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2014 Grammy Awards: Staff Picks & Predictions

The Country Universe staff has picked and predicted the 2014 Grammy Awards below, strange bunch that they are. Chime in with your thoughts, and catch the show on Sunday at 7 p.m. CST.

daftpunk-randomaccess-vinyl_grande-1.jpg?v=1368726630Album of the Year

Should Win:

  • Sara Bareilles, The Blessed Unrest
  • Daft Punk, Random Access Memories  – Kevin
  • Kendrick Lamar, good kid m.A.A.d. cityJonathan
  • Macklemore & Ryan Lewis, The Heist
  • Taylor Swift, Red

Will Win:

  • Sara Bareilles, The Blessed Unrest
  • Daft Punk, Random Access Memories  – Kevin, Jonathan
  • Kendrick Lamar, good kid m.A.A.d. city
  • Macklemore & Ryan Lewis, The Heist
  • Taylor Swift, Red

Kevin: With electronic music so mainstream now, it would be wise and timely for NARAS to acknowledge the excellent comeback of one of its pioneers, especially as the year’s best country albums (Brandy Clark, Kacey Musgraves, Ashley Monroe, etc.) and the year’s best rap album (Kanye West) didn’t score nominations in the top category.

Jonathan: Lamar and Daft Punk would both be worthy winners of an award that rarely seems to go to one. Hip-hop and R&B have notoriously struggled in the general field in recent years, so Daft Punk’s cachet with the rock contingent should give them the edge over Swift, who didn’t score the across-the-board support many were expecting from her this year. If the voters are feeling especially timid, though, watch out for “Brave” yelper Bareilles as a spoiler.

Bruno-Mars-LockedOutOfHeavenRecord of the Year

Should Win:

  • “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell Williams
  • “Get Lucky” – Daft Punk featuring Pharrell Williams – Kevin, Jonathan, Tara
  • “Locked Out of Heaven” – Bruno Mars
  • “Radioactive” – Imagine Dragons
  • “Royals” – Lorde – Dan

Will Win:

  • “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell Williams – Tara
  • “Get Lucky” – Daft Punk featuring Pharrell Williams
  • “Locked Out of Heaven” – Bruno Mars – Kevin, Jonathan, Ben
  • “Radioactive” – Imagine Dragons
  • “Royals” – Lorde – Dan

Kevin:  “Get Lucky” was retro and modern at the same time, featuring the charismatic Williams.  That guy makes everything better.  I’m guessing Mars will get it because he’s the most established and arguably is overdue for a big win.

Dan: “Royals” was the most refreshing to me. Winner feels like a real toss-up, though.

Jonathan: Prevailing logic as to why hip-hop tracks have fared so poorly in this category is that NARAS voters are still hell-bent on rewarding live instrumentation, so it’s hard to imagine something as spare as “Royals” winning, even if it’s the most distinctive choice. “Get Lucky” would get my vote, but look for Bruno Mars to head off to his Super Bowl Halftime gig with some new hardware in hand to reward his Police homage.

Tara: Lots of atmospheric tunes here. “Get Lucky” seems like the one that will feel no less groovy in ten years time. I wouldn’t put any money on it, but I could see the voters ignoring controversy and rewarding the biggest hit of the year.

macklemore-samelove-1Song of the Year

Should Win:

  • “Just Give Me a Reason”  – Jeff Bhasker, P!nk, and Nate Reuss – Kevin, Ben
  • “Locked out of Heaven” – Phillip Lawrence, Ari Levine, and Bruno Mars
  • “Roar” – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry, and Henry Walter
  • “Royals” – Joel Little and Lorde – Jonathan
  • “Same Love” – Ben Haggerty, Mary Lambert, Ryan Lewis, and Curtis Mayfield – Dan, Tara

Will Win:

  • “Just Give Me a Reason”  – Jeff Bhasker, P!nk, and Nate Reuss – Kevin, Ben, Dan
  • “Locked out of Heaven” – Phillip Lawrence, Ari Levine, and Bruno Mars
  • “Roar” – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry, and Henry Walter
  • “Royals” – Joel Little and Lorde 
  • “Same Love” – Ben Haggerty, Mary Lambert, Ryan Lewis, and Curtis Mayfield – Jonathan, Tara

Kevin: P!nk is long overdue for a top tier award, and her co-write with previous winner Nate Reuss was, in my opinion, the best duet in a year chock full of ‘em.

Dan: The Macklemore & Ryan Lewis composition is somehow the most personal of the group even as it makes the biggest, broadest statement. And the climactic third verse still gives me chills.

Jonathan: I don’t care that Kacey Musgraves is a fan of hers: Perry’s nomination is indefensible, with four adults credited on a song that rhymes “zero” with “hero” and that allows pop music’s least-capable vocalist to scream a series of self-help cliches. The broad, even-in-the-flyover-states popularity of “Same Love,” though, gives the voters a safe opportunity to make a political statement and to recognize one of the year’s breakthrough acts.

Tara: It’s a toss-up between “Royals” and “Same Love” for me in terms of substance and purposeful songwriting, but I can’t ignore the chills I also get listening to the latter. I agree with Jonathan that this is a win-win way for the voters to make a statement.

Kacey+Musgraves+KACEY++PNGBest New Artist

Should Win:

  • James Blake
  • Kendrick Lamar – Jonathan
  • Macklemore & Ryan Lewis – Dan
  • Kacey Musgraves – Kevin, Ben, Tara
  • Ed Sheeran

Will Win:

  • James Blake
  • Kendrick Lamar 
  • Macklemore & Ryan Lewis – Dan, Kevin, Tara
  • Kacey Musgraves – Jonathan, Ben
  • Ed Sheeran

Kevin: Gotta root for the home team.  I think Macklemore & Lewis  will win, though.

Dan: For once, this category is hot across the board; you could make a great argument for any of these folks. Personally, I find Macklemore & Ryan Lewis to be the most exciting.

Ben:  I don’t always gravitate toward the country-affiliated New Artist nominee, but then again it’s rare for me to be so invested in a country newcomer’s artistry as I am with Musgraves. To see her win would make my heart happy.

Jonathan: Lamar is making the most compelling music of this lot, but this category’s history dictates that it’s Musgraves’ award to lose. Macklemore & Ryan Lewis pose a real threat, but being the only woman nominated plays in Musgraves’ favor.

Tara: It’s hard to tell if Musgraves’ profile outside of the country sphere is big enough to nab her this one, but I’d be happy if it did. I hope she keeps the face in check if it doesn’t, though.

REdBest Country Album

Should Win:

  • Jason Aldean, Night Train
  • Tim McGraw, Two Lanes of Freedom
  • Kacey Musgraves, Same Trailer Different ParkDan, Kevin, Ben, Jonathan, Sam, Tara
  • Blake Shelton, Based on a True Story
  • Taylor Swift, Red

Will Win:

  • Jason Aldean, Night Train
  • Tim McGraw, Two Lanes of Freedom
  • Kacey Musgraves, Same Trailer Different Park
  • Blake Shelton, Based on a True Story – Sam
  • Taylor Swift, Red – Kevin, Ben, Jonathan, Tara

Kevin:  Don’t see how Taylor doesn’t win, though Musgraves made the best album by a decent margin, regardless of how country any of ‘em are.

Dan: Here’s the most logical place to reward Musgraves, though I guess Red’s nomination in the general Album of the Year field makes it the frontrunner in this category. And that’s fine; whatever. I’ve been hoping for Swift’s albums to be grouped under “Pop” at the Grammys since Fearless. It ain’t gonna happen.

Ben:  Should Win – easy choice. Will Win – also an easy choice.

Sam: Just to be contrary, I think Shelton’s built up enough recognition with his “The Voice” gig that he has name recognition from voters who know next to nothing about country music. The fact that it was a terrible, terrible album doesn’t really matter.

Jonathan: No, Red shouldn’t be nominated in the Country field, so I wouldn’t vote for it on principle, even though its best tracks are far and away the strongest material in this line-up. NARAS has no qualms about rewarding pop crossover albums here, so it would be a huge upset were Swift to lose. When we were all prepping our ballots for our year-end countdowns, I had Musgraves’ album at #38. It’s good and I certainly understand why it has as many fans as it does, but I’m just not as bullish on it as others seem to be. Still, it would be my personal choice from this paltry line-up, since Aldean’s, McGraw’s, and Shelton’s albums ranged from pedestrian to downright unlistenable.

Tara: Seems like an easy Swift win, but I get where Sam’s head is at re: Shelton. There’s no question Musgraves made the best music, though, and what a shame she’s not surrounded by her peers who made even better music.

Miranda-Lambert-Mamas-Broken-Heart-2013Best Country Solo Performance

Should Win:

  • Lee Brice, “I Drive Your Truck”
  • Hunter Hayes, “I Want Crazy”
  • Miranda Lambert, “Mama’s Broken Heart” – Dan, Kevin, Ben, Jonathan, Sam, Tara
  • Darius Rucker, “Wagon Wheel”
  • Blake Shelton, “Mine Would Be You”

Will Win:

  • Lee Brice, “I Drive Your Truck”
  • Hunter Hayes, “I Want Crazy”
  • Miranda Lambert, “Mama’s Broken Heart” – Dan, Kevin, Ben, Jonathan, Sam, Tara
  • Darius Rucker, “Wagon Wheel”
  • Blake Shelton, “Mine Would Be You”

Kevin:  Lambert is the only female and the only previous winner.  I’d be shocked if she lost.

Ben:  To me, Lambert’s performance alone claims the distinction of making an already-great song even better.

Sam: This could be one of those rare occasions where the best nominee actually wins a Grammy. I think Hunter Hayes is a long shot, as most Grammy voters are not teenaged girls.

Jonathan: What Kevin said. Also, he’s a talented instrumentalist, but the Grammy voters’ fascination with Hunter Hayes is baffling.

Tara: Lambert’s is the most distinct and impactful performance here, but I’ll throw in my defense of Hayes’ “I Want Crazy,” a song and vocal that’s as breathlessly exuberant as Keith Urban’s best work.

5448-thumbBest Country Duo/Group Performance

Should Win:

  • The Civil Wars, “From This Valley”
  • Kelly Clarkson featuring Vince Gill, “Don’t Rush”
  • Little Big Town, “Your Side of the Bed” – Jonathan
  • Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Kenny Rogers and Dolly Parton, “You Can’t Make Old Friends” – Kevin, Ben, Tara

Will Win:

  • The Civil Wars, “From This Valley”
  • Kelly Clarkson featuring Vince Gill, “Don’t Rush”
  • Little Big Town, “Your Side of the Bed” 
  • Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care” - Kevin, Ben, Tara
  • Kenny Rogers and Dolly Parton, “You Can’t Make Old Friends” – Jonathan, Sam

Kevin: The high octane collaboration of McGraw/Swift/Urban has been unstoppable thus far.  Kudos to NARAS for noticing Rogers & Parton’s beautiful work, their best together since “Islands in the Stream.”

Ben: “You Can’t Make Old Friends” is enough to give many a longtime country music lover warm fuzzies, but the commercial clout of “Highway Don’t Care” may be too much to beat.

Sam: If you’re a Grammy voter and have to decide on a zillion categories, do you take the time to sit and listen to each nominee, or do you skim over the names and pick the ones you’re most familiar with? Kenny and Dolly for the win.

Jonathan: One of the strongest sets of nominees anywhere on the Grammy ballot this year. Little Big Town would get my vote so that they have a win for something besides “Pontoon” to their credit, but I think NARAS’ older voters will be swayed by the effortless charm of the Rogers and Parton duet.

Tara: I don’t love any of these except for the Rogers and Parton collaboration, as much as I wanted to embrace “Don’t Rush” (Kelly Clarkson! Vince Gill!). I think the middle-of-the-road McGraw / Swift / Urban song will win out, but here’s to hoping the voters act on warm fuzzies.

Merry_go_'roundBest Country Song

Should Win:

  • “Begin Again” – Taylor Swift
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, and Kacey Musgraves – Kevin, Jonathan, Sam, Tara
  • “Merry Go ‘Round” – Shane McAnally, Kacey Musgraves, and Josh Osborne - Ben
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington and Deric Ruttan

Will Win:

  • “Begin Again” – Taylor Swift – Jonathan, Sam
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, and Kacey Musgraves – Kevin, Tara
  • “Merry Go ‘Round” – Shane McAnally, Kacey Musgraves, and Josh Osborne - Ben
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington and Deric Ruttan

Kevin:  Gotta root for the Brandy Clark co-write, which is conveniently the best composition anyway.  Still, I think  voters will use this category to acknowledge Musgraves for writing her own hit instead of Miranda’s.

Ben:  I seem to be in the minority here, but I actually consider “Merry Go ‘Round” to be the finer of the two Musgraves co-writes – which is not to say that I don’t adore “Mama’s Broken Heart” or that I wouldn’t be thrilled to see Brandy Clark also gain a mantle decoration. This would seem a comfortable place for voters to acknowledge Musgraves – as well as a likely consolation prize should she lose Best New Artist – and like Kevin, I expect it will be for the hit she performed as well as wrote.

Sam: I’d just like to point out that this is an incredibly strong group of nominees and shows there is some substance to country music once you weed out all the tailgate songs.

Jonathan: Things could play out here in a similar fashion to the CMAs, with vote-splitting among the multiple nominations for Musgraves, McAnally, Alexander, and Harrington. That worked to the latter pair’s advantage at the CMAs, where “I Drive Your Truck” pulled off a surprise win, but Shelton’s powerballad could siphon votes from Brice’s hit this time. As much as I love the idea of Brandy Clark as a Grammy winner, I think the various vote-splits will allow one of Swift’s best-written songs to win.

Tara: As strong as Lambert’s spitfire performance is, I’d argue that the bones of “Mama’s Broken Heart” are even stronger. I’ve never been able to connect with “Merry Go Round” the way others have, but agree this is likely where the voters will single Musgraves out.

Build+Me+Up+From+Bones+Sarah+JaroszBest American Roots Song

Should Win:

  • “Build Me Up From Bones” – Sarah Jarosz – Jonathan
  • “Invisible” – Steve Earle
  • “Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott – Kevin
  • “Love Has Come From You” – Edie Brickell and Steve Martin
  • “Shrimp Po-Boy, Dressed” – Allen Touissant

Will Win:

  • “Build Me Up From Bones” – Sarah Jarosz 
  • “Invisible” – Steve Earle
  • “Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott
  • “Love Has Come From You” – Edie Brickell and Steve Martin- Kevin, Jonathan
  • “Shrimp Po-Boy, Dressed” – Allen Touissant

Kevin:  Can voters resist Steve Martin? If they do, I hope it’s to acknowledge again the unique talents of Tim O’Brien and Darrell Scott.  They are so good together.

Jonathan: Jarosz draws favorable comparisons to Alison Krauss, and, if ever there were a surefire way to appeal to Grammy voters, that would be it. She’d get my vote for the exceptional title track from her third album, though, like Kevin, I’m a big fan of O’Brien’s and Scott’s work together. Martin’s charm and name recognition are likely to give his duet with erstwhile New Bohemian Brickell the edge here.

harris-crowell-old-yellow-moonBest Americana Album

Should Win:

  • Emmylou Harris and Rodney Crowell, Old Yellow MoonKevin, Jonathan, Sam
  • Steve Martin and Edie Brickell, Love Has Come For You
  • Buddy Miller and Jim Lauderdale, Buddy and Jim
  • Mavis Staples, One True Vine
  • Allen Touissant, Songbook

Will Win:

  • Emmylou Harris and Rodney Crowell, Old Yellow Moon – Kevin, Ben
  • Steve Martin and Edie Brickell, Love Has Come For You - Jonathan
  • Buddy Miller and Jim Lauderdale, Buddy and Jim
  • Mavis Staples, One True Vine
  • Allen Touissant, Songbook - Sam

Kevin:  Martin & Brickell might be the most logical choice, but in a category stacked with veterans, Harris & Crowell must be tempting to voters who are long time fans of both.

Sam: The fact that Jason Isbell wasn’t nominated here shows that Americana music has a long way to go before Grammy voters stop using it at the place where all veteran singer/songwriters end up. As for this year, Allen Touissant is older and has past Grammy love, so my money is on him.

Jonathan: The strongest, most vital year for Americana music in a decade is rewarded with a staid slate of nominees. Old Yellow Moon is the obvious standout and could very well win, but I think Martin’s well-received album with Brickell has the edge based on Martin’s celebrity.

0011661914124Best Bluegrass Album

Should Win:

  • The Boxcars, It’s Just a Road
  • Dailey & Vincent, Brothers of the HighwayJonathan
  • Della Mae, This World Oft Can Be
  • James King, Three Chords and the Truth
  • Del McCoury Band, The Streets of Baltimore

Will Win:

  • The Boxcars, It’s Just a Road
  • Dailey & Vincent, Brothers of the Highway
  • Della Mae, This World Oft Can Be
  • James King, Three Chords and the Truth
  • Del McCoury Band, The Streets of Baltimore - Kevin, Jonathan, Ben

Kevin: Haven’t heard these albums enough to have a personal favorite, but I think the Del McCoury Band’s name recognition will power it to a win.

Jonathan: Both the Del McCoury Band and Dailey & Vincent are nominated for some of their very best work, and either would be a richly deserving winner. Della Mae have a fairly vocal fanbase, but it isn’t clear if that fanbase overlaps with the Grammy voter bloc enough to unseat one of the two bigger-name acts.

GuyClarkMFPOYCoverSenorMcGuireBest Folk Album

Should Win:

  • Guy Clark, My Favorite Picture of YouKevin, Ben
  • The Greencards, Sweetheart of the Sun
  • Sarah Jarosz, Build Me Up From BonesJonathan
  • The Milk Carton Kids, The Ash & Clay
  • Various Artists, They all Played for Us: Arhoolie Records 50th Anniversary Celebration

Will Win:

  • Guy Clark, My Favorite Picture of You – Kevin, Ben, Jonathan
  • The Greencards, Sweetheart of the Sun
  • Sarah Jarosz, Build Me Up From Bones
  • The Milk Carton Kids, The Ash & Clay
  • Various Artists, They all Played for Us: Arhoolie Records 50th Anniversary Celebration

Kevin: Sentimental favorite who also put out a great album? How can they deny Guy Clark?

Jonathan: I’m tempted to pick the Arhoolie Records without having heard it, simply because it just seems like something the idiosyncratic Grammys would go for. Clark is a safer bet for his beautifully observed album, while the ascendant Jarosz would get my vote for her career-best work.

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Country Universe’s Best Albums of 2013, Part One: #40-#21

For the second year, Country Universe is publishing a 40-deep list of the year’s best albums.  Part One includes releases from talented newcomers, genre legends, and quite a few entries from the outskirts of country music.  As usual, that’s where most of the cool stuff can be found.

Country Universe will close out our year with the conclusion of this list tomorrow.  As always, share your thoughts and opinions in the comments!

Dan Grimm Ventucky

#40
Ventucky

Dan Grimm

Individual rankings:  #12 – Jonathan

The EP format doesn’t leave much margin for error, but with a knack for unconventional imagery and a style that blends vintage SoCal rock with authentic honky-tonk, Dan Grimm ensures that every track on his freewheeling, endlessly likable Ventucky is a standout. - Jonathan Keefe

Recommended Tracks:  “Skeletor,” “300 Beers”

Avett Brothers Magpie and the Dandelion

#39
Magpie and the Dandelion
The Avett Brothers

Individual rankings:  #12 – Sam

Since moving up to a major label, the Avetts’ album releases have strayed further and further away from their ragged-but-right indie albums. There aren’t as many reckless moments, though “Another Is Waiting” and “Open Ended Life” come close. The trade is that their slower, introspective songs are increasingly sophisticated. “Good to You” is beautifully written, and Bob Crawford’s rare vocals are a dagger to the heart for any dads who spend too much time traveling. - Sam Gazdziak

Recommended Tracks: “Good to You”, “Another is Waiting”, “Morning Song”

Matraca Berg Loves Truck Stop

#38
Love’s Truck Stop

Matraca Berg

Individual rankings:  #11 – Kevin

Originally released in Europe last year, Matraca Berg’s latest collection builds on the strength of 2011’s Dreaming Fields. She embodies the characters of her song so fully that she allows you to walk as easily in the shoes of a truck stop waitress as those of a grieving, abused daughter clutching flowers at her father’s graveside. Her vulnerable vocals shine best on “My Heart Will Never Break This Way Again”, which was sung by Patty Loveless many years ago. - Kevin Coyne

Recommended Tracks:  “Her Name is Mary”, “Fistful of Roses”, “My Heart Will Never Break This Way Again”

Sheryl Crow Feels Like Home

#37
Feels Like Home
Sheryl Crow

Individual rankings:  #11 – Leeann

It was inevitable that Sheryl Crow would eventually make a country album, since she’s dabbled in it over the years on various tribute projects and has collaborated with country stalwarts like Willie Nelson and Vince Gill, not to mention that even her pop albums have had elements of country in them. So, Feels Like Home seems appropriate for the title of her first official country record.
While certainly not a traditional country record, as I had personally hoped it would be, Crow is instead authentic to her way of doing things, while also being able to draw from the good parts of the modern sounds and styles of country music. - Leeann Ward

Recommended Tracks:  “We Oughta Be Drinkin'”, “Stay at Home Mother”

Gibson Brothers They Called it Music

#36
They Called it Music
The Gibson Brothers

Individual rankings:  #11 – Ben

On the title track of They Called it Music, IBMA Entertainers of the Year Leigh and Eric Gibson pine for the days when music was honest, simple, and “helped the hard times heal” – when it was a medium of art and self-expression rather than a mere moneymaker. Whether lighthearted (“Buy a Ring, Find a Preacher”), melancholy (“Dying for Someone to Live For”) or introspective (“Something Coming to Me”), the entire album is a beautiful realization of that very standard. - Ben Foster

Recommended Tracks:  “Buy a Ring, Find a Preacher,” “They Called It Music,” “Something Coming to Me”

Mando Saenz Studebaker

#35
Studebaker

Mando Saenz

Individual rankings:  Sam – #11

The third album from Texas-raised, Nashville resident Saenz is the most eclectic and best of his career. While the focus is still on his sharp songwriting skills, the mood varies from introspective to rocking to, on “Tall Grass,” downright playful. Saenz collaborated with an A-list batch of co-writers, including Kim Richey for “Break Away Speed” and Wade Bowen for “Bottle into Gold,” and the mix of songs with Saenz’s pleasant vocals and a hot band is a winning combination. - Sam Gazdziak

Recommended Tracks:  “Break Away Speed”, “Bottle into Gold”, “Pocket Change”

Sarah Jarosz Build Me Up From Bones

#34
Build Me Up from Bones
Sarah Jarosz

Individual rankings:  #17 – Jonathan; #19 – Ben

On her third album, Build Me Up from Bones, Sarah Jarosz found her voice as both a singer and a songwriter. Her sense of phrasing draws from both her expansive knowledge of contemporary folk and her conservatory training in improvisation, and sharply observed original songs like “Gone Too Soon” and “1000 Things” more than hold their own alongside Joanna Newsom and Bob Dylan covers. - Jonathan Keefe

Recommended Tracks: “Over the Edge,” “Build Me Up from Bones,” “1000 Things”

Peter Cooper Opening Day

#33
Opening Day
Peter Cooper

Individual rankings: #16 – Leeann; #18 – Sam

eter Cooper’s second album was entitled after the great pedal steel guitar player, Lloyd Green. While Opening Day is not named after him, Green is still the other star player on Cooper’s third stellar solo album. Along with Green’s prominent steel and cooper’s own emotionally conversational voice, Cooper once again proves that he is as an adept songwriter as he is a journalist. Themes of living life well, baseball (Of course!), and even drone strikes. Each of these songs with its various themes are all presented with either insight or witty humor and sometimes both. - Leeann Ward

Recommended Tracks:  “Much Better Now”, “Quiet Little War”

Whiskey Gentry Holly Grove

#32
Holly Grove
The Whiskey Gentry

Individual rankings: #8 – Sam

It’s hard to say if The Whiskey Gentry will be the next big thing to come out of Georgia, but they have the talent to spare. The band mixes in bluegrass, country, a bit of Celtic and a dash of punk rock, resulting in a high-energy, hard-to-classify sound. “I Ain’t Nothing” and “Dixie” wouldn’t sound out of place in a honky tonk, while “Colly Davis” is a bluegrass-on-amphetamines winner. The title track is a four-and-a-half minute epic that was one of the most moving songs of the year. - Sam Gazdziak

Recommended Tracks:  “Holly Grove”, “Particles”, “I Ain’t Nothing”

Rebecca Frazier When We Fall

#31
When We Fall

Rebecca Frazier
Individual rankings: Ben – #7

Rebecca Frazier is a genuine triple threat – a great picker, a great singer, and a great songwriter. She shows that she can throw it down with the best of them on “Ain’t Gonna Work Tomorrow” as well as a trio of stellar instrumental tracks, while her delivery of ballads such as the deeply personal “Babe in Arms” resounds with humanity and vulnerability, the result being one of the year’s finest bluegrass albums. - Ben Foster

Recommended Tracks: “When We Fall,” “Ain’t Gonna Work Tomorrow,” “Babe in Arms”

4PAN1T

#30
Not Cool
Tim Easton

Individual rankings:  #7 – Jonathan

Even if its self-deprecating title isn’t at all accurate, singer-songwriter Tim Easton’s Not Cool proves that, despite the glut of counter-evidence 2013 presented, it’s still possible to incorporate a heavy rock influence into folk and country styles without sacrificing wit, craft, or genre know-how. Spirited, ramshackle cuts like “Lickety Split” and “Crazy Motherfucker from Shelby, OH” make the underrated Easton’s seventh outing one of the year’s most raucous and, yes, coolest albums. - Jonathan Keefe

Recommended Tracks:  “Troubled Times,” “Lickety Split,” “They Will Bury You”

Brad Paisley Wheelhouse

#29
Wheelhouse
Brad Paisley

Individual rankings:  Sam – #7

Did you know that Brad Paisley released one of the best albums of his career this year? The humorous songs, like “Harvey Bodine” and “Death of a Single Man,” stayed humorous after multiple listenings, and unlike most other country singers, Paisley blended in pop elements, like sampling Roger Miller in “Outstanding in Our Field,” and did it without turning them into pop or rock songs with token country elements. “Southern Comfort Zone” and “Those Crazy Christians” showed more depth than their titles would suggest. And all anyone wanted to talk about was that damn “Accidental Racist” song.  - Sam Gazdziak

Recommended Tracks:  “Southern Comfort Zone”, “Beat This Summer”, “Death of a Single Man”

John Moreland In the Throes

#28
In the Throes
John Moreland

Individual rankings: #6 – Jonathan

A difficult meditation on what happens when one has experienced losses of love and faith, John Moreland’s In the Throes is a testament to the redemptive power of music. He may sing, “Nobody Gives a Damn About Songs Anymore,” on the album’s most keenly observed song, but Moreland’s spectacular songwriting is something everyone should hear. - Jonathan Keefe

Recommended Tracks: “Nobody Gives a Damn About Songs Anymore,” “Break My Heart Sweetly,” “Blues & Kudzu”

Lorrie Morgan and Pam Tillis Dos Divas

#27
Dos Divas
Lorrie Morgan & Pam Tillis

Individual rankings: #13 – Kevin; #16 – Ben

A lively and entertaining collaboration between two nineties, second-generation country stars. The album features six full collaborations, along with four solo tracks from each artist. The pairings are funny and loose, recalling the best of those old-school duet albums from the sixties and seventies. But the biggest surprise is in the solo turns by Lorrie Morgan, who turns in some of her strongest moments ever put down to tape. - Kevin Coyne

Recommended Tracks:  “Last Night’s Makeup”, “Next Time it Rains”, “I Know What You Did Last Night”

Julie Roberts Good Wine and Bad Decisions

#26
Good Wine and Bad Decisions
Julie Roberts

Individual rankings: #13 – Ben; #16 – Tara

Roberts’ comeback album is best approached with an aching heart and a glass of something smooth – all the better to absorb its combo of earthy blues and provoking, damn-that’s-depressing stories. But don’t mistake Good Wine and Bad Decisions for a downer; Roberts lures you into her dark places with such emotional gusto and groovy, engaging vibes that you somehow end up celebrating in misery. - Tara Seetharam

Recommended Tracks:  “Arms of Jesus,” “He Made a Woman Out of Me,” “Bones,” “Old Strings”

Blue Sky Riders Finally Home

#25
Finally Home
Blue Sky Riders

Individual rankings:  #4 – Dan

With their considerable powers combined, Georgia Middleman, Gary Burr, and Kenny Loggins (Kenny Loggins!) produce the year’s most relentlessly positive LP. No time for cynics here; this is distilled country-poptimism, a set of songs that could easily soundtrack a self-help seminar (“Just Say Yes”! “How About Now”!) and like it that way, thanks. And are you gonna complain? The songs are so catchy, you will help yourself. - Dan Milliken

Recommended Tracks:  “Little Victories”, “Just Say Yes”, “How About Now”

Willie Nelson To All The Girls

#24
To All the Girls…
Willie Nelson

Individual rankings:  #12 – Tara; #15 – Leeann

Only Nelson could create an album akin to a mug of hot chocolate on a lazy Sunday afternoon that still feels elegant and impeccably thought-out. There’s no doubt he was tickled to record with all 18 female acts, from current stars to genre darlings to his own family, and it shows. He plays to each of her strengths with grace – stepping back in “Grandma’s Hands” to let Mavis Staples take it to church, standing quietly still in “Always On My Mind” so Carrie Underwood can inhabit the classic, waltzing right alongside Norah Jones in “Walkin.” It’s all comfort food, to be sure, but comfort food of the classiest, most tasteful order. - Tara Seetharam

Recommended Tracks:  “Far Away Places,” “Please Don’t Tell Me How the Story Ends,” “Grandma’s Hands,” “Have You Ever Seen the Rain?”

Kim Richey Thorn in My Heart

#23
Thorn in My Heart
Kim Richey

Individual rankings: #15 – Kevin; #18 – Ben; #19 – Tara

Built around full-bodied melodies, subtle yet evocative arrangements, and authoritative vocal performances, Thorn in My Heart is another excellent collection of mature, compelling roots country songs by one of the genre’s most underrated singer-songwriters.  - Ben Foster

Recommended Tracks:  “Thorn in My Heart,” “London Town,” “Breakaway Speed”

Lori McKenna Massachusetts

#22
Massachusetts
Lori McKenna
Individual rankings: #3 – Kevin

Whereas the previous, excellent Lorraine dealt heavily in the themes of loss and grief, the finest moments on McKenna’s latest collection surround matters of the heart. McKenna captures the quiet desperation just under the surface of life’s mundanity better than any writer today.  - Kevin Coyne

Recommended Tracks: “Shake”, “Salt”, “Smaller and Smaller”

Caitlin Rose The Stand-In

#21
The Stand-In
Caitlin Rose

Individual rankings: #10 – Dan; #11 – Jonathan

Liz Rose’s daughter once again proves her family can school yours all day long, with a sophomore set of songs every bit as sharp as her debut. Her soft, demure singing style belies her ability to slip powerful blows—whether aimed at others or herself—into a song. Call her Nashville’s ninja. - Dan Milliken

Recommended Tracks:  “I Was Cruel”, “Silver Sings”, “Menagerie”

Country Universe’s Best of 2013:

 

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Grammy Awards 2011: Staff Picks & Predictions

It’s hard to believe, but it’s that time of year again: the 2011 Grammy Awards air this Sunday at 8 p.m. Eastern. Country music has its hand in the Grammy pot via major nominations for Lady Antebellum, performances by Miranda Lambert, Lady A and Martina McBride, and appearances by Keith Urban, Zac Brown, Blake Shelton and Kris Kristofferson. We’ve picked and predicted the awards below – chime in with your own thoughts, and stop by on Sunday night for our live blog!

Album of the Year

Should Win

  • Arcade Fire, The Suburbs - Dan
  • Eminem, Recovery - Kevin, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Will Win

  • Arcade Fire, The Suburbs
  • Eminem, Recovery - Kevin, Dan, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Kevin: In a field of newer artists, Eminem is the established veteran that is overdue for this award. It helps that he also made the best album of his career, as well as of the five nominees.

Dan: I could actually see Lady A coming out on top, since they’ve moved a lot of units and are the least divisive act here. But Recovery was a big comeback, and NARAS likes to use this award as a lifetime achievement thing. I don’t like that tendency, though; I’d rather we just reward the best set. To me, that was Arcade Fire’s ambitious concept album.

Tara: I really respect The Suburbs and really dig Recovery. Both are deserving, but Eminem probably has the edge with NARAS for the reasons stated above. (PS – I’m still not over it. TEENAGE DREAM?)

Record of the Year

Should Win

  • B.O.B featuring Bruno Mars, “Nothin’ On You”
  • Eminem featuring Rihanna, “Love the Way You Lie”
  • Cee Lo Green, “F*** You” - Dan, Tara
  • Jay-Z featuring Alicia Keys, “Empire State of Mind” - Kevin
  • Lady Antebellum, “Need You Now”

Will Win

  • B.O.B featuring Bruno Mars, “Nothin’ On You”
  • Eminem featuring Rihanna, “Love the Way You Lie”
  • Cee Lo Green, “F*** You”
  • Jay-Z featuring Alicia Keys, “Empire State of Mind”
  • Lady Antebellum, “Need You Now” - Kevin, Dan, Tara

Kevin: Perhaps it’s an instinctual reaction as a native New Yorker, but I still get chills every time I hear “Empire State of Mind.” Jay-Z’s casual “Long live the World Trade” in the second verse perfectly captures how our city moved briskly forward after 9/11 like we always do, but we haven’t forgotten it.

No Urban or Hip-Hop record has ever won this award, so it pains me to predict that Lady Antebellum will triumph over four better records. I hope I’m wrong.

Dan: Cee Lo’s viral novelty hit was one of last year’s biggest delights. I could see this award going to any track but “Nothin’ On You,” but suspect voters will probably go with the least edgy track.

Tara: I could make an argument for four of the five songs here, but I can’t peel myself away from Green’s personality-packed throwback hit that practically begs you to love it. And do I. I agree with Dan and Kevin, though, that Lady A will take this.

Song of the Year

Should Win

  • “Beg, Steal, or Borrow” – Ray LaMontagne
  • “F*** You!” – Brody Brown, Cee Lo Green, Philip Lawrence & Bruno Mars
  • “The House That Built Me” – Tom Douglas & Allen Shamblin - Kevin, Tara
  • “Love the Way You Lie” – Alexander Grant, Skylar Grey & Marshall Mathers
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Will Win

  • “Beg, Steal, or Borrow” – Ray LaMontagne
  • “F*** You!” – Brody Brown, Cee Lo Green, Philip Lawrence & Bruno Mars
  • “The House That Built Me” – Tom Douglas & Allen Shamblin – Kevin, Tara
  • “Love the Way You Lie” – Alexander Grant, Skylar Grey & Marshall Mathers
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Kevin: I think the biggest hurdle for “The House That Built Me” was getting the nomination. It really stands out in this field. It used to be rare for the Song victor to not be nominated for Record, but it has happened three times in the last seven years, including last year.

Tara: I’d honestly be happy to see any of these songs win. I’ll back “The House That Built Me” and just take a guess that the voters will, too.

Best New Artist

Should Win

  • Justin Bieber
  • Drake
  • Florence + the Machine
  • Mumford & Sons - Dan, Kevin, Tara
  • Esperanza Spalding

Will Win

  • Justin Bieber
  • Drake – Kevin, Dan, Tara
  • Florence + the Machine
  • Mumford & Sons
  • Esperanza Spalding

Kevin: I dig Mumford & Sons the most, but Drake seems to be the guy to beat.

Dan: I think Mumford has the most potential going forward. They’re got a dark-horse shot at the win, too, though Drake does seem like the most logical choice. Bieber’s by far the biggest name right now, but NARAS didn’t give it to tween-fave forerunners Hanson or Jonas Brothers, so…

Tara: Ditto. Although I have an unexplainable inkling that the Bieber might nab the award.

Best Country Album

Should Win

  • Dierks Bentley, Up on the Ridge – Kevin, Tara, Leeann
  • Zac Brown Band, You Get What You Give
  • Jamey Johnson, The Guitar Song - Dan
  • Lady Antebellum, Need You Now
  • Miranda Lambert, Revolution

Will Win

  • Dierks Bentley, Up on the Ridge
  • Zac Brown Band, You Get What You Give
  • Jamey Johnson, The Guitar Song
  • Lady Antebellum, Need You Now – Dan
  • Miranda Lambert, Revolution - Kevin, Tara, Leeann

Kevin: I think Bentley made the best record, and perhaps the slew of collaborators will help raise its profile with voters. Usually the country album nominated for overall Album wins this award, but I’m thinking that Lambert’s recent awards streak will continue here.

Dan: I pick Johnson by a nose, but genuinely like every album here besides Need You Now. Hoping Kevin’s right about that one.

Leeann: Like Kevin said, Bentley deserves to win and I hope he does, but I think Lambert’s album may win due to accessibility and her reputation for artistic integrity.

Tara: Up on the Ridge and Revolution both hit my sweet spot: they straddle the line between reverent and relevant and make me genuinely excited about country music’s future. Bentley’s album is the better of the two (and the best of the bunch) – but I think Lambert’s will pick up the most votes.

Best Female Country Vocal Performance

Should Win

  • Jewel, “Satisfied”
  • Miranda Lambert, “The House That Built Me” - Dan, Kevin, Tara, Leeann
  • LeAnn Rimes, “Swingin’”
  • Carrie Underwood, “Temporary Home”
  • Gretchen Wilson, “I’d Love to Be Your Last”

Will Win

  • Jewel, “Satisfied”
  • Miranda Lambert, “The House That Built Me” - Dan, Kevin, Tara, Leeann
  • LeAnn Rimes, “Swingin’”
  • Carrie Underwood, “Temporary Home”
  • Gretchen Wilson, “I’d Love to Be Your Last”

Kevin: This is Lambert’s best shot at a Grammy. Underwood will threaten, as always, but I think the strength of this song makes it tough to beat.

Leeann: Lambert’s signature song is the strongest and likely most long-lasting of the bunch.

Tara: Lambert and Underwood turn in two of the most emotive, powerful performances of their careers, but “The House That Built Me” is undeniably the better song. Since Underwood’s Grammy streak seems to be up for now, I think the voters will side with Lambert.

Best Male Country Vocal Performance

Should Win

  • Jamey Johnson, “Macon”
  • Toby Keith, “Cryin’ For Me (Wayman’s Song)” - Kevin, Leeann
  • David Nail, “Turning Home” - Dan
  • Keith Urban, “‘Til Summer Comes Around”
  • Chris Young, “Gettin’ You Home (The Black Dress Song)”  - Tara

Will Win

  • Jamey Johnson, “Macon”
  • Toby Keith, “Cryin’ For Me (Wayman’s Song)”
  • David Nail, “Turning Home”
  • Keith Urban, “‘Til Summer Comes Around” - Dan, Kevin, Tara, Leeann
  • Chris Young, “Gettin’ You Home (The Black Dress Song)”

Kevin: I am not going to complain about Urban winning again for my favorite single from his last two albums. But Toby Keith is way overdue in this category, and he’s nominated for one of his best vocal performances to date.

Dan: Nail’s nuanced performance brought what could have been a very rote song to life. And his career could use the boost.

Leeann: I think the Grammy voters will reflexively give the award to Keith Urban, but Toby Keith’s song is the most poignant of the nominees.

Tara: Urban’s got his hold on this category, but I’m in Young’s corner. His slow-burning hit is as charming as it is sexy, which isn’t an easy thing to pull off. And that voice.

Best Duo/Group Country Vocal Performance

Should Win

  • Zac Brown Band, “Free”
  • Dailey & Vincent, “Elizabeth”
  • Lady Antebellum, “Need You Now”
  • Little Big Town, “Little White Church”- Tara
  • The SteelDrivers, “Where Rainbows Never Die” - Kevin, Leeann

Will Win

  • Zac Brown Band, “Free”
  • Dailey & Vincent, “Elizabeth”
  • Lady Antebellum, “Need You Now” - Kevin, Tara, Leeann
  • Little Big Town, “Little White Church”
  • The SteelDrivers, “Where Rainbows Never Die”

Kevin: I think it’s a race between Lady Antbellum and Zac Brown Band, with LA in the lead. But the SteelDrivers get the annual “song I discovered because it was nominated for a Grammy and fell in love with after hearing it” award from me.

Leeann: The SteelDriver’s song is my favorite with Little Big Town at a close second, but I suspect that Lady A won’t be shut out for such a hugely popular radio hit across the board.

Tara: Dear NARAS: since “Single Ladies” got screwed over for ROTY last year, please show Little Big Town some love for their crazy awesome countrified version. It’s just as good…maybe even better?

Best Country Collaboration with Vocals

Should Win

  • “Bad Angel” — Dierks Bentley, Miranda Lambert & Jamey Johnson
  • “Pride (In The Name Of Love)” — Dierks Bentley, Del McCoury & The Punch Brothers
  • “As She’s Walking Away” — Zac Brown Band & Alan Jackson – Kevin, Tara, Leeann
  • “Hillbilly Bone” — Blake Shelton & Trace Adkins
  • “I Run To You” — Marty Stuart & Connie Smith

Will Win

  • “Bad Angel” — Dierks Bentley, Miranda Lambert & Jamey Johnson
  • “Pride (In The Name Of Love)” — Dierks Bentley, Del McCoury & The Punch Brothers
  • “As She’s Walking Away” — Zac Brown Band & Alan Jackson – Kevin, Tara, Leeann
  • “Hillbilly Bone” — Blake Shelton & Trace Adkins
  • “I Run To You” — Marty Stuart & Connie Smith

Kevin: Best collaboration in a very long time. Love hearing an artist from my youth playing elder statesman so well.

Leeann: It’s difficult for me to imagine that “As She’s Walking Away” won’t be rewarded for both its popularity and the significance of the still active veteran, Alan Jackson, dispensing wisdom to the up-and-coming bright stars of country music in the Zac Brown Band.

Tara: I love the groove of “Bad Angel,” but its collaboration isn’t nearly as dynamic nor as fitting as that of “As She’s Walking Way.” I can’t imagine any “wise man” but Jackson pulling up a stool next to Brown in this song.

Best Country Instrumental Performance

Should Win

  • Cherryholmes, “Tattoo of a Smudge”
  • The Infamous Stringdusters, “Magic #9″
  • Punch Brothers, “New Chance Blues” – Kevin, Leeann
  • Darrell Scott, ‘Willow Creek”
  • Marty Stuart, “Hummingbyrd”

Will Win

  • Cherryholmes, “Tattoo of a Smudge”
  • The Infamous Stringdusters, “Magic #9″
  • Punch Brothers, “New Chance Blues” - Kevin, Leeann
  • Darrell Scott, ‘Willow Creek”
  • Marty Stuart, “Hummingbyrd”

Kevin: Punch Brothers are approaching Nickel Creek levels of awesomeness. Possibly exceeding them.

Leeann: Kevin’s right. Even as someone who isn’t typically fond of instrumentals, I dig those of the Punch Brothers.

Best Country Song

Should Win

  • “The Breath You Take” — Casey Beathard, Dean Dillon & Jessie Jo Dillon
  • “Free” — Zac Brown
  • “The House That Built Me” — Tom Douglas & Allen Shamblin - Dan, Kevin, Tara, Leeann
  • “I’d Love To Be Your Last” — Rivers Rutherford, Annie Tate & Sam Tate
  • “If I Die Young” — Kimberly Perry
  • “Need You Now” — Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Will Win

  • “The Breath You Take” — written by Casey Beathard, Dean Dillon & Jessie Jo Dillon
  • “Free” — written by Zac Brown
  • “The House That Built Me” — written by Tom Douglas & Allen Shamblin – Kevin, Tara, Leeann
  • “I’d Love To Be Your Last” — written by Rivers Rutherford, Annie Tate & Sam Tate
  • “If I Die Young” — written by Kimberly Perry
  • “Need You Now” — written by Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Kevin: My heart is owned by “If I Die Young”, but I think that “The House That Built Me” is objectively the best song.

Leeann: While The Band Perry’s song sounds the coolest, the writing for “The House That Built Me” is clear frontrunner for the best song of the year.  It deserves and likely will be recognized as such, especially since it was both very critically acclaimed and successful as a single.

Tara: No question “The House That Built Me” is the best written song of the group, and I think it’ll be recognized as such.

Best Bluegrass Album

Should Win

  • Sam Bush, Circles Around Me
  • Patty Loveless, Mountain Soul II
  • The Del McCoury Band, Family Circle
  • Peter Rowan Bluegrass Band, Legacy
  • The SteelDrivers, Reckless – Kevin

Will Win

  • Sam Bush, Circles Around Me
  • Patty Loveless, Mountain Soul II
  • The Del McCoury Band, Family Circle – Kevin
  • Peter Rowan Bluegrass Band, Legacy
  • The SteelDrivers, Reckless

Kevin: Kudos to Loveless for her nomination, but I like the SteelDrivers set more.

Best Americana Album

Should Win

  • Rosanne Cash, The List
  • Los Lobos, Tin Can Trust
  • Willie Nelson, Country Music – Dan, Kevin
  • Robert Plant, Band of Joy
  • Mavis Staples, You Are Not Alone

Will Win

  • Rosanne Cash, The List
  • Los Lobos, Tin Can Trust
  • Willie Nelson, Country Music
  • Robert Plant, Band of Joy
  • Mavis Staples, You Are Not Alone - Kevin

Kevin: So I think Staples is nominated for an awesome gospel album and Nelson for an awesome country album. This category is confusing.

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