Matraca Berg

Searching For Bobbie Cryner

May 10, 2010 // 23 Comments

I’ve been wanting to write about Bobbie Cryner for a long time. Thanks to some kind folks uploading her music on to YouTube, I can finally do so. (For whatever reason, her two fantastic albums – Bobbie Cryner and Girl o f Your Dreams – have yet to see digital release.)

This woman was good. Real good. Possibly the best unheralded singer-songwriter of her time, with a sultry voice formed at the crossroads of Bobbie Gentry and Dottie West. She first surfaced on Sony, releasing her self-titled debut in 1993. It was previewed by the autobiographical “Daddy Laid the Blues on Me.”

Forgotten Hits: Suzy Bogguss, “Hey Cinderella”

February 27, 2010 // 25 Comments

Hey Cinderella
Suzy Bogguss
Written by Matraca Berg, Suzy Bogguss, and Gary Harrison

There’s a term that has gathered strength over the past decade: the quarter-life crisis. It describes that phase in life where the idealism of what you thought your life would be collides with what reality has in store for you. Reconciling the two is needed to get beyond this point of life, and adulthood completely sets in once such reconciliation has been accomplished.

The 201 Greatest Singles of the Decade, Part 5: #120-#101

December 18, 2009 // 44 Comments

The 201 Greatest Singles of the Decade, Part 5: #120-#101

120 Keith Urban Be Here

“Tonight I Wanna Cry”
Keith Urban
Peak: #2

A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken

119 Loretta Van Lear Rose

“Portland, Oregon”
Loretta Lynn with Jack White
Peak: Did not chart

If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM

The 100 Greatest Albums of the Decade, Part 8: #30-#21

December 8, 2009 // 22 Comments

The 100 Greatest Albums of the Decade, Part 8

30 Trisha

Trisha Yearwood, Heaven, Heartache, and the Power of Love

The latest album from Trisha Yearwood was one of her best yet, with a surprisingly loose sound and quite a few more uptempo tracks than is the norm for this queen of the ballads. The best moments came from the pens of female songwriters, most notably the poignant “Dreaming Fields” penned by Matraca Berg. – Kevin Coyne

Recommended Tracks: “This Is Me You’re Talking To”, “Dreaming Fields”, “Sing You Back to Me”

29 Pam

Pam Tillis, Rhinestoned

On Rhinestoned, Pam Tillis demonstrates that she need not limit herself to covering her father’s songs in order to make a stellar traditional leaning album in her own right. The album, co-produced by Tillis, is consistent with accessible melodies, gentle, classic arrangements and impressively nuanced performances. While this is Tillis’ best album of the decade, it’s also possibly the best of her substantive career.

Recommended Tracks: “Something Burning Out”, Band in the Window”, “Life Has Sure Changed Us Around” (with John Anderson)

Martina McBride Starter Kit

August 28, 2009 // 17 Comments

Martina McBrideShe’s one of the most successful female country artists of the past two decades, and though it was the 2000s that brought her most of her accolades, Martina McBride became a star in the nineties. She also released her strongest music during that decade, and her first three albums remain her strongest efforts to date.

For those of you who know McBride for her AC-flavored work in recent years, you’ll be pleasantly surprised by the diversity of styles she explored early on in her career. Here’s where you should start:

Ten Essential Tracks

“Cheap Whiskey”
From the 1992 album The Time Has Come

It predates her breakthrough hits, but anyone who watched CMT back in the early nineties will remember the powerful video clip that accompanied McBride’s stone-countriest performance.

“My Baby Loves Me”
From the 1993 album The Way That I Am

It took this song 20 weeks to reach the #2 position, a glacial pace back in 1993. But the “Born in The U.S.A.”-borrowed power chords still sound cool today, so it’s no surprise that this was a big hit.

Favorite Songs by Favorite Songwriters: Matraca Berg

June 21, 2009 // 33 Comments

For a good stretch in the nineties, women were the dominant creative force in country music. Songwriter Matraca Berg was an indispensable component of that dominance, penning many of the biggest hits and best-loved tracks by signature acts like Trisha Yearwood, Patty Loveless, and Martina McBride.

It’s no surprise that this list of Favorite Songs written by Matraca Berg is almost completely composed of female artists. So distinguished is Berg’s catalog that worthy cuts by the Dixie Chicks, Nitty Gritty Dirt Band, and Gretchen Wilson just missed the list. Even Berg herself is only present with one performance, despite releasing several outstanding recordings in her own right.

But the beauty of these lists is that these are my own favorite songs, so I don’t have to force anything on to the list just to make it more well-rounded. Add your own favorites in the comments, and read Matraca’s 100 Greatest Women profile to learn more about this stunning songwriter.

“Wild Angels” – Martina McBride
Wild Angels, 1995

This was meant to be the title cut of an album that Berg never released. Instead, the cut went to Martina McBride. It was McBride’s first #1 single, and listening to it today, it sounds remarkably rough around the edges for an artist who’d eventually become an AC radio staple.

“Fool, I’m a Woman” – Sara Evans
No Place That Far, 1998

Berg’s writing can be effortlessly snarky, as evidenced by this breezy Sara Evans track that was a minor hit in 1999. “Did I say that I’d never leave you behind?” she queries. “Well, just keep treating me unkind. ‘Cause fool, I’m a woman, and I’m bound to change my mind.”

“When a Love Song Sings the Blues” – Trisha Yearwood
Real Live Woman, 2000

Trisha Yearwood is Berg’s finest vessel, the only voice elegant enough to equal Berg’s words. This melancholy closer to Yearwood’s excellent Real Live Woman set finds the protagonist seeking solace in a dusty old piano, playing “Faded Love” and “Born to Lose” so she doesn’t have to cry alone.

Favorite Songs by Favorite Artists: Trisha Yearwood

January 15, 2009 // 37 Comments

The following is a guest contribution from Country Universe reader Cory DeStein. Throughout my life I have attempted to share my taste in music with those around me. More often than not friends and family will show a interest then kindly move onto the next subject. Only one person in my life has shown me that genuine interest in everything I have ever done. I will never know if we really had that much in common, or if she was just that good at making me happy. That’s a secret I never want to know. Though we shared many interests in music, food, television and in life, there was one topic we both we both enjoyed: the music of Trisha Yearwood. Throughout the years, I had chances to meet Trisha backstage and at a book signing. Each time she kindly agreed to personalize a photo for my grandmother. During a Read More

Matraca Berg

November 16, 2008 // 0 Comments

When women became the dominant creative force in country music during the mid-nineties, it wasn’t just on the strength of their vocal talents, but also because of their excellent choice of material. No single songwriter supplied more of that quality material than Matraca Berg, one of the most prominent and successful female country songwriters in country music history. Most songwriter stories begin with their journey to Nashville, but Matraca Berg was born in Music City. She grew up thinking that she’d either be a lawyer or a songwriter, and she later quipped that once she dropped out of high school, it was obvious that law wasn’t an option. Not that it mattered much. Berg was only eighteen when she met up with songwriter legend Bobby Braddock (”D-I-V-O-R-C-E,” “He Stopped Loving Her Today”), who was very impressed with her self-written songs and suggested they pair up to write on together. The Read More

Classic CMA Awards Moments, #15: Matraca Berg Takes a Bow (1997)

October 22, 2008 // 4 Comments

#15: Matraca Berg A Night in the Spotlight 1997 With her slate of 11 #1 singles as a songwriter, her recent induction into the Nashville Songwriters Hall of Fame and even a solo stint as a country singer, Matraca Berg would still be hard pressed to recall a more satisfying moment than the 1997 CMA Awards. After fifteen years of penning a number of country music’s defining songs, she had earned a nomination (with Gary Harrison) for CMA Song of the Year. With “Strawberry Wine,” a #1 single for Deana Carter, Berg and Harrison had crafted an innocence-lost ballad with tremendous depth and detail, and no less an expert than Vince Gill proclaimed her as a poet. That poetry lifted “Strawberry Wine” to both the Single and Song of the Year honors, prompting Carter to race to presenter Ricky Skaggs and jump into his arms with delight as she accepted Read More

Deana Carter, “Strawberry Wine”

October 1, 2008 // 8 Comments

Strawberry Wine< How To Get Ex Back /strong> Deana Carter 1997 Written by Matraca Berg & Gary Harrison “Strawberry Wine”, written by Matraca Berg and Gary Harrison, is a prime example of country radio’s ability to spin an unconventional song, becoming a #1 single despite its subject matter, its length and its distinctive sound and structure. It also exhibits the eloquent quality that marks many of the best songs in the genre. With “Strawberry Wine”, a song about a teenager’s first love and lost innocence at her grandparents’ farm, Deana Carter was able to establish herself as one of country’s brightest new stars in the late 1990s.

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