.

Will Win:

  • Easton Corbin, “A Little More Country Than That”
  • Lady Antebellum, “Need You Now” - Dan, Tara
  • Miranda Lambert, “The House That Built Me” - Kevin, Leeann
  • Miranda Lambert, “White Liar”
  • Blake Shelton featuring Trace Adkins, “Hillbilly Bone”

Kevin: I think Lady A would have a better shot if they hadn’t won last year for “I Run to You.”

Leeann: It’s simply the clear winner.

Dan: Again, somewhat for diversity’s sake, I’ll guess that many voters have already forgotten about “I Run to You” – I certainly have – and will use this category to recognize the biggest hit, while they use Song to recognize the best one.

Tara: I’m jumping on Dan’s train…

Song of the Year

Should Win:

  • “A Little More Country Than That” – Rory Lee Feek, Don Poythress & Wynn Varble
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “The House That Built Me” – Tom Douglas & Allen Shamblin – Kevin, Leeann, Dan, Tara
  • “Toes” – Zac Brown, Wyatt Durrette, John Hopkins & Shawn Mullins
  • “White Liar” – Natalie Hemby & Miranda Lambert

Kevin: Overall, I think that “Need You Now” is a better Single than Song, and that “The House That Built Me” is a better Song than Single, but “House” is better than “Need” on both counts.

Leeann: I’m just being repetative now. It’s the best single and song of the year.

Dan: It’s the deepest-cutting of the five and the most unique.

Tara: “The House That Built Me” is, quite simply, beautifully written.

Will Win:

  • “A Little More Country Than That” – Rory Lee Feek, Don Poythress & Wynn Varble
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott – Kevin
  • “The House That Built Me” – Tom Douglas & Allen Shamblin – Leeann, Dan, Tara
  • “Toes” – Zac Brown, Wyatt Durrette, John Hopkins & Shawn Mullins
  • “White Liar” – Natalie Hemby & Miranda Lambert

Kevin: Here’s where they can honor “Need You Now” without shortchanging Lambert.

Leeann: I just see “House” sweeping in all possible categories.

Dan: They often manage to pick the actual best song of the five, especially when that song is also the most “serious.”

Tara: This just seems way to obvious; I don’t see how the voters could bypass the most clearly deserving song.

Musical Event of the Year

Should Win:

  • Dierks Bentley featuring Jamey Johnson & Miranda Lambert, “Bad Angel” – Tara
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Alan Jackson with Lee Ann Womack, “‘Til the End” – Leeann, Dan
  • Blake Shelton featuring Trace Adkins, “Hillbilly Bone” – Kevin
  • Zac Brown Band featuring Kid Rock, “Can’t You See”

Kevin: I don’t find any of these five songs particularly compelling, so I’ll go with the two artists who are longest overdue for some CMA love.

Leeann: I’m not big on any of these either, but the Jackson/Womack collaboration is the one I like the most if I have to choose.

Dan: I’d be fine with either “Til the End” or “Bad Angel”. Whatevs.

Tara: The Jackson/Womack song falls squarely within my typical taste, but “Bad Angel” gets under my skin – in a good way. It’s just a really cool record.

Will Win:

  • Dierks Bentley featuring Jamey Johnson & Miranda Lambert, “Bad Angel”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Alan Jackson with Lee Ann Womack, “‘Til the End”
  • Blake Shelton featuring Trace Adkins, “Hillbilly Bone”- Kevin, Leeann, Dan, Tara
  • Zac Brown Band featuring Kid Rock, “Can’t You See”

Kevin: Its presence in the Single category makes “Hillbilly Bone” the most likely winner.

Leeann: It’s the most mainstream of all the choices.

Dan: “Bad Angel” could play a welcome spoiler, since all three of the artists behind it command a lot of respect right now. I still see this going to the hit, though.

Tara: I’m predicting the big boys will win this one. It’s a decent song, but it makes me laugh that it gets as much love as it does – I mean, this is the song that has Adkins admitting that he’s “always wanted to sing a bone song”…!

Music Video of the Year

Should Win:

  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “The House That Built Me”
  • Miranda Lambert, “White Liar” – Kevin, Dan, Tara
  • Brad Paisley, “Water”
  • Blake Shelton featuring Trace Adkins, “Hillbilly Bone”

Kevin: Lambert made the two best clips, with the humor of “Liar” outpacing the literalism of “House.”

Dan: The “House” video is beautifully conceived and directed, but somehow the “White Liar” one just sticks out more. Maybe it’s because “White Liar” is a thinner song, so the video has more of a chance to establish its own identity.

Tara: The “White Liar” video is the brightest and most creative of the bunch.

Will Win:

  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “The House That Built Me”
  • Miranda Lambert, “White Liar” – Kevin, Dan, Tara
  • Brad Paisley, “Water”
  • Blake Shelton featuring Trace Adkins, “Hillbilly Bone”

Kevin: I think “White Liar” has won all the video awards this year, so I guess it will win again.

Dan: This is the logical place to reward the other Lambert single the CMA liked this year.

Tara: One of Lambert’s videos will win for sure. My best guess is “White Liar” since it’s won before, like Kevin said.

Musician of the Year

Should Win:

  • Paul Franklin (steel guitar) – Kevin, Leeann, Dan, Tara
  • Dann Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar)
  • Randy Scruggs (guitar)

Kevin: Paul Franklin is the nominee I’m rooting for the most this year. Give the man, and the steel guitar, some long overdue recognition!

Leeann: It’s the steel guitar for heaven’s sake! It should be a no-brainer, even though it’s clearly not.

Dan: I won’t pretend I know what’s going on. I’m just going to root for the guy who hasn’t won yet until he finally does.

Tara: How can you pass up the steel guitar?

Will Win:

  • Paul Franklin (steel guitar)
  • Dann Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar) – Kevin, Leeann, Dan, Tara
  • Randy Scruggs (guitar)

Kevin: Mac McAnally won the last two years, so I guess he’s the favorite. Did I mention that Franklin is 0-for-17 going into this year’s ceremony?

Leeann: I suppose its a habit to give it to McAnally at this point. So, why should I be so bold as to predict anyone else?

Dan: No justice!

Tara: Just going off of pattern here.


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Searching for Gary Harrison

Written by Bob Losche (Music & More)

Google “Gary Harrison songwriter” and you won’t find a website or MySpace. There’s not even a Wikipedia article. Don’t know where he’s from, how he got into songwriting or what he likes to eat for dinner.

As far as I know, he has never made an album. When he co-writes a song, does he write the music or the lyrics or a little of both? Don’t know. He’s a Grammy nominated songwriter as co-writer of “Strawberry Wine”, the 1997 CMA Song of the Year, and has penned many BMI Award-Winning Songs. It appears that his first big hit was “Lying in Love with You”, written with Dean Dillon for Jim Ed Brown and Helen Cornelius. The duet went to #2 in 1979.

Since there is so little data to draw from, a chronological treatment of his illustrious career would be difficult. I’ve decided instead to begin with the collaboration Gary is best known for, his work with Matraca Berg, and then continue with his other significant songwriting collaborations.

In his excellent Favorite Songs by Favorite Songwriters article on Matraca Berg, Kevin gave us his favorite 25 songs written by Berg. Gary Harrison has frequently collaborated with Matraca. On Kevin’s list the following 9 songs are written by Berg/Harrison:

  • #25 Wild Angels – Martina McBride
  • #22 Give Me Some Wheels – Suzy Bogguss
  • #20 Demolition Angel – Pam Tillis
  • #19 Everybody Knows – Trisha Yearwood
  • #10 Strawberry Wine – Deana Carter
  • #7 Wrong Side of Memphis – Trisha Yearwood
  • #5 Diamonds and Tears – Suzy Bogguss
  • #4 Dreaming Fields – Trisha Yearwood
  • #3 My Heart Will Never Break This Way Again – Patty Loveless

Give a read to Kevin’s write-up for all 25. Kevin asked for comments from his readers on their favorite Matraca Berg songs. In the 29 comments received, three more collaborations with Gary were mentioned that didn’t make Kevin’s cut, including “Hey Cinderella” and “Eat at Joe’s” by Suzy Bogguss and Pinmonkey’s “That Train Don’t Run”.

“Hey Cinderella” is from Suzy’s 1993 CD, Something Up My Sleeve. Fantasy turns into “dreams that lost their way” by the end of the first long verse. In the second verse, reality sets in. In “Eat at Joe’s”, from her 1992 CD, Voices in the Wind, Suzy’s sounds like a sultry waitress in an all night diner – “here’s a hot top on your coffee, honey you’re a mess, I ain’t your wife I ain’t your momma, but I’ll do I guess”. The bridge is a wistful but not really hopeful call out to prince charming.

My favorite Pinmonkey song is still “Barbed Wire and Roses”, but “That Train Don’t Run”, from their 2006 Big Shiny Cars CD, isn’t far behind. It’s up-tempo like Barbed Wire. It was also a single for Matraca Berg from her 1997 “Sunday Morning to Saturday Night” cd. The singer recalls a former lover who may have been a bit on the wild side. It must be “your memory rattlin’ the shutters, that train don’t run by here no more”. The next line is “I lie and listen to the last boxcar, sweet dreams baby wherever you are”. Love that last phrase. Sounds like something Bogie might have said.

A bit of trivia: I wonder how many times that last phrase, “sweet dreams baby, wherever you are”, has been used in a song. In addition to the Pinmonkey song, I found it in “Goodnight”, written by Charlie Black and Dana Hunt, from Suzy Bogguss’ self-titled 1999 CD. The last line of the chorus is “I’m signing off, sweet dreams baby, wherever you are”. A song by Jedd Hughes, “Time to Say Goodnight” has “sweet dreams baby, sweet dreams baby wherever you are tonight”. It was written by Hughes, Tommy Lee James and Terry McBride and can be found on Hughes’ 2004 CD, Transcontinental. I wouldn’t be surprised if someone else finds another instance.

I found another Berg/Harrison collaboration but this time with Jeff Hanna on a Chely Wright song, “Emma Jean’s Guitar”. It’s an album track from Chely’s 1997 Let Me In CD, which featured “Shut Up and Drive”. The story tells of a guitar with Emma Jean’s name etched in the finish found in a pawnshop. The singer wonders about Emma Jean’s hopes and dreams and feels that she’s the guardian of her guitar.

Gary has written quite a few great songs without Matraca. Another frequent co-writer for Gary has been Tim Mensy. My favorite Mensy-Harrison collaboration is Trisha Yearwood’s “Nearest Distant Shore”, an album track from her 1992 Hearts in Armor CD. It’s a song about getting out of a bad relationship: “You did your best but “the one you swore to love is pulling you down, you’re in over your head, chilled to the bone by the waters you’ve tread, chart a course to land before you drown”.

“That Wasn’t Me” was an excellent album track for Martina McBride on her 1993 CD, The Way That I Am. She knows that the guy is still hurting from the memory of an old girlfriend. She tells him “that wasn’t me”. It’s time to move on because she “can no longer pay the price” of his not letting go.

For fans of Mark Chesnutt, there’s “I Just Wanted You to Know”, a #1 song in ’94 from the CD Almost Goodbye and a #6 the same year, “She Dreams”, from What a Way to Live. Other Mensy Harrison collaborations include Doug Stone’s “I Thought It Was You”, a #4 in 1991, “A Singer in the Band”, an album track on Joe Nichol’s Revelation CD in 2004, and a Mark Wills song “Any Fool Can say Goodbye”.

With J.D. Martin, Gary Harrison wrote “Rollin’ Lonely”, a Johnny Lee song from his “Workin’ for a Livin’ ” album, which reached #9 on the charts in 1985, “Domestic Life”, a John Conlee #4 hit from his “American Faces” album in 1987, “Two Car Garage”, a #3 hit in 1983 from the B.J. Thomas album “The Great American Dream” and “Broken Toys”, a song about child abuse from BJ’s 1985 album “Throwin’ Rocks at the Moon”. The last song was written with Gloria Thomas as well as J.D.

Gary co-wrote 3 songs with Tammy Cochran from her “Thirty Something and Single” album released in June of 2009, the title track, “It’s All Over But the Leaving” and “He Really Thinks He’s Got It”.

With Karen Staley, he wrote “Face in the Crowd” which peaked at #4, a duet with Michael Martin Murphey and Holly Dunn from the former’s 1987 “Americana” album and “Now and Then” which Michelle Wright took to #9 in Canada.

Some other Gary Harrison songs are:

– “I Hate Everything” written with Keith Stegall, a #1 for George Strait in 2005. Check out the wake-up call at the end.

– “Alone Some” with Billy Yates, an album track for Billy from his 2005 album “Harmony Man”.

– “Crazy Me” and “I Do It for Your Love” with Richard Marx, from the Kenny Rogers 2000 CD There You Go Again.

Impressive list and I’ve probably missed some songs. If you search BMI.com, you’ll find 918 work titles for Gary Harrison. He’s been so busy, he probably hasn’t had time to set up a website or MySpace.

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So Hey…Feel Like Prejudging The Loretta Lynn Tribute Album?

Info about the forthcoming RCA-helmed tribute to Lo-Lynn has been trickling out for a month or something, and now, thanks to our resourceful friends around the mighty internets, we have access to the track list and audio of the first single. Let’s gripe! Continue reading

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400 Greatest Singles of the Nineties: #25-#1

And so we come to the end. The top of our list includes a wide range of artists singing a wide range of country music styles.  Thematically, these entries are diverse, but what they all have in common is what has always made for great country music. They are all perfectly-written songs delivered with sincerity by the artists who brought them to life.

400 Greatest Singles of the Nineties: #25-#1

#25
Smoke Rings in the Dark
Gary Allan
1999 | Peak: #12

Listen

A dark, atmospheric wonder, as Allan delivers the final eulogy for a love that couldn’t help burning out. – Dan Milliken

#24
Just to See You Smile
Tim McGraw
1997 | Peak: #1

Listen

Being deeply enamored of someone can make it easy – even appealing – to forfeit your own well-being. This single’s sunny tone reflects the persistent affection running through its protagonist, but its story demonstrates the heartbreak to which such unmeasured selflessness leads. – DM Continue reading

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Picking the CMA Nominees: Female Vocalist of the Year

In the Entertainer and Male Vocalist races, I’ve been making the case for fresh blood. In those categories, the routine nominees are mostly past their peaks, and there’s room to let some rising stars in on the action.

Oh, to be able to make the same case for the Female Vocalist race. Let’s take a look at last year’s nominees:

2009

  • Miranda Lambert
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood

For the first time in this category’s history, I believe voters are facing a dilemma that plagued the Vocal Duo category for most of the nineties: there just aren’t enough worthy nominees to finish out the category.

Even earlier in this decade, when radio was barely playing any women at all, there were women like Alison Krauss, Dolly Parton, and Patty Loveless who earned nominations for their critically acclaimed roots records.  Krauss was even a regular in this category for a good chunk of the decade, and despite being largely absent from radio, she sold more records than some of her fellow nominees.

This year, there isn’t even a woman who could step forward and claim that mantle.  So my picks don’t bring anything new to the table. Maybe some of you can make the case that I’m unable to, and suggest new blood in the comments.

Picks for Female Vocalist

Miranda Lambert

She deserves her fourth consecutive nomination, and on the strength of Revolution and its hit single “The House That Built Me”, I think that she deserves the win this year.

Martina McBride

In any other year, this would be the slot that should be up for grabs. McBride didn’t release a new album, and while she had some success at radio with “Wrong Baby Wrong”, it didn’t crack the top ten or reignite album sales. Still, who is standing in her way? Kellie Pickler? Gretchen Wilson? Laura Bell Bundy?   I fully expect her to earn her thirteenth consecutive nomination, matching Reba McEntire’s record run from 1983-1995.

Reba McEntire

Speaking of McEntire, she’s been popping up in this category again in recent years.  After those thirteen consecutive nominations ended in 1995, the race was far too competitive for a good while.  She’s earned three nominations since then, in 2004, 2006, and 2009.  Her massive hit “Consider Me Gone” and surprisingly strong record sales mean that this won’t be a filler nomination. She’s earned it.

Taylor Swift

Yes, I know the idea of her winning vocalist awards makes many wince, but c’mon now. There’s no denying she’s one of the top female artists today. Until Eminem’s recent comeback, she was the biggest star in all of music, period.  And she’s got a shot at reclaiming that title with her third album, if initial reaction to “Mine” is any indication.

Carrie Underwood

The three-time winner is radio’s favorite artist and her album sales have remained strong. If Lambert hadn’t surged with “The House That Built Me”, I think that Underwood would be ahead in the race this year.  If she makes the final ballot for Entertainer, I suspect that voters will reward her in that category and give Female Vocalist to Lambert.  There’s good precedent for this, as Dolly Parton (1978), Barbara Mandrell (1980), and Shania Twain (1999) won Entertainer without winning Female Vocalist that night.  It’s happened even more in the Entertainer/Male races, given that the big prize has gone to men far more frequently.

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400 Greatest Singles of the Nineties: #125-#101

Johnny Cash may have been too dark for country radio back in 1994, but his morbid single lives on alongside debut singles, seventies covers, and a whole lot of Mary Chapin Carpenter.

400 Greatest Singles of the Nineties: #125-#101

#125
Breathe
Faith Hill
1999 | Peak: #1

Listen

Sure, the melody of the chorus sounds just like “It Matters to Me.” But “Breathe” took the country power ballad to new heights, becoming Hill’s signature hit in the process. – Kevin Coyne

#124
Life’s a Dance
John Michael Montgomery
1992 | Peak: #4

Listen

It’s the catchy fiddle riff that’s  so memorable about John Michael Montgomery’s debut, number one, single. He is known for being a balladeer, but this one is an up-tempo motivational song. – Leeann Ward Continue reading

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400 Greatest Singles of the Nineties: #150-#126

Signature hits, breakthrough hits, and why-weren’t-they-hits abound in this entry.

400 Greatest Singles of the Nineties: #150-#126

#150
Gone Country
Alan Jackson
1994 | Peak: #1

Listen

A perfect time capsule of the boom times, as Jackson wryly notes all of those genre-hoppers who saw dollar signs in the growing country music scene. Funny how they didn’t arrive on radio until a decade later. – Kevin Coyne

#149
I Want to Be Loved Like That
Shenandoah
1993 | Peak: #3

Listen

Sometimes the deepest understanding of love comes from what you see around you. The narrator in this song won’t settle for anything less than the unwavering love he’s witnessed in his life, and his examples are stunning in the way they slice straight to the core of love, to the bond that can’t be broken by the physical world. This is one of the purest tributes to love I’ve ever heard. – Tara Seetharam Continue reading

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