Merle Haggard

Country Universe’s Best Albums of 2013, Part Two: #20-#1

December 31, 2013 // 9 Comments

2013 turned out to be a banner year for new music, full of powerful songwriting, inspired collaborations, and truly cohesive albums that would rank among the best releases in any given year. Many of this year’s top twenty would’ve ranked much higher in other years, and many of us writers couldn’t even include all the works we deeply enjoyed this year on our personal lists, making our collective list worthy of the heartiest endorsement we could ever give.

Here’s to a great 2013, and a greedy wish that 2014 will be just as wonderful on the music front. As always, share your thoughts and personal favorites in the comments.

Charlie Worsham Rubberband

Charlie Worsham

Individual rankings: #7 – Tara; #12 – Leeann

Like Chris Young two years ago, Worsham’s voice is a commodity that instantly elevates the new artist to an orbit above the male radio regulars. His is warm and cleanly expressive, lending itself best to songs that nurture his upper register, like the jaunty “Want Me Too,” haunting “Someone Like You” or those invigorating opening bars of “Could It Be.” If only life imitated “Nashville” and its fictional stars’ uncomplicated brand of pop country, Worsham might just be the next Luke Bryan and “Rubberband” –the album’s finely produced, genre-bending title track– his next big hit. – Tara Seetharam

Recommended Tracks: “Rubberband,” “Someone Like You,” “Young to See,” “Could it Be”

CMA Awards: Entertainer of the Year (1967-2013)

November 3, 2013 // 5 Comments

Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.

Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.

Eddy Arnold1967

  • Bill Anderson
  • Eddy Arnold
  • Merle Haggard
  • Sonny James
  • Buck Owens

One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.

Single Review: Kacey Musgraves, “Blowin’ Smoke”

July 28, 2013 // 9 Comments

Kacey Musgraves Blowin' SmokeOne of my longest running criticisms of contemporary country music is the disappearance of the working poor. It’s a segment of the population that has been growing exponentially, but the genre that has historically been associated with chronicling their experiences has instead chosen to lionize and romanticize small town partying and country living. Lots of songs about Sunday mornings and Saturday nights, but almost none about those tiring days in between.

Six Pack: Iris DeMent

January 13, 2013 // 7 Comments

Iris DementEven long-time readers of Country Universe could be forgiven for getting to #2 on our Top Country Albums of 2012 list and wondering, “Who on earth is Iris DeMent?”

Iris DeMent came out of nowhere in 1992 with a stunning debut album, Infamous Angel, that received rapturous critical acclaim. The general consensus was that it heralded the arrival of a new singer-songwriter for the ages.

Two years later, My Life only strengthened that sentiment, and DeMent was widely seen as a critical voice in what would eventually become known as the Americana music genre.

Album Review: Terri Clark, <i>Classic</i>

November 20, 2012 // 9 Comments

A great covers record, no matter how sincere the artist’s intentions, must provide a satisfactory answer to one question: Why should we listen to this artist’s versions of these songs when the originals are still there for us to enjoy?

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