The moment where Tim McGraw discovers subtlety and finds it suits him quite well.
“Everywhere” is the title track from the album that established McGraw as a credible artist, and its release was demanded by radio, which gave it considerably heavy airplay as an album cut.
The song tells the tale of a man who is haunted by the memory of the girl he’s left behind in his small town to chase his dreams of a life outside the narrow parameters that surrounded them.
McGraw’s understated delivery packs the song with such emotional heft that the unresolved sadness lingers after the song has ended. It’s a masterful performance that, along with its charming predecessor “It’s Your Love”, notes the beginning of McGraw’s golden era.
The second segment of our countdown includes the first appearances by Garth Brooks and Reba McEntire, two of the biggest-selling stars of the decade.
#375 How Do I Get There Deana Carter
1997 | Peak: #1
It’s always a gamble when friends decide to take their relationship to the next level. “How Do I Get There” explores the struggle of following one’s heart, even though it’s taking a big emotional risk to do so. – Leeann Ward
If I Could Make a Living Clay Walker
1994 | Peak: #1
This song is either ridiculously cheesy or irresistibly cheesy depending on your taste, but there’s no denying Walker sells the heck out of it with charm and enthusiasm. – Tara Seetharam
It Sure is Monday Mark Chesnutt
1993 | Peak: #1
Mark Chesnutt is one of the best male vocalists of the nineties, but there were many times when he did not always rise to the challenge of conveying the energy to elevate a decent song to a good one. Case in point: “Friends in Low Places”, which was eventually properly energized by Garth Brooks. “It Sure Is Monday”, however, is a positive example of Chesnutt actually making a song his own by demonstrating the ability to breathe life into a decent song and make it really good. – LW Continue reading →