Weeds uses music more effectively than just about any show I’ve seen, especially in their season finales. For pure brilliance, it’s impossible to top the way that June Christy’s “A Lovely Way to Spend an Evening” was used in the season five closer. But in terms of truly expanding on the action on screen. “Hey Ho” was the perfect choice, ending season six on the perfect note.
To continue Country Universe’s celebration of the nineties, I’m throwing in a nineties edition of iPod Check. The rules are simple: put your iPod on shuffle and list the first ten songs to pop up that were released in the nineties. They don’t have to be singles, and they don’t have to be country.
I’ve listed my ten songs below. Share yours in the comments, and check your shame at the door! (I’ve got 1994’s “Hakuna Matata” on my iPod, but sadly, it did not come up in shuffle.)
1. Sara Evans, “There’s Only One”
2. Michael Jackson, “Remember the Time”
3. Shania Twain, “You Win My Love”
4. Martina McBride, “O Come All Ye Faithful”
5. Dixie Chicks, “Am I The Only One (Who’s Ever Felt This Way?)”
6. Original Broadway Cast of Rent, “Seasons of Love”
I certainly didn’t expect to create a third Country Universe post on Michael Jackson, but longtime readers know that this site would enter an extended period of mourning should anything ever happen to Dolly Parton.
She posted a video diary today about Jackson’s death. As usual, she radiates humanity and warmth. Those who are fortunate enough to have Parton as a character witness on judgment day should count their lucky stars!
I’ve heard it said so many times in the past week: the death of Michael Jackson is my generation’s equivalent of the Death of Elvis Presley. (I can only assume that makes Kurt Cobain our Janis Joplin?)
He was a controversial figure, to be sure, and much like Elvis, a tragic figure even before his tragic death. Being a music fan first, I lost interest in Jackson a long time ago, simply because he’s made so little music in the past two decades – a mere three studio albums in more than twenty years.
But there’s no doubt that he’s an icon, the embodiment of the MTV age and the breakdown of barriers between pop, R&B and dance music. Who does pop music have left that’s in the same league? Only Madonna, but since she’s still very much at the top of her game and is anything but a tragic figure, don’t expect the mourning for her to begin any time soon.
But pop music isn’t the only genre running low on icons. What country acts remain that could garner significant coverage upon their death? Johnny Cash’s death made the cover of Time magazine, an honor usually reserved for former Beatles members. CNN broadcast live from Tammy Wynette’s funeral back in 1998.
In contrast, Waylon Jennings and Porter Wagoner, two legends and Hall of Fame members, made barely a ripple in the national news media. It’s easy to imagine the same fate for George Jones and Merle Haggard, two country music icons that have never been nearly as popular in the media beyond country music.
Who are the icons in country music that could command the same attention as Wynette and Cash, or perhaps even Jackson, when their road comes to an end?
No words, printed or spoken, seem to do justice to the life and career of the late Michael Jackson, the brilliantly talented, irreplaceable entertainer who united the world with his music and spirit. The only fitting way to pay tribute to this musical icon is to celebrate his music – because his is the rare, exquisite kind that transcends the boundaries of genre, color, gender and time, and will continue to impact lives for generations to come.
The Jackson 5 perform mega-hit “I Want You Back” on Soul Train in 1972
Jackson debuts legendary moonwalk on the 1983 Motown 25 television special
Jackson’s 1991 music video for the idealistic, global anthem “Black or White”
How has Michael Jackson’s music touched you? Post your thoughts, along with your favorite performances and music videos, below.
I blame Adam Lambert for what I am about to reveal to you all: I’m headed to a Taylor Swift concert tonight. That’s right, Taylor Swift. Insidious curiosity got the better of me.
But why do I blame Lambert, you ask? Because I haven’t been listening to a whole lot of country music recently. Instead, thanks to my new, bizarre obsession with Lambert, in the past month I’ve pulled out old Queen, Bowie, Michael Jackson and Led Zeppelin. And I’ve listened to more My Chemical Romance, Pink and even Def Leppard than anything resembling country. So, of course I thought of Swift. Because, when you think of hard rock, isn’t Swift the first person who comes to mind?
(Save your ears, don’t listen)
I’ve also been tuning into rock radio, a rarity for me, to see what’s popular these days. Lo and behold, wouldn’t you know, Taylor Swift is also a rock artist (in addition to being a country, pop and heavy metal artist). She’s regularly squeezed in between All American Rejects and Green Day on my local station. And let me tell you, nothing sounds more rock than a re-mix of Love Story. Don’t you agree?
But you have to give credit where credit is due. This girl has everyone fooled. Re-mix, re-package, throw in a few guest appearances with John Mayer and Def Leppard, form a friendship with Miley Cyrus, and suddenly, wow, you appeal to every demographic (under the age of 20). I gotta admit, I’m impressed. I’m also curious how a tall, gangly misfit, with a precocious attitude, who can’t sing, has made it work. So, I’m headed to a concert tonight and will report back here because I actually know that many of you consider Swift a guilty pleasure. Wish me luck.
But no worries. I also have a number of saner concerts scheduled later this summer. I’ve already got tickets to see Patty Griffin, Emmylou Harris, Nanci Griffith and Buddy Miller; as well as tickets to see Gary Allan and LeAnn Rimes (if she doesn’t cancel, which she’s done on me twice). I’m also still holding out for Bob Dylan/Willie Nelson tickets, but I’m sure that one is going to work out.
Summer concert season is around the corner.
Who are you planning on seeing in concert this summer?